Throughout my early period of discovering disco music
it was always a thrill for me to hear a redit or remix of
a piece of music that I was familiar with.

It was a necessity for the underground feel of a disco hit that it contain the elements which dancers and deejays were accustomed to, and so desired.

With today's dance music it is typical to have 4 to 5 varied mixes to suit different club environments. Most of these customized mixes conform a song with new sound. At times a song may be unrecognizable within 2 mixes.

I have taken several classics and rare selections to reedit and create what I call "ReStructure Mixes" - some are pieces of the original and others are edited remixes. Most of these cuts I have used the original LP or 12" mix - straying from another engineers remix. This is to maintain my own sound with the original recording.

I hope you will enjoy them - please let me know by sending me an email at restructuremix@cox.net or let me know if there are any classics you would like me to perform a "ReStructure Mix" on!

Glenn Rivera

 


 

 

 

• I Will Follow Him - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry is one of the icons of the disco era. Her music has always been aimed at the dance floor and we are so grateful. A unique falsetto voice with a sensual lure is not the only asset this diva possesses – her stage presence is always powerful and dull of energy. A few of her big hits include, “Sweet Dynamite”, “Boogie Woogie Dancin’ Shoes”, “Johnny, Johnny Please Come Home”, and “Dancin’ Fever”. The 70s was truly an event thanks to Claudja and her music. In the early 80s she stood her ground for her dance fans and maintained more hits and plenty of diversity among their production and her vocal performances. “I Will Follow Him” is one of Claudja’s 1982 releases and was produced by legendary Jurgen Kordulesch (Disco Circus, Araxis, Lipstique) and is a cover of 1953 pop track from Little Peggy March. Claudja hits the spot with this 80s electro-disco version. Her vocal and the hard hitting vibe make this one a beautiful and invigorating version.

I have taken the 12” version of “I Will Follow Him” and pieces of the original to recreate a new ReStructure Mix to pay homage to Claudja and Jurgen for their wonderful contributions to the dance floor and our hearts. This remix plays out with more effects and some new play with Claudja’s vocal.

• I Love Men - Glenn Rivera ReStructure Mix - Eartha Kitt

Eartha Kitt is a star whose presence was not only a mystique but also much like the 50s own Grace Jones figure. Her music was accented with her unique sound. It was only a short amount of time into the 70s when disco producer Jacques Morali (Village People, The Ritchie Family) brought Eartha into the club arena for a dance album and so appropriate. “I Love Men” is the title single which brings an outward and fitting version of her odyssey with men as partners. It is fun and dramatic track which fills the room with an electric symphony of celebration.

I have taken the 12” on Record Shack and transformed the 2 version into a new ReStructure Mix experience. Just as celebratory and fun as Eartha would present. A tribute to both Eartha Kitt and Mr. Jacques Morali!

• Oriental Eyes - Glenn Rivera ReStructure Mix -Rewind

Rewind is a German produced disco project from 1985. Produced by Two ‘N’ You and features vocalist Camilia Hüther on their single “Oriental Eyes”. This Euro-dance track is an adventure with Arabic touches to give the theme of “Lawrence of Arabia” a dance soundtrack. The lyrics focus on a love affair where the passion is brought to life with the glimpse of our eyes through the raging desert. The beats pound out a tight rhythm throughout the chants which follow the early 80s Bobby O and pop-songs like “Self Control”. It was always a favorite of mine to use for nights where the program was painting a picture as well as moving the soul.

I have taken the 12” vocal and instrumental to work on this ReStructure Mix to give this song another piece of that romance in the hot sand. I have extended the intro with the fantastic beats and have given this story a long fading departure with the sitar playing mysteriously. It is a salute to those 80s Euro-disco productions that returned us to the disco productions where a symphonic approach was powerful and beautiful.

• Lift Off - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley is a disco pioneer in production and mind. His music has always represented the fantasy and adventure which hardcore dance music meant to deliver. His work with keyboards and synthesizers gave another era of electronic magic to disco music from the late 70s to the late 80s. More of his music is based on psychedelic moods and soaring motors of sound. His productions include many artists from the San Francisco disco movement in the early 80s like Sylvester, Paul Parker and Sarah Dash. His album “Megatron Man” is a classic in its entirety. Each track is a ‘mind trip’ which contains Cowley’s touch throughout in an originally production. “Lift Off” is a blasting adventure of traveling through a dance mind warp to ecstasy – always one of my favorites.

I have taken the album version of “Lift Off” and recreated a new voyage in this ReStructure Mix. A whole new edit that reworks the original elements to bring out the excitement once again.

• Head To Toe - Glenn Rivera ReStructure Mix - Lisa Lisa and Cult Jam

Lisa Lisa and Cult Jam are Lisa Velez, Mike Hughes and Alex “Spanador” Moseley – a group which brought the mid-80s a new street r&b sound with a touch of Miami Freestyle on the edges. Their single “Head To Toe” from 1987 was produced by Full Force and has the funky beats and rhythm that set their vocals which echo an oldies shoo-bop feel on fire. It is one of pinnacle singles from the group and reminds me of a time when pop-dance engaged traditions of disco music.

I have taken the 12” vocal and dub (“Foot Mix”) into a ReStructure Mix play which gives the track a playful dub feel with more of the bridge which raises the love from Lisa to sweetness. I have no idea why Rosie and The Originals’ “Angel Baby” got caught up in this mix – it was always in the background of my mind when placing this song

• Chinese Magic - Glenn Rivera ReStructure Mix - Jessica

Jessica is Malaika Trümper – a German disco singer who recorded several dance singles during the mid and late 80s. The music produced by Bernd Dietrich and Engelbert Simons is a high energy feel which was labeled ‘Asian New Wave”. This was a bright and uplifting sound similar to groups like Modern Talking. “Chinese Magic” is a small celebration with a rolling chorus which brings to mind fan dancers for me. This one always had a melodic feel which I loved to use during tea dances or programs with an uplifting feel. It is simple and Jessica’s soft and breathy vocals bring to mind a disco period where happiness was the mood of the music.

I have taken the vocal and instrumental from the 12” single and recreated a deeper edged ReStructure Mix using the rolling bass synths on a down beat. The uplifting chorus is accentuated with more of an underground lead into this mystical sound I have also rearranged the original to give it not only a longer act but also add a few breaks with a classic sample from Led Zeppelin which came to mind somewhere in the creative process.

• Love Light - Glenn Rivera ReStructure Mix - Jerney

Jerney Kaagman is a singer from The Netherlands who started her recording career in the early 70s with a band titled Earth and Fire. He solo career began in 1984 with her album “Made On Earth” which features the disco track “Love Light” – a beautiful early morning track which remained as an underground single for disc jockeys and music connoisseurs who were fortunate enough to acquire the 12” version with a fabulous Robbie Leslie remix focused at the big after-hours dance palaces. It follows the formula of many bands and vocalists of the time who were crossing over to an alternative and moody sound – much like Cock Robin’s “When Your Heart Is Weak”. “Love Light” is a lovely piece that suits Jerney to the end of the magic which plays out as complete from start to end.

I have taken the Robbie Leslie 12” remix released in 1986 and created a dreamier version for this ReStructure Mix entry. The original 12” version by Leslie is a gem and this touch only gives it another “spotlight” for those ears and feet which may either remember and treasure it or discover and be in awe of it.

• Blow Up The D.J. - Glenn Rivera ReStructure Mix - TNT Clan

TNT Clan is a new beat/Belgium Beat project from the masters of the genre – Herman Gillis, Jo Casters and Roland Beelen – better known as Morton Sherman Bellucci. This style of dance music rejuvenated the artistic and rhythmic edge of dance music and may have been inspired by “Pump Up The Volume” by M.A.R.R.S. from 1987. Many of the pieces that are a conglomerate of New Beat feature simple yet heavy bass beat riffs – disco, hip-hop, street, rock or house and transformed into a sample foundation for various hidden or strange messages. Many are sexual and are to the extreme of sampling porn film sounds or sexually suggestive phrases. The overhaul of the mixes are the success of New Beat as many were stripped down and EQ’ed with the sharp and deep recording that presented a polished product.

“Blow Up The D.J.” is one of my favorite tracks in the New Beat genre not only the usage of the classic disco track by Kiss (“I Was Made For Loving You”) but it also signifies the “Pump Up The Volume” influence. This ReStructure Mix is to pay homage to this style of dance music which I followed by ear with dedication but also found it as a rejuvenation of dance music in the late 80s and its influence during the early 90s dance scene.

• Love Is Alive - Glenn Rivera ReStructure Mix - Gary Wright

Gary Wright is a 70s artist who became one of the most widely used musicians in session recordings throughout the early millennium. His 1975 album “The Dream Weaver” is one of the markings of rock which brings the pop edge into blend electronic and experimental sounds. “Love Is Alive” is a single from the album which in the 80s, 90s and today can be a nice sleaze piece for a crossover club sound. A unifying anthem of with that 70s edge which always made the radio rock.

I have taken the album version of “Love Is Alive” and worked this ReStructure Mix for an alternative sleaze remix using all of the patterned beats with new percussion and bass. This version is another tribute to the 70s rock era and its influence on many disco producers minds and focus in the music industry.

Dedicated to David Woodruff who has requested a ReStructure Mix of this rock classic – and thanks for keeping the vinyl meaning alive in his blog posts.

• Give It To Me Baby - Glenn Rivera ReStructure Mix - Rick James

Rick James began a recording career in 1978 with his group Stone City Band and soon became the new face and sound of funk. A hard hitting style of dance music which incorporated a touch of the deep percussion of disco and his “punk funk” edged guitars and grooves. His 1981 album “Street Songs” was his sixth release and one of his more memorable with two dance tracks, “Super Freak” and “Give It To Me Baby” which played out on dance floors as a return to the sound which James is known for. “Give It To Me” is a bass driven dance track which emulates a riff from Kleeer’s “Keep Your Body Workin’” – but with some new elements which make it its own.

I have taken the 12” vocal and instrumental of “Give It To Me Baby” and created a new ReStructure Mix with a psychedelic disco wah-wah guitar leading the mix. The extension of all that is great in this song are the focus and some play on words and of course Rick James’ genius.

• Major Tom (Coming Home) - Glenn Rivera ReStructure Mix - Peter Schilling

Peter Schilling is a German singer who marked the early 80s with a synth-pop track titled “Major Tom (Coming Home)” from 1982. The song is a memorable piece which contains elements of trance and techno in the nu-wave rhythm. Major Tom being the focus of a 1969 David Bowie song, “Space Oddity” replaying as a dissecting of the character. Peter Schilling later went on in 1989 to record with producer Michael Cretu (producer and husband of German dance artist Sandra).

I have taken the US 12” version of “Major Tom (Coming Home)” with the remixes by John Luongo and took the dreamy feel of the song into a new extension as well as using beats and rhythm over the drop out verses of the original. It is a non-stop ReStructure Mix that uses pieces and parts of the great Luongo remix and reassemble it into a whole new journey.

• Space Movin' - Glenn Rivera ReStructure Mix - Candy Darling and The Viscounts

Candy Darling is known as an American transgender actress who was titled “Warhol Superstar” following her role in Warhol’s 1968 film, “Flesh”. A crossover performance in a few films including “Klute” and “Silent Night, Bloody Night” gave this performer a rated career in a limited market for Darling. A 1978 disco single which utilized the image and essence of the deceased performer was released titled “Space Movin’” which is a funky space-disco instrumental number and the flip side titled “Beautiful Sunday”. The instrumental became an underground DJ classic and is the focus of this entry. It is produced by Bob Race.

I have taken the 12” version of “Space Movin’” and worked this ReStructure Mix with an extended arrangement and some new base percussion. I have transformed the simple keyboard arrangements into a “lost in space” aura for those who hold this one as an underground gem.
• Took Me So Long - Glenn Rivera ReStructure Mix - Cerrone

Cerrone not only brought European disco to the US in the mid-70s and in the early 80s used his genius to construct an exciting fusion of his horns, drums and energy for a new period of disco/dance music. “You Are The One” is from 1980 and crosses the dance bridge to another style for Cerrone along with vocalists Jocelyn Brown, Kristal Davis and Ullanda McCullough. “Took Me So Long” is one of the first singles that I got immediate response from my dance floor and it soon became one of those funk/disco songs that always sound fresh. Jocelyn Brown on lead vocals gives Cerrone a new sound and effect in his creation.

I have taken the album version of “Took Me So Long” and extended the keyboard riffs to a new ReStructure Mix. This mix plays out as a peak our number that may have added another fire to clubs like Paradise Garage on a Saturday night. One of the payments to the great Cerrone who never let us down.
• In The Navy - Glenn Rivera ReStructure Mix - Village People

Village People are the disco gems of the late 70s with the stage line up which displayed the various gay fantasies which creator and producer Jacques Morali opened a closet door wide and at the perfect time in the music world. What began a studio session group soon became one of the most celebrated and popular camp groups of all time. Victor Willis, Randy Jones, Alex Briley, Felipe Rose, David “Scar” Hodo and Glenn Hughes are the boys who would take this moment into history. “In The Navy” is from their 1979 album “Go West” and plays out as a disco parade. It is the magic of disco thanks to Jacques Morali and Henry Belolo and their orchestrated disco arrangements that bring these men to another level.

I have taken the album and 12” versions of “In The Navy” and worked this ReStructure Mix to pay homage to Village People and Jacques Morali. This dub-edge version makes use of the disco bass, claps and percussion which are the essence of the 70s. I have rearranged the verses and laid them out in a new mix to bring a new “adventure” to life for those die-hard fans.

• Body Heat - Glenn Rivera ReStructure Mix - Rufus and Chaka Khan

Rufus is a band from Chicago who also brought vocalist Chaka Khan to the front of the stage along with the sound which gave her the “Queen of Funk” edge. Their music in 1979 took the direction of super-producer Quincy Jones – and their project “Masterjam” reminded dancers that the beat and funk plays on. “Body Heat” is a dance track from the album which stood out for me since it has not only the Quincy Jones touch but it also gives Chaka a disco-funk playground to deliver what she does best. This wonderful track has the wind-up that ignites the disco flame from a nice groove with a sensual aura. Horns and bass roll out like a magic carpet.

I have taken the album version of “Body Heat” and recreated a ReStructure Mix with a phasing to boom into using the rolling bass chorus piece. The intro is a more of a high energy focus while the funk essence remains intact with more separation on verses and added bongos and percussion.
• I Need You - Glenn Rivera ReStructure Mix - Precious Wilson

Precious Wilson gives her music the unforgettable experience of emotion and enthusiasm with her vocal performances. In noted tracks the soft delivery which she lays out builds to soulful diva climax and resolution. As the voice of the disco band Eruption from 1977 – 1979 where their hits “I Can’t Stand The Rain”, “One Way Ticket” and “Party, Party” delivered satisfaction to dance floors. Her solo career in 1982 incudes a cover of Solomon Burke’s 1964 r&b classic “Everybody Needs Somebody To Love” in a new capsule titled “I Need You” – produced by Frank Farian. This 80s dance piece takes on the song with a new guitar riff which echoes throughout sweet and haunting verses into the celebratory chorus. It is a fine transformation from soul to disco and another stage for Precious Wilson’s style and sound.

I have taken the 12” version of “I Need You” and worked a new ReStructure Mix which aims more at a dreamy-dub-like mix. The 3:25 version pressed was also too short I during peak hour so I focused on a longer and deeper experience. Taking pieces of the vocals and some instrumental riffs into a whole new realm for this much loved dance number that I always had the best of luck playing.

• Harmony/I Got It - Glenn Rivera ReStructure Mix - Jayne Edwards

Jayne Edwards is one of the divas of the early 80s who brought an excitement to dance floors in transition from disco to high energy. Her first single produced by Rick Gianatos who is one of the genius minds of the late 70s in disco production and remixes. “Harmony/I Got It” is a gospel powerhouse track that wears out every tambourine and every heart and set of feet in the house. This rousing number plays out like flood of good feeling and a spirit of belief in living in the spirit. Always a wonderful Sunday tea-dance favorite and a great 80s dance piece. This ReStructure Mix takes the two parts – “Harmony” and “I Got It” and blends them into one shakin’ down mix. Jayne’s soulful vocals still play witness to this great song and with Rick Gianatos it is no wonder this one is a classic.
• Chains - Glenn Rivera ReStructure Mix - Teena Marie

Teena Marie is a soul, funk and disco artist whose presence in the music world of 1979 brought a whole new light. Known as the “Ivory Queen of Soul” and paired with Rick James on her first album, “Wild and Peaceful” this talent was headed for a revitalized group of funk followers. Not only was Teena’s voice a break into a new sound but her low down on the funk was another order for her brand of music. “Chains” is from her 1980 album “Irons In The Fire” which was self-produced and arranged. This piece is a funk masterpiece of horns and guitar racing that wears out not so easily. One of the tracks that I would rely during the cross to funk and disco during the period. Also a theme that expresses that cross reference of a tough love that we all know.

I have taken the album version of “Chains” and recreated a new phase for the song yet maintained the original intent. Lots of hard hitting drums are still the focus with a bit of dropping of some disco pounding moments to give it a ReStructure Mix feeling.

• Automatic - Glenn Rivera ReStructure Mix - Pointer Sister

Pointer Sisters rejuvenated themselves in the 80s with their album “Break Out” in 1983 – with four major dance floor hits including “Jump”, “Baby Come And Get It”, “Neutron Dance” and “Automatic”. A big lift for these talented ladies and their dedication to recreate themselves appropriately. “Automatic” is ReStructured her with an extended play on both verses and the pop-funk energy it creates. Along with the powerhouse vocals this one is sure to bring back that 80s feeling that the dance floor delivered.

• Reach For Me (Can't You See Lovin' Me) - Glenn Rivera ReStructure Mix - Elite

Elite is an Italo-disco project from producer Tony Carrasco and is conducted and arranged by Celso Valli. One of the great moments in club music where the undercurrent of disco is accented with a unique blend of vocals and an outstanding production. Hardcore in its execution, the album titled “Premiere” contains four disco tracks that playout more as an adult contemporary sound of dance music. One of the great Italian disco pieces of 1980 when dance music in the US was manuerving towards pop and funk. “Reach For Me (Can’t You See Lovin’ Me)” is a deep edged and moody early morning energy track that contains a bit of sleaze. It is one that I always moved towards in an afterhours program. One of my favorites in this genre. Vocals are provided by Jon Pickett, Michelle Wilson and David Vinson.

I have taken the album version that is a Celso Valli masterpiece and recreated a new ReStructure Mix to pay homage to this track. More percussion is added and a play on the introduction is added as well as more of that swirling and dreamy interlude that Valli works so well as he did in “Hills Of Kat Mandu”.
• Don't You Want My Love - Glenn Rivera ReStructure Mix - Vera

Vera is Patti Masi – a Canadian disco artist who helped the club scene during a transition from disco to electronic dance productions. Her beautiful vocal is one of the key elements to the disco magic of the late 70s. Her first big hit from 1981 “Take Me To The Bridge” is one of the best of its time for club records. Produced by Louis Toteda and beautifully arranged and executed. A start for this artist to become an addition and long waited follow up for hardcore jocks everywhere. “Don’t You Want My Love” is a single from Vera released in 1982 and from her second album. A nice love sonnet in an early morning package or sleaze feel. The beautiful vocals from Vera are like warmth that brings a promise to love. This is one of my favorite forms of dance music and this one was a favorite and a part of many of my afterhour’s programs.

I have taken the 12” of “Don’t You Want My Love” and recreated a new ReStructure Mix with more instrumental segues to give a nice introduction to Vera’s lovely vocal. A few breaks are added to give it more of that after hours feel.

This ReStructure Mix is dedicated to Patti Masi (Vera) and Louis Toteda – thanks for sharing your talent with the world.

• Love The One You're With - Glenn Rivera ReStructure Mix - Gino Soccio

Gino Soccio brought to disco music a whole new realm of electronic dance music into the late 70s. His work in the dance music began long before his cutting edge solo-project “Outline” in 1979. His prior work included session groups Kebekektrek, Gotham Flasher, Lafleur, Witch Queen, Busta Jones, Karen Silver and Shelbra Dance. “Love The One You’re With” is Soccio’s beat-box cover of Stephen Stills 1970 rock/folk song which was influenced by Billy Preston. This cover is sprinkled with touches of Soccio’s trance-like arrangement in a more pop-oriented arrangement. Rolling keyboards and some looping vibes assure us it is Soccio and again his choice and delivery are always welcome.

I have taken the 12” release of “Love The One You’re With” and reworked this ReStructure Mix to stretch the beats and kick drums out into a more lengthy and make shift version. Many of the nice kick drums fill in on an extended revisit and a little fun with looping and play with the vocal tracks.

• Emotion - Glenn Rivera ReStructure Mix - Samantha Sang

Samantha Sang has one of the iconic songs of the late 70s – “Emotion” from 1978 was produced by Albhy Galuten, Barry Gibb and Karl Richardson. This tender ballad feels like the period thanks to the accompaniment from the Bee Gees bringing the chorus alive along with Samantha’s soft and silky vocal. This one marks a pop-radio sound polished to perfection for this new Australian vocalist.

I have taken the album version of “Emotion” and gave it a hardcore ReStructure Mix by working it into a more predominant dance beat and rhythm. It still incorporates the original feel with a few new breakdowns and an extended time for Samantha to express her loss of that great love we all know about.

• I Feel For You - Glenn Rivera ReStructure Mix - Chaka Khan

Chaka Khan is a voice which powers the black funk culture. Her presences in many tracks are immediately a force that is memorable and a statement to the recording. Throughout the early 70s her work with a band titled Rufus always gave Chaka the front stage and her solo album “I’m Every Woman” in 1978 marked a pinnacle moment for fans and music history. “I Feel For You” comes from Chaka’s 1984 album and blends the 80s street beat with the pop-dance movement of the period. The song was written by Prince and featured originally on his second album and a cameo from Stevie Wonder on harmonica and a few rap ends from Grandmaster Melle Mel make this one a classic and another reason to honor Ms. Khan as one of the artists who add to the dance repertoire of time.

I have taken the 12” remix of “I Feel For You” and worked this ReStructure Mix giving it a longer moment for Chaka’s words of love and affection. A play with the beats and percussion outline more play on the track with a few loops to make her statement obvious and this remix more fun to remind us of the beat street period of dance music and its influence.

• Thank God There's Music - Glenn Rivera ReStructure Mix - Theo Vaness

Theo Vaness is a disco singer from The Netherlands who was sang with a Dutch band called The Shoes. His first album featured a medley of classic pop hits in a disco medley and appropriately titled “Back To Music”. The productions provided by Michael, Lana and Paul Sebastian reflected the Euro influence on disco music with a New York feel. “Thank God For Music” is from Theo’s third album and one of my favorites as it brings the disco era to a wonderful close in celebrating the music. It is an anthem that plays out well again for Theo as his vocals create a unique feel and energy.

I have taken the album version of “Thank God There’s Music” and reworked a ReStructure Mix that gives the tracks riffs more placement and an extended message. More of the chorus is reworked for a message that should always continue.
• Blame It On The Boogie - Glenn Rivera ReStructure Mix - The Jacksons

The Jackson’s recorded “Blame It On The Boogie” in 1978 – from their album “Destiny”. A package that brought the group into the disco realm once again with the touch of soul and boogie blended to perfection. The song was co-written by Mick Jackson who recorded a big disco single in 1979 titled “Weekend”. It is another one of Michael Jackson’s vocals where he takes the song and makes it work in more ways than one. It is a classic Jackson recording and also has been remade several times as it is notable as a disco statement.

I have taken the album version of “Blame It On The Boogie” and created a ReStructure Mix with more of a dub-edge to work the “boogie” theme in a new way. It is a stretch from the modest album version and is intended to pay homage to this talented band.
• It's My Life - Glenn Rivera ReStructure Mix - Talk Talk

Talk Talk brought a 80s synth-pop masterpiece titled “It’s My Life” in 1984 – produced by Tim Friese- Greene. The mid-80s was an experimental period where disco/dance beats became the foundation in a new delivery and state. Electronic music was becoming the efficient and effective nature to release a track in lesser the time. Talk Talk had formed in 1981 and this single became the echo of the bands and its sound. A very moody and dream-like sound with lyrics that suggest a realization of life and the love that beckons for appreciation.

I have taken the US 12” version and recreated a ReStructure Mix to give a nice reminder of the arc in disco history when dance music evolved once again. The dance single version beautifully remixed by Steve Thompson who conquered the full identity of the track. This ReStructure Mix takes the whole pie and once again presents an alternative arrangement and force to get lost to.
• Shoot Your Shot - Glenn Rivera ReStructure Mix - Divine

Divine is a disco “must”. His persona is what cult disco is all about. A combination of camp, glitter, outrageousness and fabulous beats make these recordings a classic piece of disco history. Producer Bobby Orlando painted a raw and edgy backdrop for Divine and let the glam go. “Native Love (Step By Step)” from 1982 is the first single I can remember hearing for the first time and never let go of this sound. It was the start of high energy and a hold on the disco sound. “Shoot Your Shot” is more like the dreamy feel of disco with the 2 elements – drums and synthesizer – like fire and water.

I have taken the 12” version of “Shoot Your Shot” and recreated a ReStructure Mix that plays out like a Saturday night dance floor sweat competition. I have taken more of the recognizable pieces and parts and resembled it with a focus on the energy and mood. This one loops and phases its way into the peak hour.
• Take My Heart - Glenn Rivera ReStructure Mix - Joe Yellow

Joe Yellow (Domenico Ricchini) is an Italo-disco artist that had a big 1983 single “Lover To Lover” which brought the sound of this dance music to a needy dance floor. It was the heavy synthesizer arrangements along with the dramatic air in vocals that began a new disco power among this period. It was heaven for those who followed and adored disco artist like Giorgio Moroder. “Take My Heart” is his single from 1984 and pulls more of a moody feel with his breathy vocals and yearning chorus. A nice mid-tempo love song with a haunting resonance.

I have taken the 12” vocal of  “Take My Heart” and worked this ReStructure Mix focusing more on extending the original. I have taken advantage of the keyboards and synthesizer parts with rearranging and looping. An homage to the early 80s Italo-disco scene which helped save disco music and make a home for its many artists.
• Party. Party - Glenn Rivera ReStructure Mix - Eruption

Eruption is a disco band formed in the early 70s and during the mid-70s became one of the defining sounds of the club scene. Their first project contained a disco cover of Ann Peebles’ “I Can’t Stand The Rain” which worked the speakers with some of Frank Farian’s magic. Heavy bass guitars and bongos beating the rhythm into the floor were the elements that enimate heavily into the formula. “Party, Party” is a single released as a 12” single following the first single and is one of the early disco party anthems I can remember hearing club patrons chanting on their way out of the discos. A big stomper and along with Precious Wilson’s recognizable vocal leading the floor into a dance frenzy this one is unforgettable.

I have taken the 12” version of “Party, Party” and diced and sliced a ReStructure Mix working in a new intro and playing with the chorus and rhythm parts that make this song an infectious winner. It is broken into breaks where the bongos once again remind us of why disco and the Afro-Cuban connection are so fierce.
• Every 1's A Winner - Glenn Rivera ReStructure Mix - Hot Chocolate

Hot Chocolate is a band formed in 1969 whom became one of the recognizable recordings and appropriate for the pop and funk fusion of the period. “You Sexy Thing” from 1975 poured their sound into a wall of success and gave this band the stage they so deserved. Their 1978 album “Every 1’s A Winner” brought an even success with the title track once again delivering the sound of funk played out with a raw but polished production. It is one of the early tracks I can recall defining as a disco and since then have referred to it for a mind trip back to the funky 70s.

I have taken the 12” version of “Every 1’s A Winner” and brought the resonating raw feel to the level a ReStructure Mix is all about. A new intro using teasing samples of their earlier hit and a sexy purr from Mr. Giorgio Moroder. A new sleaze direction with some effects here and there to remind us that beats are meant to be reworked.
• Soup For One - Glenn Rivera ReStructure Mix - Chic

Chic is a funk/disco ensemble from Nile Rogers and Bernard Edwards whose 1977 track, “Dance, Dance, Dance” became a whole new sound for dance floors. Their polish and sophisticated brand of dance music is properly themed as ‘chic’. The band also featured the voices of Norma Jean Wright, Alfa Anderson and in later projects Diva Gray, Luther Vandross, Kimberly Davis, Luci Martin and Tony Thompson. Guitars and strings always resonated from their arrangements along with great themes and poetic lyrics. “Soup For One” is a song released in 1982 and was featuring in the soundtrack from a film by the same name. This one is Chic at their highest performance level. A great song which emphasizes loneliness and regret for a lost love. It has many elements that make it a great dance number and in the Chic tradition plays out with a polished edge.

I have taken the 12” version of “Soup For One” and recreated this ReStructure Mix giving it more of a dub feel and breaking up the original arrangement for a new mixed up and down experience.
• Come Go With Me - Glenn Rivera ReStructure Mix - Exposé

Exposé is a trio performing a powerhouse stage appeal and 80s dance tracks in the Miami-Freestyle arena. This was the pop move into a new 80s sound that gave us a fresh new opportunity to pound the disco beat in patterns never heard before. “Come Go With Me” is there big 1987 hit that always made my dance floor transform into an energy that was infectious. The group features Ann Curless, Jeanette Jurado and Gioia Bruno. A slick ensemble that made the music more than a club sound.

I have taken the 12” vocal and dub to recreate a homage to the 80s Miami Freestyle sound in the ReStructure mode. Allot more of the congas, percussion and excitement.
• Just Be Yourself - Glenn Rivera ReStructure Mix - Nightlife Unlimited

Nightlife Unlimited is a disco project from Tony Bentivegna, Johnny D’Orazio, Louis Toteda and Peter Sciascia – produced originally by Peter Di Milo and George Cucuzzella (“Disco Choo Choo”). The start of the 80s and the end of the big disco studio productions brought a new raw edge along with a touch of rock/new wave feel as “Just Be Yourself” from 1980 replays. It was the lead for many independent productions from producers, artists and performers to keep the mood of disco music alive. “Just Be Yourself” is a hard hitting track which sounds like a pop-rock Top 10 hit at times and then yanks us right back to the disco underground feel with the pulsating bass synths and cowbells. A great dance that is considered one of the dance classics from Canada.

I have taken the album of “Just Be Yourself” and played out a new ReStructure Mix to work on more of the rumbling bass and rocked out vocal. A new synth play is added and some new breaks.


• Automatically Yours - Glenn Rivera ReStructure Mix - Brenda Cochrane

Brenda Cochrane is a vocalist who works “Automatically Yours” from 1988 – an electronic dance single which plays out with a pleading to escape a bad relationship with some dignity. One of my favorite high energy dance singles from the period and also a great vocal performance from Brenda who also covered Odyssey’s “Native New Yorker” in 1999. The fast and quick to drop and roll arrangement worked very well for my dance floor and became a favorite for tea dances.

I have taken the vocal and “acid mix” from the UK release on Dazzle Records and recreated a new ReStructure Mix with more of the elements from the ‘acid mix” bleeding through. This recreation is more of a dub mix with the verses and choruses intact.
• Deshabille Moi - Glenn Rivera ReStructure Mix - Louis Lesther

Louis Lesther is a disco artist from 1979 produced by Dutch drummer/producer Shell Schellekens (Brainbox, Rainbow Train). The tantalizing single “Deshabille Moi” (meaning “Undress Me”) is one of the rare tracks that play out like a fabulous drag show perhaps in “The Bird Cage”. It is a fierce production that outlines the play on words and also a synthesizer with old-school power. The 12” was released in Germany on the Hansa International label and then picked up by Shadybrook Records in the US and was always one of those pieces that if caught on the dance floor at the right time you may have been lost in a fantasy of ‘Rocky Horror’-like adventure. One of my favorites from the end of the disco era and always believed this were the caliber of Grace Jones’ aura.

I have taken the US 12”vocal and instrumental and recreated a whole new show for the curious taking the synthesizer exit into the front layer. The vocal remains the lure and feel of the track as the original and is played with in a few new breaks. This is like the dub and stage version shot into a short glass after being shaken fiercely for minutes.
• UnderThe Influence Of Love - Glenn Rivera ReStructure Mix - Love Unlimited

Love Unlimited is the backing group for the disco magic created by Barry White in the early 70s. A smooth trio of voices which created a lush symphony of dance music shifting from soul to a new genre titled disco. The members are Glodean James, Linda James and Diane Taylor – three sisters. Their 1973 track “Under The Influence of Love” is from the album by the same title and creates the beauty of Barry White with a lush string section grooving to soulful bass and guitars. It is truly one of the landmark times for the pre-disco period and offers again the celebration of dance and love.

I have taken the album version of “Under The Influence of Love” and recreated this ReStructure Mix giving the greatest of the original an alternative disco DJ hand. More of the strings and powerful intro are given a new placement and assistance with some her drum elements.
• Disco Circus - Glenn Rivera ReStructure Mix - Martin Circus

Martin Circus is a French disco act that began recording in 1970 with productions which blended sophisticated arrangements with a rock edge. Their projects soon began to fuse the disco sound and created one of the unique sounds of the disco era. “Disco Circus” is their 1976 project created for a soundtrack to a French film – the US release on Prelude Records in 1979 repackaged the title track and made it an underground classic. The album is produced by Sydney Bechet along with Martin Circus and uses drums, percussion, synthesizers and wild chanting to work a new disco funk into its creation. A hardcore piece that many may recognize even elements of the song as it has been sampled and also used as transition in mixes.

I have taken the US album version and reedited a ReStructure Mix adding yet another twist to the stomping beats and chants. Using samples of Joan Crawford in the 1967 British horror-thriller film, “Berserk!” as the new ring-master. Many of the parts of “Disco Circus” are used to display the wonderful aura of this disco-fantasy. More looping and added breaks give it more of an after-hours feel.
• Take No Prisoners (In The Game Of Love) - Glenn Rivera ReStructure Mix - Peabo Bryson

Peabo Bryson is a soul artist from the mid-70s whose ballads and r&b tracks made him a standard. Much of Peabo’s charm is relayed in his vocal approach and I have always compared his style with Jeffery Osborne who also became a crossover hit in the 70s with the funk band L.T.D. and his solo projects. “Take No Prisoners (In The Game Of Love)” is from his 1985 album with the same title. This electronic dance number is a 80s love anthem which displays a great need in Peabo’s performance and plays out as a hardcore 80s mark for a champion of soul to give dance floors this experience.

I have taken the 12” vocal and instrumental piece to rework a ReStructure Mix to pay homage to Peabo’s powerhouse delivery. The original extended version is a masterpiece for the 80s mix standard and my take on it is only to give this number another opportunity to mark a great memory. My mark fortunately is watching a packed dance floor move and reacts to this wonderful piece.
• Dance The Night (Voit la Nuit) - Glenn Rivera ReStructure Mix - France Harlow

France Harlow is an artist who released a single titled "Dance The Night" (“Vol la Nuit”) – an electronic and early morning edged track. Produced and written by Frank Ceniccola in 1983 the song tells the story of heartbreak and the need to dismiss the pain on the dance floor. One of the great moody pieces that I relied on in many early morning tapes or programs where the energy was trance-like. Great vocals with one side in English and the flip side in French.

I have taken the original 12” on Illusion Records (Canada) and recreated a longer ReStructure Mix with some new emphasis on breaks and a few percussion effects added to give a punch to the airy sound of this magic song.

• Boogie Walk - Glenn Rivera ReStructure Mix - Susan Stevens

Susan Stevens released her third electronic dance single in 1983 titled “Boogie Walk” and produced by the Canadian team of Gino D’ Orazio and Tony Bentivegna. This duo gave us many of the dance singles filling in the gap from new-wave, synth-pop and disco with a sound of percolating bass and keyboards in a disco-esque feel. Susan Stevens released many singles which followed the disco anthem feel with themes of love, heartbreak and dance celebration. “Boogie Walk” is the dance anthem referencing the need for the elements of disco needed for her feet to move. A fun disco number with the 80s transition sound in full order.

I have taken the original 12” version of “Boogie Walk” and created a ReStructure Mix which blends more of the synths bongos and a cameo from The Rooftop Singers 1962 hit, “Walk Right In” – using appropriate lines to accent Susan’s “boogie”!
• Dance In Your Pants - Glenn Rivera ReStructure Mix - Erotic Drum Band

Erotic Drum Band is a disco project from 1978 led by producer Peter Di Milo (Ann Joy, Sugar Band Express, Champagne Explosion, Nightlife Unlimited, Jump) and Matthew Campanozzi. A blend of pulsating keyboards and heavy drums in variations which gave dance floors a new fuse. The underground disco sound is alive within this concept band and is considered one of the classic doorways to the disco craze of the late 70s. “Dance In Your Pants” is from their second album from 1980 and pulls out the excitement of the dance floor once again.

I have taken the album version of “Dance In Your Pants” and crated a ReStructure Mix which extended the rolling drums and adds more breaks and a gust appearance from The Godfather of Soul. A new angle of the song is solely dedicated to the man who made it all happen – Peter Dimilo.
• Heartquake - Glenn Rivera ReStructure Mix - Love Affair

Love Affair is an electronic dance project from producers Gilbert Di Nino and Leo Carrier released in 1979. Comprised of a formula familiar to disco classics as “Love Attack” by Ferrara and “Magnifique” by Charisma which includes heavy synthesizer waves of bass along with percussion and simple, yet curious vocal riffs. “Heartquake” has the chorus ensemble that displays a sensual and bold presence that works wonderfully over the keyboard breaks which exude an explosive edge. One of the early signs of high energy music in the works following the big disco production age.

I have taken the extended 12” version of “Heartquake” and reworked a new ReStructure Mix with a new arrangement which showcases the elements which work most in this swirling dance track. Drums are given the center stage again where they are injected in parts of this dance number. Homage to the high energy electronic period of dance music history.


• Don't Stop - Glenn Rivera ReStructure Mix - Ish

Ish Ledesma is one of the talents of the 70s in all areas of music creation. Some of his well-known projects include the 70s funk band Foxy and 80s groups Blue Moderne, Company B, Laura Miller, Tiger Moon, Promise Circle and Apollonia’s “Since I Fell For You”. His solo effort in 1979 included the album “Ish” which included the fierce single, “Don’t Stop”. The single made a mark in clubs with the sensual and beat enhanced arrangement along with his breathy and appealing vocal. The original arrangement is a slope of rhythm that takes control of the senses. It is one of the lasting pieces from the T.K. Records 12” collection that is a must.

I have taken the original 12” version of “Don’t Stop” and reworked a ReStructure Mix which gives way to the sounds that make this track dynamite. Adding a few pieces of percussion and using the big break in several spots to “stop” and go along this sexy ride. It is a tribute to the talent of Mr. Ledesma who I am sure we have not heard the last of quite yet.
• Wake Up - Glenn Rivera ReStructure Mix - Stop

Stop is Danny Rodriguez, Martin Rodriguez and Bijan. Their 1985 high energy classic “Wake Up” is one of the big instrumental tracks of its time. An electronic Latin dance fantasy with the energy of an explosive night at any club ready to celebrate. Released on Damabi International Records and a return to the independent dance track movement taking place as high energy music began to take off. This one has always been a part of the Latin dance clubs as a mixture of the salsa and drum percussion of a carnival.

I have taken the 12” long version and dub to pay tribute to high energy of the mid-80s and the sound that gave dance floors another resurgence period. The original is broken into many parts and pieces of “El Jarbe Tapatio” are injected for a fusion of sound and culture.
• I'm Totally Yours - Glenn Rivera ReStructure Mix - Hi-Gloss

Hi-Gloss is a studio project from disco producer Giuliano Salerni – who also brought us the classic disco project Ultimate, Bonnie Boyer’s disco classic “Got To Give Into Love”, a Euro-disco group titled Strange Affair from 1980 and also produced a few tracks for France Joli on her “Now!” project. Salerni brings a unique sound to disco music which always reminded me of a symphony out in space with a groove. Much like the effect which Boris Midney brought with U.S.A. European Connection. A groove or disco beat is set out in an empty space that is ethereal always comes to mind. Hi-Gloss features some great vocalists in this session including Phillip Ballou, Luther Vandross, Maeretha Stewart and Ullanda McCullough. A project that was definitely influenced by the first project from Jacques Fred Petrus’ Change. “I’m Totally Yours” is the sweet disco ballad which tells a love story of dedication and satisfaction. One of the great Prelude Records landmarks in time.

I have taken the album version of “I’m Totally Yours” and recreated a magic ReStructure Mix to encompass that dreamy feeling that Salerni creates in his arrangements and productions. A bit more of the separation of percussion and vocals work throughout this mix. It is one of my favorite funk sweeteners of all time and now can be felt in a whole new way.
• All Night Long - Glenn Rivera ReStructure Mix - B.B. and Band

B.B. and Band is an Italo-disco project from Mario Boncaldo and Tony Carrasco who also gave us Klein and M.B.O. during the same time frame. Electronic music was converging onto a new sound during the early 80s following the demise of the full studio production of disco music. The keyboards and sequencers were the main force in Italo-disco along with the cheerful chorus ensembles keeping the light and uplifting feel of dance music. “All Night Long” is from the 1982 album “Wee Thee People” which helped to formulate a touch of funk into the Italo-disco formula. The slick production incorporating the Latin castanet breaks and magnificent piano elements this piece plays out elegantly. A big favorite of mine always and another number which made the shift into Italo-disco very welcome.

I have taken the Italian 12” vocal and instrumental version along with some new beat and percussion elements to create new party for “All Night Long”. This ReStructure Mix stays true to the original version which drops in and out of heavy chorus breaks and light piano serenades. It is one of those early evening songs that make the night promising and infectious.
• Bring Your Love Down (Didn't I) - Glenn Rivera ReStructure Mix - Yazoo

Yazoo is Vince Clarke and Alison Moyet – a duo who brought change to both 80s dance music and electronic recordings. The powerhouse duo were both experts in their areas where Clarke supplied the keyboards and mood and Moyet performed some of the most incredible emotions over synthetic sounds up to date. “Bring Your Love Down” is from their first album “Upstairs At Eric’s” from 1982. A song which rings over and over in the mind as well as the start of their combined genius. A simple troubled love song that creates another start for a band which now remains a classic for its own museum.

I have taken the album version of “Bring Your Love Down (Didn’t I)” and recreated a ReStructure Mix for the 80s Edition – yielding at not to the fantastic keyboard riffs and the amazing sound of Moyet. This is not only an extension of the song but also an opportunity to place my open mind to a creative and fun moment.
• Obesseion - Glenn Rivera ReStructure Mix - Animotion

Animotion is an 80s synth-pop band who made playlists all over with their 1984 hit “Obsession” – a twist of nu-wave and the electronic 80s intro. Astrid Plane and Bill Wadhams are the lead vocalists who reveal a secret desire with some strange analogies which seem a bit tame today. The song soared up the charts on alternative radio stations as one a cult band then soon became one of the pop sensations of the 80s. Later releasing hits “Let Him Go” and “I Engineer”. Original production is from John Ryan and displays the band feel of the 80s and the 12” dance release features a touch of club from Mark Kamins.

I have taken the US 12” vocal and dub version to piece together this ReStructure Mix which attempts to take the track a bit deeper into a dub-like fantasy. The nu-wave-ish feel is presented with more effects place on the original synthesizers, sequencers and confessions. This one was always a great way to start the evening and now it can be a better way to end the morning.
• Livin' In The Life - Glenn Rivera ReStructure Mix - The Isley Brothers

The Isley Brothers are an R&B/soul group whose recording career began in 1959 throughout 2015. Their music throughout the years has always maintained the sound of period and their own style. Many of their biggest achievements are during the funk movement of the early and mid-70s where a touch of the hardcore mixed with their sweet ballads made their stage unique. “Livin’ In The Life” is a powerful funk piece from their 1977 album “Go For Your Guns”. This one has a life of its own. A number questioning social circumstances and giving one the benefit of the doubt is the outline for this slam dunk funk track. This stands at the opening of disco music and its connection between soul and funk music.

I have taken the album version of “Livin’ In The Life” along with the brief instrumental part “Go For Your Guns” and recreated a new ReStructure Mix to pay homage to this great ensemble. This one extends the “mean” groove into a funk fest of d claps that seem to surface below the groove itself. A favorite of mine always and a trip into the concept of ReStructure Mix was gladly given.
• In My Fantasy (I Want You, I Need You) - Glenn Rivera ReStructure Mix - Sylvester

Sylvester is one of disco’s most celebrated artists and talents where during the momentum of this genre he continued to deliver a style which built upon itself. His fourth album “Living Proof” is a landmark concert recording of Sylvester and his incredible back system Two Tons ‘O Fun – Martha Wash and Izora Rhodes in all their glory. Two additional tracks included in this two-vinyl set are “Can’t Stop Dancing” and “"In My Fantasy (I Want You, I Need You)". Both are the disco flash that was the full delivery that was needed at the time. "In My Fantasy (I Want You, I Need You)" is the return to a disco concept of a simple hook and breaks that create a dance pattern of hooks and fantastic vocal performance. A great sensual disco feel that marks the period.

I have taken the album version of "In My Fantasy (I Want You, I Need You)" and recreated ReStructure Mix pay homage to the disco genre with a few familiar riffs. This time around it is laid out with more looping and original components to complete a playful picture. I have used most of the great pieces outlined in the 12” mix from John Hedges and Marty Blechman – the men who helped to make fantasies on the dance floor come true.
• This House Is Rockin' - Glenn Rivera ReStructure Mix - Bobby Caldwell

Bobby Caldwell is a jazz musician and producer/songwriter who are best known for his 1978 single. “What You Won’t Do For Love”. Earlier in his singing career he recorded a single titled “The House Is Rockin’” which was also released as Sno-Ball featuring Bobby Caldwell. The track captures that Miami hustle sound that was made classic by artists like George McCrae and K.C. and The Sunshine Band. It was an underground club favorite and falls into the early disco sound arena. A nice mellow vocal from Bobby along with the plush guitar and keyboard arrangement are the iconic Henry Stone Miami sound.

I have taken the 7” version of “The House Is Rockin’” and created a ReStructure Mix adding more Latin percussion and extending the party. The original 3:10 release is extended for another Hustle party and gift to those who admire Caldwell’s classic sound and catalogue.
• No Frills Love - Glenn Rivera ReStructure Mix - Jennifer Holliday

Jennifer Holliday is a vocalist who brought a new life to Broadway with her performance as Effie in “Dreamgirls” and her rendition of “And I Am Telling You (I’m Not Going)”. Her vocals brought a hard hitting emotion and 80s soul release to the many who could not get enough. In 1983 Jennifer released her first solo album and began a career offering powerful ballads and some slick dance tracks. Her 1985 single “No Frills Love” is one that I can remember being an event. This one featured a choir that accented the chorus along with Jennifer’s now masterful adlibs and emotion throughout this dance number. The production from Arthur Baker is a flawless recording that gives the mid-80s a hardcore turn into a soulful early house feel. This one was a dance floor filler from start to finish.

I have taken the 12” vocal and instrumental to rework a ReStructure Mix that plays more like a reprise of the original dance single. It incorporates the energy and soulful vocals with some new layout for the genius use of percussion and heavy pounding drums. A few loops and use of vocal elements are added to lift the 80s classic a bit further.
• Step By Step - Glenn Rivera ReStructure Mix - Peter Griffin

Peter Griffin is German singer whose disco hit from 1979 titled “Spiderman” put him on upcoming playlists into the 80s. His follow up single “Step By Step” from 1980 was a refreshing taste of high energy during a time where energy was missing from the US dance market following the disco fade. The single was released on the independent label Moby Dick Records which kept the energy of disco music alive. The song is fast moving love song of a growing affection of advice and hard hitting measures to make it last. A great piece from Peter Griffin and produced Christian Bensch.

I have taken the 12” version of “Step By Step” and recreated a ReStructure Mix adding a classic percussion riff from 1979. This new version moves just as fast and also offers some looping and rearranging of the sequencer parts to breathe some new life into this killer high energy song.
• Turn Me Up - Glenn Rivera ReStructure Mix - Keith Barrow

Keith Barrow is a soul/funk singer who gave 1978 its first glimpse into the sound of The Paradise Garage and the concept of underground club music. “Turn Me Up” is from 1978 album “Physical Attraction” and pulls out the drums and keyboard edge of soul into a disco arena – and along with Barrow’s soulful falsetto this sound became the start of Larry Levan’s outline for dance unity. The track was produced and co-written by Michael Stokes who later produced tracks by Magic Lady and Shirley Caesar. This one is a classic in its own right and continues to bring the feel of what disco and house music had in common.

I have taken the 12” vocal and instrumental of “Turn Me Up” to work this ReStructure Mix of a new blend for this number. Adding some slap effects to emphasize the “power” and also a familiar 80s electro rap piece to pull the bones right out of that funky bassline.
• Vicious Games - Glenn Rivera ReStructure Mix - Yello

Yello is Boris Blank and Dieter Meier – an electronic/synth band from the late 70s whose music is known for a moody and sometimes haunting edge. The group emerged from a period where music was making innovative turns in the alternative genre. Yello is a landmark band and their work spans many themes and also productions with vocalists like Shirley Bassey. Love songs are aimed at the aftermath of heartbreak or the difficulty of coping in the usual manner. I have always loved Yello since I heard their music in 1980 and like anyone who knows the players and sound well enough have been taken on mystic trips that are almost psychedelic in the synth-pop/rock sound. “Vicious Games” comes from their 1985 album “Stella” and is a song about lovers who tease and challenge their connection out of a need to hold onto independence. A great 80s dance number and contains all of Yello’s most exciting elements and surprises.

I have taken the US 12” of “Vicious Games” including the long, radio and instrumental to paint a play that is in the ReStructure Mix realm. I have extended the fantastic percussion breaks to suite a new arrangement where the riffs are planted in a new way. This one was always one of the big songs of the serious dance clubs and even today brings back that drum circle feel where the feeling becomes overwhelming, but so satisfying.
• I Wanna Be Your Lover - Glenn Rivera ReStructure Mix - Prince

Prince brought the 80s into a funk restoration phase with style of guitar and soulful falsetto vocals. His second project from 1979 is a self-titled album with opened with the club hit, “I Wanna Be Your Lover” which gave this talented artist attention for his legacy. The track is played out in an electronic arrangement with a funky guitar accompaniment. The play lines of Prince tracks throughout the early 80s were at times a sexual play but this track stood out a one of his hard hitting love songs.

I have taken the album version of “I Wanna Be Your Lover” and edited a new ReStructure Mix reusing the fierce keyboard arrangements in their original and at times replayed. Parts of his verses and choruses are placed in new meaning as they are placed in new areas to emphasize this funk-dance classic.
• Tomorrow - Glenn Rivera ReStructure Mix - The New Company

The New Company is an Italo-disco project from Giuseppe “Pino” Nicolosi and Lino Nicolosi – and featuring vocals by Dora Carofiglio (Novecento, Suzanne Meals, and Valerie Dore) and Pier Michele Bozzetti. This piece is an electronic stance into a robotic rhythmic track with a melodic anthem vocal. It is gently an experimental recording from this group to piece the beauty of those 80s love songs where this one outlines a dreamy dedication to love and harmony in a lasting relationship. It has always been one that I enjoyed programming into an early morning setting or an afterhour’s breakdown. It contains a wonderful chorus that transpires above the beat and clap drum track and jittery sequencer layer. One of my favorite arenas of dance music is a big part of this track.

I have taken the vocal and instrumental version from the original Italian 12” release and recreated an alternate ReStructure Mix which relies on rhythm and airy drum and echo pieces to give it more of that moving edge. I have added a new drum intro to give it a flowing intro and added more of the verses and chorus for a longer mesmerizing experience.
• Born Bad - Glenn Rivera ReStructure Mix - Elton John

Elton John is one of the pop-rock artists of the 70s who remained on of stars who paved his own road (“yellow brick”) to fame and a classic songbook. His disco venture is one that I welcomed with open arms. It was great to hear his rock edged vocal in a disco arrangement that is produced by Pete Bellotte. The production is similar to the slick Munich-disco sound which was developed by Pete along with Giorgio Moroder in projects by Donna Summer, Robert Kelly, Chris Bennett and Suzi Lane among others. It was a refreshing moment to have Elton’s talent in this project. The track “Born Bad” is one that I played regularly and received a great reception.

I have taken the album version of “Born Bad” recreated a story for this ReStructure Mix which holds close to the original with a few new segments added. More breaks and some extending of the shining synthesizer loops created by Bellotte in the Munich feel.


• The Fighter - Glenn Rivera ReStructure Mix - Arpeggio

Arpeggio is one of the many disco projects from producer Simon Soussan who also co-produced the first albums and club hit “Uptown Festival”. The group also features vocalist Jessica Williams, Fred Sawyers, Jerry Scott and Lamarr Stevens (Quartario). Their first album in 1978 was an outline for the fusion of electronic sounds and effects to be used heavily in disco music. “Love and Desire” is the big hit that gave this project many ears and feet the attention that would keep them as a classic disco project. “The Fighter” is the dance single released in 1985 and one of the finale known works of Soussan. The 80s brought most of the big-productions of disco music to a more simple production process where keyboards were power and desire of dance floors. “The Fighter” is a female empowerment song written by Terry Steele which fits the similar 80s movement with songs “She Works Hard For The Money” and “The Fight (For The Single Family)”. A nice pulsating bass arrangement with electronic steel-drums echoing throughout the homage to our heroine.

I have taken the 12” version of “The Fighter” using the vocal and instrumental to recreate a new ReStructure Mix bringing a bit more to the original arrangement. This has always been one of the electronic dance pieces from the mid-80s and fitting as a nice Italo-disco number also. I have taken the rolling feel of the song and sprinkled a few more breaks and rhythm movements.
• One More Shot - Glenn Rivera ReStructure Mix - Oh, Romeo

Bobby Orlando took the 80s into his concept of a full on electronic dance production and with his heavy percussion accenting his heavy beats this sound became a necessity. Oh, Romeo is one of the projects from Bobby Orlando with a wall of keyboards and upfront percussion. “One More Shot” is their single from 1985 and plays out as one of the most energetic numbers of the time as a high energy track. The vocals are always somewhat familiar and lyrics are unimportant. This music is for dancing where the only thing understood should be the bass line and drum fills.

I have taken “One More Shot” in the ReStructure Mix arena since it is one of the big movers for me of the time in my club. This replay is re-edited to give the original arrangement a touch more boom and shake. More looping of those simple sequencer tracks and a touch of dub mix to pay tribute to the high energy genre and its roots.
• Love Eyes - Glenn Rivera ReStructure Mix - Ferrara

John Ferrara is a disco producer who worked at the peak of disco music to move into an electronic stage of dance music. Much of the album “Wuthering Heights” is an experimental recording and listed in credits percussion player with ‘traps’ – which may have been those sharp slap effects in “Shake It Baby Love”. “Love Eyes” is the last cut on side two before the reprise of the big club hit, “Love Attack”. Even today “Love Attack” remains a great piece of disco work summoning the high energy era of the early and mid-80s. The opera-like chorus in most of the album is reminiscent of a theme project from Alec R. Costandinos where a story is being told disco/Broadway style. “Love Eyes” is a simple and somewhat crowded piece in the side two medleys – yet the yearning and melodic vocals have always drawn me and others who may have been enchanted by the project. This one may have been the rough draft for later electronic disco recordings like “Shanghaied” – also from Ferrara as you can hear many new features in the production that rely on new ideas.

I have taken the short “Love Eyes” segment from the medley and created a ReStructure Mix bring out more of the sounds and effects that made this album a classic. More focused on extending the track since it contains the parts which Ferrara had researched with club disc jockeys in the late 70s to find what dance floors were reacting to.

• I Know You Will - Glenn Rivera ReStructure Mix - Logg

Logg is a project from producers Greg Carmichael and Leroy Burgess – a duo who knew the direction of disco music in the late 70s onto the 80s. A funk-edge was taking over much of the underground sound in clubs like Paradise Garage with DJs like Larry Levan at the controls. A soulful vocal and a slick rhythm arrangement brought a new excitement to dance floors that were searching for yet another curve in the music. It was progression that later became house/garage music. “I Know You Will” is one of the garage-feel songs that I latched onto early and found myself building a segment in my playlist of this new sound. Lead vocal from Leroy Burgess bring back his unforgettable performances in The Fantastic Aleems.

I have taken the album version of “I Know You Will” and played out a new ReStructure Mix that uses up the riffs that stand out in my mind. A few new breaks and play with Leroy’s fabulous vocals are also added.


• You Can't Stop This Game - Glenn Rivera ReStructure Mix - Tokio

Tokio is an Italo-disco project from producers Miguel Dega and Ricardo Gomez. Their first single titled “You Can’t Stop This Game” from 1986 is one of the electronic numbers that follow the early mood of Italian disco music with a strong connection to an early morning edge. Tracks released in this mode including tracks by Gazebo, Valerie Dore and Klaudia are moody and dream-like. “You Can’t Stop This Game” has a touch of high energy with some nice keyboard riffs that blare out energy yet the haunting vocals take over throughout the song. It is one that worked in several playlist formats during the late 80s electronic rein.

I have taken the 12” vocal and instrumental to rework a ReStructure Mix to mark this lovely piece. I have added more mystiques to the arrangement and a few new surprises along with a cameo appearance from three Motown ladies.
• Rocket In The Pocket - Glenn Rivera ReStructure Mix - Cerrone

Cerrone’s project “The Golden Touch” is one of the great Euro-disco recordings from the master of disco released in 1978. The project featured the track “Rocket In The Pocket” which plays out not as a theme for the nightlife but also the music that brought to life a hardcore club world. The session includes many familiar players including Don Ray, Mo Foster, Slim Pezin, Marc Chantereau and vocalists Kay Garner, Sue Glover and Sony Leslie. Cerrone gives the original album version a live feel and also a breakdown for the band to live out their talent.

I have taken the album version and re-edited and reworked this ReStructure Mix of “Rocket In The Pocket”. I have created a new arrangement using the funky breaks and the fierce vocals. The synthesizer effects by George Rodi are extended and placed in more parts of the song to bring it more to life.
• Far Roo Hard - Glenn Rivera ReStructure Mix - Dead or Alive

Dead Or Alive is one of the unforgettable 80s dance bands thanks to the presence of Pete Burns. Their single “You Spin Me Round (Like A Record)” from second album released in 1985 was a huge breakout in radio, video and clubs around the world. “Far Too Hard” is from the 1984 album “Sophisticated Boom Boom” and was co-produced by Zeus B. Held. This track is a haunting piece that I always admired along with Burns’ melodically and intriguing vocal. It has that early morning feel with the pluck of guitars to create a nice rhythm. The swirling strings give this number the perfect touch for a moving experience.

I have taken the album version of “Far Too Hard” and created this extended and reworked ReStructure Mix. Giving the intro an early fade into the moody atmosphere. A few new pieces added from the piano set give a spotlight to the early morning direction I headed in with this one.


• White & Black - Glenn Rivera ReStructure Mix - Taffy

Taffy is an Italo-disco project with British vocalist Katherine Quayle as lead vocalist. The group is best known for their big 1985 hit “I Love My Radio (Midnight Radio)” which gave the colorful sound of Italian disco productions another deserved spot to influence dance music. “White and Black” is a single from Taffy released in 1982 and produced by Pellegrino and Rossi. The number seems to play out an odd sounding Harlequin type vocal that expresses a proud stance as a multi-cultural person. It is the early 80s brought to life in the creative arena when Italo-disco was being added to many charts and club playlists along with the electronic funk of the early 80s.

I have taken the Italian 12” of “White and Black” which is a remix of the original version. I have given as much of the reach for something new by taking samples of a well-known hip-hop track and reworked the experience in a whole new arrangement. It is stretched out into a longer delivery and dance experience. Much of the electronic sequencers and play are left to give the rhythm more movement and another odd layer on top of the strange performance.

• Abracadabra - Glenn Rivera ReStructure Mix - Steve Miller Band

Steve Miller Band joined the 80s dance bandstand with the 1982 single “Abracadabra”. It was the sound of the bands rock edge with past hits like “The Joker” , “Fly Like An Eagle” and “Rock ‘N’ Me” from the top of the rock charts. This fusion of simply mixing the track down in the dance floor format is the simplest and most effective. The 70s rock keyboards stand out most of all – besides the catchy chorus riffs. “Abracadabra” was on my playlist quite a while since the pop/radio crowd was out in full form. It was also fun to see a classic rock group reach into the dance scope and imagine.

I have taken the 12” version of “Abracadabra” and created a ReStructure Mix to pay tribute to the 80s dance scene. This rock syncopated dance number gets a touch of the underground in several areas and also some new percussion. It is a pure touch of a crossover hit.
• Love Explosion - Glenn Rivera ReStructure Mix - Chris Mills

Chris Mills is one of the great moments of the 80s transition from electronic dance to high energy. Produced by Joe La Greca – the Canadian producer who brought us projects by Hydro, Lime, Nancy Martinez, Diva, Kryptonite, Kat Mandu and MTL Express. Keyboards and arrangements are incredibly laid out by Denis Le Page of Lime who seems to have begun his own following and style with his unique bass and percussion sound. “Love Explosion” is the single which I can remember having to play over and over during its release a few patrons swore it was Michael Jackson. Chris Mills has a soulful and stylish sound that falls into a nice disco pop category as well as defining a funk edge to La Greca and Le Page’s sound. A big one which always brought me to a nice trance light energy.

I have taken the album version of “Love Explosion” and ignited a new ReStructure Mix to bring those sirens and love chants into the millennium. A few new drum beats are placed below the surface to kick your feet higher. A longer distance with Le Page’s fabulous horns and keyboards are infused.
• Disco Fantasy/Medley - Glenn Rivera ReStructure Mix - Thomas 'Coke' Escovedo

Thomas “Coke” Escovedo is a performer who painted disco, soul, funk and Latin experiences. His influence was passed onto his niece, Ms. Sheila E. and her dedication to keep percussion alive and where it belongs – dance music. “Disco Fantasy” is the 1977 project from Escovedo and hits the disco bell with a hard mallet. A production with soul and funk fused loosely as an underground disco sound was being formed. This one always reminded me of the Van McCoy style with a touch more of Latin percussion in this musician’s style. A big disco sound with the funky underground flavor.

I have taken tracks from this project and worked them into a medley – “Disco Fantasy Medley”. Lots of the funky-ass chorus ladies are what make this one feel real. A new intro brings the curtains to a rise into the great feel of the mid-70s and a time when dance floors and those private dance floors were creating a new nightlife for those who wanted something new. 

• Body Language - Glenn Rivera ReStructure Mix - Patti Austin

Patti Austin is a jazz vocalist whose venture into dance/disco music in the early 80s brought new life to a new period of music. “Body Language” is Patti’s 1980 project produced by legendary jazz producer Creed Taylor. This album gave a new spirit to this vocalists sound. The title cut is a nice jazz/sleaze track that is sensual and teasing appropriately with Patti purring on and on about romantic physics. It has always been one of my favorites and a surprise number that I used many times in early morning sets for years. A great vocal piece from Patti and a great full arrangement as this album is laid out.

I have taken the album version of “Body Language” and relayed a new message here for a ReStructure Mix realm – focusing more on the sleaze edge of this great number. I spread the vocals out in a new arrangement and place some breaks and light crescendos here and there. It plays out nice as a low bpm teaser for the jazz intention and even sweeter now with a played out early morning feel.
• The Sun Goes Down On Milky Way - Glenn Rivera ReStructure Mix - Gazebo

Gazebo is Paul Mazzolini on an Italo-disco stage. The early 80s shift in dance music was saved for those who continued to clamor the melodic sounds of disco in an electronic format – it was Italo-disco. Tracks like “Masterpiece” by Gazebo in 1982 brought a splash of the adventure of disco music with the new production consisting of a keyboard mainframe. Throughout the 80s this venture of creative and various faucets of styles made dance floors move all over again. Gazebo’s “The Sun Goes Down On Milky Way” from 1986 is another one of the poetic love songs put to the electro vibe of Italo-disco. A great piece that I always loved to add to a tea dance playlist or a set of beautiful dance music.

I have taken the 12” version “The Sun Goes Down On Milky Way” a laid out a new feel for this ReStructure Mix. I focused more on the afterhours beauty elements. I lifted the mystic rolling of the intro for a smooth transition into the kick beats and eventually Gazebo’s beautiful and melodic vocal.
• Oo-La-La Too Soon - Glenn Rivera ReStructure Mix - Sarah Dash

Sarah Dash is known for her role in the trio LaBelle (previously known as Patti LaBelle and The Bluebells) – a futuristic funk ensemble along with Pattie LaBelle and Nona Hendryx. Each of these ladies proclaiming a style of soul and funk fitting for the lineup and also solo careers. Sarah is known for her soulful delivery which hits levels of Patti’s power and demand for center stage. “Sinner Man” is her big disco hit from 1978 and mixed by Mr. Tom Moulton and produced by Gary Knight, Gene Allan, Jay Siegel and Wally Gold – also featured on Don Kirshner's subsidiary label Kirshner Records of CBS. The track is a gem of a disco recording and is now a classic piece to hold onto its resonating production and Sarah’s fabulous vocal performance. “Oo-La-La Too Soon” is from Sarah’s second follow up album which unfortunately trailed behind the disco movement into 1980 – and although the title single has the flawless disco production it received less attention. It uses the tie line from a well-known Sassoon Jeans commercial with the disco flavor or the time, Sarah’s take is struggle to maintain control over a powerful urge.

I have taken the short 3:07 minute album version of “Oo-La-La Too Soon” and worked an extended mix playing with segments to finish a definite and noticeable arrangement. A new riff is placed below the melody and Sarah is visited by an old flame again. It is a toy on my end where I could never get enough of Sarah’s vocal in the short 3 minute play.
• Nobody But You - Glenn Rivera ReStructure Mix - Theo Vaness

Theo Vaness (Theo van Es) is a Dutch singer who is also known for his vocal with the band The Shoes from the late 60s and early 70s. His appearance as a disco artist in 1978 with his project “Back To Music” – produced by Boona Music (Michaéle, Lana and Paul Sebastian). Theo’s unique sound brought a new distinction to the Euro-disco sound which began a new wave of club music and helping to ignite the disco fusion of the mid and late 70s. “Nobody But You” is a single from the “Back To Music” album and is one of his most beautiful love songs. The production follows the strip down disco format which soon became the norm for dance music.

I have taken the album version of “Nobody But You” and re-edited elements to create a new ReStructure Mix adding a few new percussion parts to enhance the smooth track. It was always a heartfelt song for me and also has many great vocal riffs from Theo which made him an artist that dance floors recognized immediately with each new dance release.
• It's Alright - Glenn Rivera ReStructure Mix - Gino Soccio

Gino Soccio is one of the creative forces who brought a heavy influence on disco music as it matured in the late 70s. His credits include many session groups including Witch Queen, Gotham Flasher, Lafleur and artists Karen Silver and Busta Jones. His keyboards and synthesizer work is a new age touch to the electronic edge of disco. “Outline” was his first solo album from 1979 where the single “Dancer” became one of the innovative recording sessions of its time. Later Gino proved his creative edge brought together a slick techno-new age feel that would set a presence during the early and late 80s.

“It’s Alight” is from his 1982 project “Face To Face” and featured vocalist Erma Shaw – this synth-dance classic is ReStructured using the album version. More of the looping riffs are accentuated here along with a breakdown among several areas where the rhythm is contagious. One of the great classics from Soccio and his genius which even today is fresh and influential.
• Boogie With Me - Glenn Rivera ReStructure Mix - Poussez!

Poussez! Is a disco project from Alphonse Mouzon and features the incredible vocals of Christine Wiltshire – also known for Musique, Aural Exciters, Phreek, Revanche, DSK and Class Action as well as various backing sessions in soul, funk and disco music. This dance project is brought to life with the lead vocals of Christine along with Holly Oas and Ruderial Blackwell. “Boogie With Me” is one of the sweetest disco tracks with the syncopated rhythms to move it along with the funky keyboards and soaring disco strings. A favorite of mine and another project which I grew to love Christine Wiltshire’s talent even more.

I have taken the album version of “Boogie With Me” and reworked this ReStructure Mix to create a whole new playground for Christine’s vocals and Alphonse’s swift production. This remix is taking the core essence of the production and working it over and over. Added to the chorus is a cameo from M s. Martha Wash.
• Another Boy In Town - Glenn Rivera ReStructure Mix - Two Girls

Two Girls is a high energy project from producer Anthony Monn – also known for his creative force of Magnifique, ORS, and projects by Judy Cheeks and Amanda Lear. “Another Boy In Town” is an electronic/high energy number that gives a delivery similar to Fancy in a rolling serenade of these girls taking notice of the potential catch on the dance floor. This one pours every ounce of energy out of the thumping synthesizers and the erotic female vocals that echo throughout the club as the dance floor worships its manifesto. A nice change for Anthony Monn who also gave us a similar trip with “Magnifique” in the early 80’s.

I have taken the German 12” club mix and instrumental to work out a new ReStructure Mix with more of an intro into the scandal. More of the keyboard riffs are placed where space is needed and a break from the ominous energy of this nice high energy anthem.
• Dance Turned To A Romance - Glenn Rivera ReStructure Mix - The Jones Girls

The Jones Girls are Brenda Elaine Jones, Shirley Yvonne Jones and Valorie Denise Jones – a trio which joined the disco ranks in 1979 with their hit, “You Gonna Make Me Love Somebody Else” . The production from the Philadelphia International duo of Kenneth Gamble and Leon Huff gave the dance floors a return to the soul edge of their talents along with the disco formula of the period. Their second album from 1980 titled “At Peace With Woman” contained their second radio and club hit “Dance Turned To A Romance” which is the perfect morning after track with their beautiful harmonies and the romantic interlude which leads to love and happiness.

I have taken the album version and created a flowing ReStructure Mix only adding an intro and a few breakdowns to not only extend this beauty, but also bring it into the dreamy dub arena where it feels comfortable. One of the lovely Philly-disco songs that I was so happy to work with.
• I Need Love - Glenn Rivera ReStructure Mix - Capricorn

Capricorn is an Italo-disco project from Claudio Simonetti who also produced projects by Kasso, Easy Going and Vivian Vee. His work with keyboards and an innovative approach to a new style of dance music gives him a unique flavor and sound. “I Need Love” is the third single from Capricorn from 1982 and a track that worked for me in the electronic dance transition. A nice funky bass line over fast rhythmic hand clap loops. The vocals work in the funk-punk arena reciting a love song with a yearning for physical attention. One of my favorite Italo-disco songs that I always refer to once I bring my mind to the early 80s.

I have taken the 12” vocal and instrumental to work this alternate ReStructure Mix and lay out a new arrangement using the nice elements. The chorus is given a bit more of an extensive meaning here and the play on percussion elements enhanced.
• Dancing At The Disco - Glenn Rivera ReStructure Mix - L.A.X.

L.A.X. is one of the leading funk-disco projects to lead the 80s into a New York Funk frenzy thanks to projects from the Prelude Records label and success with groups like Change (“A Lover’s Holiday”). Produced by Ralph Benatar and Biram Benelux. “Dancing At The Disco” was the first single from the first album and is a nice funk edged disco track that pours our layers of horns, percussion, bass and the sexy female disco riff. It was a huge shift in the Euro-disco presence of releases prior which were big hits for many major club/disco labels. The early 80s shifted to a lesser bpm and a more funk driven format in many playlists urging a new brand of dance music.

I have taken the 12” vocal and instrumental to create a ReStructure Mix which leaves the hard hitting funk edge intact. A new intro slowly guides in the hard hitting horns and snaps. This one was always a favorite of mine and reminds me of a time where disco music made its mark and was now the big influence on bands and producers to keep the mirror ball alive for the many who were not yet done dancing and romancing.
• Too Damn Hot - Glenn Rivera ReStructure Mix - The Duncans

The Duncans are Phyllis and Helen Duncan – also known as The Duncan Sisters. Their vocals have successfully lightened disco projects from Ian Guenther and Willi Morrisson – also known as THP Orchestra (Three Hats Productions). Several of the productions better known are also Sticky Fingers as well as the THP #2 project. In 1981 the duo released “Gonna Stay In Love” an album which contained the single “Too Damn Hot”. This single was left out following the fading of top notch disco singles and an appropriate version for clubs to desire. It is the blaring horns of THP and the fabulous vocals of their wonderful gals.

I have taken the 12” version of “Too Damn Hot” to rework this ReStructure Mix and extend the “hot” elements along with the ladies. It was always a favorite of mine and plays out as one of the disco productions that exude that flavor that Guenther and Morrisson so marked in the disco era.
• Take It Slowly - Glenn Rivera ReStructure Mix - Nancy Martinez

Nancy Martinez is a Canadian singer who is also known as Jade and Nancy Martin under several successful dance singles. Her 1983 album “Lay It Down” (produced by Joe La Greca) is one of the 80s artists whom brought back the beautiful sound of disco music with her vocal style. “Take It Slowly” is one of my favorite high energy tracks of the period since it flows like a lilting disco love song along with the full force electronic production. It is a return the pure disco edge and always makes one feel that positive energy that the disco dance floor is known for.

I have taken the original Canadian 12” with the vocal, instrumental and dub and re-edited a ReStructure Mix with a few new pieces added to produce a somewhat duet piece along with Ms. Barbra Streisand and another love song to accent the mood here. This one always fit into my program during its release and often refer to it when in that mood to fall in love with the true meaning of disco music all over again.
• Disco Jam - Glenn Rivera ReStructure Mix - Eddie Drennon

Eddie Drennon is a violinist and producer who released a dance album in 1978 titled “It Don’t Mean A Thing”  co-produced by Joe Bana (of Friends and Co. Records). The project is one of the Casablanca Records releases which takes disco music along a new area and features Latin bandleader, Tito Puente on percussion. “Disco Jam” is one of the big tracks that use layers of percussion to move in string breaks and a disco ensemble pouting out the funk. It is a rare number for many unless one of your club stops had a disc jockey who delved deeper into the disco charts.

I have taken the album version of “Disco Jam” and reworked a ReStructure Mix which plays out as the original with a few new placement markers for the funky bass, guitars and the disco chant. It plays a bit longer and also uses a sample from the film “Car Wash” to give the mix an added touch.
• Love Boat - Glenn Rivera ReStructure Mix - Amanda Lear

Amanda Lear is one of disco music’s greatest acts from the late 70s. Her music always filled the mystique that was needed in this space where fantasy and sexuality were sometimes more than ones imagination. In 2001 Amanda released a disco-house version of the 70s television show theme “Love Boat” – a track covered many times in the disco arena. This bouncy version was one that fit perfectly with the heavy breathy sound of her sexy vocals. It is one of the rare millennial pieces that I will include in a ReStructure Mix but as homage to this stage diva it is provided.

I have taken the vocal and instrumental from the 12” of “Love Boat” by Amanda Lear and reworked a ReStructure Mix with several break downs to party over and over with. It also contains a few pieces from another boat – a bigger boat from the 70s in the disaster movie genre – with thanks to Mr. John Williams. It is a bit of fun for those adventurous nights.
• Young Guns (Go For It) - Glenn Rivera ReStructure Mix - Wham!

Wham! is one of the pop-groups of the 80s consisting of George Michael and Andrew Ridgeley. Their influence on the new dance movement of the 80s took the NY funk and gave it a lighter edge. “Young Guns (Go For It)” is from their 1983 album “Fantastic” – produced by Steve Brown and fits into a breaking of best friends as time moves on. It is one of the sounds of the 80s pop dance scene which explores a whole new audience and message. Pieces of a familiar Prelude classic add to its unique edge.

I have taken the 12” version of “Young Guns (Go For It)” and created a deeper rolling bass piece to give this ReStructure Mix a different feel and arrangement. It is flares out in the same way but at different times. It is another Special Edition to celebrate the continuance of what disco music created in the seventies and also pay homage to the talent and recent passing of Mr. George Michael.
• You Got To Move It On - Glenn Rivera ReStructure Mix - Rofo

Rofo is a disco project from producer Fonny De Wulf and Ronny Verrept. The high energy explosion in the early 80s brought on a deep and pulsating sound of keyboards and synthesizers pounding out a dance beat. “You Got To Move It On” is the third single from Rofo and begins a love song with a dreamy energy. Much of what this studio project set out to represent. Dance floors came alive with tracks like this and made the transition from synth-pop to a more definitive club sound.

I have taken the original 12” version of “You Got To Move It On” and created a new ReStructure Mix which plays out with loops and re-editing from the original arrangement. More energy is pulled from the original elements with a touch of the loop edits that mark more of the excitement that the 80s electronic edge was so familiar with.
• Let Me Down Easy - Glenn Rivera ReStructure Mix - First Choice

First Choice holds a record as the pure sound of disco from beginning to end. An extreme blend of soulful vocals on a disco stage. Their 1978 album “Hold Your Horses” – produced by Tom Moulton, Thor Baldursson, and McKinley Jackson is the top of disco peaks with so many tracks that pair out as winning. “Let Me Down Easy” is from the side one medley and starts out like a bang and continues with chorus and chorus of definitive vocals and reason. This cover of the Rare Pleasure classic from 1976 stays close to the original adding only a powerful jazz and drum session to give it the disco edge of its time.

I have taken the album version of “Let Me Down Easy” and reworked as much as possible a new ReStructure Mix using many of the peak hour live remix techniques to present a whole new edit. This one is a top 100 for me and always had me proud of what the dance floor held in high esteem then. The First Choice sound given a booth uplift!
• Baby, Won't You Dance With Me - Glenn Rivera ReStructure Mix - Vera

Vera is a Patti Masi who brought the mystique of disco music alive in the early 80s. Her big club hit “Take Me To The Bridge” from 1981 –produced by Louis Toteda was one the most talked about release in dance circles. It was also my cure for my own desire to hear a beautiful disco arrangement brought up to date at the time. Following this single a flood gate of hits followed bringing Vera a stand on dance floors everywhere. “Baby, Won’t You Dance With Me” is from 1983 and Vera’s album titled “Joey” which became the resource for this ladies beautiful vocal and connection to dance floors.

I have taken the vocal and instrumental of the original Canadian 12” release of “Baby, Won’t You Dance With Me” to work a ReStructure Mix with a non-stop energy injected into the already moving dance arrangement. Using the beautiful sound of the chorus as the outline for more of this incredible stomper which has always been a big hit for my dance floors and me.

This ReStructure Mix is dedicated to Patti Masi (Vera) who will always bring to my mind a wonderful period of rediscovery for lovely dance tracks and haunting performances – and to Louis Toteda for being an incredible producer, writer and musician.
• Close Your Eyes - Glenn Rivera ReStructure Mix - Queen Samantha

Queen Samantha is Gloria Brooks on vocals and disco arrangements from Harry Chalkitis. The group is best known for a blend of Euro-disco with a mystique feel. “Take A Chance” is their big hit from 1979 which became one of the favorable moods from dance floors of the time as it weaved layer on layer of disco syrup heavily. “Close Your Eyes” is from the 1979 album titled “Queen Samantha” and plays out like a high energy love letter. The release was a delayed on US release with a remix on Megatone Records in 1982 – remixed by Bernie Bernthaier. It brings to mind that lingering of the classic disco sound becoming a new style titled ‘high energy’.

I have taken parts of the original 12” release and the Megatone 12” remix to create a new ReStructure Mix for this beauty. More of the dub-like breaks are created to give this one the feel of this group and its sound. It was a great track for me during the disco transition in the early 80s and with a place mark in the San Francisco high energy movement it rings out even more.
• Carry On - Glenn Rivera ReStructure Mix - Giorgio Moroder featuring Donna Summer

“Carry On” is a single from 1992 that unites Donna Summer and Giorgio Moroder in an uplifting and haunting track that follows a melodic journey. It is a familiar sound that Moroder created in the early 80s with the feel of “Never Ending Story”. This one gives Donna another opportunity to echo her beautiful vocals into a dance song where they work so well. The release is one of the last of Donna’s true dream disco performances and although it is simple it stills pulls us into that fantasy world of the dance floor.

I have taken the original 12” on Virgin Records and weaved a melodic ReStructure Mix which is more of an afterhours feel. The theme is worked to the bone here using more of its ethereal sound rather that dance beats. More of Donna is added throughout this new journey as a dream sequence.


• Disco Stuff / If You Love Me - Glenn Rivera ReStructure Mix - Claire

Claire Chevalier (Claire Thérése Ferullo) is a French recording artist who brought the disco sound a wave of Euro sweetness. A true chanteuse where the melody becomes the identity of disco as one of its styles originated from the chic dance floors of Paris. Full of orchestration and the love which became the identity of European disco as Cerrone and Alec R. Costandinos penned. Claire’s 1978 single, “If You Love Me” was arranged by Jean Pierre Goussaud and produced by Thomas Nonton. The arrangement gave of segments of the “boogie breakdowns” titled “Disco Stuff”. A nice love song with a feel of that Salsoul Orchestra arrangement that became a disco staple of the time. “High On Love” was another single from Claire which I played for packed floors with the US release on Prelude Records.

I have taken the 7” version of “Disco Stuff/If You Love Me” and worked the beautiful piece into a new ReStructure Mix. Keeping Claire’s wonderful notes alive with a touch more of the “Disco Stuff” segment and a new curve on the rhythm tracks. A predominant intro and fade are added to give the fantasy that disco music is so happy to allow.

Dedicated to Claire Chevalier and her wonderful part played in disco music history. You are a gem, my dear.

• New Attitude - Glenn Rivera ReStructure Mix - Patti LaBelle

Patti LaBelle began her solo recording career in 1977 following a memorable place in the soul/funk trio LaBelle along with Sarah Dash and Nona Hendryx. Many of her recordings with LaBelle gave this songbird an opportunity to blend her powerful vocals over the talents of the ensemble. As a solo artist Patti is undeniably one of the most influential figures in soul music. “New Attitude” gives Patti a moment to step into the 80s synth-pop arena with a track that is most fitting. It delivers a positive message and allows this voice to carry us into a roaring anthem. The song was produced for a soundtrack project for the 1984 film, “Beverly Hills Cop” – produced by Howie Rice, Peter Bunetta and Rick Chudacoff.

I have taken the 12” version of “New Attitude” remixed by Louil Silas Jr. and reworked a ReStructure Mix with more of a beat-dub ‘attitude’ bringing more space into the heavy production. More of the vocal is broken into pieces to give us the positive message again, in a new way.
• Sweet Sensations - Glenn Rivera ReStructure Mix - L'ectric Funk

L’ectric Funk is a disco project from 1980 and is also a soundtrack to a B-film titled, “The Gas Pump Girl” from the same year. It is produced by John Ferrara – who also gave us “Love Attack” (releases under Ferrara) and The Average Disco Band from 1977. The A-side to this single is “Shanghaied” which brought the disco sound a full electronic arrangement into the high energy era of the early and mid-80s. The project was also co-produced by David and Isaac Blech who wrote by tracks. “Sweet Sensation” was also a track that received a lot of club play and became a favorite among early high energy lovers and is now a classic B-side.

I have taken the 12” version of “Sweet Sensation” and re-edited and looped pieces of the production for this ReStructure Mix. It is a dub-like edge with more temptation from those deep hardcore keyboards and pounding bass beats. A reason for high energy to take flight and another opportunity to feel the erotic tease that this lead vocal brings out.
• Shining Star - Glenn Rivera ReStructure Mix - Earth Wind and Fire

Earth Wind and Fire are the soul-funk solution which began in the early 70s. The inspiring titles and music brought a new flair by blending soul and jazz into a fusion which brought the 70s into a new phase of sound. “Shining Star” comes from the 1975 album “That’s The Way Of The World” – a project that brings a world beat into play. Produced by Maurice White and began a force for this talent man to bring not only Earth Wind and Fire a fierce fire, but groups like The Emotions alive and Denise Williams’s classic ballads. It was a new day for this music and the transition from soul to disco music included tracks by Earth Wind and Fire for those DJs who knew the source of soul music.

I have taken the album version of “Shining Star” in its 2:50 length and recreated this ReStructure Mix to extend and play out the brass-explosion and rhythm in a new way. Some of the feeling is given some drop out breaks to leave a touch of that fantasy which discotheques provided.

• Life Dance - Glenn Rivera ReStructure Mix - Sonia Belolo

Sonia Belolo’s beautiful dance piece “Life Dance” from 1985 is one of the tracks which emphasize the wave of clubs with the continuance of disco music’s flowing control. It is an early morning piece that always brought out the fan dancers after 3 AM for me and also invigorated the energy into a form of celebration. The instrumental piece offers a few simple riffs that sound like a piano recital with some pulsating bass synths guiding the energy. It is quite beautiful and one of the many in its class which belong among the classics.

I have taken the original 12” version of “Life Dance” and reworked a new ReStructure Mix to give the hardcore dancers from the time period another trip. It breaks into the mix with new break-beats and more use of the sequencers and synth-loops. A new approach to break the melody into pieces and offer more breaks.
• Three Time Lover - Glenn Rivera ReStructure Mix - Bardeux

Bardeux is Acacia Smith and Melanie Taylor – a 80s duo sweetly displaying the disco production of Jon St. James who also gave the familiar sound of Stacy Q (“Two Of Hearts”). This was the rebirth of the high energy sound in a stripped down West Coast sound that echoes a touch of the gentle female vocal exuding a sensual and pulsating dance momentum. The mid-80s gave way to another side of the dance floor where a light cowbell filled the thumping beat for a new period. “Three Time Lover” from 1987 is close cousin of “Two Of Hearts” with an attraction which dominated the late period of the 80s.

I have taken the 12” “Circus” and “European” mixes and reworked a slippery and pulsating new ReStructure Mix with more of those warm bass synth patterns re-edited and reworked. A few samples from The Partridge Family give a flavor that repays the call to love here. This is one that used to drive my dance floor into a frenzy on a peak hour-Saturday night and this homage to the high energy force is a welcomed.
• C'mon Baby - Glenn Rivera ReStructure Mix - Chilly

Chilly is a German disco band created by producer Bernt Möhrle whose debut single “For Your Love” paved a unique sound for disco in 1978. A deeper and rich sounding cover of The Yard bird’s classic rock song is one of the hardcore pieces of a nice transition production to disco. From the same album is a track I always found intriguing with the powerful soulful male vocal and the rock-edged female lead together titled “C’mon Baby”. The short 3 minute version from the LP was always set in my mind for a lengthier remix.

I have taken the short album version and recreated a ReStructure Mix to honor this disco band and their early creation of the hardcore disco edge. I have pieced more of the fantastic guitar work along with more of the verses leading to the pounding chorus. A new experience for this underground feel and another reason to celebrate the sound which brought dance floors a new flavor in the late 70s.
• Another Night - Glenn Rivera ReStructure Mix - Aretha Franklin

The Queen of Soul has another moving moment in the 1986 dance track “Another Night” – produced by Naratha Michael Walden. This piece was released during the house music explosion of the mid-80s where a taste of sampling and heavy bass dominated the remix and execution of many dance numbers. A big influence here with a 12” remix from Steve Thompson and Michael Barbiero where the sampled pushed to the vocal level to enhance the rhythm and pump the beats. Most of this done in the dub and instrumental parts yet outlined in the vocal remixes. This lonely yet positive and strong song emphasizes survival after a painful breakup gives Aretha more of the emotion as many of her past soul hits did. A great song for dance floors and a ReStructure Mix.

This ReStructure Mix divides the heavy 12” vocal version with the house beats into more of an instrumental breakdown where Aretha is given more breathing space. The heartbreak is emphasized through a few looping effects and the dramatic ending. I have always love this one and felt it is one of the great emotion driven dance tracks – so a ReStructure Mix pays tribute to its beauty.
• Destiny - Glenn Rivera ReStructure Mix - Two Sisters

Two Sisters are Theresa and Tracey Pesco and an electronic production with a blend of hip-hop, Latin and disco touches. The New York sound during the early 80s being polished by many of the dee-jays, engineers and producers of the Disconet era became one the progressive faucets of dance music and tracks like “Destiny” brought a blend of various styles together in the new tradition. This piece produced by Mark Berry who also gave us numbers from Amy Bolton, Roni Griffith, Poussez!, Bonnie Forman and more. His touch was more of the sound of underground dance music with a pop flair – a perfect blend for the early 80s.

I have taken the 12” vocal and “Desti-Dub” from the Sugarscoop Records vinyl and recreated a more ethereal feeling mix in the ReStructure Mix edge. This one was a big hit for me a favorite since I first heard those street beats pounding as the Latin percussion danced over them. A new dance trip for those who take the 80s dance scene seriously.
• Like A Virgin - Glenn Rivera ReStructure Mix - Madonna

Madonna’s career not only spans a creative path from the simplicity of 80s synth-pop to complex ballads and dance floor anthems. “Like A Virgin” is Madonna’s play with upbeat electronic dance music and along with producer Nile Rogers began a new journey for her talent. This 1984 number was also Madonna’s start with a controversial stage performance igniting the imagination of both the lyrics and her iconic style.

I have taken the 12” extended version of “Like A Virgin” remixed by John “Jellybean” Benitez – with the great percussion lift and transferred the story into a new chapter. This ReStructure Mix pays homage to the 80s dance floor and uses the focus of the songs feel stretched here and there.
• Keep On - Glenn Rivera ReStructure Mix - D-Train

New York Funk is a sound filling dance floors with a mixture of electronic funk and a soulful vocal ensemble. D-Train is one of the leading bands to bring the shift from full-orchestrated disco to this New York sound. James Williams and Hubert Eaves III released their first album “You’re The One For Me” in 1982 and along with the powerhouse remix assistance from Mr. François Kevorkian their sound became the leading force in disco label, Prelude Records new focus. “Keep On” is the second single from the album and offers a similar dose of funk with an uplifting message and choir bringing more to a willing dance floor.

I have taken the original 12” release of “Keep On” using the vocal and dub to recreate a more break driven arrangement with a few more underground moments to give this classic a new rode ticket. The power of the original mix by François is never forgotten here and I can only testify that his magnificent sound is a big influence on my own work from dee jay years to present remixes play.
• La Cage Aux Folles - Glenn Rivera ReStructure Mix - Le Jetè

Le Jeté is a studio band produced by Ken Kessie, Marty Blecman and Morey Goldstein on the high energy label Megatone Records. Their only single “La Cage Aux Folles” from 1983 is a disco version of a song from the Broadway Musical which is based on the 1978 Italian comedy. This production follows the high energy pace set my tracks like “So Many Men, So Little Time” and “The Boys Come To Town” which give disco music a new facelift with the electronic percussion and heavy synthesizers. A big hit in many clubs either as a vocal or the flip-side instrumental. Lots of the breaks and flowing energy that made the early and mid-80s a great place to dance.

I have taken the original Megatone 12” vocal and instrumental to work this new ReStructure Mix. It extends the song and places some new re-edits as the breaks and re-worked synthesizer parts. The vocals are re arranged and given more opportunities to entertain and welcome a sample from Mr. Robert Preston.
• So Emotional - Glenn Rivera ReStructure Mix - Whitney Houston

Whitney Houston is a voice that brings back the 80s with the excitement of a new dance era and artists keeping the dance movement alive. Whitney’s big pop dance song, “So Emotional” is from her 1987 album “Whitney” produced by Narada Michael Walden. This one was as exciting as the arrival of Houston’s presence in 1985. This is a love song overflowing with the juicy pieces of Whitney’s voice and attitude which helped to make her the pop-princess of her time. I can remember having to play this one more than once and with the help of the 12” magic by Shep Pettibone and Junior Vasquez it was easy.

I have taken the 12” extended remix, dub version and the acapella to work this ReStructure Mix which takes the song onto a pounding trip. More pieces of the voice and also the killer 12” production provide a new playground for Whitney.
ends.

• Summing Up - Glenn Rivera ReStructure Mix - Electric Mind

Luciana Cirrillo and Michele Violante are the Italian group Electric Mind. Along with producer Andrea Candelora a venture to bring a New York funk edge to Italo-disco began its ringing throughout clubs. Inspired by bands like Change and Chic there is an electronic take on the funky guitars and electro vibe here. “Summing Up” from 1982 is their first release and a big long time floor packer in my club. This one has the smooth piano riffs that many tracks were incorporating and Electric Mind placed them to complete a jazz air.

I have taken the 12” vocal and instrumental to recreate a ReStructure Mix with more play and extended portions of the great streamline production. A catchy riff in the chorus and plenty of beat and groove to move onto a new era of dance without the need for change.
• Call Me - Glenn Rivera ReStructure Mix - Skyy

Skyy is a disco-funk band which filled the gap between funky and disco. Produced by Randy Mueller of B.T. Express and Brass Construction this sound was the 80s new dance groove. The band members included Anibal "Butch" Sierra, Bonny Dunning, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenburg, Randy Muller, Solomon Roberts Jr., Tommy McConnell and Wayne Wilentz. Skyy’s 1981 album “Skyy Line” featured the single “Call Me” that is an old school classic at its best. The song topped club lists and radio play during its release and even today brings it all back properly.

I have taken the 12” version of “Call Me” and created a new ReStructure Mix to give Skyy their place in the funk/disco category of dance music history. This one is broken down with some new breaks and a few more areas where a simple plea for romance is contagious as the groove. An homage to Skyy and this classic.
• Love Kills - Glenn Rivera ReStructure Mix - Freddie Mercury

Freddie Mercury has a voice which brings emotion and power to each performance. Many of his recordings both solo and along with the rock band Queen have given a fulfilling legacy to music history. In 1984 Freddie released a solo album titled “Mr. Bad Guy” with a few tracks which celebrate the 80s dance edge. “Love Kills” is another powerful single which was produced by Mercury and Giorgio Moroder for a re-release of the 1926 Fritz Lang cinema-classic “Metropolis”. The new soundtrack from the film featured 80s vocalist recapturing the film with new synth-pop atmosphere. The song is another memorable vocal from Mercury that is powerful and haunting.

I have taken the soundtrack version of “Love Kills” and re-worked a ReStructured 'werk' with more of the percolating sequencer which play out the early Moroder-esque feel. More of the anthem-like parts of this bittersweet song are extended along with some classic-Queen drums to accent this new recovery issue.
• Baby Love - Glenn Rivera ReStructure Mix - Regina

Regina Richards is a singer whose 1986 single “Baby Love” that reached Billboards Top 10 and became her classic 80s dance number. The song was written by Regina and Stephen Bray and after Madonna passed on recording it she decided to record it herself. It is a sound that is close to Madonna’s of the period and even production and Regina’s vocals it is sharp resemblance. The song was big on my dance floor and was requested frequently. It is that pop-edge from the 80s that fits into the stage dominated by gals like Kylie Minoque and Debbie Gibson.

I have ReStructured “Baby Love” as a tribute to 80s dance tracks and used the domestic 12” vocal and instrumental to take apart and reassemble pieces of the darling song and give it a bit more energy. The sweetness is still intact with a few more of the ReStructure tags added.
• Hurricane - Glenn Rivera ReStructure Mix - Tapps

Tapps is a high energy project with Candy Berthiaume, Allan Coelho and Tony DaCosta. One of the big 80s disco projects which helped to bring on the new layer of dance music history labeled “high energy”. An electronic production with the percussion and beats of disco along with the 80s synth-pop touch echoing throughout. “Hurricane” is from their 1987 album “Turn It On” – produced by Alan Coelho and John Forbes. This one is a powerful heartbreak number that was a big hit following their previous double hits “My Forbidden Lover” and “Runaway (With My Love)”. A big hit on my playlists and one which brought many nights of non-stop energy to a peak.

I have taken the original 12” vocal and instrumental of “Hurricane” and recreated a whole new storm in this ReStructure Mix. It uses more of the looping of the heavy duty synthesizer riffs and portions of the rock-edged portions. I have always found it difficult to get this one out of my head and now I realize that good high energy music is simple and contagious – a great inheritances from the disco era of the 70s.
• Can't Be Love - Do It To Me Anyway - Glenn Rivera ReStructure Mix - Peter Brown

Peter Brown is a talented artist and an innovative force during a strong focus on night life and a mew sound which was formulated and created on dance floors. Peter’s first album “Fantasy Love Affair” from 1977 is a classic among the blend of soul, funk and electronics which became the stamp of the underground sound of disco. “Can’t Be Love – Do It To Me Anyway” is a single which was released in 1979 as a B-side to a track from his project “Stargazer”. It was released again with a new remix in 1980. The song has a unique edge and interesting beat tracks that stomp out the message of genuine sparks in a new love affair. A big hit and one of Peter’s best dance tracks. It also gives a new example of his genius.

I have taken the 1980 12” long version and poured more of the bits and pieces that emerge from the light disco beat. It has the original intent with a touch more of that after hours mystique. This one was a huge hit in my club and still brings to mind a crowded dance floor and the need for a follow up song to keep the energy moving.
• Sexy Thrills - Glenn Rivera ReStructure Mix - Extensive Care

Extensive Care is a Canadian disco project from producer, arranger and innovator of the heavy drums of disco music in the late 70s – Mr. Peter Di Milo. His classic band Erotic Drum Band is one of the big events of the underground club scene and one of the hardcore disco projects which helped to move dance music in a new direction. “Sexy Thrills” is a 1980 track from the album by the same name which gave the dance floor another dose of a flavor which used his trademark percussion along with an ensemble which brings a funky edge. His use of horns in a classic riff which brings a big band stand calling out dancers is fabulous.

I have taken the 12” version of “Sexy Thrills” and took the elements that I can remember seeing my dance floor go into a dance frenzy over – in this ReStructure Mix. There is a new intro which introduces the attention in a new way. This remix salutes the man himself, Mr. Peter Di Milo and is dedicated to his mark left in disco history.
• We Don't Have To Take Our Clothes Off - Glenn Rivera ReStructure Mix - Jermaine Stewart

Jermaine Stewart is a singer from the mi-80s who appeared with a big dance floor hit titled “We Don’t Have To Take Our Clothes Off”. This was a fun-male romp piece that played out well with the pop-dance of the time. It was a bit campy but fun with enough beats and kicks to move shoulders and hips. One of the big tracks of my club at the time and probably the most requested.

I have taken the 12” version of “We Don’t Have To Take Our Clothes Off” and created a new ReStructure Mix with a longer arrangement and a bit of teasing from an admirer. The keyboards and riffs are intact – just taken apart and ReStructured.
• I'm In Love - Glenn Rivera ReStructure Mix - Evelyn King

Evelyn King (formerly “Champagne” King) is a voice in disco music that transcends the soulful edge of the dance floor in the late 70s. The direction of soul music and it’s influence on disco’s growth was attributed to this sound. “I’m In Love” is from Evelyn’s 1981 album by the same title – produced by Kashif. The early pop years of dance music was a search for a more funk driven sound and this is one of the leading moments. An electronic pulse of bass and funky keyboard accents along with a soulful vocal gave dance floors a whole new experience similar to what New York Disco was building on with labels like Prelude Records. It was a new journey for dance music.

I have taken the 12” version of Evelyn’s “I’m In Love” and created a ReStructure Mix and gave this mellow groove a few new moments for more of an energy mix. The beautiful piano arrangements give this funk track a jazz feel – and along with King’s fabulous voice this one is almost hypnotic. This new arrangement is more of a play on a breakdown and refresher for the dance floor.
• Wood Beez (Pray Like Aretha Franklin) - Glenn Rivera ReStructure Mix - Scritti Politti

Scritti Politti is a synth-pop ensemble formed in 1977 and giving the 80s a brighter and solid electronic groove. Lead singer, Green Garlside stands out with his whispery and somewhat teasing vocal in tracks like “Wood Beez” from the album “Cupid * Psyche 85” – produced by Arif Mardin. The group also feature Dave Gamson who released an electronic cover of The Archie’s “Sugar, Sugar” in the “funky town” beat box feel – released as Learners Permit. His keyboard play and execution in Scritti Polliti touches a bit of an alternative edge and is haunting.

“Wood Beez” caught my ear immediately with the elf like vocals popping in and out of the mysterious love song. I have taken the US 12” vocal and dub (titled ‘version’ ) and replayed this kick beat to a new arrangement where the drums are taken apart and reassembled. This ReStructure Mix is a stretch including a guest spot with Aretha Franklin herself.
• Seclusion - Glenn Rivera ReStructure Mix - Shawn Benson

Shawn Benson is one of the artist of the mid 80s high energy scene with a hit dance track titled “Seclusion” – produced by Barry (Beam) Blum and Johnny Hedges. This one is a fast moving piece of soulful vocals and an electric arrangement that jumps out in every direction. It was one of my favorites and holds that place in high energy history that makes us all glad we were a part of it.

I have taken the 12” vocal and instrumental of “Seclusion” and reworked this ReStructure Mix to give this high energy winner another opportunity to win your heart with the great vocals and sliding rhythms. It always worked for me in many programs and was one of those numbers which always reminds me of a great disco party to start the night out.
• Everybody - Glenn Rivera ReStructure Mix - Madonna

Madonna began her dance career as a dancer for Patrick Hernandez (“Born To Be Alive”) and eventually led to an incredible recording, performing and film career. The first clue we ever heard of this was a single released in 1982 titled “Everybody” produced by Mark Kamins and featured no image of Madonna on the sleeve. If her title was not provoking enough for more there was a bigger force heading our way. The track was a simple electronic dance number which scored very high with dancers and DJs. Learning more about this 80s talent was an experience for all. “Everybody” became one of the street dance hits to help dance floors prepare for another decade of pop-synth dance music with more attached.

I have taken the 12” vocal and dub version of “Everybody” on to the ReStructure Mix image and sound to recreate a beat driven arrangement focusing more on the experience that Madonna was breathy about. This one strips away the riffs and elements that make this one a heavy duty classic and prepare a whole new dish.
• Baby, You Ain't Nothing Without Me - Glenn Rivera ReStructure Mix - Karen Young

Karen Young is one of disco music’s ferocious voices and well handled in her 1978 album, “Hot Shot”. The title track is the biggest sound to hit dance floors during its release. The production by Andy Kahn and Kurt Borusiewicz along with Walter Kahn contains the precursor to club sound that a touch of jazz and hardcore dance beats stomp out a few anthems in Karen’s style and ominous voice demands. “Baby You Ain’t Nothing Without Me” is one of the follow up singles which brought dance floors another piece to worship this lady to. This one I could remember hearing shouting over this one from dancers who could not contain the excitement of this number.

I have taken the 12” remix by Jim Burgess and have given “Baby You Ain't Nothing Without Me” a new stage and ReStructure Mix. Using the bass cello piece as the outline into the scat and Broadway like feel of this dynamite track. A wonderful production to bring back that innovative period when disco matured for the late 70s.

Dedicated to Nick and Lindsay for the request and their dedication to making the mirror ball spinning for those classic acts.
• I Don't Wanna Lose It - Glenn Rivera ReStructure Mix - Bambu'

Bambu’ is a disco project from 1979 produced by Jorge Barreiro who also worked on projects by Black Ivory, J.O.B. Orchestra and J.R. Funk and The Love Machine. Bambu’ is the disco production that hustle clubs clamored for. A distinct layer of Afro-Cuban percussion and swirling strings which blend as a Euro-disco piece but with a live band feel. ““I Don't Wanna Lose It” is a sweet love song that brings a short and simple message that gives his lover security and gratitude. The mid 70s 12” market was tailored for this style of disco music with the sound created for and by dancers in the club environment. This was essentially the hardcore underground dance music of its time.

I have taken the 12” version of ““I Don't Wanna Lose It” and used the strings and the bass riffs as the layout for this ReStructure Mix. More of the yearning vocals parts are inserted and the percussion breaks placed in a few new places. A great keepsake of a period when disco music was a specialized sound, mix and package for dancers and audiophiles.
• Soft and Wet - Glenn Rivera ReStructure Mix - Prince

Prince released his first solo album “For You” in 1977 in the early period of his style and experimental edge on funk and dance music. “Soft and Wet” is the single that speaks out with the sexuality that pours through Prince’s approach to attitude and themes. This number has the keyboards that play out with the sensual yet tweaked funk approach. It is one which caught my ear and imagination immediately. For a debut this one has the Prince we grew to know in the 80s during the height of creativity and pop culture.

I have taken the album version of “Soft and Wet” and played it out with more of the great riffs and worked in some new elements to take the undercurrent and make it a title wave. The original is a great number and this ReStructure Mix makes the voice for a deeper and private dance.
• All Day, All Night - Glenn Rivera ReStructure Mix - Margaret Reynolds

Margaret Reynolds is one of the voices of disco music which brings soul and a dance palace aura to feet and mind. Her music from 1979 throughout the 80s is a direct hit with many of the themes using nightlife as the center stage for love, heartbreak and romance. “All Day, All Night” is from her 1982 album “Keep On Holdin’ On” and was produced by Beverly Champion and Horus Jack Tolson – with the album remixed by the legendary Bill Motley of Boys Town Gang. This track is one of the echoes of the club sound with a hardcore feel. One of my favorites that even today gives me the understanding of how love can make us or break us.

I have taken the 12” version of “All Day, All Night” and worked this ReStructure Mix to bring out the wonderful and sweet soulful and disco filled arrangement. It is a hustle rhythm with the soul infused with the heartache and understanding of its theme. I had a wonderful time taking apart for a reassembly for a new version.

• Boys (Summertime Love) - Glenn Rivera ReStructure Mix - Sabrina

Sabrina is an Italo-disco artists who well known for not only her 1987 dance floor hit, “Boys (Summertime Love)” but also her cleavage from the video. A great summer Italo track that uses a deep bump beat to power out the excitement on the beach for a single girl as she summons the “boys” for frolic on the sand. Produced by Claudio Cecchetto who also produced a few Italo-disco classic including Bizzy & Co., Taffy and Tracy Spencer. This song made radio playlists during its release and gave the weekend airwaves a taste of uplifting Italian disco music.

I have taken the 12” mix and the instrumental to recreate the beach balls, boys and cleavage once again for this ReStructure Mix. A drawn out arrangement with a special cameo from Connie Francis and a blend of her classic boy song along with “Summertime Love”. A new celebration and feel here.
• Object Of My Desire - Glenn Rivera ReStructure Mix - Starpoint

Starpoint is a soul/funk/disco band from Annapolis, Maryland whose influence on the dance floor made the funk end of a dance program complete. Their big hit from 1985, “Object Of My Desire” produced by Keith Diamond and Lionel Job helped to place them upfront on radio and dance floor programs. One of the most irresistible vocals from Renee Diggs and kick beat productions which bring a hard edged and mean message to gentle words. It was a huge hit for my playlists and helped to breakdown the high energy and 80s alternative dance tracks into a funk arena quickly.

I have taken the 12” version – both vocal and instrumental to recreate a ReStructure Mix which would play out in a whole new direction – without taking the original intent away. With kick beats and keyboards playing out like a rock anthem this one is well deserved to be celebrated as a giant 80s influence. Anyone who has ever felt its groove knows just what it is all about.
• The Heart Is A Lonely Hunter - Glenn Rivera ReStructure Mix - Bonnie Bianco

Bonnie Bianco is a singer and actress whose recording career began in 1983 and lead to an anthem track tiled “The Heart Is A Lonely Hunter” in 1987. A number that was one of the top dance floor hits in my club at the time. Much like a production by Laura Branigan and a touch of the 80s rock heartbreak themes of the period. This one was produced by Christian De Walden and Steve Singer and packs quite a wallop with a power vocal and roaring electronic arrangement. One of my favorites among its class.

I have taken the German 12” version mixed by John Pace and applied the ReStructure Mix feel to this dramatic number. Adding more length and breakdowns as well as a few effects to bring more height to the message. It is one of the projects which I worked to create a new open effect with. A great song to begin with this is a new issue.

• Eye Contact - Glenn Rivera ReStructure Mix - Casanova

Casanova is a disco project from 1983 from Sheila E. Washington (Amuka Kelly) and Stephen C. Washington. The electronic force behind this one forms well with the robotic voice that bellows out the eyes watching from the sidelines – catching the energy and excitement of a dance floor in full force. This one was always on my playlist during its release and creates a mechanical syndrum feel with fast moving keyboards, beats and the pulsating energy. A great blend of the 80s dance allure with high energy. The vocals which are featured though a vocoder are the club diva Amuka Kelly which plays out well with this theme as well as ticket to a completely new sound than their project Civil Attack, also on Salsoul Records.

I have taken the 12” versions Part 1 & 2 to create this ReStructure Mix which outlines the electronic sound with more of what makes it work. I have added a new surprise from a classic Moroder/Summer track to help brand a new edge. This one has always been a favorite and I am happy to keep it alive.

• Good To Me - Glenn Rivera ReStructure Mix - THP

THP is Ian Guenther and Willi Morrison – two producers and song writers who formed Three Hat Productions during the underground disco movement of the mid-70s. Their aim was as any producer who was aware that the nightlife was bringing a new genre of music that was gaining notoriety and sales. THP Orchestra released projects which were a blend of the soulful orchestrations set to a new pulsating beat and drums. THP is one of the classic disco groups formulated for the dance floor – by the dance floor. “Good To Me” is the title cut from the finale album from THP in 1979 and features vocalist Joyce Cobb on lead. This session is one of the most memorable for the band where each track is a disco hit with the growth of this ensemble reaching a new and exciting level.

I have taken the album version of “Good To Me” and created a ReStructure Mix to keep the track in the ears and minds of those of us who were fortunate enough to have felt this one pounding out over a crowded dance floor. Many of the riffs created by the fabulous vocal by Joyce Cobb are rearranged and set up for a new dub-like experience. I have added some phasing and filtering of parts of this gem to give this new version a few more peaks and enhanced energy.

• Cupid - Glenn Rivera ReStructure Mix - Spinners

Spinners joined the disco train in 1979 with the production from Michael Zager and his classic disco arrangement and use of their soulful vocals. This project titled “Love Trippin’” features a cover of the 1961 song “Cupid” written and recorded by Sam Cooke. The song has a touch of a Latin rhythm along with the r&b outline. Spinners take the track and sweeten it even more with their flowing harmonies and along with Zager’s disco groove this one hits the same mark as their previous disco hit, “Working My Way Back To You” from 1979, also produced by Michael Zager and Jerry Love.

I have taken the album version of “Cupid” and striped away the Medley piece “I’ve Loved You For A Long Time” to give this track the spotlight for a new ReStructure Mix. A few looping parts of the disco rhythms and some new drums to enhance the 50s Latin touch of this little gem. It plays out with more of “Cupid” using drop segments and effects to communicate true love.

• Showdown - Glenn Rivera ReStructure Mix - Carol Lloyd

Carol Lloyd is singer who recorded her first album titled “Score” with the studio screw who also gave us the disco project Ultimate (“Touch Me Baby”, “Ritmo de Brazil”). The crew recreated the sound of Euro-disco with a touch of the Philly edge with Bruce Weeden producing along with Juliano Salerni. Carol’s album has the feel of that Philly production with the mature sound of disco that it reached in 1979. Each song here is a great one thanks to Carol’s tough vocals which bring on a new feel for the sweet disco arrangements. Backing this session is the trios who were Boris Midney’s ensemble on the first U.S.A. European Connection project (Leza Holmes, Renee Johnson and Sharon Williams) and earlier were Gentle Persuasion. “Showdown” is one of the energetic tracks from this session which play out like an Ann Margret number with the tough and sassy motivation and campy direction.

I have taken the album version of “Showdown” and recreated a new ReStructure Mix to display once again that classic disco is always alive with a full orchestra arrangement and the soulful Philly giving it rhythm. A full re-working of the track using all of the elements which make this one a fun listening experience.

Dedicated to Nick Bunning and Lindsay Smith – the boys who give me so much inspiration to keep this music alive. And I can understand why they requested this one since it has one of the great voices that make disco music what it is.

• You Came - Glenn Rivera ReStructure Mix - Kim Wilde

Kim Wilde began her solo recording career in 1981 with her new wave pop hit, “Kids In America” – a project produced by her brother Ricky Wilde. A career which began with a rock n’ roll focus which later became one of the synth-pop dance artist to attract my attention with her 1985 dance track “Go For It”. It was a great pairing of Kim’s vocal which has a child-like feel along with blaring 80s keyboards. The following year her cover of The Supremes “You Keep Me Hanging On” made her a dance floor regular. “Close” is her 1988 super mover project with several big dance floor tracks including “You Came” which was a regular on radio programs and a big club hit.

I have taken the US 12” of “You Came” with the fabulous remix by Shep Pettibone and Steve Peck using the Shep Mix and the additional 2 dubs to create a ReStructure Mix which plays out with the same energy and a different approach. It is one of those love songs that somehow rocks with the smoothness and power of Kim’s performance. This remix is placed to give the original another boost or play for those who love the 80s and the synth-pop sweeteners which made dancing more of a memory.
• In My House - Glenn Rivera ReStructure Mix - Mary Jane Girls

Mary Jane Girls are Joanna McDuffie, Candice Ghant, Maxi (Kim Wuletich) and Corvette (Yvette Marine – also daughter of disco diva, Pattie Brooks).

A group was originally hired as back-up singers for Rick James and later was spun off as a new female funk quartet. Mary Jane Girls are most known in the 80s for their sexy and powerful productions by Rick James which included his punk fuck bass and guitar work. “In My House” is the big dance floor track from the second album titled, “Only Four You”. This one is a groove driven piece and very much owned by these ladies.

I have taken the 12” vocal and instrumental to bring a ReStructure Mix into light and once again remind us of how fun and contagious the 80s dance scene was. A bit of new drums were added to bring another sexy layer to the sound and feel.
• Only In My Dreams - Glenn Rivera ReStructure Mix - Debbie Gibson

Debbie Gibson starred in a 80s dance arena that was formulated for youth – a new generation of club goers and music idol worship. Her first album “Out Of The Blue” is a production from Debbie and Fred Zarr who worked with many 80s dance artist and groups. This brand of dance music was a sweet and beat driven sound which formulated alongside the remixes and culture of the early 80s street scene. “Only In My Dreams” is a crossover genius like many of Debbie’s early dance numbers which also fell into the Adult Contemporary and love song categories. A bit of the 60s girl scene on an updated stage and new audience.

I have taken the 12” of “Only In My Dreams” using the vocal and beat mixes to recreate a new ReStructure Mix to place it in a whole new light. I have taken many of the infectious pieces to reboot the arrangement and feel without taking from the original energy. A new experience for the Debbie Gibson fans and those of us who spent allot of time dancing as songs flashed by.

• Don't Go Breaking My Heart - Glenn Rivera ReStructure Mix - Elton John & Kiki Dee

Elton John and Bernie Taupin wrote the pop-disco hit, “Don’t Go Breaking My Heart” from 1976 – the track was originally intended as a duet for Elton and Dusty Springfield. It was recorded with English singer Kiki Dee who’s 1974 hit “I’ve Got The Music In Me” made her a familiar name. The success of “Don’t Go Breaking My Heart” made it #1 in the UK for six weeks. The track always reminded me of a fluffy disco number with the simple love notes and the orchestral strings soaring throughout the beats and rhythms. A great pop 70s song that I gave a moment with a ReStructure Mix to pay homage to its own.

I have taken the single version of “Don’t Go Breaking My Heart” along with an anonymous karaoke version to tie this ReStructure Mix with some looping and new arrangements allowing more of the sweetness to linger on. One of my favorite radio hits and a definite disco emulation.
• I Love You - Glenn Rivera ReStructure Mix - Yello

Yello is Boris Blank and Dieter Meier – an alternative electronic band formed in 1979. This new brand of music comes across as haunting and terrifying at moments where their blend of drums and keyboards play out hidden and mysterious messages. The bands heavy sequencers along with tribal drums beating out a disco rhythm to bizarre themes that at times seem like a ritual. Yello reached mainstream in 1985 with the success of their single “Oh Yeah” – featured in the 80s film, “Ferris Bueller’s Day Off”. Also, their work with Dame Shirley Bassey provides an orchestral touch to their unique and alternative sound. “I Love You” is an extreme example of Yello’s energy. It is from the project, “You Gotta Say Yes To Another Excess” from 1983 and feels like a nightmarish love song. A great example of how Yello plays out.

I have taken the original 12” of “I Love You” and recreated another dreamlike ReStructure Mix which takes the elements of this pounding number and places in a new arena. The group has always been one of the desired edges for those moody early morning sets and it was easy to apply a remix to one of their roller coaster ride dance tracks.

• Walking On Sunshine - Glenn Rivera ReStructure Mix - Rocker's Revenge

Rocker’s Revenge is Donnie Calvin, Dwight Hawkes and Tina B – and another landmark piece from producer, Arthur Baker. The electro-beats masterpiece which shifted dance floors into another phase of 80s dance music. The 1978 track “Walking On Sunshine” by Eddy Grant is one of those underground dance records which give a unique edge to a disco and alternative programming. This cover, “Walking On Sunshine ‘82” is a marking point for the electronic genre – giving it the sub-title electro beats. The project features John “Jellybean” Benitez working on the finale mix along with Baker.

I have taken the 12” long version and the ‘rockin’’ version to recreate a new ReStructure Mix in honor of this single which opened my eyes and ears to the New York street beat sound exploding in the early 80s. A surprise from 1969 is planted within this new mix to give a strange mashup for this memorizing electronic play. It is truly one of the 80s dance floor hits to feel good about.

• He's A Saint, He's A Sinner - Glenn Rivera ReStructure Mix - Miquel Brown

Miquel Brown is a singer who took on disco music in 1979 with her album “Symphony Of Love” – produced by Alan Hawkshaw. The title track became a favorite of the Euro-disco lovers with the lyrical sound of sensual femme disco accompaniment. Later in 1983 Miquel scored a huge hit along with producers Ian Levine and Fiachra Trench with the single, “So Many Men, So Little Time” – another statement that the disco era had not quite finished its business. In a new form called ‘high energy’. The album released the same year featured another dance single titled, “He’s A Saint, He’s A Sinner” – another light and playful portrayal of the hedonism of hardcore club dance music.

I have taken the 12” vocal and instrumental re-mix to create a new play for Miquel’s operatic-like delivery and the rolling pianos and crashing disco beats. This new ReStructure Mix takes pieces of the breaks and pianos and mixes them up like martini. It is a version that salutes the early 80s club sound and its influence on the path disco music took unexpectedly.

• Gluttony - Glenn Rivera ReStructure Mix - Rinder and Lewis

Rinder and Lewis are the pioneers of the underground disco movement of the mid-70s. Their music ranges from a simple synthesizer and keyboard arrangement to a full disco orchestration with lush strings. Much of their work is hailed as disco gems. “Seven Deadly Sins” is their first solo/duo album from 1977 and is an instrumental trip through the disco-fied themes. Each belonging to an individual ‘sin’ and its audio mood. An interesting concept and arranged quite well for one of their early experimental pieces. “Gluttony” is one of the whirling bass sequencer tracks that play out as a moody and hypnotic number with slashes of sounds and instruments. The bass sequencer is reminiscent of rolling disco sound later becoming one of the most alluring of technical productions.

I have taken the album version of “Gluttony” and created a ReStructure Mix which takes the key parts of the movement and rearranged it for a new lure. New percussion and effects are added to give more punch to the deep edge. One of the mystical disco numbers from W. Michael Lewis and Laurin Rinder and many disco audiophiles know it well from their own temptation of this classic project.
• First True Love Affair - Glenn Rivera ReStructure Mix - Jimmy Ross

Jimmy Ross (James Albert Ross) is a singer from Trinidad who became one of the voices behind the Italo-disco scene in the early 80s. “First True Love Affair” became a garage hit thanks to a fantastic remix from resident DJ Larry Levan. The track is from the album produced by Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto – alias Kano. The heavy synthesizer outlines work well as a funk groove in the pieces relayed by Italian projects during this period. It was an obvious influence from bands like Change and Chic. A heavy guitar presence brings the outline a breath of fresh air.

I have taken the 12” version of “First True Love Affair” and have given it a ReStructure Mix environment where the verses and chorus parts end up between new breaks and rhythm loop segments. The song is quite beautiful in its disco-funk flavor and with Jimmy’s unique vocal is a nice experience. The arrangement was directed at a more experimental chance and is offered here as an homage.

• Que Rico Vacilon - Glenn Rivera ReStructure Mix - Love Childs Afro Cuban Blues Band

Love Childs Afro Cuban Blues Band is a disco project from disco producer Michael Zager who gave many contributions to dance floors from the mid-70s throughout the 80s. Their second album “Span Disco” from 1977 was a venture into the underground sound of disco at the time and features many Cuban and Spanish traditional tracks with a disco production. “Que Rico Vacilon” is a Cuban song which translates loosely into “a great way to waste time” – meaning a festival of some kind or celebration. It was recorded by Xavier Cugat in 1955 among many artists and orchestras. The excitement of a disco version is played out well here with Zager’s use of horn sections and disco percussion. The vocal ensemble includes Alvin Fields and Cissy Houston.

I have taken the album version of “Que Rico Vacilon” and recreated the celebration with more of an intro and some new use for that classic drum and percussion break. The arrangement is extended and gives those drums some additional placement. The original is a great example of how the disco break was being implemented early in tracks to suit the dance floors demand for that time to unwind and let loose.

• Burn This Disco Out - Glenn Rivera ReStructure Mix - Michael Jackson

Michael Jackson’s project “Off The Wall” from 1979 is one of the unforgettable moments in music history. The production by Quincy Jones created a sound for Jackson which placed him in another incredible stage for a career that was endless, even today. The track “Burn This Disco Out” from the album is one of the pieces which define Michael’s control over a groove and the emphasis he plays to the “boogie”. A nice smooth arrangement by Rod Temperton makes this one again a piece of Jackson’s legacy that will always be looked at with tribute.

I have taken the album version which times out at a little over three minutes and worked a ReStructure Mix to lay out another place for the horns and rhythm to play on. A new intro gives more fade in to the energy and excitement. Some new breaks and effects have been pieced in to create a finale mood that should make Jackson fans happier to attempt that “moon walk” number.

• These Memories - Glenn Rivera ReStructure Mix - Oh Romeo

Oh Romeo is a high energy project from producer, Bobby Orlando that paints the sound of the 80s dance floor with a touch of emotion and drama. “These Memories” became a dance floor hit when it was released in 1983. The emotional tug with all of the elements of high energy – the percussion, the heavy synths and driving message. One of my dance floor favorites and another reason why dance music survived throughout the 80s.

I have taken the original Bobcat Records 12” to recreate a new ReStructure Mix for a return to the dance floors most contagious periods. The rolling synthesizers are still intact with more play. The anthem gets a new feeling with a sample of a ‘memory’ from the 70s.
• Give Me Action - Glenn Rivera ReStructure Mix - Queen Samantha

Queen Samantha is a disco group produced by Charles Ibgui and Harry Chalkitis – also featuring the vocals of Gloria Brooks. “Take A Chance” is the single from 1979 that is most remembered from this project - the TK Records 12” single remixed by Steve Thompson and Michael Arato made it an instant dance floor classic. The angelic and haunting vocals are the mystery behind Queen Samantha during the early projects and later a more predominant lead is brought to the forefront by Gloria Brooks. “Give Me Action” is the single from 1982 and plays out with an R&B flavor accented with horns and a funky bass line. One of the big hits of my dance floor during its release.

I have taken the 12” version of “Give Me Action” and worked a new ReStructure Mix with more of the groovy elements in place with a new arrangement and touch. It is one of the great disco conversions pieces for a disco band shifting to the 80s dance crowd and not failing to keep the original groups feel alive. This one is much more extended and gives the play a bit more space to feel the message.
• I Wanna Dance - Glenn Rivera ReStructure Mix - Marathon

Marathon is a disco project from producer, Pete Bellotte – who also produced Donna Summer, Joy Fleming, Trax, Roberta Kelly and Marsha Hunt. The studio project was featured in the 1978 film soundtrack, “Thank God It’s Friday” with the many Casablanca artists who made the disco scene colorful with their sounds which matured from the mid to late 70s. Marathon plays out like the disco chorus groups which were more of an ensemble used to create the sound each producer envisioned. Here with the only single from the group is “I Wanna Dance” – which you can imagine was conceived to outline the excitement of the films homage to disco and Friday nights. The emotion and energy is certainly alive here and plays out with the syncopated horns blaring out a Spanish feel with plenty of percussion leading the way.

I have taken the soundtrack version and recreated a new ReStructure Mix which plays more into the hands of a breakdown mix. Using many of the riffs to fill in a new arrangement for this new remix. The chorus and lush strings are a bit more controlled and placed in segments to bring the breaks another breath of fresh air.

• Swept Away - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross was focused on keeping our eyes, mind and ears moving in many adventurous moves with productions and material. In 1984 the album “Swept Away” features a pop, funk, and soul offering by various producers including the late Bernard Edwards of Chic. The title track utilizes the bass and beat club sound produced by the man who brought it into the light, Mr. Arthur Baker. The track was co-written and co-produced by Daryl Hall of Hall & Oates. The song transforms Ms. Ross in a fantasy of exciting love and eventually the painful demise of it. This one was one of the top played tracks of the time for me thanks to a 12” single mixed by Arthur Baker and edited by The Latin Rascals. Diana sounds soft and subtle with her sexy delivery and eventually takes the song into the dangerous waters of this love.

I have taken the 12” long and instrumental version into the ReStructure Mix arena with a bit more use of the beats, synths and open feel of the adventurous sound. The awesome drum beats are hard to ignore here and along with Diana portraying the femme fatale in her own style. A tribute to Mr. Baker here and also a dedication for the talent and work her has given us in dance music.

• That Old Black Magic - Glenn Rivera ReStructure Mix - Jeanne Shy

Jeanne Shy and Bob Esty together are sheer disco ecstasy! The 1979 release of “Night Dancer” and a cover of the lounge classic “That Old Black Magic” are the excitement which disco reached during a year of many productions and the complete sound which the dance floors and clubs influenced. Jeanne Shy brings a whole new feel to the Bob Esty production that is full of emotion and jazz/soul feel which rings like magic dust sprinkled over a lush and beautiful disco orchestration. This one was always on my turntable and continues to haunt my memory of nights where the mood was captivating and oh so exciting.

I have taken the 12” version of “That Old Black Magic” and reworked Bob Esty’s flawless production in that ReStructure Mix angle. It gives more play for a long intro to Jeanne’s statement and more breaks to give your heart and feet a break.

This ReStructure Mix is dedicated to Ms. Jeanne Shy and Mr. Bob Esty

• Too Hot To Trot - Glenn Rivera ReStructure Mix - Commodores

Commodores released “Too Hot Ta Trot” in 1977 – from their “Live!” album – produced by James Anthony Carmichael and Commodores. The song was an instant hit and became one of the tracks to appear in the film, “Thank God It’s Friday” in 1978 along with their performance live from the discotheque. The Zoo. This funk masterpiece has all of the riffs that their previous hit, “Brick House” contained and more. This one set this band up for a roll in the funk, soul and disco scene and charts.

I have taken the long version of “Too Hot Ta Trot” and worked a new ReStructure Mix to give more of those groovy guitars and the funky brass. I played a great deal with the original to create a more underground and surprise experience for those used to moving their hips to this one!

• Bit By Bit (Theme from "Fletch") - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills took dance floors immediately with her 1979 album “What Cha Gonna Do With My Lovin’”. This was a new sound for this vocalist which would present a whole stage in the disco and dance arena. Her ballads and adult contemporary singles from her projects also placed her in many classic love songs which even today are on rotation. “Bit By Bit” is a single from 1985 produced by Harold Faltermeyer and is from the soundtrack of the Chevy Chase comedy “Fletch”. This piece is one of the electronic disco pieces that we had the opportunity to hear Stephanie complement with her soulful and energetic sound. The production follows the success of Harold Faltermeyer’s former soundtrack of “Beverly Hills Cop” and his single “Axel F” – a whole new sound for the 80s pop dance scene.

I have taken the 12” vocal and instrumental to work on this ReStructure Mix which simply plays out with more of the dub sounds and reworking the simple keyboard riffs and slamming kicks. It is a lengthier piece that gives way to more of the excitement and fun of hearing Stephanie deliver a high energy number again.

• Pieces Of Ice - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross moved into an abstract realm with her 1983 track, “Pieces Of Ice” along with producer Gary Katz. The song resembles a deep early morning number which brings a mysterious feel. It is obvious that a relationship is ending and a note is translated with an artistic mind. It was always a brave move for Ross in my ears and one of my favorite moods. From the album titled “Ross” and one of the most creative and clever video movements. The instrumental pulls out a rendering of the disco synthesizer into the 80s which is a perfect foundation for Diana’s moody and fearful vocal.

I have taken the 12” vocal and instrumental to create this ReStructure Mix which ventures off into several journeys using the synthetic ‘pieces’. I used more of the instrumental and several effects to complete Diana’s imaginative tune into a new side of the dance floor. Always a favorite and waited for the time when this remix could be taken into a reality.
• Xanadu - Glenn Rivera ReStructure Mix - Olivia Newton-John

Olivia Newton-John starred in the 1980 musical fantasy film, “Xanadu” along with Gene Kelly and music provided by Jeff Lynne and Electric Light Orchestra. The story of an Olympian muse returning to bring music and romance to an aspiring artist here on earth. The music is well remembered as we hear Olivia singing the title track and a few ballads that reached radio play charts. “Xanadu” is performed by Electric Light Orchestra along with Olivia’s sweet and promising vocal creating a lovely dance track. It is one of the classic among the stars fans and a good taste of 80s.

I have taken the soundtrack version of “Xanadu” to sprinkle a bit of ReStructure Mix feel to the production. The intro rolls in slowly with a few new elements and a new way of keeping the overture in place with some new breakdowns. More of Olivia is featured here with more of the magic which should have been displayed earlier in a remix since the song itself is a great theme for this escape.

• Automatic Lover - Glenn Rivera ReStructure Mix - Dee D. Jackson

Dee D. Jackson released her worldwide disco hit, “Automatic Lover” in 1977 – produced by Patty Unwin and Gary Unwin. The single plays out a futuristic love call in a time where robots have replaced human companionship. One of the unique songs of its kind and produced with the electronic edge of disco to frame it perfectly. Dee D. performed on stage with a 60s sci-fi robot figure moving around her adorning space princess attire which made this number quite the camp piece.

I have taken the 1988 re-release of “Automatic Lover” featuring additional production by Michael Cretu and Frank Peter. This ReStructure Mix works more a space dub approach as I pieced the keyboards and sequencers into new parts for a more extreme feel. Dee D. is given a few more spots to work her vocal riffs along with the abstract groove in this version.

• Tic Toc - Glenn Rivera ReStructure Mix - Carrie Lucas

Carrie Lucas released her first solo album in 1977 titled “Simply Carrie” that contained the original version of her classic “I Gotta Keep Dancin’” (remixed, re-released and titled “Keep Smilin’” in 1980. Carrie in a voice in disco music which helped to bridge the connection of soul and the new club sound. “Tic Toc” is a track from her second project, “Street Corner Symphony” produced by Dick Griffey and The Whispers. The theme on several tracks has a touch of do-wop and the street sounds of soul. The final production brought out the disco club sound. “Tic Toc” is one of the bouncy numbers which reminds me of Dr. Buzzards Original Savannah Band with Carrie on the mic.

I have taken the album version of “Tic Toc” and gave the track a touch of the ReStructure Mix edge. A bit more of the big band/jazz with drums added and more that do wop sound with The Whispers. This one was requested by Nick and Lindsay as they always find the secret gems to transform into a new listening experience.
• It's Time To Party Now - Glenn Rivera ReStructure Mix - Ray Parker Jr. and Raydio

Ray Parker Jr. is a producer, musician and songwriter from Detroit, Michigan whose work in the 70s dance arena included Love Unlimited Orchestra. His blend of funk, disco and pop is the sound which helped the early 80s to appreciate a groove and slick arrangements he created. His four albums with Raydio from the late 70s are a funk venture with the groove which helped to move a new era of electronic dance music to life in the early 80s. “It’s Time To Party Now” is from the album “Two Places At The Same Time” and became one of the anthems of disco-funk.

I have taken the album version of “It’s Time To Party Now” is taken into the ReStructure Mix arena and chopped and rearranged with the elements that stood out for me. This was a great segue into a funk set and lower bpm dance tracks. A whole new reason to celebrate that 80s period of sheer purpose to hit the dance floor.
• You Know How To Love Me - Glenn Rivera ReStructure Mix - Phyllis Hyman

Phyllis Hyman is one of the most unforgettable voices of the 70s. Her solo recording debut in 1977 marked the start of many variations of soul, jazz, disco and rhythm and blues which haunt minds and hearts. “You Know How To Love Me” is Phyllis’ 1979 album produced by James Mtume and Reggie Lucas – who just finished launching a new disco career for Stephanie Mills (“What Cha Gonna Do With My Lovin’”). The album is one of the most beautiful of the time period and features the title track which is a dance classic.

I have taken the album version of “You Know How To Love Me” and worked a new ReStructure Mix to mark the excitement of the track and stripping down some of the basic rhythms. It is more of a tribute and an alternative way of hearing Phyllis express the undying love and dedication which many of us have felt from the start.

• Where Are You Now - Glenn Rivera ReStructure Mix - Cerrone

Cerrone brought the sound of Euro-disco to the world giving a fusion of lush strings, funky bass and percussion new life. His production of “Love In ‘C” Minor” from 1976 gave an erotic touch to this style of music always considered sexy and pulsating. Cerrone released over 25 solo albums and well and various projects he arranged and produced. At the time any album bearing the make Cerrone or his production company, Malligator Records I scooped up knowing that it would always have a few dance floor hits or a very entertaining listening experience. “Where Are You Now” is from 1983 and takes Cerrone into a new era of dance music where most independent groups were cutting corners by enhancing the electronic edge of the music. It is obvious through this piece that his talent was extensive as he pulled more genius for 80s dance floors.

I have taken the 12” vocal and instrumental of “Where Are You Now” and worked a new part in the yearning of the song. The lead vocals by J.J. Fairlight and Mary Carewe give the sound of his original female ensemble the same flair with a whole new stage. This ReStructure Mix gives the intro more of layered and mysterious sound. Some looping of the soaring keyboards takes a new groove on. Always a favorite of mine and another reason I am always at awe of this man’s music and imagination – even today.

• Lovemachine - Glenn Rivera ReStructure Mix - Supermax

Supermax is a German band created by Kurt Hauenstein. The band played a fusion of rock and disco which is best understood through “Lovemachine” from 1977. A recording which brings an underground 60s feel to disco music. It is a masterpiece of dance music as the groove builds as each instrument layers itself over the dream—like sensual mood. It was always a popular track for me during early morning sets or trance disco playlists.

I have taken the album version of “Lovemachine” and imagined a ritual of drums pounding new energy into this moody piece. I have added more riffs using the existing parts along with some imaginative edits. This ReStructure Mix is played out as it was originally intended with a new facelift.

Dedicated to Herbert Gruber and the memory of Kurt Hauenstein (1949 – 2011)

• Shout It Out - Glenn Rivera ReStructure Mix - Astaire

Astaire is a high energy project from producers Nigel Stock and John Davies and on the UK high energy label Passion Records. The success of this sound of a pounding beat and keyboards that feel like a classical instrument are only the start here. Vocals for Astaire are provided early on by Tracy Ackerman and later Jill Saward. Many of the songs by Astaire are focused on the old disco concept of love, life and dancing. The massive impact of high energy music can be attributed to projects as this.

I have taken the song “Shout It Out” which is the B-side to the 1985 release of “In The Name Of Love” – both wonderful dance tracks that bring to mind a whole new feeling and excitement of dance floors in the early 80s. I used much of the keyboard riffs and layered over pieces to not only lengthen the song but also work a deeper experience that could only happen in a discotheque.

• I Believed - Glenn Rivera ReStructure Mix - Alma Faye

Alma Faye is a disco artist who brought a soulful sound to discotheques with her style and delivery. Her first dance single “Stop, I Don’t Need No Sympathy” from 1977 is a classic in the early period of disco music’s formulation and creative mind. Many of the tracks from her album “Doin’ It” from 1979 are either classic productions or worthy of something memorable. This is one of those voices that I found exciting and a sound that was close to the soulful edge of Philly with more. “Don’t Fall In Love” is one of the recordings that I hold dear to my heart and all-time playlists – the production by Dominic Sciscente and Michel Daigle is one of the best using the disco formula.

I have focused this issue of ReStructure Mixes to a request from Nick and Lindsay who always seem to bring out the rare and underground tracks for suggestions.

“I Believed” is one of the tracks from “Doin’ It” which plays out once again with a bittersweet emotions with a lush and soulful touch. The arrangement takes on a new feel and musical satisfaction. I have taken the album version and touched up the original with more beats and effects along with a whole new length. It was great fun to take this one onto the chopping block and then assemble it again with an early morning dance floor in mind.

• The Rumor - Glenn Rivera ReStructure Mix - Olivia Newton-John

Olivia Newton-John is one of the iconic female singers of the 70s music era. Her recording career plays out from the early 70s throughout 2015. Two of the memorable works of Olivia’s career are her tracks from “Grease” and “Xanadu” where her own performances in both motion pictures and their soundtracks elated the pop world. The early 80s carried Olivia into the pop dance scene with hits like “Physical” and “Twist Of Fate” where her voice was welcomed and celebrated by dance floors around the world. “The Rumor” comes from the same-titled album from 1988 – produced by Elton John and James Newton Howard. The track was a great addition for the high energy dance scene of the mid-80s.

I have taken the 12” vocal, instrumental and dub expertly produced by Shep Pettibone and worked over the recording for a new ReStructure Mix. It gives more of the energy and pulsating keyboard layers more opportunity to spotlight the mood and Olivia’s wonderfully soft yet determined vocals a lift. Keeping this one on the turntable was no problem for me during its release and even more so now as I learn to appreciate the uplifting edge of dance music once again.

This ReStructure Mix is dedicated to Shahn Perkins

• Don't Give It Up - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford is the voice of disco/soul and funk with an Uptown sound and a flawless stage presence. Feeling the energy from Linda has always been through her music and the firm stance she makes in her delivery. One the divas of disco music who truly made a mark and set it in place with pure talent. Her third album “Let Me Be Your Woman” was a double vinyl project featuring a disco-fied version of Simon and Garfunkel’s “Bridge Over Troubled Water” and also the big dance floor hit, “Don’t Give It Up” – which features a vocal and rap which Linda created for a timeline of disco history.

I have taken the 12” version of “Don’t Give It Up” and created a ReStructure Mix to give the chorus and verses the lead here and saved pieces of the rap for a closing edge. This one was always one where the dance floor packed so tightly none of the tile was visible. It is a stomper and one where the rhythm and Linda’s vocal becomes infectious.

This ReStructure Mix is lovingly dedicated to the lady herself – Linda Clifford!

• Somebody Should Have Told Me - Glenn Rivera ReStructure Mix - Cissy Houston

Cissy Houston is gospel singer turned disco artist leaving a trail of dance hits in her unique soulful sound and the magic of producers, Michael Zager and Jerry Love. “Think It Over” from 1978 is the big single and album title which made disco music exciting during a big surge of dance fever around the world. “Somebody Should Have Told Me” is another single from the album which made as much sense as a dance hit as “Think It Over”- another big performance and Zager/Love foundation.

I have taken the version of “Somebody Should Have Told Me” from the 1979 album “Warning-Danger” – which featured an extended remix. This new ReStructure Mix is a work in dedication to Nick and Lindsay who are true lovers of the disco diva and music. Their request is fulfilled here in a new arrangement and added pieces of breaks and surprises. Thank you boys – you are inspirations!

• Capsicum - Glenn Rivera ReStructure Mix - Stargo

Stargo is an Italo-disco project with Alberto Parodi, Andrea Tenerani and Roberto Zanetti. One of the early electronic dance tracks from 1983 which marked the raw sound of keyboards and accompanying choruses with a strange uplifting feel. The song titled “Capsicum” is named after a pepper which is obviously a theme for the love here who would like to be chewed like bubble gum with this flavor. A bit strange and the choruses sound like a jingle for a potential commercial for toothpaste with this flavor. It does have the robotic sequencer feel which roared at this time and was a big hit in my club at the time.

I have taken the 12” vocal and instrumental on FlashBack Production Records from Italy and recreated a ReStructure Mix adding a new intro and fade which uses the keyboard riffs sparingly. It is one of those catchy tracks and a classic for Stargo and Italo-disco!

• Boogie To The Bop - Glenn Rivera ReStructure Mix - Mantus

Mantus is Billy Armendola, Frank DeCrescenzo, Jimmy Maer and Kenny Bee – a New York City based band who took over dance floors with their big disco project, “Midnight Energy” in 1979. The big hits were “(Dance It) Freestyle Rhythm” and “Rock It To The Top” – the production by Will Crittendon was a force of percussion and funky disco grooves. One of the albums which every cut was playable and packed dance floors. The second album titled “Mantus” was released in 1980 and contained the big dance floor jammer, “Boogie To The Bop” which was one of the big hits in my club at the time.

I have taken the album version of “Boogie To The Bop” and recreated a new ReStructure Mix to bring the slight rap-piece into a new sound. Using pieces of a classic rap gem and also breaking the percussion into bits and pieces. It is has a longer play than the original and much more of the parts which make this one a hit.

• Love Sensation - Glenn Rivera ReStructure Mix - Loleatta Holloway

Loleatta Holloway and producer Dan Hartman (“Instant Replay”) bring to life one of the most influential disco tracks of all time: “Love Sensation”. From the album by the same name of 1980, this track has the power which was injected into Hartman’s “Relight My Fire” featuring Loleatta Holloway. A garage classic and one which makes disco music live on and on in a timeless effort unite soul and fusion into a stylish dance landmark.

I have taken the original album version to recreate a ReStructure Mix and give dance floors and mind another opportunity to bring this masterpiece a new stage. It uses the same element of Loleatta’s voice to relay the powerful message of love and the undying disco beat. One of my all-time favorites and one that never lets up!

• Savin' Myself - Glenn Rivera ReStructure Mix - Eria Fachin

Eria Fachin is a Canadian high energy artist with a big dance floor hit produced by Vincent Degiorgio. “Savin’ Myself” was an instant classic in the high energy community and became one of the memorable tracks of 1986. A melodic song of heartbreak and the rejection of an ex-lover wanting to return to Eria who has since moved on. It is an outline for the healing of heart and the satisfaction of rejecting inevitable emotion pain. The production is a nice touch of the light keyboards and rolling bass laying a nice stage for Eria’s convincing vocal performance. It is one that upon hearing it for the first time knew it would impact both ears and feet on my dance floor.

I have taken the domestic 12” vocal and instrumental versions on Critique Records and reworked it into a ReStructure Mix giving the basics of the song a new edge. More percussion effects are added for a bit of emphasizing the energy and some play with pieces of the chorus lyrics. More of the synthesizer parts are pumped here to bring it more of a dub and underground feel.
• Agent Of Liberty - Glenn Rivera ReStructure Mix - Mike Mareen

Mike Mareen is a former drummer who began a career as an electronic dance music artist in the late 70s and then became a favorite in the mid-80s with his big hits “Dancing in the Dark” and “Agent Of Liberty”. His style was a simple blend of hard edged synthesizers pounding out the beat and bass of a disco for the 80s. Many clubs favored his somewhat underground feel and the rolling sound of the heavy bass. This may have been another artist influenced by former masters, Giorgio Moroder and Patrick Cowley.

I have taken the 12” vocal and instrumental of “Agent Of Liberty” to rework a new sound for this heavy duty keyboard dance piece. Using notes and loops from the original sound I have worked on a whole new mission here. It brings the sound back clearly when high energy dance music was taking over dance floors again.

• Touch Me (All Night Long) - Glenn Rivera ReStructure Mix - Wish featuring Fonda Rae

Wish is Greg Carmichael and Patrick Adams. A venture into a new sound of dance music during the early 80s when a transition to electronic dance was being formulated. A true New York flavor with a touch of the magic that this duo brought to disco in the 70s. On vocals we get a nice sensual treatment from Ms. Fonda Rae who lit a fire with her track “Deputy Of Love” with Don Armando's 2nd Avenue Rhumba Band in 1979 and “You’re Too Late” with Fantasy in 1980. The voice brings this powerhouse funk-vibe to several climatic moments. Quite delicious.

I have taken the 12” single vocal and dub to recreate another moment to find that need which Ms. Rae begs so right for. More of the arrangement is re-segmented to give a new stage to this great production and performance by Fonda. This ReStructure is merely another layer of the groove in a new dance floor blend.

• Starknight - Glenn Rivera ReStructure Mix - Bob Salton

Bob Salton who is Italian producer and disc jockey Domenico Ricchini gave us one of the Italo-disco classic’s titled “Starknight” in 1982. The feel of this rolling piece helped to introduce the wall-of- sequencers and keyboards taking over in disco music during the early 80s. It was an innovative period and many of these numbers helped to keep dance floors alive and also influence high energy music. “Starknight” has the edge of both Moroder and Cowley in a new dose.

I have taken the 12” vocal and instrumental of “Starknight” and created a new ReStructure Mix with a new breakdown of the exciting elements of this Italo-disco mover. The original arrangement is quite fierce however I braved several breakdowns to not only give the new remix some cool down breaks and deliver it in a new way.

• Good Morning Midnight - Glenn Rivera ReStructure Mix -First Choice

First Choice set the furious disco era a fire with their 1978 album “Hold Your Horses” which featured a six set program. Each track produced by various producers including Norman Harris, Thor Baldursson and Tom Moulton. The girls, Annette Guest, Debbie Martin and Rochelle Fleming delivered the sound of First Choice in a classic, yet new way. “Good Morning Midnight” is a beautiful disco serenade from the side A medley and is one of the full Salsoul Orchestra sound. It is an exciting number that has a touch of Latin flavor along with a 40s Broadway celebration feel.

I have taken the album version of “Good Morning Midnight” and worked it into a new ReStructure Mix to give myself a longer version and a more underground feel with the fabulous arrangements intact. It is one of those songs that make you feel good and paints a damn good picture of what dance floors were in the 70s!

• And The Beat Goes On - Glenn Rivera ReStructure Mix - The Whispers

The Whispers are a soul group from the late 60s and throughout the 70s who left a string of ballads to keep any romance alive and in 1979 their anthem “And The Beat Goes On” did the same for dance floors. A big funk record and one big Dick Griffey transitional song for a group taking part in the disco and dance phenomena of the period. This one makes it seem easy for groove to take over and relay the intended message.

I have taken the 12” version of “And The Beat Goes On” to replay the beats and groove in a new way for this ReStructure Mix. It is a bit more adventurous in looping and breaks and is intended to move it into a whole new realm. One of the big dance floor hits on my club and another reason why disco/soul and dance music has been so lasting.
• You Got Something For Me - Glenn Rivera ReStructure Mix - Zulema

Zulema is one of the voices of the 70s which brought the sound of soul and the power of disco’s funky edge to a peak. “Z-licious” is her 1978 album produced by Van McCoy and contained some of the material which helped to make underground disco music exciting. “You’ve Got Something For Me” is one of the tracks which contained the energy of a developing disco sound and the touch that Zulema brings to her music that lasts and lasts.

I have taken the 12” version of “You’ve Got Something For Me” and re-worked a ReStructure Mix to bring this gem to the forefront again. The flowing music is accented with Zulema’s powerful voice and then given a dance twist with the Latin touch. It has always been one of the pieces that I found for the dance floor who knew what they wanted.

This ReStructure Mix is dedicated to Nick and Lindsay – and thanks for requesting this fabulous piece. You boys know your disco music and the women who make it turn! Thank you.

• Theme from Star Trek - Glenn Rivera ReStructure Mix - Van McCoy

Van McCoy is a singer, songwriter, arranger and producer whose work spans further beyond disco music. However the big focus for us dance fans remains with his classics such as “The Hustle”, “Soul Cha Cha” and “Love Is The Answer”. His 1976 album “The Real McCoy” featured a funky version of “Theme from Star Trek” which follows the funki-fied formula of transferring a hit sound or score with rhythm and the disco strings which made the mid-70s explode.

I have taken the album version of McCoy’s “Theme from Star Trek” and dressed up a ReStructure Mix to create not only a lengthier version, but also bring more of the crescendo of the original theme by Alexander Courage (co-written by Gene Roddenberry). This brings the intro back a few times to meet the melody over and over and adds some slight techno effects to once again bring that disco drama to life.

• Too Blind To See It - Glenn Rivera ReStructure Mix - Kym Sims

Kym Sims took the lead in house music’s peak of pop-crossover tracks with “Too Blind To See It” in 1992. Produced by Steve ‘Silk’ Hurley and polished with the elements which shifted dance music in the mid-80s with earlier influence of the Paradise Garage sound and feel. A catchy number from start to finish and framed perfectly with a sampled riff from the ladies First Choice and their garage classic. This salutes to 90’s dance music gives Kym’s classic another chance to display what it is and was.

I have taken the 12” “Hurley House” vocal and instrumental to weave a ReStructure Mix with a touch more of the stomping feel of an underground disco piece and yet holding onto the original sound. This one has that catchy chorus and of course that Hurley production which made us believe again that dance music was and will always be here to stay!

• Grand Illusion - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer introduced a new side of her vocal talents in 1980 with her project “The Wanderer”. Donna along with Giorgio Moroder moved her sound into the 80s with an electronic dance rock edge. Many of the tracks from the session are the 80s transition from disco music to a new pop-rock feel. “Grand Illusion” is one of Donna’s creative moments where Moroder accompanied her incredible range with a strange but alluring moog and synthesizer treatment. An early morning or slight rock-new age feel and along with Donna’s experimental touch makes a statement.

I have always wanted to bring “Grand Illusion” into a new arrangement and direction. This ReStructure Mix brings it to a new level with Donna’s mystique sound and Moroder’s electric fantasy. I have added a few new elements to even out the rhythm and beat and focused on keeping the original feel intact.

• Tale Of Three Cities - Glenn Rivera ReStructure Mix - The Salsoul Orchestra

The Salsoul Orchestra is the movement in disco music which provided a transition from soul and funk into a phenomenon. Lead by Vincent Montana Jr. and many of the players from Philly recordings (Bobby Eli, Ron Baker, Norman Harris, Earl Young, and John Davis) this studio session became the mark of a new era of dance floor excitement. “Tale Of Three Cities” is a piece from the first album released in 1975 and plays out much like jazz slowing over a disco beat. One of the big moments for the ensemble and disco music to lure those who were searching for something to look and feel up to. I have taken the original album version of “Tale Of Three Cities” and re-worked a ReStructure Mix to place this funky arrangement in a new form. Lots of drum pattern effects and lasting strings. It is a beautiful number which deserves another opportunity to play out what good rhythms sound like. This ReStructure Mix is dedicated to D.C. LaRue – thank you David for all of your talent and work…and for requesting this quiet giant for remixing.

• Grazing In The Grass - Glenn Rivera ReStructure Mix - Meco

Meco Monardo is one of the big sounds of the disco ball on any dance floor. His big dance hit from 1977 was the orchestrated disco version of “Star Wars” which remains one of the exciting moments in pop culture where pop music met film with a new attitude and sound. His fifth album “Moondancer” from 1979 is one of the quiet pieces but not for any reasons of its content. This one remains true to the galactic theme with a funky edge, jazz feel and heavy disco rhythms. I have taken the short album version of Meco’s cover of Hugh Masekela S 1968 hit. This is a nice trumpet blaring dance call with lots of the original feel and some great drum work. This ReStructure Mix not only extends this nice work – but also gives it a touch of the original.
• Get Another Love - Glenn Rivera ReStructure Mix - Chantal Curtis

Chantal Curtis is a French vocalist who also known as Michele in an earlier recording session from 1977 is titled “Magic Love” from producer Pierre Jaubert. This was the voice of mature disco pf the late seventies as it polished itself into a chic nightclub feel and formula. “Get Another Love” was released in 1979 and hit at a time when disco music had reached a peak and also saturated the market with so many new artists and acts it was easy to get lost or overlooked. The single from the same titled album is a classic among many disco collectors and fans. It was a bold yet sweet piece that also is rare to find a home for a harmonica among the groovy keyboards, bass, beats and Chantal.

I have taken the 12” vocal mix to recreate a ReStructure Mix of “Get Another Love” and applying the chop and paste arrangement to give it a new overhaul and experience. The song still holds my heart and feet hostage and I was happy to re-frame this one!
• Planet Of Love - Glenn Rivera ReStructure Mix - Stephanie Wells

Stephanie Wells is a Canadian disco project from producers Gino D’ Orazio and Tony Bentivegna. The early 80s was an experimental period for the use of electronics in dance music since productions were scaled down from the disco recording sessions of the late seventies. Stephanie’s “Planet Of Love” from the album “Fools In Love” from 1983 was a welcome sound on dance floors yearning for more of the pulsating sound of disco. It has a chorus which makes the climb worth it. Much of the arrangement is based on bass sequencers and keyboards which fit in well with the 80s dance era and its transitioning path.

I have taken the 12” single version of “Planet Of Love” and lifted some of the pieces of the pulsating bass to loop and rework the song. Along with some new drops in edits and new breaks. This is a longer voyage into a disco fantasy and another moment to understand this period of dance music at its best.
• Stay With Me - Glenn Rivera ReStructure Mix - India

India is an electronic dance project from disco producer Jacques Morali – who also gave us Village People, The Ritchie Family, Dennis Parker, The Lovers, Patrick Juvet and Phylicia Allen during climb and peak of disco music. This stripped down production is a great transition for Morali whose past work always featured arrangements layered with strings, horns and rhythm sections. The 80s brought a new challenge since major labors no longer supplied the budget for such work. India always reminded me of the 80s rock edge scene with a Steve Perry vocal and pulsating aerobics rhythm. It does however have the sweetness of the disco feel and the wonderful light rock edge with added synthesizers work very well.

I have taken the 12” long version (originally mixed by Mr. Steve Thompson) and created a lengthier and flowing ReStructure Mix using more of the bridge and breaks as a piece of the new arrangement. It has a few new surprises and those filled in spots that bring the fantasy of disco music alive again.
• Disco Connection - Glenn Rivera ReStructure Mix - Issac Hayes

The Isaac Hayes Movement is a session produced, arranged and engineered by Isaac Hayes. The second album titled “Disco Connection” contained the title track - one of the mid-70s exciting tracks that were more of an underground sensation. “Disco Connection” follows the bass line that disco music endured throughout the late seventies along with dramatic sweeping strings which also became one of hardcore disco’s elements. It is quite a mover and still brings back that period of experimental dance music which shifted from soul to disco.

I have taken the album version of “Disco Connection” and recreated a new ReStructure Mix by request of Pivaral Jorge of Facebook. I have stripped down the track and used some of the elements that click the most. More of the excitement and a few more breakdowns to give the body a break from that “disco connection”.

This ReStructure Mix is dedicated to Pivaral Jorge – thanks for keeping disco music alive and your dedication to making it a daily dose.
• Baby Love, Sweet Sweet Love - Glenn Rivera ReStructure Mix - Wilton Place Street Band

Wilton Place Street Band is a disco project from 1976 from producer Trevor Lawrence. The first single from Wilton Place Street Band created a stir on radio and discotheques with a funky-disco arrangement of “I Love Lucy Theme” – appropriately titled, “Disco Lucy”. It was one of the big novelty tracks of that year. “Baby Love, Sweet Sweet Love” is the follow up single in 1977 which plays out in the “Disco Lucy” arrangement with a romantic affair taking stage. One of the great productions which defines the evolution of disco music from the early 70’s to the mid and later late 70’s the disco boom.

I have taken the original 12” version of “Baby Love, Sweet Sweet Love” and created a ReStructure Mix adding a new disco-techno intro into the lush strings, horns and funky guitars. More of the track is exposed in some minor looping to create some new breaks to pick up on the groove and then more of the disco sugar.
• Girl In The 80s - Glenn Rivera ReStructure Mix - France Joli

France Joli released her fourth album in 1983 “Attitude” – produced by Pete Bellotte and Giorgio Moroder. It was a new transition from the disco of the late 70s and the funk feel of her “Now!” of the previous year. A new pop age of dance music was taking Moroder’s keyboards and sequencers into a pulsating aerobics sound. “Girl In The 80’s” is the first single which follows the formula of many of the 80’s anthem like dance songs. France plays well in the song with her yearning vocals and ability to make her tracks sweet and alluring. The production plays out Moroder’s 80s sound and gives a simple display of the time period.

I have taken the 12” remixed by Brian Reeves and reworked a lengthier version of “Girl In The 80’s” and segued more of the intro effects throughout the ReStructure Mix. A simple reworking of the energy and theme. France completes more of her verses here in a new way.
• Helping Myself - Glenn Rivera ReStructure Mix - Kendra

Kendra is a studio session from Canadian disco producer, Jerry Cucuzzella whose work also includes projects by Suzy Q. Sandy Steele, Sweet Brandy and Plastic Surprise. The early 80s electronic disco sound was the continuation of those dance floors that could not get their feel of the rolling sequencers and the nightlife themes to move to. “Helping Myself” was released in 1983 as a single and shared a bit of success with the disc jockeys that were programming the Canadian disco genre. It was later included on the 12” cover of Suzi Lane’s “Harmony” by Suzy Q in 1985.

This ReStructure Mix of “Helping Myself” takes pieces from both the original 12” vocal and instrumental. I have delayed the intro with more of the fast and robotic keyboards and reset some of the chorus into a new arrangement and a more flowing version. It was a favorite of mine with a great “whistle” effect riff that always caught my attention, as well as my packed dance floor.
• Hold Tight - Glenn Rivera ReStructure Mix - Vicki Sue Robinson

Vicki Sue Robinson’s third album “Half and Half” from 1978 contained the dance track, “Hold Tight” - a follow up single from her big 1976 classic, “Turn The Beat Around”. Vicki had already set a stage in clubs for herself as a voice which would deliver the promise of a great dance experience. “Hold Tight” brought the layer of disco music alive with a heavy dose of percussion and swirling disco strings.

I have taken the 12” inch version of “Hold Tight” to work on this ReStructure Mix with a new intro and reassembling the arrangement. It plays out with more of the softness from the lush string breaks. The original production gives the raw feel of the club scene with many breakdowns and this period was the last before electronic era. A great piece of work and one which I still cannot let go once started.
• Let You Come Into My Life - Glenn Rivera ReStructure Mix - Carol Douglas

Carol Douglas began a career in disco music in 1975 with her classic hit, “Doctor’s Orders” from “The Carol Douglas Album”. Following this club favorite in a time when dance floors were audiences and direction of pop music, her sound was never short of the soulful sweetness which gave disco music songs that still bring the uplifting and simple message of love. “Let You Come Into My Life” is a track from Carol’s 1978 project “Burnin’” - produced by Ed O’Loughlin and John Davis and also conducted and arranged by Michael Zager. It was always one of my favorite dance numbers from the album since it speaks out with a melodic tone of a love gone wrong and speaks as an after though of lessons learned in love. A bit scorn but very uplifting.

I have taken the extended album version of “Let You Come Into My Life” and have created a ReStructure Mix pulling the beautiful disco and soul arrangement to a new stage. I have taken instrumental breaks and scattered them with new breaks among Carol’s beautiful confession. The lengthier version gives way to more rearranging of the original created by three of disco music most incredible talents: Carol Douglas, Eddie O’Loughlin, John Davis and Michael Zager.
• Ler's Make Love - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane is one of the most exciting bodies of the disco sound. Her music personifies a sensual and alluring edge and creates an ethereal experience. Her debut album “Rough Diamond” from 1978 exploded on dance floors everywhere and filled dance floors with a driving disco groove and Madleen’s unique sexy approach. One which captured my heart and also turntables during her rein throughout the late 70s and 80s. “Let’s Make Love” is a track from the project which pours our Madleen’s heart to a lover whom she gives her heart freely. This one was always a favorite of mine and plays out with the funky guitars, beat and those sweeping strings which made disco its own in the mid-70s.

I have taken the album version of “Let’s Make Love” and have worked a ReStructure Mix to take this invitation from Madleen deeper and also more playful with the help of the sex symbol of film in a cameo. This remix plays with the breaks and exceptional horns a bit more as well as adds a few new breaks. A great new fun way to lure your feet back into Madleen’s magic.

Dedicated to Ms. Madleen Kane – thank you for being as wonderful as I always imagined you would be.

• Never Gonna Give You Up - Glenn Rivera ReStructure Mix - Rick Astley

Rick Astley is a pop-singer from the mid-80s produced by the hit machine, Stock, Aitken and Waterman. His first single “Never Gonna Give You Up” solidified the singer as the period’s big dance floor favorites as well as a voice that worked the formula of the producers like a glove in hand. It was dance music as exciting as it gets. The hit single was instantly shadowed by several tracks from the first album, “Whenever You Need Somebody” which gave dance floors a non-stop parade of great hits.

I have taken the “Cake Mix” and “Instrumental” from the original promo 12” and recreated a new ReStructure Mix to mark this hit in a new way. A new use of the chorus and those pure sounding synthesized bass of Stock, Aitken and Waterman. It is a salute to this sound and also a continuance of my own love for this artist and the nights of crowded dance floors and happy faces.
• Que Sera Mi Vida (If You Should Go) - Glenn Rivera ReStructure Mix - Gibson Brothers

Gibson Brothers are Alex, Chris and Patrick Gibson a Latin disco group formed in France. Their big hit “Que Sera Mi Vida (If You Should Go)” is a disco classic celebrated as one of the most uplifting and genuine disco sounds of the late 70s. It has truly survived not only the test of time with the energy and rhythms of disco music, but it also has their unique vocals which make the experience lasting and worthwhile.

I have taken the 12” disco version onto the ReStructure Mix sound for another rekindle of this disco magic. I have taken parts of the wonderful original and have given it a new spin. A whole new arrangement moves this one even more than intended. There is plenty of looping to give that lasting essence on some of those fantastic hooks.

Dedicated to all of the fans of disco music who not only groove to it – but more importantly ‘love it’!
• Upside Down - Glenn Rivera ReStructure Mix - Coo Coo

Coo Coo is an Italian high energy disco project from Max Coo and Steve Coo – produced by Mauro Farina, Guiliano Crivellente and Florian Fadinger. An uplifting and happy sound that exceeded the late 80s into a few new genres of dance music all focusing on a lighter edge of disco music. “Upside Down” is their first single from 1988 which is a stomping good time with some light fare and a rolling synthesizer pulsating energy and a happy refrain. One of my favorite periods during the house music boom as it helped to keep a lighter side of dance floors alive.

I have taken the 12” “Full Power D.J. Mix” and pieces of the “M.Y.O.M. Version” into the ReStructure Mix arena and created a new version to bring back the joyful sound of Italian high energy. There are some new breaks and looping effects to make a dance moment last longer and some accentuated percussion to bring the track again some showcase.
• Hot Jungle - Glenn Rivera ReStructure Mix - Slip

Slip is a disco project from German producer Tess (Fancy, Timerider) from 1983 whose memorable tracks were covers of disco classics “Don’t Leave Me This Way” and “Harmony” – their single “Hot Jungle” was always a favorite of mine. It is a simple electronic piece that uses a simple chorus riff surrounded by keyboard takes. It has the emphasis on the sexy cover and theme of woman’s apparel piece, ‘slip’.

I have taken the piece “Hot Jungle” from the “The Slip EP” and created a new ReStructure Mix to celebrate the high energy period of disco history and also the great Manfred Alois Segieth (Fancy) and his wonderful contribution to disco and Italo-disco music.
• Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane (Madleen Frings) is one of disco music’s true originals. From the start of her career in club music in 1978 with “Rough Diamond” a persona of a new disco model was born. Her breathy and appropriate vocals are the sound which “people fall in love to in discotheques” – as Madleen once said herself in an interview. Many of her fans hold her dear to their hearts and souls as her music and talent has never failed to bring the true feeling of what disco music is all about: freedom and savvy.

I have taken the title track to the album “Don’t Wanna Lose You” from 19881 produced by Giorgio Moroder which was another big thrill for disco and dance fans everywhere. The piece always reminded me of a love song with a light country feel and of course Madleen wonderful vocals. I have created a new ReStructure Mix to bring this one back into the spotlight. The album version was the only mix available and a fade in intro made it difficult to spin unless it began a set. This ReStructure Mix gives a new riff driven version with more of Madleen! Who could want more?
• Summer Breeze - Glenn Rivera ReStructure Mix - Baiser

Baiser is a disco project from producer Francois L'Herbier - who also worked on the follow up album from Voggue ("Love Buzz"). "Summer Breeze" is the single released in 1983 which is one of the most beautiful pieces from this year. It is a love affair starting in the summer sun and hoping for a promise of lasting emotion. A favorite among many connoisseurs of early morning music or a blend of electronic dance with a touch of contemporary jazz fusion. This piece also contains a lovely vocal from an uncredited studio singer which brings the song to another great level.

I have taken the 12” vocal and instrumental into the ReStructure Mix realm to give the song a more underground feel and break up some of the wonderful keyboard and percussion. It was nice time spent also breaking the vocal into pieces and placing them into another romantic gesture for a whole new experience.
• I Feel Love (The Live Version) - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer released “Live and More” at the height of her career and also the highest raging flames of disco nightlife. The 1978 release gave us a “live” performance of Donna at the Universal Amphitheatre on stage with her greatest hit up to this point. “I Feel Love” featured a dynamite live arrangement – and Donna purring those sensual chants over and over at her best. The three sided “live” recording is probably the best of any artist – Donna at her best.

I have taken the “live” track of “I Feel Love” from the “Live and More” double album to recreate a new ReStructure Mix that plays out the energy and excitement of the song and break it down in a new way. It is a tribute to the lady who never left me disappointed as a teenager being “shut out” and too young to enter discotheques in the mid-70s – but finding my imagination and love for Donna’s music and voice – all alone in my room with headphones!
• Taste Of Bitter Love - Glenn Rivera ReStructure Mix - Gladys Knight & The Pips

Gladys Knight and The Pips released their project “About Love” in 1980 – produced by Nikolas Ashford and Valerie Simpson. Another peak for Gladys, The Pips and Ashford and Simpson it focuses on the four letter word and emotions brought to a soulful level. “Taste Of Bitter Love” is a mid-tempo dance track that was one of the biggest in my club and is celebrated here with a new energy and arrangement. It is one of those moments again where Gladys shines wonderfully and brings out the feelings that make love and heartbreak one of humanities great rewards and lessons.

I have taken the album version onto the ReStructure Mix chopping block and present this gentle giant with a new intro and some breaks that drop in and out for energy. It is a great piece of work with that mixture of soul, disco and rhythm and blues.
• That Special Magic - Glenn Rivera ReStructure Mix - B.B. and Band

B.B. and Band is an Italian disco project from Mario Boncaldo and Tony Carrasco- a duo responsible for recordings by Klein & M.B.O., Plastic Mode, and M.T.L. Project. A new breed of disco energy fused in the early 80s based on electronics and disco/street beats. Much of the work here is in the early transition of disco from the late 70s emerging again in a format which focuses on happy and uplifting feel of Italo-disco and the heavy keyboard and sequencer instrumentals brought to life by artists like Moroder and Cerrone. A new Euro-disco style in a simple arrangement and style. “That Special Magic” is from the 1982 album “Wee Thee People” which was a big move for Italian disco music. This one is like an anthem for a challenged love affair. It plays out well with the child-like choruses building onto the powerhouse vocals of the group. Always one that I would break in during early evenings to get the floor moving.

I have taken the album version and created a ReStructure Mix which makes use of the pounding pianos, castanets, drum rolls and rolling synths. A slight move on the original arrangement adding only a few more layered areas to smooth out and also excite the song.
• You Got My Love - Glenn Rivera ReStructure Mix - Front Page

Front Page is a disco project from producers Burt Szerlip, Cory Robbins and Rick Tell. The spotlight on this track is the vocals from Sharon Redd – although the production on this monster classic is flawless and stands as an outline for disco perfection. A creative blend of soaring disco strings, heavy percussion and funky guitars. “You Got My Love” is the flip-side to the big nugget, “Love Insurance” – however it is not modest as a disco powerhouse. The performance by Sharon Redd gives this yearning track so much power and emotion it brings tears to dancers and listeners. One of my all-time favorite Top10 disco 12” singles and one which should always be compared to.

I have taken the 12” version (mixed by Mr. Rick Gianatos) and worked a new ReStructure Mix to pay homage to Ms. Redd and also this celebrated disco classic. The original arrangement is reedited and played out with some new looping and layering of those fabulous guitar tracks and infectious percussion.
• When I Think Of You - Glenn Rivera ReStructure Mix - Janet Jackson

Janet Jackson began her solo recording career in 1982 with her self-titled album and hits, “Young Love” and “Come Give You Love To Me”. A progression of sound and production brought her to Jimmy Jam and Terry Lewis – a duo whose work with girl band Klymaxx set their creativity and electronic funk to work. “When I Think Of You” from Janet’s 1986 album “Control” and introduced Janet in a whole new light. An electronic beat-street driven sound that took over the mid and late 80s on dance floors and mainstream pop influence. The piece has a sweetness and charm which helped to make it a lasting hit for Janet and also made dance floors jump with excitement.

I have taken the 12” “Dance Remix”, “Extra Beats” and “Dub/A Capella) to create a ReStructure Mix which plays more on a few riffs that lay the song out for a new dance floor or pair of headphones. It works with chop-edits and looping to give the lasting energy another boost. A fun piece of remix pleasure for those who can’t get enough of Janet Jackson or dance music history!
• Billie Jean - Glenn Rivera ReStructure Mix - Michael Jackson

Michael Jackson’s album “Thriller” from 1982 is one of the moments in history where the excitement of music brought a period to life. It is truly one of the recordings which make time seem endless when you feel the energy and vibe which lasts even today. “Billie Jean” is an iconic piece from the project which gave Michael his moment to not only effect dance floors – but hearts and minds. It is one song that can be peeled apart and dissected but never misunderstood.

I have taken the 12” vocal and instrumental to recreate a ReStructure Mix with lots of play and direction. There is a dub feel with more of the sounds and resonance of the original to bring a new experience upfront. I can remember the energy and motivation from dance floors and of course the endless nights extending this monster – here it is in new form.

• Moskow Diskow - Glenn Rivera ReStructure Mix - Telex

Telex is Dan Lacksman, Marc Moulin and Michel Moers – an electronic dance band from the late 80s with an alternative edge and theme properties. “Moskow Diskow” is from their 1979 album “Looking For Saint Tropez” and is one of the dance floor pieces that followed in the vein of bands like M (“Pop Muzak”). It was a breath of a subtle nu-wave sound using the disco beat and focus – dancing. “Moscow Diskow” was a favorite for many clubs who had innovative jocks that could weave this pulsating sound into the changing sound of disco in the late 70s.

I have taken the original 12” version and recreated a new ReStructure Mix adding a few familiar elements (a la Moroder) to the new journey. This one breaks down the riffs into a spaced out feeling that many afterhours’ clubs would have appreciated. It bears the rumbling bass and of the original and the infectious chorus that makes this one hard to resist!
• Lucky Tonight - Glenn Rivera ReStructure Mix - Sarah Dash

Sarah Dash made “Sinner Man” from 1978 a track which pounded dance floors into a new diva-esque style of disco music with her incredibly powerful vocals. Her affiliation with Pattie Labelle and The Blue Belles (also known as LaBelle) left a mark which gave us an opportunity to feel more than soul – a unique style. “Lucky Tonight” is a piece from her recordings with Patrick Cowley’s label Megatone Records in San Francisco –a label which revived disco music again in the early 80s. The electronic high energy piece was always a favorite of mine and made my dance floors go wild!

I have taken the 12” vocal and instrumental to recreate a new movement for Sarah’s vocals and Cowley’s innovative and unique keyboard sound. This one builds a few times to leave dancers holding on to the edge of their dance floor. I have not only extended pieces of the instrumental but added a few new ad-lib breaks for the vocal. A special guest appearance is added by Jessica Lange from 1976’s adventure film, “King Kong” – good luck!
• He's Just A Runaway - Glenn Rivera ReStructure Mix - Sister Sledge

Sister Sledge released their 1981 album “All American Girls” which featured the big title anthem – produced by Naratha Michael Walden. A new era and sound for the ladies who made dance floors unite in the late 70s with “We Are Family”. The high energy pick from the project was “He’s Just A Runaway” which was released as a 12” single with an alternate remix in a reggae style dedicated to Bob Marley. It was minus the energy of the original and lacked the ricochet sound of the album track. One of the favorites of the fans of the Dames of Sledge who work their songs with a nice flair.

I have taken the short album version and recreated a high energy scenario with this ReStructure Mix and keeping the energy moving along with some looping and flash-edits that bring the song to life again in its original form. It was always fun to extend it for my crowd with two vinyl copies however this new version adds some tricky effects that make it worthwhile to buckle in a dance it all over again!
• Get Out Your Handkerchief - Glenn Rivera ReStructure Mix - Ashford & Simpson

Ashford and Simpson are truly a gift to soul, R&B and disco music. Their contributions are some of the anthems which make music a special place – always full of love and emotion. Their 1980 album “A Musical Affair” contained the single “Get Out Your Handkerchief” which was a track which always made it on my early morning or early evening playlists. A song telling the heartache of a love gone wrong and the after math of keeping a sane view on what has passed. It is one of my favorites of the masterful duo.

I have taken the album version to create this ReStructure Mix which plays with the looping choruses and ad-libbed verses to give this a whole new extended version a bang. It adds some percussion to beef up the moody feel of the song and a new ‘storm’ of energy.
• Don't You Want Me - Glenn Rivera ReStructure Mix - The Human League

The Human League is a synth pop band from the late seventies who also lead a new dance era of synthesizers and dance beats. Their 1981 album “Dare” is their biggest achievement and used their style in a newly directed dance generation. “Don’t You Want Me” is their pop, radio and dance floor masterpiece which come off a bit moody and dark, however the innovative use of keyboards and engineering brings it out like a framed masterpiece. It is one of the biggest of the time and continues to echo the 80s scene over and over.

I have taken the 12” radio vocal and instrumental to recreate a new ReStructure Mix with more of the deep pieces of the electronic arrangement. The play with the songs story provides a nice surprise at the close of mix and also gives way to another period of whether this drama is over or not.
• Come Inside My Love - Glenn Rivera ReStructure Mix - Bonnie Oliver

Bonnie Oliver is a disco artist who released an underground disco track titled “Come Inside My Love” in 1979 – produced by Wiley Hicks who also produced Ednah Holt and Starluv’s “People Come Dance” and “Ain’t Got Time” by Holt ’45. This piece of hardcore and psychedelic disco is one of the choices for many after-hours spots where the dancers are pulled deep into the mix and trance-like energy of disco. It has always been one of my favorite arenas of hardcore dance music.

I have taken the original 12” vocal and instrumental to walk down a ReStructure Mix path with a lengthy piece of funky guitar breaks and weaving synthesizer breaks. The original EQ is bit flat which differs from both original recordings so I decided to recreate an airy Patrick Cowley-ish feel with the rework. It is the master road to ecstasy for those special dance floor moments and it could have continued on for a longer adventure – but here it is!

• Breakaway - Glenn Rivera ReStructure Mix - First Choice

First Choice is female ensembles who brought the Philly dance sound alive with the soulful and feel of the garage identity which eventually became the house sound of the 80s and 90s. A funk fest of vocals in a disco aura created by Annette Guest, Debbie Martin, Rochelle Fleming, Ursula Herring and Wardell Piper. Their finale album from 1980 contained the title track, “Breakaway” which continued the spirit of that sound of Philadelphia and magic of disco polish. Produced by Norman Harris and Ron Tyson.

I have taken the album version of “Breakaway” and have given it the ReStructure Mix image with more of the guitar pieces and funky bass bounce – adding some new beats and breaks. It is a bit extended with some familiar samples of these ladies who make the night a great place to be!
• Fever - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane is one of disco music’s lead stars and outline for its aura. A former Elite fashion model and in 1978 a disco sensation with her project “Rough Diamond” that not only gave her a symbolic label for her beauty but also music which was the complete disco genre. In this project she also covers the standard, “Fever” in her own unique blend of sensual vocals and alluring stage presence. It is one of the most exciting moments in disco history. The production by Jean-Claude Friederich borrows several key disco players including Thor Baldursson and Juergen Koppers.

I have taken the album version of “Fever” and have worked this ReStructure Mix to pay homage to Ms. Kane and also display a new edit for the wonderful disco production and thrill of its bass, strings and lovely vocals igniting excitement. A few new elements I have added are an intro and also have broken down the original to take a new ride on a new set of disco tracks.

This ReStructure Mix is dedicated to Ms. Madleen Kane and thanks for all she has given to the fantasy and love of disco music. It is head on and will last as long as the mirror ball continues to spin.
• Stargazing - Glenn Rivera ReStructure Mix - Earlene Bentley featuring Sylvester

Earlene Bentley is a disco/high energy star from the early 80s who took dance floors hostage with her big 1983 hit, “The Boys Come To Town”. Her powerful vocal performances bring to mind a sultry standard singer with a level for moving feet and floor boards when roaring. One of my favorite and slightly camp-like approaches which always makes the males who love the divas stand to attention. “Stargazing” is a monstrous single from 1984 which also features disco star, Sylvester – produced by Ian Levine and Fiachra Trench. Another one of their big dance hits that stand out with these two powerhouse singers belting out their love and energy!

I have taken the 12” vocal and instrumental to work a ReStructure Mix which takes more time to introduce the exploding sound of “Stargazing” and also add a few elements from each of our stars past moments. This is a fun track that should bring back that 80s high energy feel!

• Love To Love You Baby/I Feel Love - Glenn Rivera ReStructure Mix - Bronski Beat & Marc Almond

Bronski Beat is Jimmy Sommerville, Steve Bronski and Larry Steinbachek. Their 1984 album “The Age of Consent” paved another path to a new electronic sound for dance floors with a full orchestral feel and the powerful falsetto vocal of Sommerville creating a haunting landscape. Their cover of Donna Summer’s two disco classics, “I Feel Love” and “Love To Love You Baby” is one of the major edges of 80s dance music in form with the disco resonance of the 70s/ A new era of dance music was formulated here and followed according with the original concept of this genius.

I have taken the 12” version of “I Feel Love”/”Love To Love You Baby” both the “Cake Mix” and “Fruit Mix” and created a new ReStructure Mix focusing more on the rolling electronic instrumental with pieces of the fabulous vocals molded around the arrangement. It is an alternative to the full on 12” vocal versions and works more as a supplement for those lovers of Donna and Giorgio Moroder original masterpiece!
• Heaven On The 7th Floor - Glenn Rivera ReStructure Mix - Paul Nicholas

Paul Nicholas is an English actor, singer and songwriter who released his first album on RSO Records in 1977 which featured the pop single, “Heaven On The 7th Floor”. This was a radio hit in the boogie pick during a period where disco music began to influence pop artists and producers. The track was written by Dominic Bugatti and Frank Musker (“Woman In Love” by The Three Degrees, “Ain’t No Smoke Without Fire” by Eddie Kendricks). It became a disco classic since the feel of the song followed the formula of a fun and uplifting ditty.

I have taken the short album version to recreate a ReStructure Mix with a longer intro and song new breaks. Along with some added percussion in areas which did not lack the sound – but played along with the fluent energy of the song. It is one that reminds me of FM radio Saturday night boogie music and plays well with the classic disco followers.
• Young Love - Glenn Rivera ReStructure Mix - Janet Jackson

Janet Jackson released her first solo project in 1982 which featured “Young Love” – a promising a sweet approach at the early 80s dance market and floors. This one plays out like a ‘young’ romance as simple as it sounds yet has that funk- driven clap track that slams into action as soon as it begins. A nice piece produced by Bobby Watson, Rene Moore and Angela Winbush. One of the big pop singles of my club during its release and also a promise of hearing more from Ms. Jackson – which we all recall created quite excitement.

I have taken the 12” version (which is also the album version) and reconstructed a new ReStructure Mix with the original beats and energy only breaking down a few areas and adding a fading intro and cold end. It works with a couple of new breaks and extends this love note for Janet to get smart on love at such an early age.
• Tearin' It Up - Glenn Rivera ReStructure Mix - Chaka Khan

Chaka Khan’s 1982 project “Chaka Khan” is one of those albums which may have slipped by the public – but fans knew that this powerful voice of soul was continuing her legend in a towering way. Vocals were always one of the main components of Chaka’s music and within “Tearin’ It Up” we hear the full force of how Chaka can transform a level above. This track became a hit in many hardcore clubs who often paid tribute to the underground greats on a dance floor. This big one has the power of a disco great and pulls together wonderfully with a production by Arif Mardin.

I have taken the Larry Levan 12” masterpiece using both vocal and instrumental to recreate another form of Chaka worship – more instrumental and keyboard strikes to create a new frame. One of my favorite tracks from the 80s underground feels with the diva of soul to lament the feeling and sensation that a great dance record gives.
• All Night Long - Glenn Rivera ReStructure Mix - Lionel Ritchie

Lionel Ritchie gave the 80s a pop/r&b classic with his 1983 project, “Can’t Slow Down” – “All Night Long (All Night)” dominated the Grammy’s and radio during this period. It was not only one of the uplifting songs of the 80s with a sincere unity, but it also gave dance floors another reason to stay foot. Produced by Lionel himself and wonderful arranged with a rhythm which drops in and out of a celebration. A huge hit for me and remained on my playlists for months as the party continued throughout the 80s.

I have taken the 12” vocal and instrumental to work a new ReStructure Mix with a new intro and much more emphasis on the non-stop energy of the song – accentuating the great horn and percussion arrangement. Another chance to smile and take your feet into a rhythm that transcends our human upside.
• Sweet Dreams (Are Made Of This) - Glenn Rivera ReStructure Mix - Eurythmics

Eurythmics are Annie Lennox and Dace A. Stewart – a force of 80s synth-pop dance music which crafted a new form of style and execution fitting the scene with perfection. Their 1983 hit “Sweet Dreams (Are Made Of This” is a haunting and pounding dance piece that explores the way of life with simplicity verses over indulgence. A futuristic like robotic movement which even today with it few verses begins a thought process which can last.

I have taken the original 12” version to recreate a lengthy ReStructure Mix adding more loops and edit rearranging to give this classic 80s number a new face lift. Complete with the energy and sound which made it a hit with a touch more of what I hear in my head during a peak hour and a mesmerized dance floor!
• Change Your Wicked Ways - Glenn Rivera ReStructure Mix - Pennye Ford

Pennye Ford is a soul/funk singer and songwriter who took the early 80s on a funk trip with her single “Change Your Wicked Ways” – from her album titled “Pennye” produced by Lonnie Simmons (The Gap Band). The single was a huge hit in my clubs of the time and also brought to mind the power of a great soulful vocal and how it adds movement to the existing beats. Pennye makes this work with a slick and sassy approach that brings to mind the classic approach of Chaka Khan. The track has the feel of a DJ record with the beat and groove spelled out in many ways.

I have taken the “DJ Mix” 12” single using both the “Extended Version” and “Dub Version” to recreate a thumping ReStructure Mix with a few new surprises – including a beat pattern from Pennye’s sister Sharon Redd’s classic “Beat The Street”. It is a tribute to the talent of a great soul vocalist and her own stage which could also be heard in projects by George Clinton, Snap! And Soul II Soul.

This ReStructure Mix is dedicated to Ms. Penny Ford – thank you Penny and please keep giving us your soul – we can use the magic!
• One More Time - Glenn Rivera ReStructure Mix - Bianca

Bianca is a high energy singer from the mid-80s when disco music was fast furious and kicking some ass. It seems at this point all weapons were pointed at feet and they were responding. It was a great peak for dance music history. “One More Time” is a single released in 1987 and produced by Fonny De Wolf – who also gave us Rofo, New York City Band, Laser Dance, Samantha Gilles and Charity. This fast moving number moves like a rolling locomotive and gives us a nice hook and some fast moving percussion in the process. A big winner for me and my dance floor.

I have taken the original 12” version and worked this ReStructure Mix giving the arrangement a bit more breathing space and also adding some clip-and-chop edits here and there to give it some small peaks. One great number to play with and this version is a tribute to high energy music and its dancers!
• Tonight's The Night - Glenn Rivera ReStructure Mix - Harold Melvin & The Blue Notes featuring Sharon Paige

Harold Melvin and The Blue Notes have been one foremost Philly soul acts of the early 70s and continued to bring soul to the surface of their recordings. “Tonight’s The Night” is their 1979 album “The Blue Album” produced by Harold Melvin. It is a light disco-funk number that gives guest vocalist, Sharon Paige an opportunity to give a sexy and enticing performance outlining the nightlife scene.

I have taken the original 12” version and worked this ReStructure Mix to give the track my love and thanks for making my dance floor from furious disco beats and make way for a groove that is reminiscent of the early 80s electro-funk sound – but with the sophistication of The Blue Notes joining Sharon for a night of fun and pleasure.
• You Gotta Believe - Glenn Rivera ReStructure Mix - The Pointer Sisters

The Pointer Sister brought a ‘bit of light’ to the 1976 film “Car Wash” – which may have been the first soul/disco musical to hit the 70s scene. “You Gotta Believe” is one of the memorable moments in the motion picture and the song written by Henry Garner and Lequeint “Duke” Jobe of Rose Royce is one the most rhythmic pieces from the genius production by Norman Whitfield. One of the toppers of this great 70s musical epic.

I have taken the short (2:51) double album soundtrack version and created this ReStructure Mix adding a few new percussion and drum elements to kick up the bouncy rhythms and those soulful and groovy Pointer Sister vocals.
• Living On Video - Glenn Rivera ReStructure Mix - Trans - X

Trans-X is a disco/techno band which began as a single “Living On Video” from 1983. The recordings original vocalist is Laurie Gill and Pascal Languirand – who paint a message of alternative dance electronic music. The track was a huge dance floor hit and shared some success on alternative dance radio stations – it stands an icon for 80s disco and synth-pop dance music. A favorite of mine with lots of the gadgetry which makes the dance floor feel like a factory of wires and funk.

I have taken the original 12” version to recreate new ReStructure Mix looping parts to give a new feel and message to this awesome piece. A touch of 60s sci-fi is added from the classic show, “Lost In Space” to give a new computer generated edge. It is a fantastic adventure so take it again!
• The Sound Of The City - Glenn Rivera ReStructure Mix - David London

David London is a vocalist who was featured on the soundtrack to “Can’t Stop The Music” with the Jacques Morali production of “The Sound Of The City” – a rousing disco anthem about The Big Apple. It was quite a stage performance with the dramatic crescendos and lyrics paying detailed homage to the great city. It was always a favorite of mine and was happy to have placed this gem on the ReStructure block.

This ReStructure Mix takes the 12” version running at a little over 4 minutes and placing it in another frame of celebration. I have extended the intro to phase into the energy and pulled a little more out of the excitement.

This ReStructure Mix is dedicated to Morgan Casner on Facebook – and thanks for the request!
• #1 Lover - Glenn Rivera ReStructure Mix - J.D. Hall

J.D. Hall is a vocalist from California who covers rock, blues, r&b and high energy in his repertoire. A powerful which currently play out as a tribute to the great Barry White. “Number One Lover” is an electronic high energy single from 1985 and features a production from Sebastian Rayas who cleverly striped down the basics of high energy presenting it in his own package in the mid and late 80s. J.D.’s deep and breathy vocals add a mystique to Rayas’ eerie like keyboard arrangement. This is one of those mid-80’s high energy classics that still spell out the period.

I have taken the JDC 12” original and instrumental to create this ReStructure Mix and deliver another form of excitement which leads to the fast moving sound of high energy along with some of the elements which make up my touch on these classic pieces. This one was a floor packer and always brings a great feeling to mind when hearing it.

Long live HIGH ENERGY!
• She Blinded Me With Science - Glenn Rivera ReStructure Mix - Thomas Dolby

Thomas Dolby made a deep cut on dance floors in 1982 with his synth-pop dance single “She Blinded Me With Science”. A perfect addition to the shifting sound of dance music and the innovative use of keyboards and beats. This beat driven spoof of a mad scientist finding interest in a sexy lab assistant in the midst of this little number. It is one of the novelty dance tracks that fits well for the fun driven dance floor method and also gives his talent a go for the money.

I have taken the 12” version of “She Blinded Me With Science” and played out a new ReStructure Mix –focusing more on the beats and extracting some of the parts which stop the energy and slam back. This dance floor remix is more flowing rhythm solution and also plays with some of the crazy edits.
• Danger - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser

Gregg Diamond created a disco project in 1978 for Marlin Records as his Bionic Boogie for Polydor in 1977. The success of his full scale band-like and disco symphonic sound was evident early on with his work on Andrea True Connection (“More, More More”). This left dance floor longing for his funky riffs and playful themes. “Danger” is a single released in 1979 under his studio band, Star Cruiser – which landed success with “This Side Of Midnight” and an album of additional dance hits. This number gave us those clever pieces segued into an arrangement of cascading rhythms and strings.

I have taken the 12” version of “Danger” and played out a new ReStructure Mix to chip at Diamond’s genius. This plays out more as a dub and loops and scores a whole new funky experience. Diamond’s work is my true love to disco music’s innovation of the late 70s and this favorite is keyed out as an homage to this sound.
• Nobody Makes Me Crazy Like You Do - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross released her sensational pop-dance project “Swept Away” in 1984 with an array of dance floor pieces – including the title track produced by Mr. Arthur Baker. One of the abstract electronic numbers is “Nobody Makes Me Crazy Like You Do” which explores a thumping greeting card of love and desire. Cleverly produced with a techno-feel and Ross unleashing a sensual vocal that may be one the most sexy since “Love Hangover” – yet in a new 80s nu-wave arena.

I have taken the album version of “Nobody Makes Me Crazy Like You Do” and edited a ReStructure Mix – taking the fantasy a few levels deeper. It was one of the alternative pieces that I give Ms. Ross credit for exploring and done so well for the mood. I love the afterhour’s feel of this piece and celebrate it with the same motivation.
• Material Girl - Glenn Rivera ReStructure Mix - Madonna

Madonna recorded her second album in 1984 with huge dance hit “Like A Virgin” leading the success again. This project being the pop-iconic style for the early 80s dance scene and becoming a part of music history. “Material Girl” is another single from this production from Nile Rodgers (of Chic) and also co-written by Peter Brown (“Dance With Me”, “Crank It Up”). A huge album for Madonna and thanks to an adoring fan base and pop-movement this piece has become one the most memorable of the time period.

I have taken the 12” single (mixed by John “Jellybean” Benitez) and created a ReStructure Mix with more of the theme from the fabulous video with Madonna adorning the jewels and men as Marilyn Monroe. This play is more based on the inserts from Marilyn and homage to the 80s pop dance scene.
• Sequencer - Glenn Rivera ReStructure Mix - Al Di Meola

Al Di Meola is a guitarist who began recording solo in 1976 with “Land Of The Midnight Sun” – one of my favorite jazz fusion artists with a colorful talent to transform a landscape into energy. His 1983 album, “Scenario” contained the electronic single, “Sequencer” which played out as one of the infectious instrumentals of that year. Along with Jan Hammer on keyboards, sampler and drum machine a fabulous canvas for Di Meola’s beautiful finger work is allowed.

I have taken the 12” version along with the dub to have a little play with “Sequencer” and create this ReStructure Mix. It adds a sample from a well-known late 70s classic and is rearrangement in various segments to work a new experience for those familiar with it or a new outline for those discovering it.
• I'm A Sucker For Your Love - Glenn Rivera ReStructure Mix - Teena Marie

Lady T (Teena Marie) brought the funk upfront with her talent during the late 70s with “Wild and Peaceful” – produced by Art Stewart and Rick James. The single “I’m A Sucker For Your Love” is one of the songs that ring a true Lady T sound – and along with Rick James adding his consoling love to Teena the track is an old school classic.

I have taken the original 12” vocal and instrumental to rework a ReStructure Mix – adding a few electro-effects to enhance some of the familiar intro and an added break. Re-assembling parts of both give this one a new direction and homage to The Ivory Queen of Soul!
• Don't Stop - Glenn Rivera ReStructure Mix - Ross

Ross (Emanuela Gubinelli) is an Italo-disco project from Giuliano Crivellente and Mauro Farina who formed Flea Records – an Italo dance label which featured a high energy sound in the mid and late 80s. Much of the music contained the rolling synthesizers which helped to give it the title “girl twirl” because of its sweet melodies and femme vocals. “Don’t Stop” is a single from 1987 which dominated my club floor for months after its release. A nice melodic ringing sound makes this one irresistible. It is one of my all-time favorites and always reminded me of the Fun Fun sound done with a higher peak of energy.

I have taken the original import using the “Full Power D.J. Mix Version” and “Casa Mix” to weave this ReStructure Mix. I focused more on a continuous flow and added a few new elements as well as rearranging the verses and choruses to maintain the energy.

This ReStructure Mix is for Jerry Forrester on Facebook – thanks for the note Jerry and also for remembering this great Italo-disco piece!
• Babe, We're Gonna Love Tonight - Glenn Rivera ReStructure Mix - Lime

Lime is Denis and Denyse LePage – a force of 80s dance music which was unstoppable from their first single, “Your Love” in 1980. It was the start of the high energy era of dance music a satisfying potion of electronic love songs that brought excitement and moved feet. “Babe, We’re Gonna Love Tonight” is from their second project from 1982 titled “Lime II” – another love song with similar qualities, yet a whole new sound and instant hit. Their unique vocal play as a duo is one of the main factors in Lime’s success. It helped to bring an edge and sweetness to the fabulous and energetic tracks.

I have taken the original 12” version of “Babe, We’re Gonna Love Tonight” and worked a new ReStructure Mix – talking chopped pieces of this cooker and reassembling to give it a new feel. The power still is present and more breaks added to give the chorus excitement all over again!

Dedicated to Denis and Denyse LePage – thanks for saving us with your talents – the 80s would never be as memorable without Lime!
• I.O.U. - Glenn Rivera ReStructure Mix - Freeez

Freeez is a British electronic funk group from the early 80s and along with Arthur Baker helped to create a street sound marking a new style and era of dance music. Heavy beats and drum fills create the foundation for a pop-dance formula which began with Baker’s true club experience and studio talent. “I.O.U.’ is from their 1983 album “Gonna Get You” and then repackaged as an album by the track title. This piece is an explosion of funk and electro dance which draw a line across the dance floor and then lure all feet to it. One of the great classic innovative and leaders of the time.

I have taken the vocal and dub from the Streetwise Records 12” single and re-edited this ReStructure Mix to play along with Baker and Freeez’ phenomenal street master pump. I have added a few new elements to differ the original and also give lovers of the sound and track a new experience.

This ReStructure Mix is dedicated to David BoomGaarden on YouTube (thanks for the request, David) and the master himself, Mr. Arthur Baker
• Chaos - Glenn Rivera ReStructure Mix - Quartz

Quartz is Didier Plus, Laurent Taieb and Patrick Langlade – a French disco project produced by Saint-Preux a composer of contemporary classical music. Their first self-titled album from 1978 featured an innovative use of keyboards, drums and pre-trance-like arrangements. “Beyond The Clouds” is one of the big singles best describing the sound of Quartz and reverberates now as a disco classic. Their use of jazz like keyboards in this piece makes the disco beat explode along the moog synthesizers. “Chaos” is a moody and 70s futuristic instrumental piece which contains a bass synth which moves with a deep groove. It has been one of my favorites of the dance tracks from the project and fits wonderfully as a pre-cursor to a blend of electro meets disco.

I have taken the album version of “Chaos” and blended some familiar street beat drum beats to parts. This ReStructure Mix is along the lines of a new episode for this hidden gem. I brought out the original concept with a few new changes to liven up the composition.
• A Love Bizarre - Glenn Rivera ReStructure Mix - Sheila E.

Sheila E. is one of the 80s dance music talents who took the dance floor on a funk-esque trip with the assistance of music icon, Prince. Her music made the arena of dance an energetic twist of heavy percussion and her light and sensual vocal edge. Her first hit, “The Glamorous Life” not only embedded her name into our brains but also created a following of a new generation of dancers and music fans. “A Love Bizarre” is from her 1985 project titled “In Romance 1600” – produced by Prince. It is one funk driven dance track which not only stamps Sheila’s sound but also the brand of synth-pop dance where the 80s took off following 70s disco.

I have taken the album version of “A Love Bizarre” and reworked it for this ReStructure Mix. I have focused on making a dance groove with more of the looping and chopping tracking which makes the 80s dance scene not only more of the disc jockey’s art – but also quite ‘bizarre’ at times.
• Stoned Love - Glenn Rivera ReStructure Mix - Sweet Brandy

Sweet Brandy is a Canadian disco project from produced Jerry Cucuzzella – who also gave us Suzy Q, Quantum, Sandy Steele, Plastic Surprise, and Dorazio. The early 80s were filled with electronic high energy music following the demise of the big disco orchestration sessions. It was a simpler but not less effective. A new sound was filling club and the rolling sound of high energy began taking the stage. Sweet Brandy’s cover of The Supremes’ “Stoned Love” is an irresistible dance number and features the vocals of Patti Masi (better known as Vera). This ‘sweet’ arrangement on the J.C. Records 12” is arranged by Louis Toteda,

I have taken the original long version from the 12” single and worked on this ReStructure Mix to bring back this sound which many will remember saving that disco feeling during the early and mid-80s. I have extended the track and also chopped it into several movements with more breakdowns and chances to catch that wonderful melody – both in verses and choruses.

This ReStructure Mix is dedicated to the talented Mr. Louis Toteda – thanks for your friendship and incredible dance music you have left us with to move to over-and-over!
• Forever Your Girl - Glenn Rivera ReStructure Mix - Paula Abdul

Paula Julie Abdul is a singer, songwriter, choreographer and dancer who released her first pop-dance sensation titled “Forever Your Girl” in 1988 – brightening the dance scene with a kickin’ format and sweet romantic side. Quite simple and to the point – much of her magic was in both the pairing of her dancing and vocals paired, as seen in many videos of her tracks. “Forever Your Girl” makes it in the Special 80s Edition of ReStructure Mixes since it is one which made my floor not only packed wall to wall – but also brings back some special memories of the mid-80s dance rejuvenation.

I have taken the original 12” version of “Forever Your Girl” and worked a new ReStructure Mix focusing on a full beat powered sound with more of the key-synths rumbling and rolling below the love song. It was great fun to take a radio track and focus on more of a hardcore floor transformation. Pop-dance of the 80s meets a new friend.
• Flashdane...What A Feeling - Glenn Rivera ReStructure Mix - Irene Cara

Irene Cara is an actress, singer and songwriter whose early career includes the original Dreamgirls inspiration – the 1976 film “Sparkle – which featured music from Curtis Mayfield. Irene burst back into the music scene in 1980 with the soundtrack to the film “Fame”. This put her back into a standing which gave dance music a promise of a whole new era. Her title track to the 1983 romantic-drama, “Flashdance” brought dance floors to the brink of a celebration and new respect for the dance/disco anthem. Produced by Giorgio Moroder and also bringing a new sound and audience for the time.

I have taken the 12” vocal and instrumental to create a whole new ReStructure Mix and exaggerating on the keyboard drama as well as this soul lift. Much of the arrangement is placed in a new grouping to give the so-familiar piece a new sound. It is one which I have always remained true to and brings memories of an ecstatic dance crowd!
• You Got The Power - Glenn Rivera ReStructure Mix - WAR

WAR is a band who began recording in 1971 and throughout the late 80s. Their work in disco music hit a kind note in 1977 with their track “Galaxy” which featured a rolling bass line and funky edge. On the dance floor, the band worked a few more single including, “Good, Good Feelin’” from 1979 which made the excitement of the disco era come alive. “You Got The Power” is from the 1982 album “Outlaw” and is an uplifting anthem in a funk package.

I have taken the 12” version of “You Got The Power” to work a new ReStructure Mix with a few new pieces to compliment this modest yet positive theme. It is a mild touch of re-editing and also adding a new drum break to give way to a wind down break.
• White Room - Glenn Rivera ReStructure Mix - Rudy

Rudy is a Jacques Fred Petrus disco project from 1979 with his classic electronic disco sound as captured in Peter Jacques Band, Macho, Revanche and Midnight Gang. The innovative dance edge was an early sign of the New York progression to a sophisticated disco format. Horns and pulsating breaks are the elements which echo most here. “White Room” is from the “Just Take My Body” album and is a cover of the British-rock band, Cream’s 1968 psychedelic rock classic. A favorite of mine from this genre of disco music and a rousing dance tribute to the original.

I have taken the album version of “White Room” and created a dub-entry ReStructure Mix which gives an alternate intro with a touch of fierce samples from another rock classic from Arthur Brown. This new working plays with the arrangement to give a fresh perspective of the disco version.
• My Girl - Glenn Rivera ReStructure Mix -  1 Plus 1

1 Plus 1 is a Bobby Orlando project under a title which is best known as the high energy stamp of the 80s. A heavy wall of percussion and simple keyboard riffs make this blend of electronics and camp-like vocals. This cover of The Temptations Motown classic, “My Girl” is one which made my dance floor come alive during fast moving energy sets. It keeps the flow of the original moving to a rolling synthesizer arrangement and crashing percussion loops. It makes the 80s a fun place to venture onto once again and relive the simple movements of dance music.

I have taken the original 12” version on Bobcat Records and created a ReStructure Mix which takes the original Motown masterpiece into the disco lights and energy. It flows the same manner as the 12" arrangement – which I wanted to leave intact. It is sprinkled with some new dance floor glitter and pieces of the original riffs that make soul and disco feel right!
• The Man From Colours - Glenn Rivera ReStructure Mix -  Wanexa

Wanexa is an Italo-disco project from Franco Rago, Gigi Farina and Xenia Monneret – the trio who brought us Expansives (“Life With You”), ‘Lectric Workers (“Robot Is Systematic”, “The Garden”) and Message From The Future. This style of dance music began with the control of electronics being used in creative and artistic manner. It was a free range of sounds where street beats blended with the thumping of the disco outline. “The Man From Colours” was released in 1982 and was a moody piece with a haunting vocal by Lyana Galis. One of my weapons for an early morning set or tea dance.

I have taken the original 12” vocal and instrumental of “The Man From Colours” to build a new ReStructure Mix outlining more of the beat pulses and foundation of these innovative Italian productions. I have only used a piece of the vocals in one segment. They are haunting and work best when delivered in part. Homage to my love for Italo-disco and thanks for their delivery of a new style for the dance floor in the early 80s.
• She Works Hard For The Money - Glenn Rivera ReStructure Mix -  Donna Summer

Donna Summer released her third 80s album, “She Works Hard For The Money” in 1983 with the title track becoming the anthem for not only those hard working women – but also dance floors everywhere. It was that 80s dance fusion creating another chance for Donna to deliver a message that would resonate for years. The album was produced by Michael Omartian and was another spot for Donna to prove that her vocals are the real essence to her talent and although the disco era made her a unique icon as The Queen – there was another throne to rest upon for years to come.

I have taken the 12” vocal and instrumental of “She Works Hard For The Money” and reworked a ReStructure Mix which follows closely to my outline of reworking the track out of its familiar edge- so those looking for a slight edit may be surprised. It was one of the tracks I can remember extending to packed dance floors but now adding more pieces to the classic. Making a guest appearance in Varla Jean Merman (from “Girls Will Be Girls”).

Dedicated to those hard working Donna Summer fans who keep the magic alive – in the air where it belongs! Thank you.
• Hold Back - Glenn Rivera ReStructure Mix -  Valerie Krystal

Valerie Krystal is a Canadian disco project from Gino D’Orazio and Tony Bentivegna – the duo which brought us Blue Lazer, Ladies Choice, Motion and Nightlife Unlimited. They were the pair which helped to save dance floors during the early 80s by creating a full electronic wall of sound to maintain our position on the dance floor. “Hold Back” is from the 1983 album “Piece Of My Heart” which displays the familiar synth and keyboard work from the D’Orazio and Bentivegna arrangement and recordings of the time. There is pleasant melodic feel to Valerie’s vocals and pulse of this track and has always been a floor packer for me. It is also one of my favorites from these Canadian wonder boys.

I have taken the original 12” version of “Hold Back” and created a lengthier and more break driven ReStructure Mix which keeps that bouncy continuity moving along. It was fun to play with this one and hoping that first time listeners will find they missed a sweet little dance number – but now theirs!

• Everybody Needs Somebody Sometime - Glenn Rivera ReStructure Mix - Ann Margret

Ann Margret is an actress and singer who made a mark in cinema as the ‘sex kitten’. Disco was an open door for Ann since the aura of sexuality is one of the elements of its lure. Produced by Paul Sabu, who created a successful stage for Debbie Jacobs and his own band along with various studio works in dance music during the 80s. “Love Rush” was the first disco single to send waves throughout dance floors during its release and also made a tasty moment for a television showcase of dancing and teasing.

I have taken the original 12” and second edition – using the 3 versions to recreate a disco moment for Ann’s perfect sensual early evening/morning number. I have always loved Sabu’s original feel and arrangement and worked to give admirers a new spotlight to use for rekindling an underground funk and disco piece.

Mr. Paul Sabu is one of the men who used the sounds which made dance/disco music identifiable and now, classic. This ReStructure Mix and respect are dedicated to him. Thank you, Paul.
• Stubborn Kind Of Fella - Glenn Rivera ReStructure Mix - Buffalo Smoke

Buffalo Smoke is a disco project from 1976 produced by former Fifth Dimension member, Lou Courtney. Their cover of the 1962 Marvin Gaye soul-classic “Stubborn Kind Of Fellow” is pumped into a rousing disco number with a great lead vocal by Lou and a nice backing female duo (Christine Wright, Natalie Maryland) echoing throughout. The album was arranged by L. Leon Pendarvis and speaks the classic sound of the mid-70s where the disco tempo and beat are the added to discofy the production.

I have taken the double A-sided 12” single of “Stubborn Kind Of Fellow” and worked a ReStructure Mix to give the powerhouse sound a new edge. Lots of new percussion and drums accentuate the rhythmic flow of this all-together love song where this guy is not giving up soon. One of my favorite disco 12” underground classics and once I start to hear the chorus it takes a while to leave.
• Could It Be I'm Falling In Love - Glenn Rivera ReStructure Mix - Spinners

Spinners are a soul group whom began recording in 1967 and carry a recognizable harmony which is soothing and loving. Their single from 1972 “Could It Be I’m Falling In Love” is one of the big radio tracks in soul/rhythm and blues and continues to mark the old school genre with its wonderful beauty. The love song brings emotion to life with the start of the love which only gives promise and is arranged with the classic early pop-soul formula that is the best of the time. The arrangement and production are by Thom Bell.

I have taken the album version of “Could It Be I’m Falling In Love” and created a ReStructure Mix using edits of the beautiful strings and vibes displayed in a new intro and closing. The lovely feel of both lead and backing vocals always make this one a special treat. More of the verses are also pieced in this new remix to make the feeling of love and excitement last longer.
• Situation - Glenn Rivera ReStructure Mix - Yaz

Yaz (known as Yazoo in the U.S.) is Vince Clarke and vocalist Alison Moyet. Their music brought the 80s into a new phase of dance music known as synth-pop and introduced the powerful voice Alison over the electronic formation of Clarke’s nu-wav vs. funky grooves. “Situation” is from the project “Upstairs At Eric’s” from 1982 and was an outline for their new style and success. The early 80s made their move easier since much of the dance circuits were looking for a new underground sound. It was the formation of a new dance era.

I have taken the single “Situation” into the ReStructure Mix outline and played with the classic sounds from the original 12” vocal and dub. Working on completing an arrangement completely odd to the dance mix and yet keeping the power-moments intact in a new manner. It is one of the great remix opportunities for the double 12” vinyl war I fought with each night in the clubs to present a new version each night during peak hour. And now done with the ReStructure Mix formula and mood.
• Stars - Glenn Rivera ReStructure Mix - Ullanda

Ullanda McCullough is released her 1979 disco project “Love Zone” - produced by Leon Pendarvis. This is a voice that has backed sessions for Ashford and Simpson, Cissy Houston, Rice and Beans Orchestra, Celi Bee and Michael Zager Band. “Stars” is the opening number from the album and opens with a show stopping disco anthem bringing the dance floor to celebrate as stars in a flashy universe. It has always been one of my favorite diva numbers and along with Ullanda’s soulful performance it always brings to mind a disco floor peaking on its own energy.

This ReStructure Mix takes the long album movement and works a mean bass guitar to a the main stage. I have kept the vocal breakdown where it belongs – at the tale end giving this blast a nice breakdown for landing.

Dedicated to Nick and Lindsay – thanks for requesting this fabulous track and for all of the love and sharing. It means allot to myself and I know many artists can feel the warmth from you love and devotion to the music.
• I Will Survive - Glenn Rivera ReStructure Mix - Gloria Gaynor

Gloria Gaynor’s 1978 album “Love Tracks” brought the anthem of power and self-love to life with “I Will Survive” – produced by Dino Fekaris. The classic is among the top10 and continues to bring new light of hope even today. As the B-side to the 12” “Substitute” this one had the power to not only reverse the labeling element but also mend broken hearts and strengthen the disco movement of the late 70s.

I have taken the 12” of “I Will Survive” and reworked a ReStructure Mix which focuses a bit more on breakdowns of the ‘glorious’ take told here. A more rhythmic appeal and approach to the original and yet leaving none of the classical elements apart. A tough act to amend yet allot of fun!
• Kind of Live (Kind of Love) - Glenn Rivera ReStructure Mix -  North End

North End is Arthur Baker, Tony Carbone and Russell Presto – a definite mark in the history of New York’s disco label West End Records. Their 1979 single “Kind of Life (Kind of Love)” is the sound of the New York disco in anthem form. One of the power records for me as it was always an uplifting moment for a tea dance or peak hour of a hot sweaty night. An upward theme of a city moving with the beat of love and life outlined in a great standard feel as the vocal colors the jazz flavor sprinkled thought out each crescendo. One of my favorites and always brings to mind good times.

I have taken the 12” single vocal and instrumental to create a new celebration in this ReStructure Mix bringing the percussion out with a new drum beat. It moves a bit more energy wise with some added percussion and more of a focus on an anthem drawn out to raise hands in the air and then just a moment to cool off.

Dedicated to Mr. Arthur Baker, a talent which is outlined always in his work and dedication to create for each segment of dance music history. Many thanks, Mr. Baker. Also, Tony Carbone whose work always blended the best musical aura for a dance floor moving to the love and energy of New York disco.
• Feel It - Glenn Rivera ReStructure Mix -  Samantha Gilles

Samantha Gilles released a hi-NRG blast in 1984 with “Feel It’ – produced by Fonny De Wulf, who became one of the producers creating the independent club sound in the mid and late 80s. The track was an immediate hit and landed during a period of electronic dance music with the new high energy edge. Samantha became one of the noteworthy disco artists to watch for since her sensual vocal was an element filling the sound of a new dance era.

I have taken the domestic 12” of “Feel It” both the Remix by Jim Callon (Glass Family) and the original to rework a new ReStructure Mix adding a new departure and destination for this pumping classic. I have used the clever calliope elements throughout this remix adding a new arrangement for several of the catchy riffs.
• He Loves Me, He Loves Me Not - Glenn Rivera ReStructure Mix - Kim Fields

Kim Fields (television actress from The Facts of Life and Living Single) joins the party with a 1984 electronic/high energy track that sounds close to a Bobby Orlando production with the pulsating percussion and light keyboard arrangements. “He Loves Me, He Loves Me Not” was a simple task to bring Kim to dance floors where I am sure she loved to be. This elementary school love-play song rhythms and percolates throughout a thumping disco number that may be simple and feel a bit silly – but it can be fun.

I have taken the 12” vocal and instrumental – produced by Elliot Willensky and Hal Davis onto the ReStructure Mix mode and created a more spared arrangement for the limited chorus and verses. It is a chance to hear the mid-80s high energy sound during its heyday!
• Feel Alright - Glenn Rivera ReStructure Mix - Komiko

Komiko is an electronic funk band brought to us from producers Gary R. Turnier and Darryl Payne – who also gave us Gary’s Gang, Sharon Redd, The Raindolls, Tracy Weber, Mona Rae, Vicky ‘D’. A big time dive into the disco pool and experience with both Mr. Turnier and Mr. Payne with the funk and boogie alongside the refreshing side of this piece from 1982. It is one of the big electro-funk pieces and best known to get the hips moving immediately. “Feel Alright” is the lone single from Komiko and is enough as it still remakes one of the “old school” music’s big movers.

I have taken the 12” vocal and instrumental to recreate a ReStructure Mix to bring back that feeling of the wonderful age of disco-funk in the early 80s. Left intact are the bass kicks and that falsetto vocal brought to life with the right amount of keyboard trickle and thump from the lighter side of funk. It is a favorite of mine and brought to you in a new package to move to all over again!

Dedicated to Mr. Darryl Payne and Mr. Gary R. Turnier – in thanks for all they have given us- as we continue to move to it!
• What's Your Name, What's Your Number - Glenn Rivera ReStructure Mix - Andrea True Connection

Andrea True is one of the memorable disco artists of the disco era thanks to her big hit “More, More, More” from 1976. It was a big break for a former adult film star to make an impact on a fast growing dance trend taking over. Her follow up album from 1978 titled “White Witch” featured two big disco hits including “N.Y. You Got Me Dancing” (produced by Gregg Diamond) and “What’s Your Name, What’s Your Number” (produced by Michael Zager and Jerry Love) – two big classics that are defining in their own way of the disco era.

I have taken the 12” of “What’s Your Name, What’s Your Number” and created a ReStructure Mix with a “dub” feel with lots of rapid fire edits to bring the questions a brand new identity. The guitar riffs and bass thumps are laid out with some new beats and percussion. It is one of those disco numbers that bring to mind the era of funk and soul uniting with the disco beat – pounding out the rhythm with a new attitude and shine.

This ReStructure Mix is dedicated to Mr. Jerry Love and Mr. Michael Zager for their contribution in creating the magic of a dance era that will always be celebrated.
• San Francisco - Glenn Rivera ReStructure Mix - Cappuccino

Cappuccino is a disco group from 1979 produced by Danilo Vaona and Gian Pietro Felisatti and featured three singles that are a legacy of the sound of disco’s uplifting and melodic sound. The production displays a few sounds including the symphonic edge of a disco anthem to an underground afterhours feel. “San Francisco” is a single from the self-titled which rings out as anthem for the West Coast city and a few hooks leave the track echoing as an anthem should.

I have taken the album version of “San Francisco” to create a ReStructure Mix to bring another good-feeling alive again. The vocals playout as the energy which is full-on disco music in its top form. A few new parts are added and an intro which offers more of a fading intro rather than the original horn arrangement. It is a nice uplifting song and a group which holds many fond memories of a crowded dance floor and when programmed an overall good aura in the room.
• Take My Love - Glenn Rivera ReStructure Mix -Melba Moore

Melba Moore has always been one of the artists of the disco era with a great deal of talent and a well-developed stature. Her venture into disco music during the mid-70s brought a voice into club dance floors filling a soulful space. “What A Woman Needs” is Melba’s project from 1981 and features “Take My Love” – produced by Lawrence Jones. The track received airplay on radio and also many electronic funk playlists. With Melba’s powerful vocal this track was always a favorite and made my playlist for months.

I have taken the album version which features a mix from Michael Barbiero and Morri Brown to recreate a new ReStructure Mix experience. A few areas where new breaks and stripping down of the funk elements are the center stage here – as well as Melba’s performance which takes a hold from the start and satisfies the neediest lover and dancer.
• You're The Most Precious Thing In My Life - Glenn Rivera ReStructure Mix - Love and Kisses

Love and Kisses is a disco group created by Alec R. Costandinos and was a full intro to Euro-disco during the growing popularity of both discotheques and disco music. Their first two albums were both in Costandinos’ disco symphony formula and became a new sound creating excitement and moving feet instantly. In 1978 the disco film “Thank God It’s Friday” was released on Casablanca Records & Filmworks label with a list of new and promising disco talent including Donna Summer, Paul Jabara, Pattie Brooks, D.C. LaRue, Love and Kisses and more. This three record set was marketed with the full disco charge. “You’re The Most Precious Thing In My Life” is a disco track featured on the soundtrack from Love and Kisses and followed closely the group’s recognizable arrangement and production.

I have taken the album version of “You’re The Most Precious Thing In My Life” and reworked it for this ReStructure Mix. I have stripped down the original intro with a layered set of new drums and looped effects. I gave it a bit more of a breakdown mix allowing some of the light breaks and orchestrations an opportunity to create a new rhythmic experience.
• Run To Me - Glenn Rivera ReStructure Mix - Tracy Spencer

Tracy Spencer (Louise Tracy Freeman) released several Italo-disco singles in the mid and late 80s. Her album titled “Tracy” from 1987 featured her 1985 single “Run To Me” which was one of the big Italo-dance hits of my club. A nice beat infused with heavy bongo fills and a flip-side which brings the track into a hot instrumental dub. A touch of the Stock Aitken Waterman sound with the sweet influence of Italo-disco.

I have taken the 12” vocal and “Ma-Ma-Run” dub side to create a new ReStructure Mix with a new breakdown of the song and a rearrangement of the verses. It always makes me feel good to hear one of the pumping dance tracks which play out with a melodic and flowing resonance. “Run To Me” is just one of those pieces.
• Baila Bolero - Glenn Rivera ReStructure Mix - Fun Fun

Fun Fun is an Italo-disco group from the early 80s which brought back the “happy” and celebratory feel to the new sound called “high energy”. This was quite a time for disco lovers and those who loved to get lost in a good space on dance floors. Many of their early tracks featured vocals by Spagna, Antonella Pepe and Angela Parisi – the chorus of beautiful sweeping innuendos. “Baila Bolero” was from their 1987 project “Double Fun” and carried on their sound of rolling synthesizers and uplifting melodies. One of my all-time favorites of Fun Fun’s and also of the period.

I have taken the 12” “Bolero Dance Mix” and “House Mix” onto the ReStructure Mix formula to pump this piece even more and create some new surprises. More of those Spanish guitars and riffs are featured here.

Dedicated to those wonderfully filled people who continue to keep the “uplifting” sound of disco music alive in a time where it is needed and perfect.
• Computer Game - Glenn Rivera ReStructure Mix - Yellow Magic Orchestra

Yellow Magic Orchestra is Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi – a Japanese electro-pop band who began recording in 1978. Their 12” single “Computer Game” from 1979 is one of the innovative dance tracks with an early electro/techno feel. The track utilized sound effects from the video games, Circus and Space Invaders then blending an Asian melody. It is one of the releases which stood out for the progressive electronics started earlier by artists like Giorgio Moroder and Kraftwerk – soon to become an identity of its own in pop, hip-hop, electronic and techno music.

I have taken the 12” of “Computer Game” and edited a new ReStructure Mix adding a few more beat and synth-effect elements to display more of the bass sequencer patterns and a few more surprises. This one always had the place in my mind as one of the stand-out pieces where a transformation of mood and movement was affected on dance floors. It is presented here in respect and appreciation.
• Won't You Let Me Love You - Glenn Rivera ReStructure Mix - Sylvester

Sylvester returned to the San Francisco high energy sound in 1982 with his Megatone album “All I Need”. Featuring the big single “Do You Wanna Funk” (along with Patrick Cowley the power of this project brought back the pumping bass synthesizers and rolling energy of the sound of disco as it progressed in the late 70s. Produced by John Hedges and James Wirrick. “Won’t You Let Me Love You Tonight” is the last track on the album and received play in many of the clubs who desired the disco/gospel edge of Sylvester’s style.

I have taken the album version of “Won’t You Let Me Love You” and worked a new ReStructure Mix with a new direction – using much of the pieces which I always found exciting and infectious. A new intro and a focus on the elements which make this song a favorite and also a fine example of the greatness of Sylvester’s work.
• Music - Glenn Rivera ReStructure Mix - M.A. 3

M.A.3 (also known as Menage A 3) is Shuki Levy and Deborah Shelton. This project from producer, songwriter and Haim Saban from 1978 featured a medley of Bee Gees songs titled “Bee Gees Mania” – and appropriate for Shuki and his vocal falsetto. The album was released on the Canadian label, Able Records and had a limited release. “Music” is a track which was recorded by French artist, France Gall in 1977 – recorded in French. This cover version carries a funky and sweet feel with sweeping strings and a abstract and powerful performance by Shuki Levy. It has the feel of a great early morning classic from dance palaces.

I have taken the album version and created a ReStructure Mix to give some of the fanfare a new stage. Adding a few new pieces from familiar disco classics and also pound a bit more energy into this melodic anthem.

• Blue Steel - Glenn Rivera ReStructure Mix - Rinder & Lewis

Laurin Rinder and W. Michael Lewis created a world for disco music in the mid-70s with an edge of lounge jazz and the underground disco beat and percussion of the period. Their work always displayed an imaginative feel with a place for the infectious groove. “Warriors” is their second album from 1979 with several tracks which remain classics among followers and great material for the true disco underground. “Blue Steel” is a piece of light disco jazz with their synthesizer and keyboard reaching an eerie edge. One of the great mixtures of their talent was in tracks as this.

I have taken the album version of “Blue Steel” and worked this ReStructure Mix to give homage to both it and the artists. It uses some new drum tracks and a reedit to piece with more mystic in a trance/lounge feel.

This ReStructure Mix is dedicated to W. Michael Lewis for his incredible talent and also for remaining true to a sound which remains one of the most uplifting and definitive of a great era.
• Palace Palace - Glenn Rivera ReStructure Mix - Who's Who

Who’s Who is a disco project from Daniel Bangalter (Daniel Vangarde) who also brought us productions from Gibson Brothers and Ottawan. The studio group is the sound of the high-beam of disco music where every effective element in both production and mix are utilized. A cymbal crash for a new electronic energy at the peak of disco history. “Palace Palace” is from their 1979 album and was a huge club hit with dance floors still moving as fluently to disco music as underground music during the early 80s. A great disco hall hit with lots of energy and breakdowns of simple riffs making them hypnotic and booty-shaking.

I have taken the 12” version of “Palace Palace” and created a ReStructure Mix adding a new feel to the arrangement – focusing on the ricochet loops and a few new breaks. It is a salute to those disco instrumentals which kept the floor moving over and over during those hot sweaty nights of disco pleasure.
• High Cost of Loving - Glenn Rivera ReStructure Mix - Carol Jiani

Carol Jiani is an artist and vocalist who appeared when we needed her most. “Mercy” is a dance floor classic from 1981 which brought back an underground disco sound back. Her album “Hit ‘N Run Lover” along with the title track created a stir that only feet who experienced could witness. A pulsating synthesizer and raw percussion working at emotion and a groove. “High Cost Of Loving” is a single from the project which dominated my charts during 1981 and a few years following. A great falsetto from Ms. Jiani and a few facts about love in the early 80s.

I have taken the album version and created ReStructure Mix to pay tribute to the awesome production from Joe LaGreca and that Denis LePage sound which moved us in the 80s in a new way. It gives a longer play with those rolling sequencers and bass which point out the Canadian high energy sound in the making.

This ReStructure Mix is lovingly dedicated to Ms. Carol Jiani – not only for being one of my favorite and unique vocalists but for also displaying a human rights advocate voice which in itself deserves an award. Thank you, Carol

• Jump - Glenn Rivera ReStructure Mix - The Ring

The Ring is a disco project from Marcus Barone, Holly Oas, Jimmy Young, and Russell Blake responsible for one of my favorite underground disco tracks of 1979 – “Savage Lover”. This ensemble created the sound of the oncoming 80s – giving disco music a new venture in both theme and style. Less of the orchestrated disco arrangements and more of the electronic feel that would take over in the 80s. “Jump” is the second single from the project and one which helped my dance floors continue to move to the disco fusion towards the end of the mainstream “disco fever”.

This ReStructure Mix takes the 12” version and mixes up beats, claps and that classic sequencer break which causes many dances to find themselves in the dance zone. It is one tracks I have always wanted to break up into a mover and shaker version – and it always emphasizes the feeling that disco brings. Keep on movin’!

This ReStructure Mix is dedicated to Mr. Marcus Barone! Thank you Marcus for your magic touch which still makes us feel good.
• Beyond - Glenn Rivera ReStructure Mix - Herb Alpert

Herb Alpert released “Beyond” in 1980 following the huge success of his disco single “Rise” from 1979. “Beyond” is a trance-like dance track which layers echoed pieces of Alpert’s signature sound. A rolling sequencer brings this track to an innovative point as many tracks like this followed in the mid and late 80s. One which always worked for early morning programs or themes dance sets.

I have taken the 12” version of “Beyond” and blended a new ReStructure Mix adding a few new percussive effects and prolonging the jazz-dance journey. It plays out a path longer using more of the rolling patterns to mold a destination for those who like to take a trip here and there.
• Look For Love - Glenn Rivera ReStructure Mix -  Cerrone

Cerrone’s magic began on dance floors in 1976 with “Love In ‘C’ Minor” and took dancers into a new world of orchestral disco fantasy. Following two more successful albums is “The Golden Touch” – a direct link to his Euro-disco creations with all of the elements wrapped into a tight four track set. “Look For Love” is another single from the project which has become a classic with its soaring anthem flavor. One of my favorites and the sound which brings to mind a time period of Cerrone’s rein.

I have taken the album version of “Look For Love” – with its promise of love and happiness to create a new ReStructure Mix. This new piece gives the classic score of love several breakdowns and a nice flowing fade out with those horns and strings luring us higher and higher!
• Hold Tight - Glenn Rivera ReStructure Mix - Change

Change began its journey into disco and electronic funk in the early 80s with the first project titled “The Glow of Love” – with the entire album being a part of some playlist it was a huge success. Under the production of Jacques Fred Petrus and Mauro Malavasi this disco/funk ensemble created a new sound for dancing. “Hold Tight” is a single from their follow up album in 1981 titled “Miracles” – it features vocals from Diva Gray, Jocelyn Brown, Ullanda McCullough and Gordon Grody.

I have given the album version of “Hold Tight” a ReStructure Mix and played with the original formula adding some breaks and new beat and percussion effects. One of my favorites sounds of the 80s and now the classic old-school feel.
• Music In My Heart - Glenn Rivera ReStructure Mix - Ultimate

Ultimate is a project from producer Juliano Salerni and co-producer/engineer Bruce Weeden. The project is very similar to Boris Midney’s USA European Connection album “Come Into My Heart/Good Loving” with a layer more of orchestration. The Euro-disco sound was exploding in 1978 thanks to artists/producers like Cerrone and Alec R. Constandinos. It was a Philly sound with more breakdowns and clever themes guiding dancers through a journey. “Music In My Heart” is one of the album cuts which always reminded me of the hardcore shift in top disco tracks of the time. The vocals are credited by Ultimate which are close to the Midney session a year earlier.

I have taken the album version of “Music In My Heart” and created a ReStructure Mix with an electronic minded intro and then extended pieces and parts which ring out the sound of disco which helped to define its sound during the late 70s.
• What A Difference A Day Makes - Glenn Rivera ReStructure Mix - Esther Phillips

Esther Phillips is a soul/blues singer whose talent included taking songs and making them all her own. A unique style of singing that is recognizable and continues to bring an experience to new and old listeners. Her 1975 album “What A Difference A Day Makes” produced by Creed Taylor contained a soul/disco cover of the 1934 track originally written in Spanish by Maria Grever – it was later made popular by Dinah Washington in 1959 and also won a Grammy that year. Esther’s upbeat version has a nice resonance thanks to her bluesy touch and a rhythmic instrumental.

I have taken the album version and worked a ReStructure Mix adding a longer intro and some kick drums to give the excitement a new edge. Parts of Dinah’s version are added to give another triumph a star.

This ReStructure Mix was requested by Nick and Lindsay and dedicated to these two wonderful men who bring so much excitement to my world of music and a thrill in hearing the women of song in their glory. Thanks, guys.
• Boys Say Go - Glenn Rivera ReStructure Mix - Depeche Mode

Depeche Mode is Martin L. Gore, Dave Gahan, Andrew Fletcher, Alan Wilder and Vince Clarke – one of the 80s new breed of electronic dance music in the early 80s. Their music lasted to present and gives off a darker and more underground feel of pulses for dance floors to take that deeper plunge. Much of the rhythms are innovative and also cross a barrier of funk-i-fied synth-pop. “Boys Say Go” is from their “Speak and Spell” album from 1981 and is pressed at a short edit version – a longer excursion is demonstrated in this ReStructure Mix.

I have taken the 3:04 album version and worked a new ReStructure Mix with more kick and action which helps to not only extend the original but also stir a bit more life into the track.

This ReStructure Mix is dedicated to Jax Hammer who gives me the support and excitement again for disco music that is appreciated and held in the heart. Thank you, Jax – enjoy!
• Love Money - Glenn Rivera ReStructure Mix - Funk Masters

Funk Masters is an electronic funk project from the UK during the early and late 80s. Their sound is one of the innovative movements utilizing deep bass and funk keyboards. Their first single “(Money) No Love” is from 1980 and featured a 12” single with an instrumental flip titled “Love Money”. A true Paradise Garage record which gained the support of greats like Larry Levan during the new direction of dance e music.

I have taken both side of the12” single – “(Money) No Love” and “Love Money” to create this alternative ReStructure Mix which focuses on the instrumental – adding a touch of the rap. A few new elements and a bassline from the disco treasury are placed to funk things up a bit more.
• Have A Good Time - Glenn Rivera ReStructure Mix - The Salsoul Orchestra

The Salsoul Orchestra released their project “How High” in 1978 and featured tracks produced by Colin Horton Jennings, Steve O’ Donnell, Ron Baker, Bunny Sigler and Ron Tyson. The dance number “Have A Good Time” is one of the songs which brought another bump to dance floors with its anthem flavor and homage to the disco scene. The track features The Sweethearts of Sigma (Barbara Ingram, Carla Benson and Evette Benson) on vocals and a funky groove with that Salsoul arrangement.

I have taken the album version of “Have A Good Time” and reworked a ReStructure Mix to give the track a new facelift with some familiar percussion and repeat that “disco chant” with evidence that an era of uplifting energy will always bring to mind not only a great memory but continue to mesmerize us with rhythm.
• The Duel - Glenn Rivera ReStructure Mix - Giorgio Moroder

Giorgio Moroder dominated the late 70s and early 80s an innovation creator of dance music with a life of its own. His contribution to the 1984 film “Electric Dreams” is a simple example of his continuing play with keyboards and sequencers in a way which evokes the early 80s dance platform. “The Duel” is from the soundtrack and before you dismiss it as being simple or elementary you must understand the meaning of it in the film which is the early technology boom of computers verses classic instruments – in this case a cello. It is Moroder playing with not only the soundtrack end (which also includes his classic title them sung by Philip Oakley) but also pairing his music with visuals.

I have taken the album version of “The Duel” and created a ReStructure Mix with a new intro and some play on the flowing sound of strings and keyboards over a bouncy bass 80s beat. It offers a longer play and also a bit of fun with the mind of Moroder.
• That's Where The Happy People Go - Glenn Rivera ReStructure Mix - The Trammps

The Trammps are a soul ensemble from the 60’s whose influence of disco music is a great memory for many who experienced the transition in the mid-70s of soul/Philly blend to a club/disco feel. Their 1976 hit “Disco Inferno” is still an iconic piece of dance music. “That’s Where The Happy People Go” from the album by the same name is another anthem which brings a groove which helped to make dance floor intentity with both the music as well as the discotheque scene.

I have taken the 12” version of “That’s Where The Happy People Go” and worked a new ReStructure Mix to bring out that hand-clappin’ groove with a new arrangement and a few added breaks. The chorus is one of the great tie-line with the mid-70s scene and brings back the excitement all over again.

• High Energy - Glenn Rivera ReStructure Mix - Evelyn Thomas

Evelyn Thomas began recording in 1976 – her first single “Doomsday” produced by Danny Leake and Ian Levine. The path of soul and funk music to disco leads her success to brighter days. Her 1984 project “High Energy” produced again by Ian Levine along with Fiachra Trench gave way to a new anthem for the 80s dance scene. This track blasted its way into club and created excitement and energy. With Evelyn’s fabulous vocal and performances this one took off like a firecracker in flames.

I have taken the 12” vocal and instrumental to create this ReStructure Mix which focuses on “High Energy” as an event more than a dance track. It pulses in and out of the fantastic instrumental and Evelyn’s classic vocal version. It was always a huge number in my book and continues to remind me of the power of music and uplifting theme!

This ReStructure Mix is dedicated to the lovely Ms. Evelyn Thomas – who has never left us short of emotion and energy. Thank you, Evelyn!
• The Twilight Tone - Glenn Rivera ReStructure Mix - The Manhattan Tansfer

The Manhattan Transfer is Alan Paul, Janis Siegel, Laurel Masse and Tim Hauser – the vocal group began recording in 1971 and time the them into 1979 and a disco track from their “Extensions” album. The track is clever use of the classic feel of the vocal foursome and also added a disco edge with a take on the theme from the classic television show “The Twilight Zone” by Bernard Hermann – the recording also features Jeff Porcaro on drums and bongos and Michael Boddicker on synthesizers.

I have taken the album version and worked a refreshing ReStructure Mix with much more of that mystic “twilight tone” and a few new breaks. It was always a successful dance floor track for me and from its following it has left a good mysterious memory in many dancers’ minds.

This ReStructure Mix is dedicated to Jenny Moreno – thanks for your kind words and for requesting this great tune!
• Shadow Dancing - Glenn Rivera ReStructure Mix - Andy Gibb

Andy Gibb is one of the younger siblings of the Bee Gee’s trio. His solo career as a pop singer and teen idol began in 1977 and following the release of his single “Shadow Dancing” in 1978 a whole new audience and following of the funky-pop edge was created. The track was produced by Albhy Galuten and Barry Gibb with the sound that the Bee Gees molded in the mid-70s. It is more of a radio success than club although many jocks with dancers yearning for that Bee Gees edge found it a nice bump and grind piece.

I have taken the 12” extended version of “Shadow Dancing” and created a new ReStructure Mix with more rhythm break-down and some play with segments of the vocal. It plays out more like a dub mix during the last breath – but also stays true to the original mix.
• I Got A Line On You - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley worked on several projects during the late 70s which began his fantastic synthesizer-dose along with his vision of a futuristic dance fusion sound. Tracks like Sylvester’s “Dance (Disco Heat)” reached levels of energy with Cowley’s assistance. “Menergy” is his 1981 album which brought dance floors a new sound and imagination to move and fantasize with. “I Got A Line On You” is a single from this project and a cover of the 1968 psychedelic rock track by Spirit. An appropriate remake for Cowley to tackle since his electronic work was a psychedelic-electro layer on disco music itself.

I have taken the album version of “I Got A Line On You” – which features vocals by Jo-Carol Block Davidson and Lauren Carter (also known as Jolo) and created a ReStructure Mix using the original version in parts and also enhancing Cowley’s original arrangement. It is a mind-bending song as a disco track and the new version adds to the trip.
• (The Best Part Of) Breakin' Up - Glenn Rivera ReStructure Mix - Roni Griffith

Roni Griffith gave the early 80s a nice path into high energy music with her solo album produced by Bobby Orlando. This formula involved Orlando’s wall of percussion and his light iconic synthesizer accompaniment. One of the most seductive of his sounds with Roni’s voice presenting a nice femme a la disco beat performance. “(The Best Part Of) Breakin’ Up” is a cover of The Ronettes 1964 pop-track – originally arranged by Jack Nitzche. This full force disco arrangement gives us a jungle pounding percussion outline. It is one of the most recognizable and one of Orlando’s most memorable works.

I have taken the 12” single and looped that jungle sound into a ReStructure Mix adding only a few new rhythm beats and additional kicks to give this ritual another dub-like opportunity to move you head, feet and soul. A big hit for most that played it and will always mark the disco career of Ms. Griffith.

Dedicated to Ms. Roni Griffith for her wonderful work and energy given to clubs and dancers.
• I'm Gonna Make You Want Me - Glenn Rivera ReStructure Mix - Gina Lamour

Gina Lamour is a high energy disco artist from the early and mid-80s who follows the path of synth-pop artists like Stacy Q. Her sound is a sensual and dramatic delivery of disco stage appeal with the lip gloss and pulsating beat. “I’m Gonna Make You Want Me” is her 1985 single produced by high energy master, Ian Anthony Stephens – who also gave us singles by Paul Parker, Hazell Dean, The Flirtations and Lisa. His electro-symphonic arrangements were a great return to the disco edge in the 80s.

I have taken the vocal and instrumental from the 12” single and created a new ReStructure Mix which adds a few more sticks of dynamite to bring the catchy and lyrical chorus and Gina’s sexy energy to a new part. It was a nice high energy track during its release and will remind dancers of the electronic wall-of-sound that high energy created for more dance fantasies!
• Island Boogie - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser

Gregg Diamond created a sound for dance floors with a funky-rock edged groove which helped to shape the sound of “boogie” music as it matured as disco. His project Star Cruiser is a 1978 follow up to his 1977 band Bionic Boogie. His earlier work with Andrea True and their classic, “More, More, More” leaves no wonder as how his talent marked an era with sophistication and disco magnitude. “Island Boogie” is from the Star Cruiser album and features lead vocals by Gordon Grody and back up from Diva Gray and Jocelyn Brown.

I have taken the album version to extend and play with a new ReStructure Mix giving way to more of that uplifting feel and fierce production by Diamond. It has always been one of my favorite tracks from Gregg Diamond and covers his lush strings and funky guitar arrangements completely.

This ReStructure Mix is dedicated to the memory of this maestro – Mr. Gregg Diamond (1949-1999)
• Scorpio - Glenn Rivera ReStructure Mix - Dennis Coffey and The Deroit Guitar Band

Dennis Coffey is a guitarist, composer and producer whose work on many funk, soul and disco projects mark an excellence in funky string work and style. Much of his work in the early 70s featured his brand of funk and soul which helped to make the shift into a beat-base dance formula called disco. “Scorpio” is a memorable funk piece which was released in 1971 on album “Evolution”. It is a follow up to the sound of soulful tracks by Isaac Hayes’ “Shaft” and seemed to explode during this period.

I have taken the album version of “Scorpio” and focused on the bongo tracks and lead guitar to fuse a whole new ReStructure Mix experience. It plays out as deadly as the load Coffey placed in this stick of disco dynamite. It is another example of how the ‘evolution’ of funk and soul played an important end in dance music history.

Dedicated to the man himself, Mr. Dennis Coffey – thanks to all of your gifts to ears and feet!
• I Got The Answer - Glenn Rivera ReStructure Mix - Carol Douglas

Carol Douglas is a disco singer whose 1975 hit “Doctor’s Orders” helped to bring a sweet flavor to dance floors and a new energy to the mid and late 70s. Carol’s many contributions feature her sweet vocals which flow along with the yearning and loving feelings which disco music brought to clubs and dancers. “Come Into My Life” is Carol’s project from 1979, which features the track “I Got The Answer” – produced by Greg Carmichael. The fast moving love song is a perfect example of how the energy of disco music can make one fall in love faster than he or she can ever know.

I have taken the album version of “I Got The Answer” and created a new ReStructure Mix to bring out the sweet symphonic elements infused with a touch of new cuts and edits to add a new force. It is one of Carol’s iconic vocals and helps to remind of why we used to fall in love at discotheques.

This ReStructure Mix is dedicated to Nick and Lindsay – a request which I always feel moved to create from these connoisseurs of great disco divas and the lasting sensation of the disco sound.
• Vogue - Glenn Rivera ReStructure Mix - Madonna

Madonna took the 80s into her handcuffs by igniting a sound and style of synthetic pop and connecting her visual image and talent. Throughout the years of Madonna’s career there have been many new and sometimes controversial ventures but over all there is some great dance music contributed by this star. “Vogue” is a single from the soundtrack of the 1990 film “Dick Tracy” which also stars Madonna. An anthem for not only one of the dance floors unique cults but also a breakthrough single which is classified as a top hot dance track.

I have taken the 12” with a trio of fantastic mixes from Shep Pettibone and worked a new “pose” and ReStructure Mix for a new Madonna experience. This new bass driven and drop-in-and-out arrangement brings a new funky break to “bump and grind” to. It was quite fun to get lost and recreate this mix and should make a night worth fessin’ and dressin’ for.
• Everybody, Everybody - Glenn Rivera ReStructure Mix - Black Box

Black Box began as a studio group featuring the fabulous Ms. Martha Wash (The Weather Girls, Two Ton’s ‘O Fun) as lead which sent dance floors into a high for Italian house music which was being formulated throughout the mid and late 80s. The sound was a soulful and rhythmic wall of energy which brought excitement and plenty of shaking hips alive. "Everybody, Everybody” is the second release following the big sample classic “Ride On Time”. This piece rejuvenated dance floors once again for a whole new period of dance music.

I have taken the 12” remixes and reworked a ReStructure Mix to pay homage to producers Daniele Davoli, Mirko Limoni, Valerio Semplici and also Ms. Martha Wash. Mixing up some of the main elements of this monster and adding a few more to break down the funky groove.
• Power - Glenn Rivera ReStructure Mix - Lipps Inc.

Lipps Inc. is one of the last breaths of disco music done right! Producer Steven Greenberg and lead vocalist Cynthia Johnson are the stars in their first release titled “Mouth To Mouth” – of course following the release of the disco classic “Funkytown” in 1979 the rest was dance history. The first album featured four great dance cuts all in a unique studio engineering innovation and an introduction to a new disco era.

“Power” has been given a ReStructure Mix with some new effects and some new drop out breaks. One of my favorite tracks of Lipps Inc. where the energy pumps and the vocals follow right along. It is a genuine dance track with a feel all of its own thanks to Greenberg’s genius.

This ReStructure Mix is dedicated to my sister Lolly – who I can remember seeing on a dance floor working this song with her masterful rhythm and love for disco music!
• Love Me - Glenn Rivera ReStructure Mix - Model

Man Parrish hit the dance scene in 1982 with his self-titled album which featured an array of dance flavors from street, hip-hop to high energy. Quite an important project for the time for me as it brought the electronic edge of energy from “Heatstroke” and then the electro hip hop sound of “Hip Hop, Be Bop (Don’t Stop)”. His work has always reflected an innovative edge and imaginative dance beat for the new high energy and electronic dance period of the early and mid-80s.

I have taken his production of “Love Me” by his studio group, Model – which was featured on the Disconet Issue Volume 7 Program 8 in 1985 – it featured vocals from Beth Rudetsky (sang back vocals for Alisha and co-wrote “Love Me”). The high energy track has always been one of my favorite since the first time I was entering The Probe in Hollywood and heard, “Love me, love me, tell me that you love me…” echoing through the hall entrance. It is featured here with an extended ReStructure Mix with a few added effects and some of those fantastic drum breaks.

This ReStructure Mix is dedicated to the man himself, Mr. Man Parrish – thank you Man for continuing the mystique and power of dance music. It continues to echo on and on!

• Don't Stop - Glenn Rivera ReStructure Mix - Sylvester

Sylvester released “All I Need” in 1982 with a sizzling array of disco and early high energy disco tracks. It was a lifeboat for hardcore disco fans for not only the return of the great Sylvester, but also a pulsating sound provided by James Wirrick and producer John Hedges. “Don’t Stop” is the first of the numbers to make a debut in a serious blast. This was the blend of new electronic dance music and the gospel feel of Sylvester’s performances.

I have taken the album version of “Don’t Stop” and created a ReStructure Mix to bring more of that infectious rhythm to mind again. More of the flawless arrangement is played with a rearranged with Sylvester taking the stage again!

Dedicated to Mr. John Hedges for his place in disco/dance music history. His influence and work will burn on and on in a “disco inferno”! Lots of love to you, John.
• Out Of My Hands - Glenn Rivera ReStructure Mix - Dionne Warwick

Dionne Warwick began her solo recording career in 1963 and continued to create a contemporary sound that is wedge of American pop music. Her 1979 album titled “Dionne” brought us the classic ballad “Déjà vu” (co-written by Isaac Hayes) and also a pop-dance track titled “Out Of My Hands” (written by her cousin and disco artist, Cissy Houston, Alvin Fields, of Michael Zager sessions, and Doug Frank. The production has a nice sequencer pattern weaving in and out of Dionne’s beautiful vocal.

I have taken the album version which clocks in at 3:17 where this ReStructure Mix extends a little over 8 minutes. I have added a new drum pattern and dub-esque effects to give the original more of a dance floor experience.

This ReStructure Mix is dedicated to a great man, Mr. Paul Conway who has been a great influence with dance and various genres of musical interests. Thank you Paul – this play is for your ears and feet! Much love.
• I Don't Wanna Forget You - Glenn Rivera ReStructure Mix - Denise McCann

Denise McCann made disco music’s connection in 1977 with her first album which was released again in 1978 under the title track, “Tattoo Man” on the Butterfly Records label. The single “I Don’t Wanna Forget You” is the second release from the project as a 12” disco single - produced by Guy Sobell (The Chessmen). The song is a wonderful love theme of devotion to a past love that has left a great memory behind. It is one of my favorite vocal pieces and made iconic with Denise’s wonderful style.

I have taken the 12” single – both Part I and Part II and recreated a ReStructure Mix which adds a new intro and some percussion to bring out the rhythmic end of the song. It makes a longer stand and also gives an exit to more of the 70s-discofied keyboards.

Dedicated to Ms. Denise McCann in thanks for her wonderful contribution to not only to the sound of disco music, but also the visual edge of her album jackets as her beauty made a chic stamp for disco music.
• Start A New Affair - Glenn Rivera ReStructure Mix - Ruth 'Silky' Waters

Ruth “Silky” Waters is one of disco music's supreme moments where the anthem came alive in stark mirrored lights. Her album “Never Gonna Be The Same” from 1979 was produced by Mr. John Davis and features strings and horns from Don Renaldo and percussion performed by Larry “B” Washington – a full disco injection of power and love. Her first release of the title track, “Never Gonna Be The Same” was a huge success in many clubs and disco radio airplay – the emotion captured by Ms. Waters leaves one wanting to grab a handkerchief between breaks. “Start A New Affair” was the second single from the album to bring about the same feel – a positive look at a one night stand where love seems promising and missing at the moment. Ruth delivers another powerful performance here. It gives moments of the song a soaring energy and the promise of love great potential.

I have taken the album version and worked a lengthier ReStructure Mix using the build from the closing as the slow climb in reverse. It has a few more breakdowns to give that emotion an opportunity to be recognizes. One track that always worked for me during its release and also gave me a wonderful place on the sideline of many dance floors watching dancers dance into a frenzy.

This ReStructure Mix is dedicated to Nick and Lindsay – thank you again boy! Can I ever get enough of your requests, love and devotion? No. I will always be there for you as you always are. Much love.
• Dancing In My Sleep - Glenn Rivera ReStructure Mix - Secret Ties

Secret Ties is a 80s high energy project from Brian Soares (“Magic”) and Gerry Caples and from their independent dance label Nightwave Records. This simple dance layout is a formulation of the disco sound – full of percussion and the sexy femme vocals. Provided here by Cheryl Ford and enhanced by a light Caribbean festival accent. This one was quite popular in many clubs during its release and also gave us the feeling that dance floors were still alive.

I have taken the 12” vocal and instrumental to create a new ReStructure Mix using samples from tracks by Blue Moderne and a rock classic by Brian Hyland. The percussion is the main flare in this fabulous track and reminds me of Roni Griffith’s “(Best Part of) Breakin’ Up” from 1982.

This ReStructure Mix is dedicated to Dee Jacobs from Facebook and thanks for the request and for always being kind and supportive! Cha-cha-cha!
• Loverboy - Glenn Rivera ReStructure Mix - Billy Ocean

Billy Ocean (Leslie Sebastian Charles) is the voice of the 80s when funk and disco merged into pop dance. His 1984 album “Suddenly” is a gem for a time given to a longtime series of dance floor hits paid off – these tracks included “Stay The Night”, “American Hearts”, “Are You Ready” and “Nights (Feel Like Getting Down)”. “Loverboy” is one of his big singles following the big success of “Caribbean Queen” both produced by Keith Diamond.

I have taken the 12” vocal and dub version to lay out a whole new episode for this “Loverboy” – creating an underground arrangement with more drawn out instrumental parts and a dub like break sections scattered about. It is one of the big hits for me during 1984 and also a favorite to move to. This ReStructure Mix is another chance to get lost in the 80s dance energy and fun!
• Stick Together - Glenn Rivera ReStructure Mix - Minnie Riperton

Minnie Riperton is a songwriter/singer who is best known for the 1974 ballad “Loving You” and continues to bring a light into many new worlds with her melodic child-like voice. Her 1977 album “Stay In Love” was produced by Freddie Perren and features the disco single “Stick Together” which gives Minnie a light big band drum beat to sing a love song encouraging a lasting love between two who share those special feelings. It works very well for Minnie and gives those of us who want to celebrate under the spinning mirror ball a beautiful opportunity.

The song was written by Minnie Riperton, Richard Rudolph (he husband) and Mr. Stevie Wonder

I have taken the 12” version of “Stick Together” and worked a new ReStructure Mix adding a new intro and some pieces from Minnie’s classic to give a new dance attitude to this lovely song. It brings the song to a couple of peaks and also makes the closing a bit more of the magic that lasts.

Dedicated to Nick & Lindsay and again, thanks for all of the love and dedication to this upbeat and glorious music. And thanks for requesting this one – it is a joy to bring it back!
• Wanna Spend My Whole Life With You - Glenn Rivera ReStructure Mix - Street People

Ray Dahrouge is a singer, producer, arranger and songwriter from New Jersey who brought us Street People in 1976 – this soul quintet consisted of Roy Daniels, Milton Daniels, Thomas “Toot” Williams, Joe Gardner and Rick Johnson. The self-titled album is one of my favorite projects from 1976 and a precursor to the disco sound emerging from soul music during the time. The sweet melodies capture the energy of the mid-70s and along with the help of Bert De Coteaux and Charlie Callello the recording is one which will stand out among pure disco.

I have taken the single “Wanna Spend My Whole Life With You, Baby” from the album and have created a ReStructure Mix to not only extend the original 3:34 version but also accentuate and spotlight more of the tracks funky moments. It is a lengthier mix and gives that head shaking chorus a run for its money.

This ReStructure Mix is lovingly dedicated to an incredible man, Mr. Ray Dahrouge who continues to spread his talent to the world and also shines in the work of his past as anyone “steppin’ out” from the 70s can appreciate. Thank you, Ray!
• Sunset People - Glenn Rivera ReStructure Mix - Jessica Williams

Ms. Jessica Williams scored high with me and my dance floor in 1992 with a cover of Donna Summer’s “Sunset People” on Passion Records and produced by Phil Da Costa and Mr. Rick Gianatos. A nice high energy jazz fused version that transforms Jessica into a story teller for a “hot” night out on the town. This was huge in my club and being a Jessica Williams fan for years was satisfied that this woman was still on top!

I have taken the 12” version – both vocal and “Sunset & Vine Dix Mix” to create a new ReStructure Mix to use some pieces of both Donna’s original and Jessica’s fabulous legacy to remind of how good disco music really is.

This ReStructure Mix is lovingly dedicated to a wonderful lady, Ms. Jessica Williams and her man, Mr. John B. Williams – two talents which make me stand back in awe and then dance my butt off! Thank you, John and Jessica – a big hug and lots of love your way.
• Fascinated - Glenn Rivera ReStructure Mix - Company B

Company B is Charlotte McKinnon, Lori Ledesma and Susan Johnson and produced and created by Ish Ledesma (Foxy, Blue Moderne, Apollonia, Promise Circle, and Laurie Miller). The Miami freestyle sound brought the pop-front lines during the late 80s with a new flair and edge. “Fascinated” is their 1986 release which brought this trio and Ish Ledesma success with both radio and club play. The signature keyboard arpeggio riff is one which any dancer could flow with and recognize during its peak power.

I have taken the 12” vocal and dub versions to create this 80s Edition ReStructure Mix to once again mark the path of dance music. This re-working is a dub and vocal using bits and pieces to bring more of the sensual and rhythmic elements to your ears and feet again.

This ReStructure Mix is dedicated to Mr. Ish Ledesma and thanks for the wonderful stories of Foxy’s early club venue experiences!
• The Two Of Us - Glenn Rivera ReStructure Mix - Claudja Barry and Ronnie Jones

Claudja Barry and Ronnie Jones are two disco stars who made the 70s a much more festive and uplifting place. The music from Lollipop Records – produced by Jurgen S. Korduletsch is one of the festive sounds of mature disco in the late 70s with electronics building to crescendos with swirling strings guiding it. “The Two Of Us” is a single released in 1981 and is the second duet for the pair. An anthem from the first note it weaves a loving bond of two lovers against the world. One of favorite styles for the mirror ball and dancers willing to free themselves.

I have taken the 12” version of “The Two Of Us” and created a ReStructure Mix with an alternate intro and end. It is built with more of the swirling designed with energy in mind and a closing to reaffirm the love and excitement of disco music!

Dedicated to Ms. Claudja Barry and Mr. Ronnie Jones for all of the love and energy they have delivered to us in the past years. A big hug to both!
• Last Night A D.J. Saved My Life - Glenn Rivera ReStructure Mix - Indeep

Indeep is Beckie Bell, Mike Cleveland, Réjane Magloire and Rose Marie Ramsey – one of the 80s memorable moments with their 1982 old school classic, “Last Night A D.J. Saved My Life”. This electronic funk/disco track is full of riffs and guitar grooves to hypnotize and charm a snake. One of the grooviest pieces of the early 80s with the elements of change which made 80s New York funk work well.

I have taken the 12” vocal and “D.J. Delight” tracks to create a ReStructure Mix that continues the story of this lonely girl whose estranged lover has left her a prisoner to the disc jockey and dancing her heartache away. It has many new spots for a hip-moving experience and a new twist for the end of our drama.

This ReStructure Mix is dedicated to Jenny Moreno – thank you Jenny for your kind words and for listening. Keep on movin’ and groovin’!
• The Wanderer - Glenn Rivera ReStructure Mix - Donna Summer

“The Wanderer” is Donna Summer and Giorgio Moroder stripped away of the disco strings and full orchestrations and a return for Moroder to his 60s pop roots and Donna moving into the pop-nu wave 80s. Her vocal is a touch of rock-a-billy and Elvis over a full on electronic force created by Giorgio with a new edge. It was quite a surprise for many Summer fans and after a more intense understanding of the new path and project a hailed winner for the new artist in Donna.

I have taken the album version of “The Wanderer” on a ReStructure trip and extended the track with a new feel and a more dub-esque arrangement. Adding a sample from a familiar rock-n’ roll classic of the same theme. It was quite fun to bring a new life into this new style for Donna a challenge to make new things happen.

This ReStructure Mix is dedicated to Mario Castro Arq and also the hardcore Donna Summer fans around the world who continue to bring justice to this incredible talent!
• Bodycheck - Glenn Rivera ReStructure Mix - The Three Degrees

One of the disco eras greatest gift to dancers is a project titled “New Dimensions” by The Three Degrees and produced by Giorgio Moroder. It was a fusion of Moroder’s electronic disco pulses with the sultry voices of Philly’s trio. A magic moment and full of energy and stage appeal for these beautiful divas. The following disco project from 1980 titled “3D” featured the familiar ingredient moving these ladies into more of Moroder’s sound and production. “Bodycheck” is the closing track from the album and one which moves like a disco dance anthem with the ladies serenading us in a high energy feel.

I have taken the album version of “Bodycheck” and worked a new ReStructure Mix to build this one into a frenzy of electronic synths and rocked guitar twangs. It is a new arrangement and borrows a few riffs from past number by The Three Degrees!
• You Should Hear How She Talks About You - Glenn Rivera ReStructure Mix - Melissa Manchester

Melissa Manchester (Melissa Toni Manchester) is a pop singer/songwriter who began recording solo in 1973. Her big pop ballad “Midnight Blue” from 1975 gave a standing in the crossover to a soulful delivery and instant recognition. The 80s brought about a new chapter for Melissa and a sound following the synth pop dance sound which was a continuum of the disco era. “You Should Hear How She Talks About You” is from her “Hey Ricky” project from 1982 produced by Arif Mardin. It was a club hit with remixes featured on both Disconet and Hot Tracks DJ subscription services. The track talks in third party about a love that is longing to be kept secret no longer.

I have taken the 12” version and created a new ReStructure Mix to beef up the 80s guitar riffs, slamming clap tracks and Melissa’s fabulous vocal. It is another favorite and plays out that early 80s transition to a new dance era!

Dedicated to Nick and Lindsay with love – if these “divas” could hear how you talk about them – they would love you to pieces!
• Catch - Glenn Rivera ReStructure Mix - Sun-La-Shan

Sun-La- Shan is Franco Scopinich and Venise. Their 1982 Italo-disco/Electro dance track “Catch” is one of the innovative pieces which continue to echo a mystic and underground sound. The track was written by Alessandro Novaga. A great early morning piece for my programs during the mid-80s and one which captured the hypnotic feel of Italo-disco.

I have taken the 12” vocal and dub versions to create a ReStructure Mix giving the pulsating beat more rhythmic qualities – adding some new percussion effects and extending and rearranging the strange arrangement and lyrics, it has always been one of my favorite parts for a program with an experimental feel.

Dedicated to Franco Scopinich and thanks for his journey into an alternate sound!
• Touch Me Where It's Hot - Glenn Rivera ReStructure Mix - Erotic Drum Band

Erotic Drum Band is a Canadian disco band produced by Mr. Peter Di Milo and one of the early sounds of percussion working infectiously alongside the disco beat. Hence, Erotic Drum Band with the sexy themes and sexy breaks. One of my favorite sounds of the late 70s and an instant smash for those innovators heading the high energy feel of the 80s. “Touch Me Where It’s Hot” is the second project from the band from 1980 and works the outline again with great results.

I have taken the album version of “Touch Me Where It’s Hot” and worked a new ReStructure Mix for those who cannot get enough of Di Milo’s fierce drum work. This remix extends the intro and adds some new breaks for a new effect.

This ReStructure Mix is dedicated to Mr. Peter Di Milo for his drive, dedication and the magic he has given to disco music. It is not lasting – but loving.
• Borderline - Glenn Rivera ReStructure Mix - Madonna

Madonna (Madonna Louise Veronica Ciccone) began show business as a dancer for Patrick Hernandez during his tour of his disco hit, “Born To Be Alive” from 1979. Following her first single, “Everybody” in 1982 dance floors around the world had found a new dance diva for a new dance era. It seemed as though each release was as mature and exciting as the one prior. “Borderline” is a single from the much awaited self-titled album from 1983 – this track fills the void for 80s pop-synth with a mild electronic arrangement and the yearning confessions of Madonna. A great dance piece with more fans relating to it as her best. It was produced by Reggie Lucas of Stephanie Mills and Phyllis Hyman disco fame.

I have taken the 12” single vocal and instrumental – mixed by John "Jellybean" Benitez – and worked an alternative ReStructure Mix more fitting for a kick back memorandum with the headsets – yet demanding a dance floor, as it is full of emotion. Pulling pieces from the 12” single in parts and formulating a new flow for this beautiful number.

• Rhythm Of The Jungle - Glenn Rivera ReStructure Mix - The Quick

The Quick is Colin Campsie and George McFarlane – a duo from England who created a brand of high energy and synth-pop tracks that framed the end of 1979. “Sharks Are Cool, Jets Are Hot” and “Young Men Drive Fast” gave a new edge vocal wise to the pumping disco beat and the percussion driven rhythms. An early stage for the keyboard driven dance music of the 80s. Their single “Rhythm Of The Jungle” was featured on their album “One Light In A Blackout” and followed in the lower-tempo tracks of their success in 1981.

I have taken the 12” version of “Rhythm Of The Jungle” – mixed by Jay Mark and John Luongo to create a new laid out version – ReStructure Mix – with some breaks to space apart the jungle energy and vibe. It is a favorite piece of driving synth-pop and gives disco music that adventurous feel that it has always been known for!
• Red Light - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford pulls off the disco track of the 80s with “Red Light” – which is also featured on the soundtrack of the film “Fame” of the same year - produced by Gil Askey and Michael Gore. This track is another iconic moment for Linda’s soulful vocal and definitive style. One of the big dance floor packers of that year and one which fans place among her list of hits.

I have taken the album version, being the long disco version and created a ReStructure Mix with an alternative arrangement and more of those bongo driven synthesizers that give Linda the boost her magic deserves. A new layout for a favorite talent of mine – Ms. Linda Clifford.

This ReStructure Mix is dedicated to Ms. Clifford in thanks for her wonderful place in disco history and for always being a lady!
• Close To Perfection - Glenn Rivera ReStructure Mix - Miquel Brown

Miquel Brown is one of the disco/hi-NRG standards of the 80s – her 1983 dance floor smash, “So Many Men, So Little Time” brought a whole new sound and energy to starving dance floors. It was a follow up to her 1978 album “Symphony Of Love” – produced by Alan Hackshaw whom also produced Love-De-Luxe (“Here Comes That Sound Again”). “Close To Perfection” is a track from the 1985 project produced by UK dance masters, Ian Levine and Fiachra Trench. This is one of those lilting and melodic tracks which brought an early evening – early morning to the hilt.

I have taken the 12” vocal and instrumental (originally mixed by John Morales and Sergio Munzibai) and created a ReStructure Mix to give this beauty a new face. A new intro focusing on the bass synthesizer pounding out the symphony b ass-line introduces Miquel’s serenade in a new way. It is still one of those tracks that make disco music sound every bit as beautiful as the Philly days.

This ReStructure Mix is dedicated to Nick and Lindsay – thanks for the love and kindness! You are both disco perfection!
• When Love Takes Over You - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer returned to the dance floor in 1989 with producer Stock, Aitken and Waterman to bring dance and hi-NRG fans a box of disco chocolates. The project titled “Another Place And Time” exploded with the first single “This Time I Know It’s For Real” and continued on a non-stop hit single roll. “When Love Takes Over You” is one of the singles that was also released as a 12” remix and made the mind-tempo energy sets sparkle with Donna’s iconic voice and the rhyme and sweetness of the SAW sound.

I have taken the 12” vocal and instrumental to create a ReStructure Mix and return us to a “place in time” that not only gave hardcore Donna fans another lift into the clouds – it also brought the SAW sound a new shine. This mix focuses on the beautiful instrumental and the lyrical verses – breaking them in and out with some surprises along the way. A Donna classic is infused to remind us of “The Magic of Summer”
• Rhythm Of The Street - Glenn Rivera ReStructure Mix - Patti Austin

Patti Austin is a jazz and pop vocalist who became a dance floor addition following her 80s tracks “Body Language”, “Do You Love Me” and “Rhythm Of The Streets” – this is definitely one of the definitive voices of dance music during the early 80s. With ballads like “Baby Come To Me” (with James Ingram) it was more than a treat have such a talent grace the disco beats.

I have taken on of my favorite singles from her album “Patti Austin” titled “Rhythm Of The Street” from 1984 and transformed the 12” single originally remixed by John ‘Jellybean’ Benitez and worked a ReStructure Mix for a more celebratory and break-out arrangement. Many of Patti’s phrases are accentuated and the rhythm forced to the surface. A winning dance track and one which brings an instant feeling of joy to those who love that dance floor!

• Jungle - Glenn Rivera ReStructure Mix - Kongas

Kongas is a band formed in France and featured disco leaders Cerrone and Don Ray. The group began recording in 1974 and lead them into their big 1977 disco classic album “Africanism” featuring a tribal feast version of “Gimme Some Lovin” – the 1966 hit from The Spencer Davis Group. Their third album titled “Anikana-O” from 1978 featured tracks along the similar vein – more of a late 60s rock-edged feel with plenty of percussion and the pounding disco beat. A fantastic group of dance cuts and one in particular which always created a stir for me was “Jungle”.

I have taken the album version of “Jungle” and created a ReStructure Mix giving an intro that lures dancers into the lush area of the jungle where a savage bass and killer bongos guarantee satisfaction. A longer edit here and plenty of the drop and kick elements that I hear in my mind and now in the “Jungle”!
• On A Journey (I Sing The Funk Electric) - Glenn Rivera ReStructure Mix - Electrik Funk

Elektrik Funk is an electronic-garage project from producers, Darryl Payne and Eric Matthew – the boys who also gave us Sharon Redd, Sinnamon, Eazy, Gary’s Gang, Miles Watson and many projects in the early and late 80s. This strange edged track introduced a soulful-garage vocal with an unusual theme aimed at traveling through a groove with the mind. A big hit for my club at the time since the instrumental provide a long mix alternative or longer intro to the funk-driven vocal.

I have created a ReStructure Mix here with a piece added from the “Fame” soundtrack which seems obvious why – yet I worked to take the keyboards and separate some of the punchiest segments out. It has the feel of a funk set – yet the underground sound of an early morning gem. This is a new journey – one I hope you can feel in your mind and feet!
• Choir Practice - Glenn Rivera ReStructure Mix - Lipps Inc.

Lipps Inc. is a disco band from producer Steven Greenberg and arrived at an important time for disco music. The big 1979 classic “Funkytown” extended the disco era for a few more years proving that many club goers, music connoisseurs and dancers were still celebrating the uplifting beat of disco music. The third album from Lipps Inc. titled “4” is a transition from the matured sound of dance music from disco producers and artists to the 80s strip down to keyboards and high-school bee-bop for the new wave period. Although the tracks still followed hardcore clubs feel a new production and arrangement technique gave way to a simpler sound.

“Choir Practice” is one of the big singles from the project and is a favorite of mine as it replicates a warm-up exercise from church choirs and brings it rhythm and a touch of disco-funk. Another display of disco music’s being and uplifting message breathing fun into something old. I have given the album version a ReStructure Mix to break apart the chorus notes and harmony into a new disco break arrangement. Some samples from “The Blues Brothers” and a Grace Jones/Tom Moulton favorite add some of the themes fun a new delivery.

Dedicated to Curt Rudduck from Facebook – and thanks for requesting this high energy number for an overhaul. It’s for you, Curt – good energy to you.
• Disco Dance - Glenn Rivera ReStructure Mix - Michele

Michele (alias Chantal Curtis) recorded the project “Magic Love” released in 1977 and produced by Pierre Jaubert and Tom Mouton. The album contained four tracks which were hits among various clubs and crowds. It reflected the New York disco sound of the time although the project was recorded in France and remixed by Mr. Moulton in Philly. The track “Disco Dance” I remember most since the title was an anthem for the burst of the club craze.

I have taken the album version of “Disco Dance” and created an alternate ReStructure Mix working the keyboards and some of the funky bests and guitars into a new arrangement and adding a synthesizer – ala Patrick Cowley since the master himself worked remix of the song using his own style in 1977 – one of his early works. It is a new trip and a new end to make this closing a bit more to the dancers imagination.
• Liar On The Wire - Glenn Rivera ReStructure Mix - Sharon Redd

Sharon Redd is one of the disco-funk divas who make disco music history something to stand and take notice. Previously a back-up vocalist for Bette Midler and a member of group The Harlettes. Sharon appeared on the single release “Love Insurance” appearing as Front Page and the flame ignited hotter than hot! Her voice following this was a must for DJs, dancers and collectors. With hits like “Beat The Street”, “In The Name Of Love”, “Can You Handle It” and a slew of singles from her three solo album projects Sharon made dance floors shake and take note of a sophisticated woman taking the stage with funk appeal and a majestic anthem delivery to top that.

“Liar On The Wire” is from Sharon’s 1983 album “Love How You Feel” and one of the mini-heartbreak classics with her fabulous vocal that was always yearning for attention. I have taken the 12” vocal and instrumental and created a ReStructure Mix adding an electronic kick beat from a familiar track and worked a whole new call to her estranged lover. It is every bit as emotional – yet kickin’ with a whole new groove.

Dedicated to Katie Perry and Pat Demps – thank you beautiful ladies for keeping Sharon’s memory alive for me and the love you give. I love you both very much.
• I Remember Yesterday - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer is an artist and vocalist that I can remember not only growing up with – but also learning as much about her voice from the start of “Love To Love You Baby” on to her high energy dance material from SAW which was a majestic step for 80s pop-dance music to have a voice accompany these steps. Donna’s early work was an expression of what this voice could achieve. The range and power behind it from the sexy delivery of “Love To Love You Baby” and “Try Me, I Know We Can Make It” to the powerhouse medley of “Mac Arthur Park” – where it seemed our “First Lady of Love” matured into a Queen Of Disco.

“I Remember Yesterday” is Donna’s fifth album and released in 1977 created quite a stir as she delivered not only the innovative vocal for Moroder’s electronic masterpiece, “I Feel Love” – but also a medley of big band to Motown tracks that emulated a sound that was not only close to the feel – but also even more that anyone could expect. I have taken the album version of “I Remember Yesterday” and created a ReStructure Mix to take the big band flavor and compress it into a new package which would haunt us as much as her voice has me since I first hear it.

This ReStructure Mix is dedicated to the Donna Summer fans who are so generous to keep this spirit alive not only with love but with assurance that it can never happen again.
• Devil Woman - Glenn Rivera ReStructure Mix - Fire and Ice

Fire and Ice is a fabulous disco project from film and TV score composer Lalo Schifrin – who was also a member of Dizzy Gillespie and His Orchestra. This project on the iconic 70s disco label, Butterfly Records also features Elton Farokh Ahi (Destination, Stereo Fun, Inc., T. Mace) as co-producer and work on synthesizers and percussion in the recording. It is a New York 70s style disco album with the chic sound of disco-funk and the light and airy chorus girls guiding us on several trips – all related to “fire” and “ice”. “Devil Woman” is the cut we focus on now and relays the hypnotic effect of a woman destined to make her love the prey to her own desire.

I have ReStructured the album version in this mix and reworked a few surprises from a disco classic and a classic piece of Schifrin’s magic. It gives the vocals which are provided by Lalo’s wife Donna Schifrin and Cheyenne Fowler more of a powerful spell with some added effects. A favorite album of mine from 1979 with two greats I worship myself, Mr. Schifrin and Mr. Ahi.
• Love School - Glenn Rivera ReStructure Mix -  Susan Stevens

Susan Stevens is a Canadian disco artist from Gino D’Orazio and Tony Bentivegna – the boys who brought us Blue Lazer, Ladies Choice, Motion and Nightlife Unlimited. It was the early 80s new arrangement for disco music in an all-electronic form. The effects blast here and there like a video game – and add some excitement and energy in a spaced-dance experience.

“Love School” is a single released in 1983 and added more wizardry and winding sequencers to balance out Susan’s delicate and sweet vocal. It has always been a favorite among after-hours dee-jays and high energy clubs of the time. This ReStructure Mix breaks the firm pieces of the songs into parts and reassembles them into a more beat-driven arrangement. Some new pounding breaks and effects arte added along to way to accentuate the style of the Canadian producers.
• Play That Funky Music - Glenn Rivera ReStructure Mix -  Wild Cherry

Wild Cherry consisted of Allen Wentz, Bryan Bassett, Dominic Ierace, Mark Avsec, Robert Parissi and Ronald Beitle – an American funk band from Pittsburgh, PA. Their classic funk-disco hit “Play That Funky Music” gave the boys a place which can never be de-funked. The song has maintained it edge throughout its release in 1976. The album was produced by Robert Parissi.

I have taken the album version of the track and created a ReStructure Mix which stretches out the grooves in several spots to secure the funk and also played with some of the musical fixtures which provide a groovy place for today, yesterday and tomorrow to remind us just where the funk belongs – on the disco dance floor!
• You Get High In N.Y.C. - Glenn Rivera ReStructure Mix - Revanche

Revanche is disco project from Jacques Fred Petrus and Mauro Malavasi. The vocal ensemble includes Christine Wiltshire, Jocelyn Shaw, Mauro Malavasi and Skipp Ingram. The four cut album is one of the high energy dance floor winners of 1979 including cuts “Music Man”, “1979 It’s Dancing Time”, “Revenge” and “You Get High In N.Y.C.”. All tracks in the Goody Music tradition of full orchestration and innovative synthesizer and keyboard play.

I have taken the album version of “You Get High In N.Y.C.” and re-wired it for this ReStructure Mix – adding a new lengthier intro and some drop-outs during the build to give the song some pulses of new excitement. It is one of my favorites from the project and had some fun working on disassembling and reworking it over again.
• Love Is - Glenn Rivera ReStructure Mix - Gino Soccio

Gino Soccio is a disco producer, musician and artist from Montreal and an innovator of the late 70s disco scene. His 1979 classic “Dancer” took dance floors to another level of both sound and production. It was one of the earliest disco-funk and ambient sounds in dance music. Many of Soccio’s productions stand out in the keyboard and experiomental synthesizer arrangement creative mode. “Love Is” was featured on Soccio’s 1980 project, “S-Beat” and 1981’s “Closer” – a choice again which defined Soccio’s musical influence of soul and a touch of soft rock. The later production focused more of the funk elements of guitar and vibes.

Originally recorded by Bill Withers and from his 1978 album “’Bout Love” – this Soccio reproduction brings a heavy rhytym enhacement and disco-chorus to the rescue.

I have taken pieces of his 1980 cover and the guts of the 1981 masterpiece and worked a ReStructure Mix to give the track a longer life and also some edits to breakdown this lilting piece of beautiful music. Soccio has always amazed me after listening to detail and placement of his work. It has been a great pleasure to work on “Love Is” – one of my many-many favrites from this talented man.
• Do You Wanna Get Away - Glenn Rivera ReStructure Mix - Shannon

Shannon and “The Shannon Sound” – hard to resist in 1983 when “Let The Music Play” rocked the heck out of clubs, boom boxes and her career. The sound is a concept from production team Chris Barbosa and Mark Liggett – a New York electronic beat groove which inspired the sound of the 80s dance scene. Quite powerful guns to follow when the groove is so deep you can almost see through the vinyl. Shannon was a big element for dancers, clubs and the adoring sound of funk, disco and pop-dance music. It was that irresistible and sensual element of her voice.

I have taken the 12” version of “Do You Wanna Get Away” (both vocal and dub) and reworked a new ReStructure Mix to give this classic a whole new aim and slide. It pulls in a deeper experience along with some familiar pieces that will splash some fresh water to feel good on a hot sweaty dance floor.

Thank you, Shannon – you gave us a new reason to move and look up to dance music with respect!
• Double or Nothing - Glenn Rivera ReStructure Mix - Gladys Knight and Kenny Loggins

Kenny Loggins and Gladys Knight are paired in “Double Or Nothing” – from the 1985 soundtrack of Rocky IV and produced by Bernard Edwards. It is 80s pop dance with the haunting sound of two great voices bringing a few facts about love into the light. It is the start of something good and the positive points of things to come. The song had me blending an extended stand-up mix during its release and its 3:42 length with no 12” remixes. It is one of those songs with riffs that hang on. A favorite of mine and another reason Mr. Bernard Edwards rules under many styles of production.

I have taken the short soundtrack version and worked with the drum tracks, guitar riffs and vocals to create this ReStructure Mix – which is to bring this duo upfront in a beautiful way. And of course to extend what was much too short.
• Bring It Back - Glenn Rivera ReStructure Mix - Taka Boom

Taka Boom is a voice that engulfs a song. He performances on disco classics “You + Me=Love” by The Undisputed Truth from 1976 and “Mr. D.J. You Know How To Make Me Dance” by The Glass Family are “proof of power” and “depth of soul”. It was a gift to new and recent fans when her solo career began in 1979 with her self-titled disco album. “Night Dancing” and “Red Hot” were instant classics and are two of my favorites of 1979. Following this project later in 1979 Taka released a 12” single titled “Bring It Back” – produced by Jim Callon who also produced The Glass Family project. The single was a big hit for Taka and brought a nice transition to electronic arrangements that were common during the 80s for club disco.

I have taken the long version from the 12” single and created this ReStructure Mix to salute this track which makes each play a bit emotional for those of us who began dancing in the early and mid-70s – and where 1979 was feeling a change in the club environment all together. This ReStructure Mix plays out a longer introduction to build up to Taka’s sensational performance. A few looping areas help to create new spots where the memory can run free as well as the imagination.

This ReStructure Mix is dedicated to Nick and Lindsay who are the keepers of the women of disco, jazz and soul. Thanks to their undying love for the music which always brings me excitement and some new tunes I missed.

• You Gotta Dance - Glenn Rivera ReStructure Mix - Pacific Blue

Pacific Blue is a disco project from producers Michaele, Lana Sebastian and Paul Sebastian – the three responsible for albums by Madleen Kane, Theo Vaness, Claire and Leonore O’ Malley. This 1978 disco track is the flip side to the 12” “Argentina Forever” which contains a slight Euro-disco feel as their prior work with flamenco feel. Vocals emulate a Bee Gee’s feel and echo throughout this number. It has always been a favorite of mine and was fun to program during playful sets.

I have taken the 12” version of “You Gotta Dance” to rework an arrangement and loop-set for the killer bass trickle and the Spanish flavor. It is a bit more airy with a few new breaks as well as a cold ending which breaks down right where it started.
• Lovergirl - Glenn Rivera ReStructure Mix - Teena Marie

Teena Marie (Mary Christine Brockert) was a breakthrough R&B singer, songwriter and producer arriving at the tail end of the disco era. Her music has always played out with a full arrangement enhancing tracks like “Lovergirl” from 1984. During the early 80s and the repackaging of disco as pop-dance Teena had the ability to create a stage for her soulful delivery and funk-driven energy.

I have taken the 12” single “vocal” and “dub” to create a playful ReStructure Mix which takes Teena on a few detours along the way to deliver her message. I have used some deeper segments with a thumping beat along with pieces of the original arrangement to speak the message of “Lovergirl” in a new way. A bit more drops to let the words fade into mind and feet.
• Come Inside - Glenn Rivera ReStructure Mix - Fancy

Fancy (Manfred Alois Segith) is a German disco singer and producer who also produced under the name Tess Teiges (Timerider, Slip). His disco project Fancy is one of the memorable arenas of the 80s high energy and electronic disco stage. Many of the tracks share a hypnotic and driving rhythm and sexy mood. An appropriate return to a new sound of disco music with a complete overhaul on production and execution. “Come Inside” is a single released as a B-side to his 1984 release “Slice Me Nice”. It shares a familiar synthesizer riff used by The Professionals on “Law Of The Land” which was borrowed from the original track recorded by The Temptations.

“Come Inside” is presented in this ReStructure Mix in a playful and new way using pieces from two disco classics adding more of an invitation. It is reworked using the “American Remix #1” by Bob Beat Me Black and Terror from the Personal Records release. A few more sleazy moments are added to keep the sensual feel of the song alive and a new energy added.
• Enjoy Yourself - Glenn Rivera ReStructure Mix - The Jacksons

The Jacksons continued their dropping the “Five” from their title and finding themselves in 1976 under the production of Philadelphia International – Kenneth Gamble and Leon Huff. It was a hardcore venture into the new dance arena. Even with the built up talents of this blockbuster entourage their own style and sound became the overall result. “Enjoy Yourself” is one of the first breakout singles which created that funky-disco essence of what we can all remember the mid-70s exuding.

I have taken the album version of “Enjoy Yourself” and worked a new ReStructure Mix to give the track some new beats and pulsating deep-dub effects. The rhythm guitars are the layer of promise from start to finish and again, the Jackson’s create a layer of chorus satisfaction. A great song which always made me feel the power of music and talent - the wonderful Jacksons.
• One Night Queen - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry is one of disco music’s earliest stars whose talent created a wave of excitement on dance floors around the world. Her music has always had a definitive sound and this “Disco Star” has remained true to her fans and craft. Claudja’s voice is recognizable and one which helped to give disco fans an identifiable style. “One Night Queen” is a track from Claudja’s 1979 album “Feel The Fire” and is originally placed with a medley along with two tracks: “Get Your Mind Made Up” and “It’s So Nice”. This medley gives Claudja an opportunity to work her falsetto vocals adorably and appropriately. The album was produced by Claudja’s husband, Jurgen Korduletsch.

I have taken “One Night Queen” from the medley and created a ReStructure Mix using the pumping synth riff (which always reminded me of “Louie, Louie” by The Kingsmen) and worked a new extended play. There are pieces of the nightlife tale here in pieces scattered about and some re-arranging to give Claudja another opportunity to work this simple but fun little disco number.

Dedicated to Ms. Claudja Barry who brings a whole new meaning to preserving great uplifting music in her new ventures to educate ears and hearts about music and treating life kindly. Thank you, Claudja for the heart and love.
• Diamonds - Glenn Rivera ReStructure Mix - Robin Gibb

Robin Gibb as a member of the family group, Bee Gees helped to make the 70s an outline for many of his compositions and productions. This music helped a generation to come alive with excitement with funky dance pieces and adoring love songs. His solo recording career began in 1970 and followed through his passing in 2012. “Secret Agent” is his 1984 album is a pop-dance excursion featuring producers Chris Barbosa and Mark Liggett – who created the 80s electro-street sound with projects from Shannon, Xena and Steve Rodway.

“Diamonds” is the flip-side to the 12” hit single, “Boys Do Fall In Love” and is one of the tracks I would love to play during evening warm up or after-hours. It has many great hooks as well and a resonating vocal by Robin. It pounds out that street sound that made the mid-80s a bit more innovative. I have taken the 12” version to create this ReStructure Mix that not only extends the adventure here – but also gives a bit of the stage to Dame Shirley Bassey – where she confirms Robin’s obsession.

This ReStructure Mix is dedicated to the energy of Mr. Robin Gibb who left us in 2012 – thanks for your talent and heartfelt music.
• I've Got Just What You Need - Glenn Rivera ReStructure Mix - Cheryl Lynn

Cheryl Lynn is one of the voices of disco era that was hard to ignore or forget. Her 1978 self-titled album gave dance floors two giant singles – “Got To Be Real” and “Star Love”. The soaring notes of Cheryl’s voice are some of the most intense and soulful experiences in music history. Her talent was immediately given a rousing welcome with the excitement of things to come. “Got To Be Real” is now a disco-old school classic still has one of the most incredible vocal performances to date.

“I’ve Got Just What You Need” comes from Cheryl’s second album titled “In Love” released in 1979. The project was produced by Barry Blue and is one of the most phenomenal studio projects for a new vocalist – as she displays just what she can do. Many tracks from the album, although not commercial are some of the most incredible recording for fans to remember the magic of Ms. Lynn’s arrival. I have taken the short album version and created this ReStructure Mix which I have always wanted to extend the ecstasy of the vocal arrangements. It is playful and a moment to feel Cheryl as the powerful voice of a soulful universe.
• I Wanna Take You Home - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley made a mark in the 80s with his electronic sound introduced earlier on his work with projects by Sylvester, Fever, Brenda Mitchell and Beckie Bell. A rolling synthesizer and psychedelic-60 keyboard riffs were the stamps which gave Cowley a place on hardcore dance floors and a hard sound to forget for those who were accustomed to disco music with orchestral and band arrangements. During a period when disco music moved underground. It was a great time for discovering independent artists and label recording new music rather than recreate and duplicate to monopolize on sales rather than creative movement.

“I Wanna Take You Home” is from Patrick Cowley’s album “Menergy” from 1981 and created a double sided 12” release for his first single. It was a huge hit and gave dancers the disco beat with a new edge. I have taken the original 12” version to blend this ReStructure Mix using some of Cowley’s magic from “Megatron Man” and also rearranging the song for a longer and brighter feel.
• We're Gonna Rock - Glenn Rivera ReStructure Mix - Sabu

Paul Sabu was the producer and artist to top the late 70s off with arrangements and production which are the icing on the disco-cake. Most of his productions have become classics with the style and sound this talented man created. His work has included artists such as Debbie Jacobs, Ann Margret and Sister Power all of which created a whirlwind on dance floors during their release. His 1979 album titled “Sabu” brought a rock-edged rhythm to dance floors and made each night more exciting. His guitar play and vocal in tracks from this project introduced a new energy to dancers. “We’re Gonna Rock” is the single which received a big reception and hands pounding up to the mirror-ball in an anthem like feel.

I have taken the album version of “We’re Gonna Rock” and created this ReStructure Mix breaking apart the infectious rhythm section with some of the playful looping and machine-gun edits to bring an alternative version to feel the fire balls explode right before the deejay booth. It is one of the Saturday night favorites and peak-hour tracks that I would love to transition to for a new layer of energy.

This ReStructure Mix is dedicated to the “Rockin’ Rollin’ Disco King” himself, Mr. Paul Sabu in appreciation for his talents in producing, mixing and performing to keep the celebration worth it.
• K.I.C. Keep It Coming - Glenn Rivera ReStructure Mix - Hydro featuring Lorna

Hydro is a Canadian disco project from producers Joe La Greca and Joe Marandola – who also gave dance floors music from MTL Express, Kat Mandu, Montreal and Melody Stewart. The full-disco attack was accomplished here with the full-bass, funky guitars and the wizardry of the disco-keyboards. A package where every track was a potential dance floor jam. “K.I.C. Keep It Coming” is the second 12” release from the project and features the vocals of Lorna Di Fiore – in the disco tradition of sassy and sexy. A bit more underground and full of the percussion which made dance floor ignite across the globe in the late 70s.

I have taken the album version of “K.I.C. Keep It Coming” and created a ReStructure Mix taking the baseline percussion and looping segments to fill a pair of new pair of disco shoes. Some surprise appearances from K.C. and The Sunshine Band and Bellamy Brothers are added for some excitement.
• Lovin' You Madly - Glenn Rivera ReStructure Mix - Narada Michael Walden

The musical career of producer, songwriter and singer Narada Michael Walden is one which can be heard in many projects throughout three decades. His solo recordings began in 1976 and lasted throughout the mid-90s. His productions were the essential pop-dance-funk of the 80s and include Stacy Lattisaw, Sister Sledge, Amii Stewart, Angela Bofill, and Carl Carlton. His work has always given dance floors the groove to keep the energy and excitement alive.

“Lovin’ You Madly” is a single from his 1979 album “The Dance Of Life” and made disc jockey playlists from a nice project with many dance tracks to work from. It is one of the simple funk-productions which rely on a funky guitar and Narada’s undying love for that special one. At times it is “fierce” but always on the level.

I have created this ReStructure Mix of “Lovin’ You Madly” using the album version recreating a new rhythm part to break the funk into a house-like feel. It has the remapping of verses and choruses intended to bring a new slickness to an already hard-edge funk piece.
• Arabella/Home - Glenn Rivera ReStructure Mix - Rinder & Lewis

Rinder & Lewis are the duo who made disco music come alive with a sound that was formulated directly from dance floors. Their catalogue of music includes studio groups El Coco, Tuxedo Junction, In Search Of Orchestra, Le Pamplemousse and Saint Tropez. “Warriors” is their album from 1979 which is one of the projects from that year which staged the classic live disco with some of the electronic sounds of where the music was heading. “Arabella/Home” is one of the playable tracks from the project which has the sound and theme of a rock ‘n roll tune – and a bit of their musical influence of the 50s.

I have taken the album version of “Arabella/Home” which was divided into two parts when our ensemble informs our heroine that it’s a done deal and a bit of short riffs describe a warmer and accepting option out of the relationship. I reworked the already fabulous arrangement in a new way to give the intro more build with the sequencer pieces and also worked the two parts into a finale mix. It has always been a toe-tapping winner for me and always is an honor to give these two the accolades they so deserve.

This ReStructure Mix is dedicated to Mr. W. Michael Lewis

• Sir Duke - Glenn Rivera ReStructure Mix - Stevie Wonder

Stevie Wonder (Stevland Hardaway Morris) has touched hearts and minds throughout his career and with music which has always touched the romantic and sensitive side of the soul without appearing maudlin. His work throughout the 60s became one of the voices of soul music to create an excitement and respect. “Songs In The Key Of Life” is Stevie’s eighteenth album and one of the top selling of that year. “Sir Duke” is the second single from the album and salutes musical geniuses throughout time who have given much to the experience – the title focus on Mr. Duke Ellington and his contributions to jazz. Ellington left us in 1974 which gives a nice memory and uplifting tribute.

I have taken the album version of “Sir Duke” and worked on a ReStructure Mix to give the jazzy arrangement a club-like feel. Adding a few drop zones where pieces of percussion and horns create an eerie rhythmic feel. This has been one of the early tracks to bring me the sensation of what disco was achieving on dance floors. Energy and excitement with the use of rhythm and new arrangements. Soul, funk and Afro-Cuban percussion were with a new foundation.

• Lady Luck - Glenn Rivera ReStructure Mix - The Ritchie Family

“Life Is Music” is the 1977 project from The Ritchie Family and continues the sound which helped to make disco music a widespread phenomenon. Produced by Jacques Morali and Ritchie Rome – this spotlight for our three divas, Cassandra Wooten, Cheryl Mason-Dorman and Gwendolyn Oliver is another pièce de résistance of dance music’s sophisticated edge. The title track was a club hit and anthem for dance floors which celebrated the freedom this music expressed. “Lady Luck” is the second dance floor single which gives us once again the feel that “The Best Disco In Town” created: excitement and fun.

I have taken the 12” version of “Lady Luck” and worked a ReStructure Mix to honor these lovely ladies of discos best and also give the uplifting song a bit more to move with. There are some vocal pieces reworked and a few new break-edits intended to make any night “lucky” on the dance floor.

Dedicated to Cheryl Mason Dorman for her wonderful talent and also the work to keep the magic alive!
• Music Inspired by 'Star Wars' - Glenn Rivera ReStructure Mix - Meco

Meco Monardo is a disco producer and arranger whose music is the disco symphonic sound of the dance floor during the late 70s. His funky beat-driven revivals work with several motion picture soundtracks both classic as he created with his “Wizard Of Oz” project and then leaning towards the pop-edge taking soundtracks from “Star Wars”, “Close Encounters of The Third Kind” and “Superman” to a rhythmic sensation. His 1977project “Music Inspired by Star Wars and Other Galactic Funk” is included in the disco Top 100 since it dominated radio and helped to introduce disco music’s new path to an AM audience.

I have taken the “Star Wars Medley” from this album and created a ReStructure Mix which uses the fantastic theme from John Williams and gives it a new bass driven arrangement to use snippets of the work into a new collage of disco sound. Done in the ReStructure edit style where anything can happen and usually does. It is a return to the pop-sound of disco and a glimpse of impact of both the film and John Williams’s fantastic musical soundtrack.
• Alive With Love - Glenn Rivera ReStructure Mix - Cut Glass

Cut Glass is vocalists Mildred Vaney and Ortheia Barnes along with producers Jeffrey Parsons and Jeffrey Steinberg – who also created a disco project title Hott City (or Graffitti) in 1978. Cut Glass was introduced with a double-sided 12” including the disco classic “Without Your Love” and “Alive With Love” – both an electronic style of disco music which helped to bring dance floors into the upcoming 80s high energy genre. “Alive With Love” much like “Without Your Love” featured an incredible vocal from our duo and a space-fused disco arrangement that was dreamy and lightly punchy.

I have taken the 12” version of “Alive With Love” – one of my all-time favorite early evening or after-hours feel tracks and created a ReStructure Mix with not only an extended timing but also a whole new breakdown and sense of yearning for this disco treat. A new electro-vibe drum beats a sensual magnetism that I have always heard below the original. It is one piece that I wanted to add something special so that the dance floor of yesterday may understand the purpose all over again.
• Private Dancer - Glenn Rivera ReStructure Mix - Tina Turner

Tina Turner is one of the performers with a fairy-tale return to the music industry in 1984 with her smash album “Private Dancer”. The project took radio and clubs by storm with tracks in the pop-rock and dance genre bringing Tina into a new era of brining the lady a new stage for both respect and awe. The title track was produced by John Carter and featured Tina in a world of confusion and a tired soul looking for hope. It was one of the big surprises from the album as it was featured as a 12” for clubs to take in their arms “The Queen of Rock n Roll”.

I have taken the 12” version of “Private Dancer” and created a ReStructure Mix focusing on the moody essence of the track and adding some new drama. It brings plenty of percussion in and also a stomping breakdown in areas when you will least expect. A favorite mood of mine which takes the song underground and more mysterious.
• Je T 'Aime (Moi Non Plus) - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer made the disco scene complete during the mid-70s with the productions aimed at figment of disco musical fantasy called The First Lady of Love. Donna’s breakout hit “Love To Love You Baby” gave disco music the appropriate sound for a new life being discovered with a mood and style created by music. Her first three albums were perfection with this formula and iconic phase. One of the peaks of Donna’s fame was definitely the release of the film “Thank God It’s Friday” in 1978 – it also presented her as the disco diva serenading a frantic crowd to her soon-to-be classic “Last Dance”.

The soundtrack featured a bonus 12” single with Donna’s cover of Serge Gainsbourg’s “Je T’ Aime (Moi Non Plus)” – a song written and sung with Brigitte Bardot – a cinema sex symbol. It was another venture into the sexy realm of disco’s take on the sound which made it most explosive. Donna’s version falls close to her sexy – but stylish appeal to make the night seem more intense and desire closer.

I have taken the 12” version which times at 15:51 and created a new ReStructure Mix working in a new funk-drum beat and some rhythm effects to spice up the sexy play on a romantic affair between a couple expressing their love for one another. This new version incorporates some familiar pieces from Donna’s legacy and is intended to bring a new light to this somewhat controversial song.
• Love Plane - Glenn Rivera ReStructure Mix - Skyy

Skyy is Anibal "Butch" Sierra, Bonny Dunning, Delores Dunning Milligan, Denise Dunning Crawford, Gerald Lebon, Larry Greenburg, Randy Muller, Solomon Roberts Jr., Tommy McConnell and Wayne Wilentz. A funk-disco band produced by Randy Muller (Brass Construction, Tamiko Jones, Funk Deluxe) and executed in the New York disco-funk style. Refreshing grooves with a touch of those swirling disco strings. Much of their music is recognizable with the raw groove and predominant vocal arrangements.

“Love Plane” comes from their 1980 album “Skyway” and was a huge hit in my club and gave the early 80s an early transition from disco beats to a new electronic-groove. The emphasis here, as most Skyy tunes are falling in love and expressing a deep affection for a lover. And so let’s fly!

This ReStructure Mix give the funky track a longer breakdown and some new beats to bring this “love plane” to its destination. One of the moments I always hoped for when I was spinning this album version – an extended trip!
• Body Heat - Glenn Rivera ReStructure Mix - Alicia Bridges

Alicia Bridges burst onto the disco music scene as an unknown artist yet as recognizable with her big hit, “I Love The Nightlife (Disco Round)”. It was as if the anthem was created before the scene took hold of the general public. Alicia had a unique voice bringing a whole new flair and style to the club scene. Her first album may have been one of the most recognized covers from the period and the classic track as one of the most played. The album was produced by Steve Buckingham – a guitarist who played with Dolly Parton, Linda Ronstadt and Tower Of Power – to name a few. His work on this album was indeed a new fusion in disco music.

“Body Heat” is the second single from the album and was a track that hardcore clubs embraced since many were familiar with Alicia’s voice and sound. A 12” release also featured a remix by Mr. Jim Burgess taking the album version heights above the yearning guitars and Bridges’ powerful performance. It was always a favorite of mine and fit into a rock-edged disco track with that disco flair added.

This ReStructure Mix takes the 12” version into a few new breakdowns and small clips of those rockin’ guitars and peaking chorus riffs. It builds with a few loop-edits to present a new aura to what I consider a genuine and unique piece of dance music.
• Love Is All You Need - Glenn Rivera ReStructure Mix - High Inergy

High Inergy is a soul group discovered by Berry Gordy’s sister and then signed to Motown’s label Gordy Records in 1977. Their first album titled “Turnin’ On” brought back the girl group excitement with the soul flair. The single “You Can’t Turn Me Off (In The Middle Of Turning Me On)” was an immediate hit and only revealed a clue of the tracks from the album which made these voices irresistible. “Love Is All You Need” is the opening song of the project and gives a funky-soul spot for High Inergy to harmonize and express their talent in a young, new experience. It was a turning point for soul music to enter a disco realm.

I have taken the album version of “Love Is All You Need” and created a ReStructure Mix to add some new drum fills and breaks to the beautiful shout out for love. An extended intro and some new breaks are added to extend and add a new feel. Some new beats are pulled from the base of this groovy rhythmic production.
• Sing Your Own Song - Glenn Rivera ReStructure Mix - Jeanie Tracy

Jeanie Tracy (Jeanie Autre Tracy) is one of the voices when heard makes you feel energized. The power of this woman’s delivery is a reminder of gospels influence in many forms of music including the late 70s when Sylvester hit the disco scene. Ms. Tracy has performed back-up sessions for many well-known artists – but the real show is when she is in front. “Sing Your Own Song” is an AA-side to the 1984 12” single “Time Bomb”. This track was produced by Tip Wirrick, Michael Finden and Patrick Cowley. The message is so clear your mind is as affected as your feet.

I have taken the 12” version of “Sing Your Own Song” and we-worked it to create this ReStructure Mix. Using pieces of the scat-like chorus riff as another element of energy to this mix. Some new breaks and build-up moments are injected to give us a moment to catch our breath.

This ReStructure Mix is dedicated to Nick and Lindsay – in deep thanks and love for their friendship and also for taking the time to request the obscure pieces of disco music for a ReStructure Mix which is what I love most. You boys are “it”! I appreciate you both!
• Chain Reaction - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross released her album “Eaten Alive” in 1985 which gave Diana a new identity once again with the 80s pop dance arena. The club sound for this period was determined by how well your 12” single release was reworked for the dance floor and by whom. “Chain Reaction” is from this project and was produced by Albhy Galuten, Barry Gibb and Karl Richardson – it is a clever piece which takes us back to a bouncy and stompin’ Motown-esque feel rhythm and Diana sounding as if we had taken a step back in time.

I have taken the 12” version of “Chain Reaction” – remixed by Francois Kevorkian and Ron St. Germain and have created a ReStructure Mix to salute this favorite. Using more of those 60s retro strings that flow like a symphony of sweet memories and also worked a few rhythm loops to give parts of the song a new experience.
• Dance Little Boy Blue - Glenn Rivera ReStructure Mix - Freddie James

Freddie James (Frederick Alan Millgan) was one of the youngest disco stars to create a frenzy on dance floors with his big hit “Get Up and Boogie” from 1979. It was one of Tony Green’s disco treats – as he accomplished with France Joli, Caroline Bernier and Freddie’s mother, Geraldine Hunt. The album contained four tracks that were each successes of their own. The production team included Denis Lepage on strings and arrangements, The Sweethearts of Sigma on backing vocals, Peter Dowse and Claude Allard. The release of the US version was assisted by Mr. Ray Caviano.

I have taken the album version of the track which always packed my floor, “Dance Little Boy Blue” – which was appropriate for Freddie’s youth and also reminded us how the dance floor was the place to escape those “blues”. This ReStructure Mix moves into the deep-electronic dub-side of the song which always brought my ears on board. A few more production additions create a longer break in sections where the theme is all about dancing out of our troubles.
• Brazuca - Glenn Rivera ReStructure Mix - Simbora Orchesatra

Simbora Orchestra is a disco project from 1978 produced by Silvio Tancredi – who is also responsible for the disco group The Wonder Band (“Whole Lotta Lovin”). “Brazuca” is the single release from Simbora Orchestra and marked a period early in the disco movement when the mood was experimental and celebratory. I have always associated this group with the likes of The Ritchie Family since “Quiet Village” has the lounge and bossa nova feel. The song was quite a cooker during its release and created a nice Mardi gras aura to the dance floors of the time. It has always been a favorite and has many hooks that caught my attention immediately.

I have taken the 12” version mixed by Bob Clearmountain and create a ReStructure Mix which gives the intro and break more time to find the nearest whistle. There is a whole new flow to this version and I was quite excited to break this one down for another celebration!

• Let's Dance - Glenn Rivera ReStructure Mix - Bombers

Bombers are a disco studio group produced by George Lagios and Pat Deserio (Kebekelektrik, Rational Youth) and introduced a new space-age theme to the growing sound and vision of disco. Their first project from 1978 titled “Bombers” introduced the band as a deeper underground disco sound. “Bombers II” from 1979 gave the band a full open dance floor welcome with the hit “(Everybody) Get Dancing” – which is one of the big disco releases to assist in the music’s mainline success.

“Let’s Dance” is one of the five winning tracks from the “II” project and one which finds hustle dancers and mainstream disco followers the edge it is looking for. I have taken the album version and created this ReStructure Mix to give it a new vibrancy and also call attention to its shining elements. It =has always been a winner with me and continues to spark the sound of disco music which lingers on and on throughout time.
• Emotion - Glenn Rivera ReStructure Mix - Barbra Streisand

Barbra Streisand joined producer Rick Perry along with The Pointer Sisters on backing vocals in 1984 for an electronic dance number that has the feel of the 80s keyboard craze. A love song which implies the everyday droll of life can be uplifted by the realization of a wonderful partner and love. The arrangement has a gospel like feel which places Barbra in a place where she manages to play it cool and sound beautiful.

I have taken the 12” vocal and Instrumental which was remixed by John “Jellybean” Benitez and worked this ReStructure Mix to extend the intro and bring Barbra down a bit more underground on the dance floor.
• Don't Come Crying To Me - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford is one of the disco stars that you can’t help but have grown excited waiting for the next release. After dance hits like “If My Friends Could See Me Now”, “Red Light”, “Bridge Over Troubled Water” and “Runaway Love” you had to have been warmed up by then. “I’ll Keep On Loving You” is Linda’s seventh album from 1982 and hits the target again with the single “Don’t Come Crying To Me” produced by Michael Gore.

I have taken the fantastic 12” single of “Don’t Come Crying To Me” – mixed by Rusty Gardner and engineered by Paul Sabu and had a little ReStructure Mix fun. Adding a bit of drum mayhem to the finger-poppin’ groove this “no-other-than”-Linda track. It has the woman laying it out – now it is your turn to move or get out!

Dedicated to the lady herself, Ms. Linda Clifford – who helped me believe not only in disco music – but also that disco divas are graceful, lovely and forever lasting!
• Midnight Rendezvous - Glenn Rivera ReStructure Mix - Linda G. Thompson

Linda G. Thompson is a German vocalist with a long run supporting disco music. Her talent is also spread among several groups including Silver Convention, Love Generation, The Hornettes and Me and You. Her solo recording career in 1975 began with her single, “Ooh What A Night” – also produced by Silver Convention’s Michael Kunze. “Midnight Rendezvous” comes from the B-side Linda’s 1980 single “Flight To Fantasy” – which was a huge hit on my dance floor at the time and also a personal favorite. “Midnight Rendezvous” is a funky hard-hitting disco track with the early 80s transition in mind. It was always one I would love to play during T-dances and early morning programs – it had that hardcore groove.

I have taken the 12” version of “Midnight Rendezvous” and did something I have always wanted to do – extend it and play with these mean beats! This ReStructure Mix pulls in a bass line which should be very familiar to fans of Linda and disco history. It is a high for me to create some fun with this one.

This ReStructure Mix is dedicated to a hard working friend who has kept the ladies of disco alive for years and continues to – Mr. Hans R. de Vries. Thank you, Hans for always being so kind and supportive of these so very talented artists. I am sure they appreciate your love very much – I know I do.
• Theme from Dynasty - Glenn Rivera ReStructure Mix - Kat Mandu

Kat Mandu is a disco project from 1979 with a huge disco hit titled “The Break” which helped to solidify the dance floor instrumental with more energy than ever. Produced by Joe La Greca and Joe Marandola and Jimmy Ray on vocals for the remaining tracks. Three albums were released under the name Kat Mandu and then in 1986 were reformulated for singles which were independent productions. The first being a disco-fied version of “Theme from Dynasty” – a pounding recreation of the Bill Conti opening theme. It was produced by Richard Buck and Robert Matichak.

I have taken the 12” release of “Theme from Dynasty/Power” and manipulated several clips from the television show to feature this ReStructure Mix as a sample-esque version for a tribute to the focus, Joan Collins as Alexis. It is a new option for bringing back that night we all waited so anxiously for. A special insertion of Alexis is inserted from her country bar performance to even the homage.
• We've Gotta Dance - Glenn Rivera ReStructure Mix - Sylvia Mason

Sylvia Mason (also billed as Sylvia Mason-James) is a vocalist who became a disco treat for many during the late 70s in the band Voyage. Her vocal on the disco classics “Souvenirs” and “Let’s Fly Away” have given dance floors the uplifting sensation which disco music is designed to deliver. She has performed in back-up sessions for many artists including Croisette, Wham!, Eddy Grant, Barbara Pennington and The Blow Monkeys. Her self-titled solo album from 1979 contained the single “We’ve Gotta Dance” which follows the path of traditional disco and celebrates the dance floor as the sanity of life. This project included players from Voyage including Marc Chantereau, Pierre-Alain Dahan, Roger Tokarz and Slim Pezin.

I have taken the album version of “We’ve Gotta Dance” and recreated a new ReStructure Mix – playing heavily with the fabulous drum beats and recreated some new energy for this explosive dance anthem. It is one that brought the disco sense back to my dance floor for peak hour when it was released.
• Circles - Glenn Rivera ReStructure Mix - Atlantic Starr

Atlantic Starr (formerly Newban) is a soul, funk, and disco band who were originally produced by Bobby Eli. Their third album titled “Brilliance” from 1982 contained the single “Circles” which featured Sharon Bryant on lead vocals. A love song from a confused participant who is finding it difficult to break away from an unfaithful lover. The production by James Anthony Carmichael is the master of this project. A blend of disco groove with great guitar keyboards and strings.

I have taken the 12” version of “Circles” and created a ReStructure Mix with a new intro and a few percussion fused breaks to slow down the drama and heartbreak. Always a favorite and played out so quickly for the dance floor that an extended version I always fantasized of.
• Guilty - Glenn Rivera ReStructure Mix - Lime

Lime is Denis and Denyse Lepage – a duo who turned dance floors into a frenzy during the early 80s and throughout the early 90s. A powerhouse disco/high energy project which never seemed to disappoint or let up on surprises. Their third album “Lime III” is one of the works which cover the spectrum of dance floor favors influencing new dance artists soon after. Denis had been affiliated with many disco projects during the late 70s and his work paid off for Lime.

“Guilty” is the first single from “Lime III” and has always been an anthem for me. It always gives an emotional message which I have taken to another level with this ReStructure Mix. There is a new haunting edge to the yearning of a romance that is certain to have another chance – thanks to love. It plays out like a mini drama with some new effects and beats to guide familiar feet to a new story.

Dedicated to Mr. George Matiowsky of Facebook – for the upbeat energy and also for keeping the music with a great message alive in his life.
• Pull Up To The Bumper - Glenn Rivera ReStructure Mix - Grace Jones

Grace Jones was iconic from the moment she stepped into the lights that revealed a darker image and persona. Her music, style, and presence have always intrigued audiences and even hardcore followers. Her music shifted during the early 80s appropriately with the new wave of electronic funk and rock. It was quite simple for Grace to complete the transformation effectively since she had performing this from the start.

“Pull Up To The Bumper” is from the 1981 album “Nightclubbing” – produced by Alex Sadkin and Chris Blackwell. It is one of the most thought provoking songs as Grace takes the wheel and keys. The production is a sound from period which created an easy stage for funk to make it return in a new form.

I have taken the 12” Remix by Steven Stanley and created a ReStructure Mix to lower this parking lot garage a few levels deeper. More samples and looping are added to make this infectious song stick even closer to your ears and feet.
• You Gotta Problem - Glenn Rivera ReStructure Mix - Toni Basil

Toni Basil (Antonia Christina Basilotta) is a singer, actress and choreographer who stamped the 80s with her big hit, “Mickey”. The synth-pop movement of the early 80s existed with the release of talent and music as her album, “Word Of Mouth”. A nice twist of energy in the nu-wave and alternative sound but not moving to far from the motivation of the dance floor. Toni’s first recording was in 1966 titled “Breakaway”.

“You Gotta Problem” is a track from “Word Of Mouth” which was one of the DOR (Dance Oriented Rock) numbers to hit dance floors following the disco sequencer sound. A new age of electronic music was an instant hit on dance floors thanks to a new generation of dancers and innovative minds. I have taken the album version of “You Gotta Problem” and have extended the track along with a few new breaks and inserts to update the arrangement. The song deals lightly on a subject of little pity for a problem which appears to allow distant behavior.

Listen for backing vocals performed by disco master, Mr. Bob Esty – once again making the 80s an easy place for disco-lovers and dance enthusiasts a wonderful place.
• Body Strong - Glenn Rivera ReStructure Mix - Sylvester

Sylvester (Sylvester James) releases “Stars” in 1979 – his fourth album and appropriately closing a disco era with a theme for each night of the week. “Body Strong” is the vocal/chorus magnificent recording with the rolling anthem of dance floor ecstasy. Along with Izora Rhodes and Martha Wash this piece becomes a stamp for a dance era which ends up in the Bay Area/San Francisco and soon is revitalized there for the 80s.

I have taken the album version of “Body Strong” and few pieces of vocals from a past Sylvester classic and reshaped this beauty for a ReStructure Mix. Giving it a new foundation and sense for that “lost in music” feel. A special thanks to Sylvester for making us feel united and free on the dance floor.
• Power - Glenn Rivera ReStructure Mix - The Temptations

The Temptations are Motown powerhouse male groups who helped to shape soul music during the early 60s and create stage for male emotions. Their music remains timeless and full of a time period when the music scene was rejuvenated with creative talent and excitement. The group recorded from 1964 to present. In 1980 the group released “Power” produced by Barry Gordy and Angelo Bond – the title track was a pulsating funk song and although the arrangement followed a disco edge the vocals remained layered and continued to express the bands sole purpose.

I have taken the album version of “Power” and have reworked its political and spiritual theme in an extended format with a new jack-swing touch to wrap those vocals even more around your mind. The message may be varied from this number but perhaps in current years as it emphasizes a reality. The titled “Power” is what it has always been about – yet this time let’s focus on the “power” of the funk in the beat!
• Love (Is Gonna Be On Your Side) - Glenn Rivera ReStructure Mix - Firefly

Firefly is Manu, Maurice Cavalieri, Maurizio Sangineto and Rolando Zaniolo – an Italian disco/funk project from the early 80s. Presenting an electronic take on Italo-disco with a fusion of funk which took the early 80s by storm during the disco energy simmer. The first album from Firefly is one of their most memorable with the single “Love (Is Gonna Be On Your Side)” hit the dance floors and creates the stomping funk sound. It was a go from the start and some of the most infectious of the Italian dance productions.

I have taken the 12” single of “Love (Is Gonna Be On Your Side)” and have re-worked a ReStructure Mix to break those heavy hand claps and beats into a deeper energy. Also taking the message apart – which is friendship, is priceless. A message worth dancing to and keep alive with the positive energy of dance music.
• Forever - Glenn Rivera ReStructure Mix - Susanne Meals

Susanne Meals is Dora Carofiglio – who’s beautiful falsetto vocal haunted many Italo-disco projects including The New Company, Jackie Moore, Valerie Dore, Alba and Novecento. The sound of Ms. Carofiglio immediately brings to mind an angelic state of mind. “Forever” is a single from 1990 released under the name of Susanne Meals – this track is the hallmark of Italo-disco – a lovely morning song with several vocal hooks and riffs to bring this one into a dance masterpiece.

I have taken the 12” single version of “Forever” and worked on a long-awaited chance to play with the beautiful elements. There are a few new added breaks and looping effects to create more of that dreamy feel to the track. An all-time favorite and T-dance love brought to a new realm of dance.
• Precious Moments - Glenn Rivera ReStructure Mix - Nightlife Unlimited

Nightlife Unlimited is a Candian disco ensemble featuring Tony Bentivegna, Johnny D'Orazio, Louis Toteda and Peter Sciascia. The first album released in 1979 was produced by Peter DiMilo and George Cucuzzella. The project brought all four tracks as classics to a needy dance floor and now a great remembrance and learning experience for new disco enthusiasts.

I have taken “Precious Moments” from the album and have given it a new ReStructure Mix – adding some breaks and drum elements to decorate this lovely love sonnet. It is a beautiful track and features the very talented Louis Toteda on lead vocals. Louis worked on many high energy projects in the 80s including Vera, Elaine Charles and Sweet Brandy.

This ReStructure Mix is dedicated to Mr. Louis Toteda for giving his wonderful talent to a genre of music which has proven loves lives within.
• Bounce, Rock, Skate, Roll - Glenn Rivera ReStructure Mix - Vaughan Mason And Crew

Vaughn Mason and Crew are a funk-disco project from the early 80s when the shift from dancing feet to skating feet hit the mirror ball reflections. This electronic funk take off of Chic’s “Good Times” reaves up a new chapter in dance music where early pieces of rap and funk make disco music a bit more delicious.

I have taken the 12” single – both Part 1 and Part 2 into this ReStructure Mix along with a few samples from some funk from here and there. It is another reason to bounce – you don’t even have to pay by the ounce. It is the funk!
• I'm Dying - Glenn Rivera ReStructure Mix - Dee D. Jackson

Dee D. Jackson (Deirdre Elaine Cozier) is an artist who worked with Giorgio Moroder and Keith Forsey in her early career. Her venture into the music industry began with the single “Man Of A Man” in 1978 and then her well-known classic “Automatic Lover”. Her second album titled “Thunder and Lightning” contained several great tracks – one which was remixed in the 80s – “S.O.S. (Love To The Rescue” ). The short length of the tracks prevented many of them from receiving club play. My favorite song from the project is “I’m Dying” – which displays Dee D. at her best in emotion and power.

I have taken the short 3:49 minute track and have given it a ReStructure Mix to extend and also play with the heavy duty disco production by Gary Unwin and although the song has that rock-heartbreak anthem feel it gives the dance floor a shimmering experience.
• Don't Know Why I Love You - Glenn Rivera ReStructure Mix - Thelma Houston

Thelma Houston taught us how to feel emotion on the dance floor in 1976 with her big disco hit, “Don’t Leave Me This Way”. From the album “Any Way You Like It” which was Thelma’s fourth recording project. The album was great mixture of funk, soul and one of the early stages of disco music as laid out in the mix and arrangement. “Don’t Know Why I Love You” is another fantastic track which always caught my attention as has one infectious rhythm breaks.

I have taken the album version and have given it a ReStructure Mix to give Thelma another opportunity to remind of what a landmark artist she has been in disco music history. Adding a few new beats and looping those incredible bass tracks. There are some high dive breaks and more of Thelma to make us feel right at home.
• Georgy Porgy - Glenn Rivera ReStructure Mix - Toto

Toto is a band including Steve Lukather and David Paich (produced Cheryl Lynn’s first album). Their work is lengthy and also includes a big hot from 1982 “Africa”. Their first project from 1978 was known for the disco single “Georgy Porgy” (which features Cheryl Lynn) – the track was a hit for radio play and clubs. The play on a relationship misjudged works well with the break featuring a teasing Cheryl Lynn injected a touch of soul to the jazz like aura of the track.

I have taken the 12” single of “Georgy Porgy” and worked a new arrangement and feel for the song. It is extended with more percussion breaks and a fade out into an underground sound. The song has always been a favorite and I sure bring many good memories back of either the band or the start of Ms. Lynn’s career.

This ReStructure Mix is dedicated by Marialisa of New York – thank you Marialisa for always giving such a great energy my way. It is appreciated.
• I Can't Go For That (No Can Do) - Glenn Rivera ReStructure Mix - Daryl Hall & John Oates

Daryl Hall & John Hall Oates are a pop rock duo who started recording in 1972 and are currently involved in projects, Their sound brought a magic to the 70s era and their continuance onto the 80s was a pop-dance excitement. “I Can’t Go For That (No Can Do)” is from their 1981 album “Private Eyes”. It was an instant radio hit and many club jocks were lured in by the pumped-electronic groove. It was close to the “Electric Avenue” sound which was building an alternative sound.

I have taken the 12” version of “I Can’t Go For That (No Can Do)” and have given it a ReStructure Mix which pumps up the groove and bit more and also creates a dreamier aura throughout the resistance of this stern lover. It gives me an opportunity to spotlight that 80s sound and how it kept the disco feeling alive.
• That'll Be The Day - Glenn Rivera ReStructure Mix - Pamala Stanley

Pamala Stanley is a talented lady whose career began with the 1979 project “This Is Hot” – produced by Joachim Heider a German producer and composer. The title track was an instant hit and made Pamala a welcomed voice and energy. There is a level of determination in this album where Pamala delivers a sweet, yet powerful energy to the disco songs. She was not only a great performer on stage; she had the voice to make it even more exciting.

“That’ll Be The Day” is a song written by Pamala and is a love ballad with the dance floor outline. It plays out in the matured disco sound of the late seventies. It gives a nice Euro-feel with the flowing strings and heavy percussion and bongo elements. This ReStructure Mix takes the song a bit deeper yet holds onto the beautiful message and arrangement.

This ReStructure Mix is dedicated to Nick and Lindsay who have made these projects even more exciting and loving. Boys, you are wonderful. A great source of dedication and love not only for the music, but also the artist.
• Gaz-O-Lean - Glenn Rivera ReStructure Mix - Area Code 212

Area Code 212 is a disco project from Joe Bana (Friends & Co. Records) along with Joe Castellon and Stan Bronstein. A classic disco theme album piecing themed dance tracks to the New York independent disco sound. One of the last true disco albums from 1979 with the sound which made hustle dancers feel at home as well as the DJs who fought to keep the disco energy alive during a shut down from the industry.

I have taken one of the most mesmerizing instrumentals from the package titled “Gaz-O-Lean” which is close to that Bombers “Pistolero” sound where bass riffs and thumping beats create a haunting like feel. The original album version gets a ReStructure Mix – pulling those fabulous percussion tracks out into the open even further – and that rolling bass sequencer again onto a mirror reflected dance floor.
• C'est Magnifique - Glenn Rivera ReStructure Mix - Santa Esmeralda

Santa Esmeralda is a disco band whose first hit “Don’t Let Me Be Misunderstood” (a disco-fied cover of The Animals 1966 rock hit) helped to change disco music for years to come. The Euro-disco feel and full Flamenco-orchestra fantasy makes the sound of the disco beat feel real. The album was produced by Jean-Manuel de Scarano and Nicholas Skorsky.

I have taken the track “C’est Magnifique” from their 1980 album “Don’t Be Shy Tonight” and have given it a full ReStructure Mix treatment. Extending those fabulous hand-clap effects and also adding a few elements from their instrumental, “Seville Nights” from the “Thank God It’s Friday” soundtrack
• Take Off Your Makeup - Glenn Rivera ReStructure Mix - Lamont Dozier

Lamont Dozier is not only one of the talented songwriter of the Motown/Supremes era – he is also a producer and singer whose album, “Out Here On My Own” from 1973 contains one of the early singles that was a part of the sprouting disco disc jockey weaving 45 rpms into dance blocks. “Take Off Your Makeup” is an early soul classic that has the flavor of soul and that classic feel.

I have taken the album version and created a new ReStructure Mix to extend and play out this uplifting and song of love and promise. It is one of my favorites that I can remember feeling the sweet sound of soul becoming a new brand of dance music. A new intro and mix-out are the highlight of this new piece – but the message and meaning are still the bones.
• Night Sky - Glenn Rivera ReStructure Mix - Rose Laurens

Rose Laurens is a French singer and song writer who is better known for her 1986 dance floor classic “American Love” – produced by Jean-Pierre Goussaud. Her unique vocal delivery can remind one of Tina Turner at moments. “Night Sky” is a single released in 1984 and became an instant dance hall classic for early morning dancers with its fantasy realm using the zodiac as an outline. The English version of the single is actually an interpretation of the French version titled “Zodiacale”.

I have taken the English version of the 12” single – produced again by Jean-Pierre Goussaud and have given it a new ReStructure Mix – extending it with some new arenas of universal beats and some highlighting the 60s backing chorus feel. It is a new journey for those who admire Rose and also the fantasy of the dance floor.
• Ready Or Not - Glenn Rivera ReStructure Mix - Deborah Washington

Deborah Washington is a disco artist with the soft and delicate prescience which was introduced with classic remakes of “The Letter” and “Standing In The Shadows of Love” in disco elegance. Her success on dance floors was a part if the excitement of the disco boom in 1978. Produced by George Tobin (Tiffany) and Mike Piccirillo (Robert John, Kim Carnes) – the project was appropriately placed among the periods more playful and chart aimed projects.

I have taken a single from the “Anyway You Want It” album titled “Ready Or Not” which is a sexy and sleek track and infused some new drums and additional phasing to make this dreamy number more of a discotheque delicacy!
• We Can Work It Out - Glenn Rivera ReStructure Mix - Chaka Khan

Chaka Khan has provided a map for funk and soul starting from the early 70s. Her voices gave soul and funk an energy and overwhelming emotion. Many hits have been left behind in funk, disco and in ballads. “What Cha’ Gonna Do For Me” is her 1981 project produced by Arif Mardin which delivered several hits for fan including “I Know You, I Live You”, “Fate”, the title track and also her cover of The Beatles’ “We Can Work It”. Fused with the 80s electro-funk sound and those raging horns – enough for Chaka to play in.

I have taken the album version of “We Can Work It Out” and created an extended and playful arrangement using pieces of the rhythm and horn section to create a new flow. It has some dub-like breaks that are to give the song a few more words to feel secure about as your shaking you butt.
• Stay The Night - Glenn Rivera ReStructure Mix - Billy Ocean

Billy Ocean is an artist with a sound that is warming and sweet. Much of his work defines a mark which resembles a lullaby of sorts. Many of his projects fell into the pop-dance arena giving some great treasures. “Stay The Night” is from his 1980 album “City Limit” produced by Ken Gold – it is one of my favorite songs of that year since the chorus riff was stuck in my head for nights.

I have taken the 12” version of “Stay The Night” and worked a new ReStructure Mix to add some new parts that add instrumental parts to cool down from that wonderful and soulful swooning. It is funky and full of promise – the perfect ingredients during a shift in club music.
• A Gay Time Latin Lover - Glenn Rivera ReStructure Mix - Easy Going

Easy Going is an Italian band (named after a gay club in Rome) formed by Paul Micioni and produced by Giancarlo Meo and Claudio Simonetti. The band shared a great success in dance music with their three albums. The biggest hit being “Fear” in 1979 – an innovative electronic piece. The third album was released in 1980 and featured the track “A Gay Time Latin Lover” which uses a funky rhythm guitar and heavy horns to expel the tale of a too-hot-to-handle love interest that can never stop the behavior leaving our band insecure.

I have taken the album version and created a ReStructure Mix stripping down some of the bass, horn and syndrums effects to create a more edged mix with several new breaks and reworking the verses to do without some of the vocal riffs.
• Shoot Your Best Shot - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford’s project “I’m Yours” from 1980 was a disco-funk treasure for fans and dancers. It seemed as though Linda would never let her followers do without. “Shoot Your Best Shot” is a track which received tremendous response from DJs and dance floors. The production by Isaac Hayes is one of the year’s best.

I have taken the album version of “Shoot Your Best Shot” and reworked new ReStructure Mix using elements that ‘blast’ throughout the arrangement. Linda’s out-of-sight vocal is the stage here – so the new breaks and trip are strictly to bring a new flavor to the song.

This ReStructure Mix is lovingly dedicated to the kindest and caring woman in music that I have met – Ms. Linda Clifford. Thank you, Linda for sharing your talent and making us believe there is more out there to smile at.
• Same Time Same Place - Glenn Rivera ReStructure Mix - Tamara

Tamara Lorincz is a disco singer who was known as part of the big disco album “Bombers 2” featuring “(Everybody) Get Dancing”, “Let’s Dance” and “Shake”. Her placement as a disco chanteuse calling out the dancers and romancers to take their places is one of the gifts of the disc era. “Same Time Same Place” is her disco cooker from the album “Magic Dancer”. It is the beautiful melody of disco music where the scene is projected and played out with dancing and romance.

I have taken the album version of “Same Time Same Place” and have given it a ReStructure Mix to lengthen the lilting melody and mood. It is one of Tamara’s lovely themes and also reminds us of the talented Canadian musicians who play such an important part of disco history.

This ReStructure Mix is dedicated to the lovely, Tamara Lorincz who reminds me that the disco chanteuse is a gem to our hearts.
• Stay The Night - Glenn Rivera ReStructure Mix - Nina Schiller

Nina Schiller’s album “Stay The Night” was produced by San Francisco’s high energy/disco master, Mr. Bill Motley (Boys Town Gang, Magda Layna, Lisa) and gave the early 80s a continuum of beautiful dance music to move to. It was another resurgence of an opportunity to fall in love on the dance floor, once again. With the voice of Ms. Nina Schiller it was hard to resist this magic. The project is best remembered as being the heart-felt emotion of new love and the longing for a deeper emotion. A favorite of mine and one to keep in the spirit of love.

I have taken the album version of “Stay The Night” and have given it a ReStructure Mix to bring more of that love to mind and also to those who are ready to take off to that wonderful feeling of love and warmth.

This ReStructure Mix is dedicated to the lady herself – Ms. Nina Schiller for bringing us into a place that can come alive in these wonderful love songs.
• Tell Me I'm Not Dreaming (Too Good To Be True) - Glenn Rivera ReStructure Mix - Jermaine Jackson

Jermaine Jackson brought the early 80s his own brand of funk with “Let’s Get Serious” and “Burnin’ Hot”. It was race to keep up with his own family band, Jackson’s and of course, Michael who seemed to set the world on fire during the 80s. Jermaine’s 1984 album, “Dynamite” was a brand of pop-dance tracks which brought him a few video hits and of course more space on the dance floor. His track “Tell Me I’m Not Dreaming (Too Good To Be True)” produced by Michael Omartian features Michael in a brief cameo above Jermaine’s haunting love song.

I have taken the album version of the song and have given it the ReStructure Mix work to give it a new feel along with a familiar rock-classic drum track. It extends the song and also gives it a bit more mystique with more sweeping effects and some breaks to make it more of an irresistible piece to get lost in.
• Paint A Rumor/Heaven - Glenn Rivera ReStructure Mix - Eurythmics

Eurythmics are a 80s act or artistry and sound that has not yet been topped by a duo today. Their music was haunting and emotional. Anne Lennox on vocals made each song an opera of pleasure, pain and deceit. Dave Stewart as the master behind the music and robotic motions brought a new age of electronics heavily inspired by the innovation of the late seventies. I have taken two tracks: “Paint A Rumor” from their 1983 “Touch” project and “Heaven” from the 1987 act “Savage”. Each track utilizes the heavy rolling sequencer to begin each story.

This ReStructure Mix rolls both tracks into one suite – using the original BPM of each to convey the message as one. Both are favorites as most of Eurythmics creations are. The empty feel of these pieces given off that early morning shade which has a certain mystique that disco music is all about.

The medley is dedicated to Jeff Best – for his love of not only Anne Lennox and her talent but also for the love that I have experienced in his soul. Thank you, Jeff
• Where Is The Love - Glenn Rivera ReStructure Mix - Margaret Singana

Margaret Singana is a singer from South Africa with a unique sound. Her album “Where Is The Love” from 1976 contained the titled track which was featured on the Casablanca 12” Special Mix Edition and gave the song a bit of spark to DJs and dancers at the time. The song is a classic in my mind. It has all of the essence of funk and the transition to disco in the mid-70s. Margaret’s vocal adds a style to the song which gives it an interesting twist.

I have taken the album version and worked a ReStructure Mix which extends and adds some new moves to the arrangement. It gives way to the recordings original sexy intro to wind down those sweaty and hot bodies.
• Crystal - Glenn Rivera ReStructure Mix - Elton John

Elton John recorded a few dance floor pieces – his first disco project in 1979 titled “Victim Of Love” and produced by Pete Bellotte. The 80s brought the dance scene into a pop edge with electronic keyboards bringing a whole new modern edge to the formula. Elton’s 1983 album “Too Low For Zero” featured a track titled “Crystal” which was featured as an extended mix by Joseph Watt (Razormaid) on Volume 6 Program 10. The song was a fast moving song bringing an upfront vocal from Elton into the spotlight with a few guitars and keyboards. A 80s feel indefinitely.

I have taken the album version of “Crystal” and re-worked the recording adding a new beat-drum track to emphasize a bit more of the swing excitement. There are a few more loops and play with the keyboards and guitars to add a dub-feel to the arrangement.
• You're The First, The Last, My Everything - Glenn Rivera ReStructure Mix - Barry White

Barry White may have been the first artists to explore the possibilities of an early side of pre-Euro-disco. His lush strings and arrangements brought a new excitement to soul music and the dance floor during movement in music. His 1974 album “Can’t Get Enough” contains some of his classic pieces – including the title track and “You’re My First, The Last, My Everything”. Love ballads set to rhythm and the upcoming mood of a new era of dance music.

I have taken the album version of “You’re My First, The Last, My Everything” and have reworked the string section and chopped up some of the drum and snare segments – giving a new arrangement and feeling to a never ending love song. This ReStructure Mix extends the track and also moves into a few fantasy breaks.
• Black Lady - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer made the seventies complete with a collection of compositions and recordings which bring the period alive. Her work with Giorgio Moroder and Pete Bellotte are now the greatest parts of music during a great transition of soul and funk becoming a new style. Her album “I Remember Yesterday” from 1977 is one of Donna’s greatest musical challenges as her voice moved away from the breathy style of her early albums. And although it was intended as it was recorded I have always felt, even today she is one of the only female artists with voice and power to achieve this mode.

“Black Lady” is one of the cuts from “I Remember Yesterday” which was a bit odd since it did not stand out as much. It has some of the funk driven moments for Donna – vocals included. I always felt it was her “Lady Marmalade” tribute.

I have taken the short album version (3:47) and have given it a new ReStructure Mix using some of the horn and funky rhythm parts to build not only an extended version but also a new arrangement with new breaks and motion
• Nobody's Stopping You - Glenn Rivera ReStructure Mix - Peter Batah

Peter Batah is a Canadian disco artist from the early 80s with two powerful dance floor hits. “Rock Me Now” was released in 1980 and was produced by Claude Allard – the following year was his single “Nobody’s Stopping You” produced by Joe LaGreca and the arrangements identifiably Denis LePage of Lime and many high energy projects of the period. This heart wrenching track in a powerful outcast of a lover who has worn out the threat of leaving – and the time has been reached where no regrets are near.

I have taken the 12” vocal and instrumental and created a ReStructure Mix which extends the synthesizer patterns and ominous percussion tracks to add more definition to the heartbreak and strength to end what is obviously done. More chances to move in new direction on the floor also.
• All American Girls - Glenn Rivera ReStructure Mix - Sister Sledge

Sister Sledge brought the disco era to the peak with their big 1979 anthem “We Are Family” – produced by Nile Rodgers and Bernard Edwards. The sound of Chic was a successful blend with the ladies and their lovely harmony and positive attitudes. During in the early 80s when a funky-edge was being applied to the shift in dance music another anthem was again delivered. “All American Girls” is their 1981 hit produced by up and coming hit-master Narada Michael Walden.

I have taken the album version of “All American Girls” and worked a new ReStructure Mix using the rhythm and bass guitars play a few new pieces to give the track a new energy. The groove of Narada’s disco influence are the sheer magic of the song.
• Sado Maso Disco - Glenn Rivera ReStructure Mix - Must

Must is a disco project from Brazil which plays with the sado maso fetish and takes it onto the chic dance floor with chants and play-time for adults. This campy little track proves that you have to have a sense of humor to give into disco music or good strong cat-o-nine-tails. It is a celebratory and dance injected number and comes from Michel Gouty, Celestin Ganou and Pierre Nacabal.

I have taken the original 12” version “Sado Maso Disco” and have given it a ReStructure Mix adding another “playful” track in the 80s synth-pop genre to give it more humor to slap around. It is intended as fun and games – and not to be taken too seriously…otherwise, get a room.

• Angel In My Pocket - Glenn Rivera ReStructure Mix - Change

Change is a disco project from 1980from Jacques Fred Petrus who worked throughout the mid and late 70s to perfect the disco sound as he also created the new innovative electronic disco vibe with bands like Macho, Peter Jacques Band and Rudy. The first Change album “The Glow Of Love” is a classic and iconic piece of disco perfection in a cross between his nigh energy bands and the New York/Chic-esque sound. Along with lead vocals by Luther Vandross and Jocelyn Shaw (Brown) there are moments of disco ambience and disco funk that cross paths so slick.

I have taken the album version of “Angel In My Pocket” which was one of the many cuts which aimed at floor-play. It has the powerful voice of Jocelyn Shaw taking us into safety after a bad fall and assuring us that we can look after ourselves when we look back and learn from experience. A new kind of angel. It has some new familiar beats and a long break to pull out more of the diva-in the track!
• Centipede - Glenn Rivera ReStructure Mix - Rebbie Jackson

Rebbie Jackson is one of the last of the Jackson-Family clan who emerged with a certain talent to trickle down the family tree. And in an eerie way. Michael who collected animals and critters from all over the world wrote this percolating-funk ditty about a woman named “Centipede” who like the creepy crawler had many arms to sting many lovers whom would adorn her on those hot summer nights. A great theme another electronic winner with its dubbed guitars and funky-kick-ass beats.

I have e taken the 12” vocal and instrumental to create a new ReStructure Mix outlining more of the eerie and hypnotic instrumental beats and guitars which play like a wind instrument in front of a glaring cobra. Also, to outline fabulous back vocals by Martha Wash who really makes this 80s dance piece a classic with her vocal fills in both chorus and ad-libs.
• Holiday - Glenn Rivera ReStructure Mix - Madonna

Madonna brought the 80s an exciting new way to look at dance music and bring change to the music industry and place an artist in the driver’s seat. Her first 12” release titled “Everybody” was a promise of more to come – and the album had that proof: “Holiday” is the track that brought a full circle to the first of many which Madonna achieved. Produced by John “Jellybean” Benitez – a club DJ who brought dance floors many of it’s own requests from his own experience behind the spinning vinyl.

I have taken the album version of “Holiday” and have given it a new ReStructure Mix to lay out a new day for celebration for all – as the meaning of disco resembles – all. The bass, guitars and beats as chopped and rearranged along with a few samples from a few past “holidays”.
• You Can't Hide (Your Love From Me) - Glenn Rivera ReStructure Mix - David Joseph

David Joseph has one of the 80’s electronic funk singles which marks The Paradise Garage and its progressive dance groove during the new generation of hardcore club movers. The track has the feel of the underground New York sound which helped to influence many new disc jockeys and artists to look towards a more raw and basic feel.

I have taken the US 12” and have given it a ReStructure Mix to add a new dimension to the song. It has many new curves added and I have given the lyrics and meaning more of an opportunity to let the body do the talking.

This ReStructure Mix is dedicated to Alan Hawkins of Facebook – with thanks for his support, kind words and love for the music that goes boom in the night!
• Chanson d'llegance - Glenn Rivera ReStructure Mix - D'llegance

D’llegance is a disco group from Ian Levine and Rick Gianatos whose first single from 1979 was a double sided “Share My Love” and “Midnight Ride” – production in the Ian Levine-disco orchestration and vocals in soulful harmony. The second single in 1982 is a band-anthem titled, “Chanson D’llegance” which gives several French verses as a riff and a definition of the savor faire the band was to portray,

I have taken the Airwave Records 12” vocal and extended instrumental and created a ReStructure Mix which plays a bit more with bits and pieces of the groove and vocal to create a new edit with some new break-fills inserted. The original version was always a hit on my dance floor during its release and helped to being back chic-disco edge in the early 80s.
• You've Lost That Loving Feeling - Glenn Rivera ReStructure Mix - Paris Connection

Paris Connection is symphonic disco project from Alec R. Costandinos who brought us Sumeria, Love & Kisses and his disco operettas of “Romeo & Juliet” and “The Hunchback of Notre Dame”. His music brought the Euro-disco sound to another end of dance floors along with Cerrone and Don Ray. His project for Paris Connection contained to disco covers of pop-songs from the 60s: “Eloise” and “You’ve Lost That Loving Feeling”. Both arranged in the disco symphony formula where new pieces were added to detail the side long versions.

The album was arranged and conducted by Raymond Tarass Knehntsky

I have taken the B-side of Paris Connection (from the LP version) and created a new ReStructure Mix with a much easier intro and few new elements to make this sweet production move differently. The 18:03 long album version is trimmed down and re-waxed.
• If You Can Dance You Can Do It - Glenn Rivera ReStructure Mix - Slimline

Slimline is an electronic dance project from producer Mike Leander – who is known for his productions of The Glitter Band in the early 70s. This infectious single from 1982 works on the aerobics craze of the time period and a stompin’ rhythm beat that creates a solid foundation for a “Madison-rap” and peaks that sound sinister as well as energetic. It is the only material leased from Slimline and a number that brings back the disco power of early 80s.

I have taken the vocal and the instrumental (with count) and created a ReStructure Mix that uses for electronics from Kraftwerk to accent the climbing and falling arrangement. It is lengthier and more fun as the trio guide you through this hypnotic dance experience.
• Young Hearts Run Free - Glenn Rivera ReStructure Mix - Candi Staton

Candi Staton is a soul singer who began recording in 1970 with a voice that was inspirational and brought a warm to souls. Her singing career eventually brought her into the 70s disco scene where her big 1976 hit, “Young Hearts Run Free” became an instant anthem and classic among club and music enthusiasts. The track was written and produced by Dave Crawford who also helped Candi through a few more dance floor hits.

I have taken the album version of “Young Hearts Run Free” and have given this ReStructure Mix more breaks and some dub-like pieces. It is the flavor of disco music which never grows tired as classic soul and Motown. There are a few pieces of Candi from affiliated feelings in a follow up hit which I had a moment of reflection of how disco music can mark moments in life with such emotion.

This ReStructure Mix is dedicated to Anthony Gioffre – thank you for asking for this wonderful track and "keep feeling it" – it is a great gift.
• Slave To The Rhythm - Glenn Rivera ReStructure Mix - Grace Jones

Grace Jones – period! No introduction needed. It has been years that Ms. Jones has held the mystique of art and fierce persona. Fashion and music are just natural for this performer who take the ordinary and creates the uniqueness. Who knows is we will ever see it again? But who cares…just go back to Grace. You’ll find it there.

“Slave To The Rhythm” is from the album of 1985 produced by Stephen Lipson and Trevor Horn - creating a new stage for Grace to give inspiration to the rhythm and sound of art. I have taken the single version from the US 12” single and have created a ReStructure Mix which points towards an early morning rendition of the original production including an overture.

This ReStructure Mix is dedicated to Van Belgie Grace on Facebook and the thanks for keeping the panther out of the cage. Thank you Van Belgie Grace also for the kindness.
• I Got That Feeling - Glenn Rivera ReStructure Mix -Love De-Luxe

Love De-Luxe is a disco project from Alan Hawkshaw who also worked with Miquel Brown and his own 80s dance group K.I.D. (“Don’t Stop”). His album “Again and Again” features many of musicians from the Munich Disco Recordings – including Les Hurdle, Ray Cooper and Pat Halling on strings. The album was one of the Euro-disco gems of its time with the big crossover song, “Here Comes That Sound Again”.

I have taken the album version of “I Got That Feeling” and have given it a new ReStructure Mix to give the verses a new layout and arrangement. It is one of the most beautiful recordings with the disco orchestration and synthesized backup.
• Dancing Is Alright - Glenn Rivera ReStructure Mix - THP

THP (Three Hats Productions) are the sound of producers Ian Guenther and Willi Morrison who also brought us The Duncan Sisters, Skatt Brothers, Sticky Fingers, The Immortals and Southern Exposure. A bold blaring sound for disco music which helped to bring the power of the big “orchestral’ band sound. THP is a project not only based on their name but each project dedicated to a new sound for a new vocalist: Barbara Fry on “Two Hot For Love” – The Duncan Sisters on “Tender Is The Night” and Joyce Cobb on “Good To Me”.

I have taken the fierce track “Dancing Is Alright” from the “Good To Me” album and reworked it into a new ReStructure Mix for some looped action and fun with segments. One powerful disco album where each track stands on its own. A die-hard piece of vinyl for me!
• Two Of Hearts - Glenn Rivera ReStructure Mix - Stacey Q

Stacey Q (Stacey Lynn Swain) is a pop-dance act from producer Jon St James (Bardeux, Red Flag, Anything Box) who made the simple sound of synthesizers fill in the gap of mid-80s dance floors. It was a return to the sweet sound of disco music and a bit of street sampling – for the single “Two Of Hearts” from 1986.

I have taken the 12” “Extended Mix”, “Instrumental” and pieces of the “Acapella” to give this 80s dance classic a ReStructure Mix – working more on the funky kick-ass beats from the break and making them the foundation of this new experience. It is a 80s feel that remains close to our hearts – both of them!
• How - Glenn Rivera ReStructure Mix - Flower

Flower is a sexy disco number in the vein of sultry and amorous moods. Her second album titled “Heat” is produced by Richie Rome – who collaborated with Jacques Morali to create The Ritchie Family in 1975. The full orchestration in the Philly-tradition gives his music the fantasy angle which disco music is meant to bring.

“How” is a very sensual number from the “Heat” album and is a favorite among those who savor the full-disco experience. More of the yearning and ecstasy that love and desire are brought to the surface in disco music of the 70s. I have taken the “Long” and “Short” version of the 12” and recreated a drum-fantasy ReStructure Mix to soothe over those “playgirl”-esque vocals of Flower.
• Nothings Gonna Stop Me Now - Glenn Rivera ReStructure Mix - Samantha Fox

Samantha Fox is a pop-dance singer who was transformed from glamour model to dance floor sexpot. The early days of Samantha Fox are in the girlish pop singer genre where streets are the haven for being naughty and nice. Her second album features a track produced by non-other than the kings of 80’s dance music Stock, Aitken and Waterman – who transform her style into gold. A nice raging number that maintains sweetness thanks to Samantha’s whispery delivery.

I have taken the “Extended Mix” and “Instrumental” from the 12” single and recreated a new “stop” – and go mix with more emphasis on those SAW classic synthesizers. Pieces of drum beats and lyrics are tossed around to give the new version a dub-like edge. A special cameo by three ladies adds the finale blow to Samantha’s direction.
• Lover To Lover - Glenn Rivera ReStructure Mix - Joe Yellow

Joe Yellow (Domenico Ricchini) is an Italian disco singer who released a big Italo-disco hit in 1983 titled “Lover To Lover” – produced by Roberto Turatti and Mikki Chieregato. The track laid out a powerful and pulsating dance beat and sweeping keyboards which created a sound completing the early 80s dance experience. The track played out as a formula for high energy music which was being produced out of the UK during the same time.

I have taken the 12” vocal and instrumental from the US release and recreated a new ReStructure Mix keeping the pleading and loving question upfront and only adding some new playful elements to make the return of this powerful piece fun and infectious again.

Dedicated to all of the hard-core Italo-disco fans and dancers!
• The End - Glenn Rivera ReStructure Mix - Change

Change is a disco project from producer Jacques Fred Petrus who also brought us Macho, Peter Jacques Band, Rudy and Revanche. Disco music emerged into a new experience following his innovative electronic arrangements. The project for Change was I am sure intended to create a new sound for the 1980 for dance floors. The tracks were in the pulsating disco vein and also in a New York funk groove which proved successful after the first single from the album, “A Lover’s Holiday” became the anthem of that year.

I have taken the closing track from the project appropriately titled “The End” which is an Italo-disco instrumental which sounds like an instrumental from Space. It is layered beautifully and offers a more ambient and new age sound – along with the pulsating disco sequencers. The production was completed by arrangers David Romani, Paolo Gianolio and Mauro Malavasi.

The new ReStructure Mix adds some new breaks and feel to the flow of the piece.
• Vamp - Glenn Rivera ReStructure Mix - Gregg Diamond's Hardware

Gregg Diamond is a disco producer who was formerly a member of a rock-band, Five Dollar Shoes from 1972. His 1975 production of Andrea True Connection’s “More, More, More” gave him immediate attention in the soul and disco genre. His style was truly a layered production with many riffs and grooves for the quickly emerging disco sound. His project Bionic Boogie from 1977 is one of the examples of Diamond’s touch in combining soulful vocals with his unique arrangements – along with the assistance of Tom Moulton extending the songs for discotheques which was the new edge on soul and funk music.

Hardware is a project from 1979 with a sound that displays how disco music matured and revitalized itself almost to a mechanical beat and outline. His vocal ensemble is close to the Bionic Boogie projects with a feel of rock infused.

“Vamp” is a clip-track from the album that is actually the closing of another song from the project titled “War Paint (Love Line)” (featuring a saxophone solo from David Sanborn). It is merely one of Diamond’s plays with a vocal riff and the infectious rhythm of his guitar and drum kicks. I have taken the same theme and extended with lots of tricks and new breaks to frame the chant, “Did she dance?”
• Super Extra Sexy Sign - Glenn Rivera ReStructure Mix - Kano

Kano is an Italian disco project featuring Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. The sound of Italo-disco hit the roof with their big 1980 hit “I’m Ready”. It was a sound that came from space somewhere or an altar of dance worship. The album was one of the great electronic episodes from the band in the early high energy vein.

“Super Extra Sexy Sign” is one of the singles from the project which was released as a single and made big impact with its keyboard drama and strange vocal incantations. I have taken the 12” version and have given it a new way of feeling – using the intro keyboards to emphasize the groove of the little gem.
• I Hope It's The Right Time - Glenn Rivera ReStructure Mix - Inner Life

Inner Life is a disco project from Greg Carmichael, Patrick Adams and lead vocalist, Jocelyn Brown – in continuance of the full-on New York disco sound of the late seventies. The project follows the percussion driven tracks with a fusion of soul and sophistication. Echoes of the Musique and Bumblebee Unlimited sessions are here in a dance extravaganza.

I have taken the album version of “I Hope It’s The Right Time” which was one of the second picks for disc jockeys following the big success of the first single from the album “I’m Caught Up (In A One Night Love Affair)” and have given it a ReStructure Mix to add a few more hooks and segues to new breaks. The lead vocal by Jocelyn Brown is that magical sound which made dance floors identify with disco music – and the back-up vocals are the Inner Life experience.
• Race - Glenn Rivera ReStructure Mix - A Taste Of Honey

A Taste of Honey was a disco act formed in Los Angeles, CA - Hazel P. Payne, Janice M. Johnson, Donald R. Johnson and Perry Kibble. Their big disco classic “Boogie Oogie Oogie” from 1978 introduced a smooth soul edge to disco music. Their Grammy award from 1979 as “Best New Artist” gave the group only a part of what they have given dance music history.

“Another Taste” is the bands second project from 1979 and was released during a highly saturated disco market. It was another juicy piece of soul and disco played out well with classic sound of the band. “Race” is a track from the album which made my playlist and remains the “Honey” sound with its groovy bass guitar licks and instrumental beauty.

I have taken the album version to give the song a ReStructure Mix which works more on an extended play on the songs fierce drop-breaks and those sweet vocals.
• Munich Machine Medley - Glenn Rivera ReStructure Mix - Munich Machine

Munich Machine is a disco project lead by Giorgio Moroder and created a sound during the mid and late seventies which gave disco a new sound and label. Much of the music coming from Munich consisted of musicians who were apart of the new funky sound which was being formulated and used to make many disco stars including Donna Summer. The 1977 album “Munich Machine” was a blockbuster moment for dance floors and DJs. It was the underground disco sound in a polished form.

I have taken the side two medley which includes instrumental movements from Giorgio’s solo projects, Donna Summer and Roberta Kelly which were making big marks both overseas and in the US. The medley blends each track into a non-stop disco party. I have created a ReStructure Mix and played with some of the elements to create a kaleidoscope-like disco mix.
• Temptation Eyes - Glenn Rivera ReStructure Mix - Gino Soccio

Gino Soccio marks the end of the seventies with a style of electronic dance which matures in an ambient and new-age vibe – with rhythm and funk. His move throughout the 80s was marked three unique albums to his sound. Each is an innovative and genius attempt for this musician, songwriter and artist.

“Temptation Eyes” is Soccio’s cover of The Grass Roots 1971 pop-rock classic. Performed in Soccio’s programmed rhythm and interpretive style. This was released as a 12” single in 1985 and was a gift for those who could get lost in the simple layering and sound of Gino Soccio’s productions and arrangements.

This ReStructure Mix is an alternative to the 12” and gives a few moments of earlier work on the “Outline” album. It was a reason to play with Gino’s work again and hear that build over and over again.
• You Take My Heart Away - Glenn Rivera ReStructure Mix - Gillian Lane

Gillian Lane is a Canadian disco artist who helped to fill the gap between disco and high energy during the early 80s. Along with producers Gino D’ Orazio and Tony Bentivegna who also created tracks by Suzy Q, Nightlife Unlimited. Motion, Sweet Heat, Stephanie Wells and Ladies Choice – this was the melodic and pulsating sound of a new disco energy.

A new ReStructure Mix of “You Take My Heart Away” is extended and also teasing in the disco deejay fashion of spoon feeding little by little. It is one of my favorite Canadian disco tracks from this fabulous era and has that haunting sound of a love song with power, passion and a driving underground energy.
• Hang On To Your Love - Glenn Rivera ReStructure Mix - Sade

Sade is a British soul-jazz group with the sound of a classic vocalist (Sade Adu) and the reflection of music which paints the atmosphere as well as entertains. Their first album “Diamond Life” was produced by Robin Miller and gave the mid-80s a new sound and group which even today brings excitement and soul satisfaction.

I have taken the single “Hang On Your Love” which was released as a 12” dance single – and have given it the ReStructure Mix treatment to play with the wording, piano riffs and rhythms. It is more of a dub-like feel – but is there to give another listen to a great song. In a new way.
• Lost In Emotion - Glenn Rivera ReStructure Mix - Lisa Lisa and Cult Jam

Lisa Lisa and Cult Jam are Lisa Velez , Mike Hughes and Spanador – an 80s funk group who delivered four albums which created a new dance sound for a dance floor ready for a new groove. Their second LP “Spanish Fly” was a welcome site for ready feet. Produced by Full Force a band formed in Brooklyn, New York. It was street sound which could apply to a new generation of dancers.

I have taken the 12” single and used the F.F. remix and “Can’t Find Myself Mix” to create a new ReStructure Mix which begins with a new driving force and adds a few breakdowns and a surprise guest vocalist who is quite fitting
• Sooner Or Later - Glenn Rivera ReStructure Mix - Nina Schiller

Nina Schiller (released originally as Crystal & The Team) worked dance floors into a frenzy with her first single, “(Won’t You) Dance With Me” in 1981. The popularity of the track and the power of producer Bill Motley’s part in the dance resurgence in San Francisco created an album, “Stay The Night” on Moby Dick Records.

“Sooner Or Later” is a track also featured on the 12” single and was re-produced with Nina again leading the beautiful and lyrical chorus. This time around the pumping sequencers gave the song and Nina a new energy to make dancers feel lovely all over again.

I have taken the album version of “Sooner Or Later” and have given it a new ReStructure Mix with a new extended play and some fun-tweaks along the way. It is a powerhouse high energy song from the early 80s and should always be included as well as the voice of Ms. Nina Schiller.

This ReStructure Mix is dedicated to the wonderful, Nina Schiller – and thank you for the “phone call”, Nina – the answer is past tense – I am a fan and always have been!
• Space Warrior - Glenn Rivera ReStructure Mix - Munich Machine

Munich Machine is a disco studio group comprised of many members of early recordings from early disco artists such as Donna Summer, Roberta Kelly, Dino Solera and Chris Bennett. The sound of Giorgio’s productions seem to mature here with the popularity of disco music growing and the need for more commercial sets. The first self-titled Munich Machine album featured a medley of tracks from Donna Summer and solo Giorgio albums where the productions feature the Munich ensemble behind the scenes.

“Body Shine” is the fourth album from 1979 which completes the disco journey of The Machine – less of Moroder’s touch, yet still robotic and futuristic in several themes. One of the most secretive was “Space Warrior” which sounds much like Moroder’s “Battlestar Gallactica” project with more of a live band addition with wining guitars and acoustic accompaniment.

I have taken the album version of “Space Warrior” and created a new ReStructure Mix – playing with loops of the driving bass sequencer and more added effects.
• Time Of Your Life - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills is a soul/funk and disco voice who brought power to the end of the 70s with hits like “You Can Get Over”, “Put Your Body In It” and the early 80’s with Sweet Sensation” and “Never Knew Love Like This Before”. It seemed as through a love affair with Stephanie’s unique vocal and positive themes had only begun. Stephanie’s album (her tenth release) from 1985 contained more of Stephanie’s magnetism on the dance floor with the electro-dance tracks “Stand Back” and “Time Of Your Life”.

I have taken the 12” single of “Time Of Your Life” using the vocal, instrumental and acapella to create a new ReStructure Mix which is lengthier and has a few drop spots to feel Stephanie message which outlines the excitement of making life special by celebrating with an uplifted mind and attitude.

“Time Of Your Life” was produced by Richard Rudolph who co-wrote Minnie Riperton’s “Lovin’ You” and also produced Teena Marie’s “Lady T” album.

This ReStructure Mix is dedicated to Nick and Lindsay in response to their request for this hidden 80s dance piece from Ms. Mills.

• Charmed By You - Glenn Rivera ReStructure Mix - Caress

Caress is a studio project from Boris Midney – a composer, producer, musician who brought a new techno, space-age, and ambient sound to disco in the late 80s. Borrowing the smooth strings of Euro-disco and the Philly-edge he created a new style of dance music which fascinated dancers and listeners.

His album “Caress” from 1979 followed by his USA European Connection projects, Beautiful Bend and Masquerade - where he doused once again some new elements to add to this audible masterpiece of sound. His sound can be described as an ambient orchestra of keyboards and strings along with the Afro-Cuban percussion moving the rhythm along.

I have taken the track “Charmed By You” – which is one of my favorites of Midney’s many loved pieces and created a new ReStructure Mix. Adding breaks using his rhythmic sections and groovy vocal tracks which became his staple on much of his 80s work.
• Falling In Love Again - Glenn Rivera ReStructure Mix - The Three Degrees

The Three Degrees paint a lovely picture each time these ladies harmonize – it is sweet and memorable each time they light up a disco anthem. One such track from their album “New Dimension” from 1979 is “Falling In Love Again” – it seems that this song is least anthem-like of the original medley including “Givin’ Up, Givin’ In” and “Looking For Love” but I have taken the track from the medley (from the Disconet medley not the album) and have given it a new ReStructure Mix to give it a new stamp to lift it to new heights.

This new ReStructure Mix adds a new instrumental ending for those who want to add themselves to the ladies line up in harmony or just sway to the lovely melody. The production from Giorgio Moroder contains his jittery and phased keyboards along with the ladies serenading a great moment for the heart – a true disco feel.

This ReStructure Mix is dedicated to Nick and Lindsay – my “Two Degrees” of disco heaven – thanks for the request and for always being so kind and loving the ladies of disco!
• Feel My Love Tonight - Glenn Rivera ReStructure Mix - Stacy Lattisaw

Stacy Lattisaw hit the disco scenes in 1979 with her album “Young and In Love” – produced by Van McCoy. It was her 1980 album “Let Me Be Your Angel” which brought her big success both on radio and in clubs with tracks like, “Dynamite”, “Jump To The Beat” and the title ballad. “With You” was released in 1981 and produced by Naratha Michael Walden was another rbig club favorite with “Feel My Love Tonight”.

I have taken the 12”/album version of “Feel My Love Tonight” and created a new ReStrcuture Mix adding a bit more fantasy and layering a well known “love feel” by the Queen of Disco. This mix centers on the funky beats and adds more to the mix with length and some looping.
• Think It Over - Glenn Rivera ReStructure Mix - Cissy Houston

Cissy Houston has brought some of the big numbers from the disco era – “Think It Over” opened the disco stage and “You’re The Fire” closed the disco era in the early 80s with another lovely Michael Zager production and Cissy’s soulful sound.

I have taken the original 12” version of Cissy’s “Think It Over” and have given it a new ReStructure Mix – taking the drum roll into to create a new drum foundation riff and work it through the definitive track which forces an uneasy lover to actually take responsibility for their action. It is a great classic and is offered her in an alternative version.
• Love and Devotion - Glenn Rivera ReStructure Mix - Michael Bow

Michael Bow is a high energy artist from the mid-80s who followed the Bobby O’ troupe of percussion driven dance music which left most dancers drenched and begging for more. The productions by Fonny De Wulf (Rofo, Samantha Gilles, Charity, Bianca) are the 80s electronic period with all of its fantastic energy and along with Michael’s powerful voice it is a classic sound.

I have taken Michael’s 1987 track “Love and Devotion” (the original 12” version and the instrumental) and created a ReStructure Mix with some new parts and edits to make the song another chapter to look back and realize how it was, we never stopped dancing!
• Just Us - Glenn Rivera ReStructure Mix - Two Tons O' Fun

Two Tons O’ Fun are Martha Wash and Izora Amstead – who are also The Weather Girls (“It’s Raining Men”) and a back-up extravaganza for many recording sessions including Sylvester, Paradise Express, Rebbie Jackson, Stacy Q as well as many Megatone disco tracks. Their first solo album titled “Two Tons O’ Fun” from 1980 contained the club hit, “I Got The Feeling” and “Earth Can Be Just Like Heaven” – two of the most incredible dance experiences. The single “Just Us” was also a pick for many DJs who preferred the mid-tempo sweetness and positive energy.

I have taken the 12” version of “Just Us” and reworked it in a new ReStructure Mix adding a few elements from George Kranz’s cult-dance classic “Din Daa Daa (Trommeltanz)” – the new version extended and re-loved!

This ReStructure Mix is lovingly dedicated to Ms. Lorna Warden who has been a wonderful light of love and care. Thank you, Lorna – you came at the right time. Life is magic
• Touch and Go Lover - Glenn Rivera ReStructure Mix - Carol Jiani

Carol Jiani is one of my favorite dance divas thanks to her unique voice and feel of her delivery. From her 1981 dance floor smashes, “Mercy” and “Hit ‘n Run Lover” there was a spark that began a whole new sound and excitement for disco music. I can remember the floor moving once again to the beat whole-heartedly with her music.

I have taken the 12” vocal and instrumental of “Touch and Go Lover” (from Carol’s album “Dancing In The Rain”) produced by Joe La Greca and Mr. Louis Toteda and created a whole new ReStructure Mix using the chop and blend concept to make the groove and fast action Carol delivers a new experience!

This ReStructure Mix is lovingly dedicated to Ms. Carol Jiani and Mr. Louis Toteda for their amazing and lasting talent in disco/dance history. Thanks to these wonderful messengers the thrill is just like new!
• Come Give Your Love To Me - Glenn Rivera ReStructure Mix - Janet Jackson

Janet Jackson is another member of the Jackson family who stood out with talent and determination to be a messenger of music. Her early work is a pop-dance edge of electronic funk. Her debut album titled “Janet Jackson” from 1982 was the perfect addition for another sign of stardom. A track which stood out for me was “Come Give Your Love To Me” which was a club hit and also received radio play.

I have taken the 12” version and have worked a ReStructure Mix which strips away the funky-guitar riffs, which sound a bit like a Rick James punk-funk trip. The song is sexy and alluring – so I added a few samba-like elements to not only speed up segments of the song – but also give it more of that sensual feel.

• Love Starts After Dark - Glenn Rivera ReStructure Mix - Gene Page

Gene Page is a producer, arranger and musician whose career spanned the early 70s throughout the 90s – sadly he passed in 1998. He is known for his soundtrack the black-exploitation film, “Blacula” from 1972. His 1980 album “Love Starts After Dark” was a big addition to the tail end of true disco music- including the title track which is a definite favorite of mine.

I have taken the 12”/album version and have given it a touch of ReStructure Mix – adding a new arrangement and a few touches of “After Dark” which many should feel echoes of the disco era
• Makes You Blind - Glenn Rivera ReStructure Mix - The Glitter Band

The Glitter Band is Gerry Shephard, Harvey Ellison, John Rossall, John Springate, Pete Phipps and Tony Leonard – the 70s edge on rock-pop with a touch of funk here and there. Their album “Makes You Blind” from 1975 – produced by Mike Leander contains the title track which was an underground club sensation. A rolling bass groove with some injections of funky disco desire. One of my favorite tracks from this genre.

This ReStructure Mix takes the short album version and extends it to nearly 10 minutes along with some help from a “funky” reminder and a phrase to lure the rhythm in completely. A little play here and there makes this one a bit more than just an edit.

Thanks to Richard Lewis for reminding me of this jam-track and it is dedicated to his request and his support for disco and dance music. Thanks, Richard!
• Wanna Be Startin' Something - Glenn Rivera ReStructure Mix - Michael Jackson

Michael Jackson’s legacy is indeed one of the most powerful and unique. From his childhood recordings with The Jackson Five to his solo career in the early 70s onto the millennium where it appeared to be history in the bag. “Thriller” from 1982 is one of the most known albums in the world thanks to hits like “Billie Jean”, “Beat It”, “P.Y.T. (Pretty Young Thing”) and the title cut – “Wanna Be Startin’ Somethin’” is the peak of the dance floor in the 80s – Quincy and Michael style.

I have taken the 12” single – both the vocal and instrumental to create this alternative ReStructure Mix where I have added a few new elements and laid out that wonderful rhythm and keyboard play. It is an amazing track! In dissecting it for this remix I could find myself in allure once again over the sharp production.
• Safe With Me - Glenn Rivera ReStructure Mix - Irma Thomas

Irma Thomas is a blues-soul and disco singer who began recording in the early 60s. A career where Irma has released a current album in 2013 titled “In Between Tears” which features funk and soul tracks. He 1979 album “Safe With Me” was a close shot with the title single and also her fabulous cover of “Sugar Pie Honey Bunch (Can’t Help Myself)”. The title single was released on a promo 12” with a bit lengthier version than the album.

I have taken the promo 12” version and have given it a ReStructure Mix to not only extend the wonderful and warm feeling – but also work on those great piano pieces. It is a bit different in the arrangement as I have given Irma more reason to comfort – but also added a new beat and rhythm tracks to pump it a bit more.
• Keep The Ball Rollin' - Glenn Rivera ReStructure Mix - Cory Daye

Cory Daye is one of those voices from the 70s that you cannot help but love. It has the warmth and sound of a lady who has got message. From her big hit with Dr. Buzzard’s Original Savannah Band in 1976, “Cherchez La Femme” a romance began with dance floors and Cory. Her solo album from 1979 titled “Cory and Me” was a piece of heaven for those who wanted to revamp that sweet feeling again while swaying on the dance floor. The track “Keep The Ball Rollin’” is a clever song that is a favorite among Cory fans and of course one that needed a new version to bring the dance floors closer!

This ReStructure Mix takes the original album version and mixes it up with Shirley Ellis’ “The Clapping S0ong” for a little more fun – Cory’s track was always in the same fun and playful manner so the concept struck me and I went with it!

This ReStructure Mix is dedicated to Ms. Cory Daye – the lady who made the band work overtime. Love you Cory! And also Michael Harkins – thank you for your kind words and for keeping Cory out there for us to love!
• Last Call For Love - Glenn Rivera ReStructure Mix - Tempest Trio

Tempest Trio is a project from Mr. Mike Theodore and Mr. Dennis Coffey – two of disco music’s most talented performers and producers. This one saluted the pure disco sound with that touch of funk and soul. Deep bongo grooves and the electronic edge burning onto dance floors at the tail end of the 70s. The album contained a track titled “Last Call For Love” which is known by disco-philes as one of those hidden treasures with a chest.
The vocals alone are majestic in a soulful sense.

I have taken the album version and have given it a ReStructure Mix to excite those last moments right before the lights go up and added pieces of two big tracks that most likely were played during those minutes during two generations of club goers. It is a new feel and stage for the song.

This ReStructure Mix is dedicated to both Dennis Coffey (thank you for your kindness) and Mike Theodore! Last call!
• Looking For Love - Glenn Rivera ReStructure Mix - Candi Staton

Candi Staton (Canzetta Staton-Sussewell) is a disco artist with a history of prolonged love and attention. Starting with her 1976 classic “Young Hearts Run Free” which is one of the master-disco songs which paints the atmosphere for unity and freedom on any dance floor. Her following hits, “Victim” and “When You Wake Up Tomorrow” prove the mood for Candi to continue on as a spectacular disco diva.

Her 1980 album, “Candi Staton” was released during the disco cease from major labels so promotion for her material was minimal – and relied on dedicated disc jockeys. “Looking For Love” is the first track on the album and is the pick hit for me – it was a track I would play with an extended mix using two pieces – and it always worked. The guitars and rhythm is this wonderful song resemble a Chic-esque sound.

I have ReStructured the album version to not only extend it – but give it a new disco feel. It is Candi’s vocals that make this one work once again and she is greatly appreciated here.

Dedicated to Ms. Candi Staton for her continuing love and admiration for the dance community.
• I Can't Dance Without You - Glenn Rivera ReStructure Mix - Theo Vaness

Theo Vaness is a Dutch disco artist who brought a unique sound to clubs and turntables. His first album “Back To Music” featured a medley of standards and classics which Theo made each his own. It was the start of a romance with Theo for many disc jockeys and dancers as hi dance music progressed. His third and finale album titled “Theo Vaness” featured numerous dance hits produced by Michaele, Paul Sebastian and Lana Sebastian. The single “I Can’t Dance Without You” was the first single from the album and was a huge dance floor hit!

I have taken the 12” single with two remixes by Francois Kevorkian and blended the two and created a new ReStructure Mix to bring the track back to its emotional and funky-disco state.

This ReStructure Mix is dedicated to Mr. Theo Vaness and his wonderful and lovely niece, Loulou Singerling
• Lonely Nights - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford is a jazz singer and actress who moved onto disco and soul music in 1977 when she was signed to Curtis Mayfield’s Curtom Records label. It was not long after this when Linda became a headlining act on disco dance floors every night! Her hits “Runaway Love”, “If My Friends Can See Me Now”, “Red Light”, “Don’t Come Crying To Me”, “Don’t Give It Up” and “You Are, You Are” gave a new spice to the soulful and rap of a new sound.

“Lonely Night” is from Linda’s 1979 album “Here’s My Love” and was produced by Munich’s Jurgen Koppers – another one of Linda’s heartbreak anthems which made my dance floor work into a sweaty frenzy – happily. I have taken the album version of “Lonely Night” and worked a new ReStructure Mix adding a duet feel with Mr. Eric Carmen who feels the same way Linda does.

The song was written by Leroy Gomez (Santa Esmeralda) and was featured on his album “I Got It Bad”.

This ReStructure Mix is dedicated to Linda Clifford – one of the kindest and most talented ladies of disco. Thank you, Linda – you will shine as long as emotions are alive in our hearts and soul!
• And Love Goes On - Glenn Rivera ReStructure Mix - Earth Wind & Fire

Earth Wind & Fire created a pinnacle sound in soul/funk and disco music during the early 70s. A legacy of energy and peace is always injected in their music. From their 1980 album “Faces” comes the single, “And Love Goes On” – once again outlining the emotions which pour from a pure and unified heart in the kingdom of Earth Wind & Fire.

I have taken the album version of “And Love Goes On” and have given it an alternative arrangement in this ReStructure Mix – giving the intro a longer induction to the swirling chorus which is accentuated with t\hose classic horns.
• Imagination - Glenn Rivera ReStructure Mix - Laura Branigan

Laura Branigan made the 80s a stand still when her big dance hit “Gloria” emerged onto the scene. This was a voice that would be recognized and feed dancers and diva-followers a banquet of success. Her hits have always sparked fires all over the world from the inception and throughout her lengthy career. Sadly her passing in 2004 ended a catalogue of memorable material and an opportunity for fans to hear the tracks which marked time performed by the woman herself.

I have taken Laura’s single “Imagination” which was featured on the 1983 soundtrack for the film, “Flashdance” – produced by Phil Ramone with lyrics by Michael Sembello. The rippling bass synth is one of the deepest moods and has a dark and rock-edged feel. I took the opportunity to create a longer mix – looping pieces of the original and adding a few rhythm and effects. It is a relief for me – who would play the short album version and re-loop it from start to finish in order extending it for those Branigan-fans!
• Theme from 'King Kong' - Glenn Rivera ReStructure Mix - Love Unlimited Orchestra

Love Unlimited Orchestra is under the conductor wand of Mr. Barry White – a crucial part of disco’s movement and growth from the early 70s throughout the 80s. The sweet strings and funky guitars were the component for Euro-disco and the start of what Philly disco is all about. The 1979 album “Super Movie Themes – Just A Little Bit Different” is an incredible disco fantasy taking several popular and classic themes and giving them the orchestral disco funk which White has been known for.

I have taken the 12” disco single of “Theme from King Kong” along with a few movements from the original soundtrack by Mr. John Barry – which is one of my all-time favorite film sound tracks (the 1976 film score) and most armored. The new mix adds some of the mystery and excitement of the film along with the sweeping disco elements.

This ReStructure Mix is dedicated to Mr. Paul Conway – a friend throughout the years who shares a loved of motion picture scores and also dance music where the connecting of these two come together in this mix!
• Love Action (I Believe In Love) - Glenn Rivera ReStructure Mix - The Human League

The Human League is Ian Burden, Ian Craig Marsh, Jo Callis, Joanne Catherall, Martyn Ware, Neil Sutton, Philip Adrian Wright, Philip Oakey and Susanne Sulley. The band is one of the major influences of 80s electronic dance music and remains one of the corner stones of electronica. The sound of their big LP “Dare” from 1981 still echoes through the hearts of those who dedicated their worlds to the sounds of dance music and the unity of a club dance floor.

“Love Action (I Believe In Love)” is one of the singles from the album which I have taken into a ReStructure Mix to give the track a new sound and execution. The new format keeps the vibrant sound of the arrangement intact – adding some new pieces to spice up the electric dish.

Dedicated to Alan Hawkins who asked for a ReStructure Mix of this giant piece of the 80s in this Special Eighties Edition Mix

• Yes - Glenn Rivera ReStructure Mix - Merry Clayton

Merry Clayton is a soul, gospel, r&b and disco voice which brings the warm of a caring and loving woman to mind. Her recording career began in 1964 with “La La Jace Song (Spanish Boy)” and then throughout the 70s and into the 80s. Her single “Yes” was a part of the soundtrack to the film “Dirty Dancing” from the same year. It was a huge hit on my dance floor and reminded me of the excitement and sound of The Pointer Sisters “I’m So Excited” – yet with its own magic!

I have taken the 12” version remixed John ‘Jellybean” Benitez and created a whole new ReStructure Mix which moves faster and faster with some ricochet edits, added percussion and beats – and of course the original energy! It is a fast paced dance track of the eighties which should continue to bring smiles and finger snappin’ dancers!

Dedicated to Nick and Lindsay – Boys, thank you for all your support, love and requests. When you requested this one I was floored – on the dance floor that is! Thank you
• I'm Learning To Dance All Over Again - Glenn Rivera ReStructure Mix - Lorraine Johnson

Lorraine Johnson us a soul, r&b and disco singer who made a big impact on the Prelude disco label in 1978 with her album “I’m Learning To Dance All Over Again” – it was the New York disco sound which combined the full orchestration and funk edge. Producers Jesse Boyce and Moses Dillard were fresh off of the club success of Constellation Orchestra (“Perfect Love Affair”) and Saturday Night Band (“Come On, Dance, Dance”) with the shine of disco energy and innovative arrangements and club remixes which helped to shape disco music as well as make it a household name.

I have taken the title track from Lorraine’s album and have given it a new ReStructure Mix using the theme to enforce another chance to feel that magic which disco music made crowds experience with its uplifting sound and energetic rhythms. This remix pulls more into the instrumental – however Lorraine is still there assuring us it is alright to step onto the dance floor and let it loose.

Dedicated to the men of funk-disco magic – Mr. Jess Boyce and Moses Dillard
• Techno Love - Glenn Rivera ReStructure Mix - Ava Cherry

Ava Cherry is a woman who is known for more than her sexy stance and tantalizing vocals. During the mid-70s and in the early 80s her vocals backed David Bowie artistry. In 1980 her first solo album titled “Ripe” was a hit in clubs with her tracks, “Where There’s Smoke There’s Fire”, “You Never Loved Me” and “I’m Always Ready”. She was a breath of fresh soul-funk and a touch of the 80s woman. It was proven once again with her 1982 album “Streetcar Named Desire” which was produced by disco’s genius, Bob Esty. An arrangers dream, and engineers delight and a vocal paradise for Ava as each track bridged a funky edge with the new electronic mood and sound of the early 80s.

I have taken one of my favorite songs from the album titled, “Techno Love” – which I played in my club extending with two pieces of vinyl – so this ReStructure Mix gives way to a break-beat and dub like mix. I have preserved Ava’s sensual performance and her wonderful energy. It is a new way to program the feet and mind.

Lovingly dedicated to Mr., Bob Esty – how do you do it? And the fabulous and never-failing, Ava Cherry – whose work kept us on the tracks!
• The Morning After/To Love - Glenn Rivera ReStructure Mix - Maureen McGovern/John Williams

The seventies was a groovy place – lots of films, music and talent which emerged from the 60s and also a fades and sounds which marked periods of success. One of the greatest films of 1972 and film history was “The Poseidon Adventure” – from Irwin Allen who gave us great adventure television shows like “Lost In Space”. The music from the film was an excellent composition from John Williams which I have always loved.

I have taken a moment for this Special Seventies Edition and the Academy Award winning song from “The Poseidon Adventure” – “The Morning After – recorded by Maureen McGovern in 1973 and have done a mash up of an excerpt from the soundtrack titled “To Love” – which is a segment used in the dining room sequence prior to the disaster where Gene Hackman give a toast to love and Pamela Sue Martin gets down.

It is more of an atmospheric mix, but who knows? Pamela Sure Martin worked it!
• Candida - Glenn Rivera ReStructure Mix - Tony Orlando & Dawn

Tony Orlando & Dawn were formed in 1970 with Tony Orlando, Telma Hopkins and Joyce Vincent (and later Pam Vincent). The big hit “Candida” from 1970 is one that once heard the melody gives off a brighter aura and message of love. The feel of the 60s travels along with the pop-edge bringing a positive and uplifting message.

I have taken the album version of “Candida” and have given it a longer and ReStructure Feel to preserve the magic of 70s pop. Some new drum tracks, claps and re-looping are made to bring a new message and memories to those who would sing along on the radio!
• Ain't Nobody Straight In L.A. - Glenn Rivera ReStructure Mix - The Miracles

The Miracles are a Motown group which consisted of Billy Griffin, Claudette Robinson, Marvin Tarplin, Robert Rogers, Ronald White, Sidney A. Justin III, Smokey Robinson, and Warren Moore – members changing out throughout various periods.

Their 1975 album “City Of Angels” contains one of the underground tracks, “Ain’t Nobody Straight In L.A.” – arranged and produced by Freddie Perren. The song emphasizes the places where disco and club music was embraced during the early and mid-70’s – gay bars. It was proven to me as my first experience with disco music was entering a gay club and seeing the energy and vitality the music had on the crowd and me.

I have taken the album version and created an alternative ReStructure Mix using loops and some new elements for a new intro and also extending the new knowledge and understanding The Miracles relay in a harmless chorus and mood. It is one of the earliest songs I can remember ever hearing were acceptance was mutual and beautiful.

Dedicated to the talented men of The Miracles and that city, Los Angeles!

• Secret Love Affair - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane hit the disco scene in 1978 with her big classic album “Rough Diamond” featuring the title track and three additional dance cuts which labeled this lady the sexy chanteuse with all which disco was made of. Her second album also produced by Jean Claude Friederich is another beautiful Euro-disco gem – “Cheri”. The project featured a full sided medley which tells the story of a love affair facing unbeatable circumstances yet the desire burns on and on.

I have taken “Secret Love Affair” from the medley and have given it a ReStructure Mix of its own to allow the story to tell itself as Madleen is destined to keep a love alive that is hidden in the shadows of the dark discotheque. It is a fantastic orchestral production and gives the 70s disco scene the magic which dancers clamored for.

Dedicated to Ms. Kane for her love and display of disco love the way it should be performed and marked for future generations to experience the way it was.
• Hot Lover - Glenn Rivera ReStructure Mix - U.N.

U.N. is a disco project from Tony Green who also gave us France Joli, Freddie James, Colorblind, Caroline Bernier, Thunder & Lightning, Black Star, Sharon and Norma Lewis. His productions during the late seventies were a big part of the disco explosion and the roaring wall of beats and beautiful horns and strings. As in several other studio projects, included here are Denis LePage and The Sweethearts of Sigma.

I have taken the track from the 4-track album titled “Hot Lover” and have given it the ReStructure Mix treatment. It is one of those earthy and sensual disco tracks and thanks to the lead vocals from Goldie Alexander (“Show You My Love”) this one sounds like a lion roaring for more.

Thanks to Joey L. of New York for requesting a ReStructure Mix of this underground classic and also giving me a chance to play with the fabulous percussion that both Prelude and Tony Green were made of!
• Terror On The Dance Floor/Soul Dracula - Glenn Rivera ReStructure Mix - Hot Blood

Hot Blood is a German disco act - May Ambruster, Peny Duke and Stefan Klinkhammer

Their 1977 album “Dracula and C” is one of the cult-camp projects that continues to bring the sound of 70s disco back to mind – the strings – percussion – camp and strange theme. The 12” single featuring both “Terror On The Dance Floor” and “Soul Dracula” is one of the early disco-boogie singles I can remember buying and being completely taken by surprise.

I have taken both 12” versions and concocted this new medley with the tracks challenging each other and onto a drop break with a familiar ring – or should I say, shriek?

• Time Bomb - Glenn Rivera ReStructure Mix - Jeanie Tracy

Jeanie Tracy makes high energy music of the 80s seem like ritual dance. Her powerful and moving vocals are the praise of energy and soul. It can be said that Jeanie was the high energy queen of the 80s since her performance on the television show Star Search brought her cover of Thelma Houston’s “Don’t Leave Me This Way” in 1985 a golden statuette from dancers all over who moved to the classic all over again with a new found emotion and energy.

I have taken Jeanie’s 1984 single, “Time Bomb” – produced by James ‘Tip’ Wirrick and Marty Blecman to the cutting table and have given it a new ReStructure Mix to add some new elements and also give Jeanie another chance to make it sound easy for a voice to give off such influence and style. Seeing Jeanie live at Probe in 1985 singing “Manhunt” (released under Silhouette) was one I never-ever forgot!

Dedicated to the lady herself – Ms. Jeanie Tracy – you are no firecracker Jeanie – yes, a ‘time bomb’ and I thank you for your talent!
• Stop He's A Lover - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry is one of disco music’s iconic divas! The look. The voice. The attitude. The talent. It’s all here. Her recording career began in 1976 with the explosive album, “Sweet Dynamite”. In 1979 the disco wave was struck with her big project, “Feel The Fire” – produced by her husband, Jurgen S. Korduletsch (Disco Circus, Araxis, Ronnie Jones, Lipstique and Mick Rowley.

The track “Stop He’s A Lover” has always been one of my favorite cuts from the album – it has the haunting feel of an early morning piece and a fabulous diva edge from Claudja. I have taken the album version and created a new ReStructure Mix and striped down those eerie keyboards that give off the deceit and warning of Claudja’s verse.

This ReStructure Mix is dedicated to Ms. Claudja Barry – who left an indelible memory of a disco diva who rules the stage and speakers!
• I Need Somebody To Love Tonight - Glenn Rivera ReStructure Mix - Sylvester

Sylvester not only changed the sound of disco music in 1977 with his first self-titled album – but also the face of the genre. His unique still and stage presence was immediately a challenge for anyone to keep still or become memorized by his performance. The heat of the disco fever his album “Stars” was released – produced by Harvey Fuqua and Sylvester himself – this was four track title wave of disco music. The title track in an anthem long before the dance floor expected them. His cover of "I (Who Have Nothing)” is a gem – “Body Strong” is a mid-tempo workout – and the finale cut “I Need Somebody To Love Tonight” is a low-BPM sleaze track with Patrick Cowley penning and performing the slick synthesizers and mood.

I have taken the album track and have given it a new ReStructure Mix to remedy more for that late night desire that is given here in a jazz-scat vocal performance. It is a moody and phenomenal stamp from Sylvester who once again – even though he has left us always brings to mind innovation and awe.
• Summer Breeze - Glenn Rivera ReStructure Mix - Seals & Crofts

Dash Crofts and James Seals have the 70s aura in many minds and hearts with their pop-hit ballad “Summer Breeze” – it is a lingering song with a wonderful melody and feel. It truly gives off the early 70s vibe.

I have taken the album version and have given it a ReStructure Mix update with its folk dance feel adding a few more elements to sway to. It is a great early morning or early evening piece to remind us how the 70s were traces of beautiful music and now this one can give off a whole new feeling and groove!
• Love Gun - Glenn Rivera ReStructure Mix - Rick James

Rick James was known as punk-funk when he released his album “Come Get It!” in 1978 with the big hits “You and I” and “Mary Jane” – it was only the start for this master of funk and bass driven grooves. His follow-up album “Fire It Up” contained another slammin’ track titled, “Love Gun” which brought dance floors and its dancers to their knees! A fierce track which makes your funk come down no matter what kind of groove your prefer.

I have taken the 12” version and created a new ReStructure Mix with some new pieces of kick-beat tracks that may sound familiar and also a sample from another classic that may have you not only ducking for cover – but also dipping lower to the funk!
• Love Condition - Glenn Rivera ReStructure Mix - Nina Schiller

Nina Schiller is one of the 80s dance artists who deserves a revisit and a standing ovation. She has captured the sweetness of disco music not only with her positive and uplifting presence but also her alluring voice. An artist who appeared briefly and yet the music haunts those who may have heard the notes echoing through a club or on a mixed tape.

“Love Condition” is one of those tracks which bring warmth and promise as the feeling of dedication and the realization of just how wonderful love is.

I have taken the album version and have given it a slight ReStructure Mix adding a few more elements to create a new mix and feeling for a lovely track that once I begin humming it becomes contagious and that feeling of love right where the vibe belongs.

This ReStructure Mix is dedicated to Ms. Nina Schiller Richer who makes the gratitude of music easy to understand with her heart and soul.
• Love, What You've Done To Me - Glenn Rivera ReStructure Mix - Celi Bee

Celi Bee (Celida Ines Camacho) is a disco icon who made the end of the 70s shine like a mirror ball with her disco hits, “Superman”, “Macho (A Real Real One), “Fly Me On The Wings Of Love” and “Blow My Mind”. It was a formula which was fitting and fabulous. Her second album “Fly Me On The Wings On Love” contained a suite which was broken down into three parts – I have taken the second part titled, “Love, Look What You’ve Done To Me” and created an extended mix to give its own beauty and hypnotic flare a chance solo.

This ReStructure Mix uses the funky kick back beat and lovely strings as they appear on the suite and I extend to make the magic and loveliness last. The chorus is one of the most incredibly beautiful pieces in disco music thanks to producer Pepe Luis Soto and Celi’s lilting voice.

Dedicated to Celi Bee and those disco dollies who fall in love over-and-over on the dance floor!
• I'll Be Standing Beside You - Glenn Rivera ReStructure Mix - Passengers

Passengers are Chuck Rolando, Elwanda Contreras, Kim Arena and Mary Shay Collen – a high energy disco troupe whose music is remembered as uplifting and somewhat like a Las Vegas review. Their first album titled “Passengers” was produced by Celso Valli (Lama, Tantra, and Azoto) who brought the group to heights of dance floors magic with tracks like “Hot Leather”, “Girls Cost Money”, and “I’ll Be Standing Beside You”.

I have taken the album version of “I’ll Be Standing Beside You” and have given the love-friendship-anthem another lift into the clouds and a ReStructure Mix – pulling more of the glowing climax of the chorus to excitement. It was a song I played out during its release to a packed dance floor of almost embracing friends and dancers! A real anthem.

Dedicated to Passengers an also Mr. Celso Valli!
• Beeline - Glenn Rivera ReStructure Mix - Miquel Brown

Miquel Brown is one of the Ian Levine artists who helped us to believe in disco music again in the early 80s – with a new vibrancy and title: “high energy”. This was an exciting time for dance floors. It seemed like the sound of electronic disco was hard hitting and perfected down the percussion strike. Following her big single “So Many Men, So Little Time” this follow up “Beeline” struck another chord for dancers to move with the grace of the pounding energy of a new era of dance.

I have taken the ‘Gary Otto Remix’ and have given it a new ReStructure Mix to give this love-letter a new meaning – adding some familiar “buzzy” guests from a classic Larry Levan single along with the rolling bass line to break the mix into a new part.
• Love Bomb - Glenn Rivera ReStructure Mix - Cheryl Lynn

Cheryl Lynn took the tail end of the 70s and the disco dance floor like a whirlwind with her 12” single “Got To Be Real”/”Star Love” – it was as if the voice of a goddess was calling the dance floor to move on to something ‘real’. Cheryl’s second album in 1979 was one of technical and musical advantage – placing her voice among the most significant challenges of the magic vocal chords. “Love Bomb” was one of my favorite tracks from the album (Produced by Barry Blue) and made it to my dance floor only with two copies of the album to extend it.

I have created a new ReStructure Mix using the album version and giving the song a new mood and energy – extending the funky-side and placing more emphasis on the “embrace the human race” message and the beautiful performance of Ms. Lynn. It is truly a song that should bring tears to any human who can understand the words and message.

NOTE: Drop a “love bomb” – call someone you love and let them know. Music will save the world!
• Leaving Me Was The Best Thing You've Ever Done - Glenn Rivera ReStructure Mix - Scherrie & Susaye

Scherrie Payne and Susaye Greene released their debut album “Partners” as the duo with the “Supreme” past and a bit more to sing about. The project was produced by Eugene McDaniel’s who also gave us projects from Roberta Flack, Voltage Brothers, The Floaters and Nancy Wilson.

“Leaving Me Was The Best Thing You’ve Ever Done” is the big dance single from the project which made its way to many of these ladies dedicated fans and also and “diva-worshiping” playlists. The song has the feel of an anthem in the shadows of love. It gives the girls a nice place to harmonize and sing about the heartbreak and denial of a broken heart.

I have taken the album version of “Leaving Me Was The Best Thing You’ve Ever Done” and have given it a new ReStructure Mix giving it a new intro some new breaks and some phrases a bit of a lift.

This ReStructure Mix is dedicated to Jurgen Lapschies – special thanks for requesting this rare track and also for the support and friendship.
• Body - Glenn Rivera ReStructure Mix - The Jacksons

The Jacksons topped the pop/dance sound of the 80s along with the slick production of Michael and Marlon Jackson. The big release of the “Victory” album in 1984 introduced another layer of sounds and images for The Jacksons. Tracks like “Torture” and “State Of Shock” were remedies to move towards an area to be discovered. “Body” is one of the singles that pulls the Michael Jackson magic along with the chorus of the very talented band.

I have taken the 12” of “Body” and have given it a new ReStructure Mix breaking down some of the mood in my own way. Extending it with more of the verses and some borrowed percussion and essentials from an earlier hit by Michael
• Medley Of Hits - Glenn Rivera ReStructure Mix - Diana Ross & The Supremes

Diana Ross & The Supremes are the ladies who made music history and also created the icon for the girl group with sophistication and excitement. The music and images created during the making of the Motown sound and era has helped to pave many roads for music and arts.

I have taken the concept of “Medley Of Hits” which appeared in 1979 on Disconet DJ Subscription Volume 3 Program 3 as The Supremes Medley – Mixed by Bill Motley and Trip Ringwald. The medley was later released on the Motown label along with two hit tracks from Diana’s “The Boss” album from the same year. This ReStructure Mix takes the concept along with a few new tracks and some new blends and breaks.

This ReStructure Mix is dedicated to Bob Tiedemann – who gives so much support for the music that has made history a great memory for many music lovers and dancers throughout time. That in itself is quite “supreme”!
• Wasn't It Good - Glenn Rivera ReStructure Mix - Cher

Cher and Bob Esty together were the icing on the disco cake. The dance floor classic “Take Me Home” from 1979 still haunts dance floors with its blend of chic-disco arrangement which Bob Esty created with so many artists who were intrigued with the excitement of disco in the late 70s. The 12” single of “Take Me Home” was quite a mover as the flip side “Wasn’t It Good” from the album was offered an extended mix.

I have taken the fabulous 12” mix of “Wasn’t It Good” and worked a new ReStructure Mix for a new concoction of Bob’s production and talented use of musicians and the disco beats. This new version offers a few new breakdowns and the use of loops for some digging into the original mix.

Dedicated with respect to Mr. Bob Esty and thanks for the magic which never seems to run out of sparkle! Now that is real music!

• Dangerous - Glenn Rivera ReStructure Mix - Natalie Cole

Natalie Cole created quite a stir on dance floors with her high energy-dance track "Dangerous" in 1985. Produced by Gary Skardina and Marti Sharron the track was in resemblance to great 80s dance moods like The Pointer Sisters' "Jump". It was a resurgence of dance music done with the pop flare and excitement that was being generated by the clubs who were continuing to move to great music.

I have taken the 12" remix -- which was produced by Steve Thompson and created a new ReStructure Mix. There are some extended moments and or course Natalie reminding us just how "hot" this man is.
• Superman - Glenn Rivera ReStructure Mix - Celi Bee & The Buzzy Bunch

Celi Bee is one of disco music’s most unique artist of the late 70s. Her first album from 1977 featured her disco hit “Superman” which is a funky-love tribute to the man of steel. It was later covered by Patrick Adams and Herbie Mann in 1978.

I have taken the album version of “Superman” and had given it a new ReStructure Mix - creating a new slap beat to give it a new sound and also added some new breaks with the luscious clamoring of that “Superman”!
• Get Off Your Aahh! And Dance - Glenn Rivera ReStructure Mix - Foxy

Foxy is a disco band with members Ish Ledesma, Arnold Pasiero, Richie Puente Jr. , Charlie Murchiano and Joe Galdo. Their first album in 1976 is produced by Ray Martinez (Amant, Passion, Seven Seas, Sassy, Ray Martinez and Friends) and features the big disco hit, “Get Off Your Aahh! And Dance” which is the disco hustle sound of the period.

I have taken the album version of the track and worked a ReStructure Mix using sample pieces from the follow up hit by Foxy “Get Off” from 1978. The mix centers on the percussion, bongos and some play with the wonderful bass-line.

This Restructure Mix is dedicated to the wonderful man himself, Mr. Ray Martinez - who makes the fantasy of disco music an experience.
• Love Waves - Glenn Rivera ReStructure Mix - Alton McClain & Destiny

Alton McClain & Destiny are Alton McClain, D’Marie Warren and Robyrda Stiger and were formed in 1978 with their first disco hit, “It Must be Love”. Produced by Frank Wilson (Diana Ross, The Temptations, FourTops) and John Footman (wrote Cheryl Lynn’s “Star Love”). The trio brought the feel of soul to the sound of disco for the period and from the second album several dance floor hits including: “99 ½”, “I Don’t Wanna Be With Nobody Else” and “Love Waves”. The sound of these ladies is like a river of soft flowing water onto a green garden.

“Love Waves” has always been one of my favorite tracks from the project and is perfect for both early evening dance floors and after hours segments. I have taken the album version and have given the song a new ReStructure Mix adding more of a fantasy and sensual feel with a new elongated intro and some flowing effects throughout the new arrangement.

Dedicated to the “Disco-Diva” supporters who long for that sweet sound of soul and the rhythm of disco!
• Don't (Take My Love Away) - Glenn Rivera ReStructure Mix - Saturday Night Band

Saturday Night Band is a disco concept group from Jesse Boyce and Moses Dillard and also one of the landmark New York Disco records on the Prelude Records label. The production brought a live band feel to life with the mechanics of disco emerging and maturing for the late 70s dance explosion. The album “Come On Dance, Dance” is one of the classic sounds of the independent disco movement occurring almost overnight and being controlled by the sounds that feet and hips were demanding.

I have taken the track “Don’t (Take My Love Away)” from the project and created a ReStructure Mix for the soulful disco number. The sweet vocal by Jackie Edmonds is the classic sound of the early 70s with a lush and funky environment to sweep dancers off of their feet. A new intro deals with the synthesizer parts from the original track which always set Saturday Night Band apart from many groups of the time.

Dedicated to Mr. Jesse Boyce!
• Free Me From My Freedom - Glenn Rivera ReStructure Mix - Bonnie Pointer

Bonnie Pointer (Patricia Eva Pointer) is a R&B/disco singer who made a mark in disco music with her big 1979 hit “Heaven Must Have Sent You” - a dance classic. Her first solo album from 1978 contained the single, “Free Me From My Freedom” which also created a stir with many dancers. The track was produced by Berry Gordy and Jeffrey Bowen.

I have taken the 12” version of “Free Me From My Freedom” and have given it a new facelift with this ReStructure Mix. I have not only extended the original arrangement and added a few new drum tracks, but also added a guest vocal from The Queen of Soul - adding her mark on “freedom”.

Dedicated to all of the lovers of the female voices of disco music.
• Love Is A Natural Thing - Glenn Rivera ReStructure Mix - Mantus

Mantus is a disco band from New York City who began their fame with a radio hit titled, “Turn Around Boogie Down” from 1978 and soon after became a club favorite with follow up tracks “(Dance It) Freestyle Rhythm” and “Rock It To The Top”. The band members consisted Billy Amendola, Frank DeCrescenzo, Jimmy Maer and Kenny Bee.

I have taken their 1980 single from the second self-titled album titled “Love Is A Natural Thing” which was a return to the independent disco sound which made the club circuit well known with the productions and artists who specialized in creating the mood for the mirror ball nights and underground crowds long before the disco boom in the late 70s.

Taking the 12” version and creating a ReStructure Mix to give the song a longer lasting message which sounds as positive and lyrical as the emotion of disco music. An small anthem now in a new form.

This ReStructure Mix is dedicated to Brian Perry - thank you for the request Brian and keeping the energy and spirit of disco music alive!
• Green Light - Glenn Rivera ReStructure Mix - Cory Daye

Cory Daye is one of the female vocalists in disco music which is familiar in many aspects - not only from the big dance hit “Cherchez La Femme” from 1976 (with Dr. Buzzard’s Original Savannah Band) but also her sweet and beautiful delivery. The 1979 solo-album “Cory and Me” contained many dance floor favorites including “Pow Wow”, “Keep The Ball Rollin’” and “Green Light” - produced by Sandy Linzer.

I have taken the 12” version of “Green Light” and created a ReStructure Mix to not only salute this fabulous diva of song - but also the period of disco music where big-band returns with a new twist. The new ReStructure Mix has an extended intro - some new breaks and a hoppin’ beat to keep the light “green” for dancing.

This ReStructure Mix is dedicated to Ms. Cory Daye - thank you for sharing your beautiful talent with the dancers all over the world.
• Falling In Love Again - Glenn Rivera ReStructure Mix - Denise McCann

Denise Mc Cann is a disco artist from the late 70s who had some of the most exciting moments during an explosive time in history. Her big club hit “Tattoo Man” from 1976 is one of my favorite dance tracks of all time - not only does the track give us a taste of a wonderful sweet but powerful voice - it also holds the essence of the female disco artist in images and arrangement.

“Falling In Love Again” come from Denise’s second album “I Have A Destiny” from 1979 - produced by Guy Sobell. This track was featured on the B-side in a Medley/Suite which offers a disco-Broadway like production and stage production. It is one of the most dramatic and wonderful sounds of disco music in all it’s glory. I have taken the song out of the medley and created a ReStructure Mix to bring it upfront and extending the fun elements which break this new mix in segments.

A special thank and dedication to Nick and Lindsay for their loving request of this disco gem! For you boys and thanks you again, for keeping the disco feeling alive! It will shine on and on!

• Looking Up - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer released her new sound on the 1980 album “The Wanderer” where she continued using her powerful and able voice to project various sounds and moods. The project was produced by her long-time team Giorgio Moroder and Pete Bellotte - yet there is a new air to these tracks. More of a dance-rock which introduced a whole new destination during the period for Donna. It is now referred to as some of the most loved by those who truly admire her talent.

I have taken the track “Looking Up” and created a new ReStructure Mix to give the rolling synth-rock style piece a new feel - adding a few disco-tech breaks and a new intro. It is one of the string vocal and emotion driven songs by Donna Summer and helps to keep in perspective of what a true artist and talent we have recently lost.

This ReStructure Mix is dedicated to Nick and Lindsay - thank you for asking for a ReStructure Mix of one of my favorite Donna moments - there are many and this is a special one.

• I'm Starting Again - Glenn Rivera ReStructure Mix - Grace Kennedy

Grace Kennedy is a disco singer who ‘started’ her disco career in the 1980 musical/sci-fi film, “The Apple” where she performs and sings her single “Desire”. He career brought three albums to the disco arena - each produced by Phillip Swern who also produced Polly Brown, Inner City Express, and Patti Boulaye.

Grace’s 1981 single “I’m Starting Again” is from her album by the same name. It was a big hit in many clubs still clamoring for the classic disco chanteuse songs. It is one of my favorite and also one of the songs co-written by Thor Baldursson who worked with many disco projects from the Munich recordings in the late 70s and also First Choice.

I have taken the 12” single of “I’m Starting Again” and created a new ReStructure Mix to give the song an alternative version - and also play with some of the fantastic keyboard and vocal elements.

This ReStructure Mix is dedicated to Jerry Joseph Arko from Facebook with thanks to his inspiring look back and forward of the great music which has given so many happiness, freedom and dancing feet!

• Can't Give It Up - Glenn Rivera ReStructure Mix - Carly Simon

Carly Simon’s album “Spoiled Girl” from 1985 had two dance tracks - “My New Boyfriend” and “Can’t Give It Up” - I have always played “Can’t Give It Up” from the short (3:43) album version and always wanted to extend the track. It was produced by Andy Goldmark and features Luther Vandross on back up vocals.

I have taken the album version and created a ReStructure Mix to extend and play with the fabulous chorus by Carly which sounds like an anthem for the mid-80s. Great track and such fun to remix.

• You Can Get Over - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills is a vocalist who began a recording career in 1975 with her LP “For The First Time” produced by Hal David and Burt Bacharach. She also starred in the Broadway sensation “The Wiz” which became her vehicle for the 70s and into the disco era with her album “Whatcha Gonna Do With My Lovin’” in 1979 - a powerhouse project with several hits including “Put Your Body In It”, “Feel The Fire”, Whatcha Gonna Do With My Lovin’” and the uplifting anthem, “You Can Get Over”.

I have taken the 12” version of “You Can Get Over” and created a ReStructure Mix - focusing on the beautiful string sections and rolling synthesizer breaks. Formulating a new dub-like version with the verses intact with a bit more extending and play on words. It is one of my favorite disco songs of all time and an opportunity to enforce my beliefs on our existence where “we” are the center of the universe and a belief in that power is the future of our world!

Dedicated to us all and the power we all possess.

• Disco Galaxy - Glenn Rivera ReStructure Mix - Bombers

Bombers is a disco band from Canada produced by George Lagios and Pat Deserio (Kebekelektrik). Their first album was released in 1978 which featured a cover of “The Mexican” and also their first club hit, “Don’t Stop The Music”. It was in 1979 on their “Bombers 2” album where their full potential was executed with “(Everybody) Get Dancing”, “Pistolero”, “Let’s Dance”, “Shake” and “Disco Galaxy” - this session included Busta Jones on bass and vocals - guest vocal on “(Everybody) Get Dancin’) by Alma Faye-Brooks, arrangements by Lee Gagnon and also vocals by Tamara Lorincz.

“Disco Galaxy” is one of the tracks which I played out during the albums released and kept my dance floor jumping after the first single “(Everybody) Get Dancing” was given a break. It is a fantastic trip into a place where disco rules the universe and creates a bass and beat driven groove.

I have ReStructured “Disco Galaxy” and have given it a new arrangement and a few new effects to add to the bumpin’ disco energy! One of my favorite types of dance music and another opportunity to feel what the disco dance floor was really like!

• Countdown (Here I Come) - Glenn Rivera ReStructure Mix - Kofi & The Love Tones

Kofi & The Love Tones is a disco project produced by Kevin Anthony Robert - who also produced Simone, Velvette, Linda Lewis and Segue. His music was a big part of the high energy movement from the UK during the early and mid-80s. “Countdown (Here I Come)” is his cover of 1966 soul single (originally produced by Bobby Sanders and arranged by Gene Page).

This high energy favorite is a swirling high energy track that builds and builds with a nice soulful vocal and rolling drums guiding the synthetic strings into a dancer heart. A big club hit during it’s 1984 release. I have taken the ‘Original Version’ from the 12” single and created a ReStructure Mix adding pieces of the original and editing a new arrangement to give the track a new feel and a variable mix.

This ReStructure Mix is dedicated to George Matiowsky on Facebook for requesting this track to be placed on the cutting block and also for sharing so much wonderful energy with me.

• Undercover Lover - Glenn Rivera ReStructure Mix - Debbie Jacobs

Debbie Jacobs (now known as Debbie Jacobs-Rock) is one of those artists that made disco music complete - her 1979 album “Undercover Lover” - produced by Mr. Paul Sabu, was the crowning touch for the end of the disco era. It was exciting and masterful - with the talent of Paul Sabu’s amazing arrangements and innovative use of percussion and orchestra. This is one needed recording in any disco collection or audiophile who wants to capture the best of this period.

I have taken the album version of “Undercover Lover” and created a ReStructure Mix to further the flawless mix and production to an alternative remix. I have used much of the stomping and funky keyboards to play with new play ground for Debbie’s fantastic vocal track.

This ReStructure Mix is dedicated to Mr. Paul Sabu and Ms. Debbie Jacobs-Rock - two icons of the 70s who will never be forgotten for their amazing talents.

• Fantasy - Glenn Rivera ReStructure Mix - Lian Ross

Lian Ross is a German hi-NRG and Euro-disco singer who began recording in 1985 with her first single, “Say You’ll Never”. Her career took her to a current release in 2012. Lian’s repertoire include a cover of Sylvester’s “Do You Wanna Funk” from 1987 and also her 1985 single “Fantasy” - which is one of my favorites. The song is a mystical theme about a lover from somewhere in the galaxy who visit’s a love struck woman in her fantasy - pure disco material.

I have taken the 12” remix version from 1985 on Power Records out of Canada and created a ReStructure Mix which extends the elements that flow like a disco symphony along with Lian’s sensual vocal along with the Ambrosian accompaniments. I have added a familiar percussion riff to give the song another identifiable dance floor placement.

This ReStructure Mix is dedicated to George Matiowsky from Face book - and thanks for recommending this magical track for a reedit and ReStructure Mix - and a special thanks to George for being so wonderful to share memories and the wonder of music!

• Red Light - Glenn Rivera ReStructure Mix - The Three Degrees

The Three Degree were formed in 1963 in Philadelphia, PA and became the voices which made soul and disco a trio of sweet sounds. From hits like “When Will I See You Again” to “Givin’’ Up, Givin In” their sound has always given the ear a pleasant ring. It was in 1978 when these ladies united with disco producer, Giorgio Moroder when the explosion of disco excitement hit. The first project titled “New Dimensions” was quite an event for dance floors - and the follow up, “3D” the following year was another mark in disco history.

I have taken the track “Red Light” from the “3D” album and have given a ReStructure Mix to add a new layer of excitement and fun to the song. It is one of the disco-grooviest songs of the pairing of Moroder and these beautiful ladies of song. The disco beat pounds like a heartbeat for The Three Degrees and makes their voice sound well at home.

• Romance '83 - Glenn Rivera ReStructure Mix - Irene Cara

Irene Cara is known for her big disco hits “Fame” in 1980 and also for “What A Feelin’’ (Flashdance)” from 1983 - many may also remember her in the role of ‘Sparkle’ in the film “Sparkle” from 1976. Her second album in 1983 is produced by disco’s electronic man, Mr. Giorgio Moroder. It was a transition for Moroder from his magic days of creating the sound of electronic disco to moving into the 80s dance trends.

“Romance ‘83” is from the album “What A Feelin’” and was never featured as a single or given much attention - however, I always had a fondness for the lyrical sound of the track and the bouncy 80s synth edge which Moroder created with it. Quite simple but nice for a sample of Irene’s soft and beautiful voice.

I have taken the album version (3:56) and created a new ReStructure Mix playing with the elements and also adding one of Moroder’s classic synth-loops from a well-known hit. It is a whole new experience and ready to bring us back to the simple 80s dance floor

• I Go To Rio - Glenn Rivera ReStructure Mix - Peter Allen

Peter Allen is an entertainer from Australia who entertained many with his upbeat style of jazz, blues, pop and disco performances. His 1976 album “Taught By Experts” one of his staple hits, “I Go To Rio” - produced by Brooks Arthur. The track is one of the upbeat numbers which crossed the barrier of adult pop contemporary to world beat/rhythms. A sweet and Latin driven song with the sound of the dance floor diversity of the best clubs of the 70s and even today.

I have taken the short (3:17) album and created a new ReStructure Mix with many breakdowns and extended verses of this hot-hot stage and dance floor song. It is a newer production with new drums, fills and excitement to make Rio last a bit longer!

This ReStructure Mix is dedicated to Mr. Pete Denis of Coconut Grove, Florida - and thanks for his request to rework this magic song and also for his continued support to keep disco and dance music alive today and forever! This one is for you, Pete!

• Walk Away - Glenn Rivera ReStructure Mix - Bonnie Forman

Bonnie Forman who released two singles in 1982 - her first “All Night” - a disco single produced by Ed O’ Laughlin (Wild Fantasy, Carol Douglas, Dana and Gene) and Kenny Laguna. She was soon picked up by upcoming and promising disco label Wave Records for “Walk Away” - produced by Mark Berry who was a producer, engineer and remixer from Brooklyn, NY. The single did quite well for the introduction of a synthetic-dance genre taking over the disco edge during the early 80s.

I have taken the vocal and instrumental versions of the 12” single to create a whole new mix of “Walk Away” with a few surprises and new-turns. It was one of my favorites during the peak hours of high energy during the period so remixing it was a fun part of my experience.

 

• I Feel Love Coming - Glenn Rivera ReStructure Mix - Modern Rocketry

Modern Rocketry is a disco group from San Francisco - Ken Kessie and Morey Goldstein. Their first album from 1985 titled “Modern Rocketry” featured their big dance floor hits, “(I’m Not Your) Stepping Stone”, “Homosexuality”, “Thank God For Men” and “Cuba Libre!”. It was the resurgence of disco’s high energy sound and this studio conceptual band did it to the hilt.

“I Feel Love Coming” is their single from 1987 - a time when high energy from the UK reached it peak and US labels were cranking the last of the pulsating beat and themes from the souls of the dancers out to a wanting audience. It was an exciting time.

I have taken the 12” vocal and instrumental of “I Feel Love Coming” and created a ReStructure Mix including samples of “love” coming from our Lady of Love’s classic. This gives the song a real ‘disco’ purpose!

• Ain't Nobody - Glenn Rivera ReStructure Mix - Chaka Khan

Chaka Khan (Carole Yvette Marie Stevens) recorded “Ain’t Nobody” with Rufus (Andre Fischer, Bobby Watson, Chaka Khan, David "Hawk" Wolinski, John Robinson, Kevin Murphy , Richard Calhoun and Tony Maiden ) in 1983 - from the LP “Stompin’ At The Savoy”.

I have taken the album version and created a ReStructure Mix with a new intro and more dreamy feel to the intro and a few more loops and effects to give it a new moment. It is one the well-known tracks with Chaka’s voice and is certainly a hot contender as one of the most hypnotic love songs off the 80’s with the funk intact.

• Power and Reason - Glenn Rivera ReStructure Mix - Machine

Machine is a disco band formed by August Darnell - who was a part of the group Dr. Buzzard’s Original Savannah Band (“Cherchez La Femme”) in the mid 70s. The big disco hit for Machine in 1979 was an innovative song titled, “There But For The Grace Of God Go I” - which took dance floors layers above the then present time with it’s energy and motivation.

I have taken the 12” single “Power and Reason” from their second album titled “Movin’ On” - which is a powerful and funk-driven song and recreated a ReStructure Mix to outline the song again with the statement and energy it brings. A wonderful production which always reminded me of a Norman Whitfield masterpiece with its funky moog synths and funky-kickin beats.

• If You Love Me Like You Say You Love Me - Glenn Rivera ReStructure Mix - Alma Faye Brooks

Alma Faye Brooks is a vocalist who hit the disco scene in 1977 with her hit, “Stop, I Don’t Need No Sympathy” (a disco cover of Lyn Roman’s 1973 single) and immediately became one of the soulful and exciting voices on the club scene. Her follow up single “If You Love Me Like You Say You Love Me” from the same year was releases as a 7” single. It was unfortunate that a 12” single was never issued - this was one of the great missed love songs for the dance floor.

Alma also is featured as lead vocalist on the classic Bomber’s hit “(Everybody) Get Dancin’” from 1978. This performance is unaccredited - but you can definitely feel and hear Alma’s fantastic emotion and delivery.

The production is executed beautifully by Dominic Sciscente and Michel Daigle - known for Alma’s 1979 album “Doin’ It” and disco groups, Space Project, Black Light Orchestra and also the production for “Love Buzz” by Voggue.

I have taken the 45 rpm ‘vocal’ and ‘instrumental’ to recreate a longer and ReStructured Mix for this missed jewel. It is bittersweet and orchestrated with the disco feel which brings to mind a classic soul feel. A new break and some extended verses are added.

This ReStructure Mix is dedicated to Nick and Lindsay - my great disco contacts in Australia who make this music feel like new again. Thank you for requesting a ReStructure Mix of Alma’s wonderful track

• Light A Light - Glenn Rivera ReStructure Mix - Peppermint

Peppermint is a disco/high energy project from German musician, engineer and producer, Helmut Rulofs - who also brought us tracks by Gilla, Harry Baier, Vanilla and Touch. His 1985 club hit is an uplifting disco-ditty with a nice rolling sound and celebratory feel. It is one of the electronic disco tracks of the time you would hear from club-to-club during the time.

I have taken the original 12” version and have worked a ReStructure Mix to create an alternative version with more chopping than The Cooking Channel but just as delicious as those disco chorus girls unite to salute a rodeo like showdown. It is pure fun and the mix is intended to keep the sound of 80s high energy on your mind and your feet moving!

• Whistle Bump - Glenn Rivera ReStructure Mix - Deodato

Eumir Deodato is a musician, composer, arranger and producer who has given us work from 1964 - through current as well as successful projects from Kool & The Gang, Juicy, and Con Funk Shun. His original work has always stemmed in the jazz arena. Known to bring in instruments which were cutting edge and innovative for his easel of work. His 1979 album “Knights Of Fantasy” was a big event for me since “Shazam” and “Whistle Bump” were two of my personal favorites and movers on my dance floor.

I have taken the 12” single version of “Whistle Bump” and have given it a ReStructure Mix as a breakdown to the funky guitars, bongos and keyboards. It is a bit extended and also some additional percussion is added to enhance the funky-driven track.

• Delicate Jan - Glenn Rivera ReStructure Mix - Lucrethia and The Azoto 14,008

Lucrethia & The Azoto 14,008 is a Italian disco project from 1978 - arranged by the incredible Celso Valli who also gave us great disco work from Passengers, Tantra, Azoto, Nuggets, Cassandra, Future State and Matia Bazar. One of my favorite producers and musicians. Anyone who has heard the Tantra - Double Album would agree that he is one of the most creative.

“Delicate Jan” is a winding disco track that speaks of the wonderful lady, Jan who captivates and allures men and women with charm and sensual traits. It was featured on a Disconet Issue and is from the album, “Dance Skination”.

I have taken the 4:52 album track and created a whole new view of the song with a new ReStructure Mix adding many new breaks and a new energy. It is my tribute to Mr. Celso Valli and the ReStructure Mix in a whole. You may find yourself signing joyfully just how wonderful and incredible Jan is!

• Shot In The Night - Glenn Rivera ReStructure Mix - Paul Parker

Paul Parker is a disco/dance artist who began his recording career alongside producer/artist Patrick Cowley during the dance music resurgence in the early 80s. His big club hit, “Right On Target” is the proof and long tern standing of the power of his vocal and music longevity.

I have taken his 1983 track “Shot In The Night” from his “Too Much Too Dream” project and have given the 12” remix a ReStructure Mix to bring the track new life. It has a longer intro with extended drums from the original track and also some added pieces from Patrick Cowley’s classic “Menergy”.

This ReStructure Mix is dedicated to Mr. Paul Parker – who continues to bring us his wonderful sound even today.

• Red Hot - Glenn Rivera ReStructure Mix - Mary Wilson

Mary Wilson is best known as one of the founding members of the iconic Motown/girl group, The Supremes. Her solo career began in 1979 with a self-titled album featuring a sizzling track appropriately tiled, "Red Hot". The disco/funk track was arranged by Arthur Wright (Wright Bros. Flying Machine) who also worked on Paul Jabara's "Shut Out" project.

"Red Hot" was a big surprise for dance floors and clubs in 1979 and a real treat for true Supreme fans and Motown addicts. I was one of them and played this song out as it made many dancer feel the teasing energy of Mary's vocal.

I have taken the 12" remix and segments of the album version to create this ReStructure Mix which has more breaks and some pairing of a classic disco chorus to add some hardcore dance feel to the lounge style of this piece.

This ReStructure Mix is lovingly dedicated to my good friend, Rick Brissette of Lincoln City, OR and his non-stop love for the girls of style, song and figure of music. Thank you, Rick for keeping me back where music is now classic and the feeling is always new!

• Cathedrals - Glenn Rivera ReStructure Mix - D.C. La Rue

D.C. La Rue is one of my all-time favorite artists in disco music. From the early days of underground dance clubs and circuits comes the sound of disco music using the feel of edgy grooves and funky riffs. "Cathedrals" is D.C.'s album from 1976 - produced by Mr. La Rue and Aram Schefrin (Ecstasy Passion & Pain).

The single was a huge hit on early disco dance floors and helped to set the tone for a sophisticated and glam approach to disco music - my favorite flavor!

I have taken the Disconet Remix from 1980 and have given it a ReStructure Mix - playing with the keyboards and episodes of memorable one-night stands and flash backs to short-lived love and brought it directly to the place D.C. dared to compare. A flawless theme and recording.

Dedicated to Mr. D.C. La Rue and his continued support of disco and dance music even today - the heart can be heard in his music and love for a sound which brought out many fantasies and moving feet on dance floors trhroughout the 70s and even today.

• Crazy Legs - Glenn Rivera ReStructure Mix - Donald Austin

Donald Austin (Donald Rae Austin) is a guitarist from the early 70s who also performed with Ron Banks, Denise LaSalle and Fuzzy Haskins. His funk album from 1973 titled "Crazy Legs" is one of my favorite "funky-fests" of the time. Some great grooves and the work of strings that make soul and funk music of the early 70s period a groovy experience.

The title track "Crazy Legs" is one I can remember hearing from my childhood and always finding mesmerizing. I have take the 2:38 album track and extended with a ReStructure Mix to outline the early funk which influenced the soul and disco genres.

Always reminded me of the porno-soundtrack feel - and marks an excellent moment for guitar werk!

• Morning Music - Glenn Rivera ReStructure Mix - Siren

Siren is a disco group from John Davis - who also gave us The Monster Orchestra ("Ain't That Enough For You". "Love Magic") and productions by Ruth 'Silky Waters ("Never Gonna Be The Same Again"), Philly Devotions, Universe City, John Travolta, Phyllis Hyman, Carol Douglas and Jet Brown. His sound hi is familiar with his John Davis and Monster Orchestra projects.

"Morning Music" is the flip-side to the 12" single "Open Up For Love" released in 1979. I have taken the 12" version of "Morning Music" and have given it a ReStructure Mix for an alternative version with an extended ware on the vocal verses and percussion breaks.

• Bring It On Up - Glenn Rivera ReStructure Mix - Love Unlimited Orchestra

Love Unlimited Orchestra is Barry White's 40-piece extravaganza whose classic piece. "Love's Theme" from 1973 helped to introduce a whole new sound and energy into soul music. The sweepings and funky guitars are the classic staple of early 70s dance music slowly emerging into a form of disco music which took dance floors into a whole new realm of fantasy and grooves.

"Bring It On Up" is from the 1975 album "Music Maestro Please" and is the classic sound of this ensemble. I have taken the 4:23 minute version of this funky and sophisticated piece and have given it a new ReStructure Mix. Working on the beautiful arrangement in a new way and adding some play on the intro - which can be remembered by most jocks as the into to the infamous "Party" Mix by Mach.

• Funky Monkey - Glenn Rivera ReStructure Mix - Mandrill

Madrill is Bundie Cenac, Carlos Wilson, Charles Padro, Claude "Coffee" Cave, Fudgie Kae, Louis Wilson, Neftali Santiago, Omar Mesa and Ric Wilson - a Latin-influenced funk/disco band.

"Funky Monkey" is from their 1977 LP "We Are One" produced by Jeff Lane - it is the funkiest disco track of that year and one of my further excursions into the realm of disco-fied grooves. It is old-school at it's finest.

I have taken the 12" single and have given it a new ReStructure Mix with a new intro and some disco-pulsed breaks along with a sample that is appropriate!
• Get Up, Action - Glenn Rivera ReStructure Mix - Digital Emotion

Digital Emotion is a Dutch group from Adams and Fleisner - who are G. Hessing, A. Mol, E. van Prehn, C. Bergman and E. Veerhoff. They are also known as Gazuzu, Tempo Rubato, Video Kids and X-Ray Connection. This is the early 80s answer to disco-continuance! Simple electronic dance music with a crazy overall feel.

"Get Up, Action" is from their first self titled LP - although the single was released in 1983 on Break Records. Elements, like the looping guitar are similar to "Funky Town" and follow along the same type of fun and whimsical sound and themes.

I have taken the original 12" version of "Get Up, Action" and have given it the ReStructure Mix treatment - adding a few breaks and also looping and creating some new pieces out of the electronic fun.
• Poppers - Glenn Rivera ReStructure Mix - Elite

Elite is David Vinson, J. Pickett and Michelle Wilson - a fabulous and chic trio and produced by Tony Carrasco (Klein & M.B.O.) and arranged and conduced by Celso Valli (Tantra, Passengers).

"Poppers" is from the album "Boys On Hollywood Blvd" and is a statement for amyl nitrate which was a party favor on dance floors during the late 70s. This track si campy and fun - even though the outline is a bit silly. It has the full orchestration that we heard from Celso Valli with his Tantra and V.I.S.A. project. Great Italo-disco/high energy.

I have taken the album version of "Poppers" and recreated a ReStructure Mix to enhance the existing power-play production. It was a big hit in my club during the release of the album and has always been a favorite of Celso Valli and Tony Carrasco.

Dedicated to the two gentlemen who made Italo-disco a FAVOR on dance-floors" Mr. Tony Carrasco and Celso Valli
• Sorcerer - Glenn Rivera ReStructure Mix - Norma Jean

Norma Jean is a familiar name and voice in disco history. Not only is her voice apart of the magic of the band Chic - she is also the singer who made the weekends exciting with her 1978 dance floor track, "Saturday", Her self titled album from 1978 contained this hit and her follow-up single, "Sorcerer". The production is the masterful sound of Nile Rodgers and Bernard Edwards. The guitars and rhythm do not get any more serious than this.

I have taken the 12" version of "Sorcerer" - which is one that I have 3 copies of from wearing out both on turntables and rewinding on cassettes - and re-worked it into a new ReStructure Mix - creating new beat lops with some of the guitar fame of Chic and working Norma's lyrics and theme deeper and deeper.

A favorite and a great time to spend reworking this great track!
• Bad Reputation - Glenn Rivera ReStructure Mix - The Ritchie Family

The Ritchie Family's 1979 album "Bad Reputation" had to have been the most anticipated release of that year - after all it was The Ritchie Family who made the dance floor a main stage - with their "Best Disco In Town" This production from Jacques Morali and Henry Belolo is one of the most exciting sounds of disco.

The vocals by Vera Brown, Jacqui Smith-Lee and Theodosia "Dodie" Draher simply "kick-ass"! This is my kind of disco!

I have taken the album version of "Bad Reputation" and have given it a new ReStructure Mix. This mix adds to the excitement and energy of the deceitful lover. Well, on to the next best thing...a Ritchie Family remix!

This ReStructure Mix is dedicated to Hans R. de Vries for his non-stop support of the great divas of disco: The Ritchie Family! Thank you, Hans...you have a "good reputation" with me.
• Never Get Enough Of Your Love - Glenn Rivera ReStructure Mix - Street People

Street People is a disco project from 1976 - produced by Mr. Ray Dahrouge - long before he made us feel the magic of his own album "Rendezvous With Destiny" in 1979. Street People is one of the soulful sounds of disco music. Many of the arrangements give the vocal group a wonderful opportunity to sing wonderful love songs.

"Never Get Enough Of Your Love" is from the 1976 album "Street People" and was the first single originally released in 1975 on Vigor Records. I have taken the album version and have given it a new ReStructure Mix outline to extend the groovy keyboards and funky guitars.

This ReStructure Mix is dedicated to Mr. Ray Dahrouge in appreciation for his great work and continued connection to those who are in awe of his talent...as myself!

• My Forbidden Lover - Glenn Rivera ReStructure Mix - Tapps

Tapps is Allan Coelho, Barbara Doust, Candy Berthiaume and Tony DaCosta - a high energy group from the early 80s. Their big track "My Forbidden Lover" is one of the high energy preludes to the impact that dance floors would feel again during the mid and late 80s.

The single was produced by Jean Zevers who also produced Ambiance

I have taken the original 12" vocal and instrumental and created a new ReStructure Mix to tease the synths, vocals and beats of this classic song. It beats as a familiar 80s dance track - yet has it's own feel.

This ReStructure Mix is dedicated to high energy fans everywhere!
• Searchin' - Glenn Rivera ReStructure Mix - Hazell Dean

Hazell Dean is a British pop-high energy artist who is an early diva icon of the Stock, Aitken and Waterman machine. Her 1984 album "Heart First" has the big high energy hit, Searchin"" which became the sounding drum for high energy dance music in the early 80s. It was a big moment for dance floors - only is it could keep up.

I have taken the original 12" version of "Searchin'" and created a ReStructure Mix - breaking the song into more segments and using parts of the vocals to tease the flow of the remix. It is one of many dancers favorite singles of 1983 and continues to remind us of the excitement and fun dance music is all about.
• Every Home Should Have One - Glenn Rivera ReStructure Mix - Pattie Austin

Patti Austin is a pop/jazz/dance singer from New York who began her recording career in 1976 with her album "End Of The Rainbow". Her 1981 project with Quincy Jones was "Every Home Should Have One" - featuring the singles, "Do You Love Me", "The Genie", the ballad "Baby, Come To Me" with James Ingram and the title track.

I have taken the 12" version which is the album version of 3:31 and have given it a ReStructure Mix - accenting it with a new length and some breaks and few extended verses and choruses. It is one of my favorite pop dance tracks which could never be played due to not only it's short length but also it lacking a club feel.

This ReStructure Mix is dedicated to Ms. Austin and all of the die-hard mean and women who support dance music and the fabulous divas!
• You Make Me Feel Good - Glenn Rivera ReStructure Mix - Ann Joy

Ann Joy is a disco artist produced in Canada by the the master of disco percussion, Mr. Peter DiMilo. This project was released in 1980 and featured a cover of Giorgio & Chris' "Love Now Hurt Later". Ann displays the favor of the classic disco chanteuse - with plenty of sexy notes and emotions.

"You Make Me Feel Good" is a track off of the album which displays the sound of DiMilo's classic drums as we heard in his Erotic Drum Band projects. My ReStructure Mix takes pieces of a couple of DiMilo classics and adds them to the new edit and production.

Dedicated to Mr. Peter DiMilo in thanks for making the dance floor go 'BOOM' in the late 70s. An experience that can never be replaced or forgotten.
• Boogie Tonight - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry brought dance floors many flavors of "boogie" - from "Sweet Dynamite" in 1976 to "Boogie Woogie Dancing Shoes" in 1978. All with the magic created for dance floors and her fabulous and iconic persona.

"Boogie Tonight" is from Claudja's 1978 album "I Wanna Be Loved By You" and was the second release from the project. It is the mellow-side of Claudja's hypnotic vocal and sexy delivery. It has the formula of New York disco and the sophistication of the pop-Euro sound.

I have taken the 12" version and gave a ReStructure Mix to add a new dimension of beats and groove to this fantastic number. Break out the fake-furs and high heels - it is time to "boogie tonight"!
• Phonic - Glenn Rivera ReStructure Mix - Cerrone

Cerrone released his single "Trippin' On The Moon" on Malligator with a B-side piece titled "Phonic" in 1981 - the track was a short piece which always reminded me of a sci-fi film theme with the cross-over of a Space (Didier Marouani) sound. A bit haunting.

As no Cerrone track should be left un-turned, I have taken the short 3 and half minute track and played with it to revive that early electro-sound of Cerrone in the early 80s as he shifted from the full-orchestration and funky band feel to an 80s appeal. This ReStructure plays wi the catchy keyboard parts and haunting keyboard refrains.
• Do It (Til You're Satisfied - Glenn Rivera ReStructure Mix - B.T. Express

B.T. Express is Barbara Joyce, Bill Risbrook, Billy Nichols, Carlos Ward, Dennis Rowe, Leslie Ming, Louis Risbrook, Michael Jones, Richard Thompson, Sam Taylor, Terrell Wood and Wesley Hall Jr. - an early 70s funk-disco band. Their mark is evident with hits like "Express", "Does It Feel Good To You" and "Do It (Till You're Satisfied)".

I have taken the 12" version of "Do It (Till You're Satisfied)" and created a ReStructure Mix - adding a few loose elements samples and more reason to "do-it"!

This track was produced by Dock Productions and Jeff Lane
• I Ain't Never - Glenn Rivera ReStructure Mix - Issac Hayes

Isaac Hayes is the artist who helped to formulate the Memphis-soul-sound in the late 60s and early 70s. He is best known in disco circles with his big 1971 hit, "Shaft" - which made the wah-wah guitar a staple of disco music.

His venture into the late 70s with disco club music included his big hit "Don't Let Go" from 1979. In 1980 his LP "And Once Again" brought the bass and beat together with his single "I Ain't Never". It is presented here in a ReStructure Mix.

A few surprises in this play on Isaac's production including a guest appearance from his "Chef" character from "South Park" and some hard driving loops to make the groove even more infectious!

• Tryouts For The Human Race - Glenn Rivera ReStructure Mix - Sparks

Sparks is Ron Mael and Russell Mael - one of the early 70s pop-rock bands and in the late 70s and early 80s synth-disco icons. Their work with Giorgio Moroder on their 1979 album "No. 1 In Heaven" gave them the creativity to inject their boy-rock vocals over a wall of electronic dance tracks. The same year they created a classic disco album with vocalist Noel ("Dancing Is Dangerous").

I have taken the 12" of "Tryouts For The Human Race" and created a new ReStructure Mix - grabbing the classic Moroder sounds and pieces along with the boys to force a new experience for this play on society and fantasy.
• You're The Fire - Glenn Rivera ReStructure Mix - Cissy Houston

Cissy Houston is one of disco music's pioneers and also a vocalist who has provided accompaniment to many artists including Jimi Hendrix, Roberta Flack, The Rascals, Paul Simon - and also disco groups Bionic Boogie, Love Childs Afro Cuban Blues Band, Michael Zager Band and Charlie Calello Orchestra.

Cissy's solo career left a huge mark on dance floors with her hit, "Think It Over" from the album with same title - produced by Michael Zager. I have taken "You're The Fire" from her 1980 album "Step Aside For A Lady" and have given it a ReStructure Mix. The song is the closest to a sweet ballad - with a disc beat and feel!

This ReStructure Mix is dedicated to Jerry Joseph Arko from Facebook - enjoy Jerry!
• Shut Out/Heaven Is A Disco - Glenn Rivera ReStructure Mix - Paul Jabara

Paul Jabara is one of disco music's early risers - and created a world of upbeat and disco-beat driven music which would change the 70s. His first album titled, "Shut Out" from 1977 is a project which featured the title track written by Mr. Bob Esty and produced by Arthur G. Wright and Marc Paul Simon.

The medley features 4 tracks - where I have extracted the first two parts: "Shut Out" and "Heaven In A Disco" - combining them in a new ReStructured medley. This piece from the album features guest vocals from the upcoming-Disco Queen, Donna Summer - with her incredible range and effect.

I have re-arranged the tracks to create a new blended mix with the ReStructure touch. This new version is dedicated to a man and his talent who changed my world - Mr. Bob Esty! Thank you, Bob And also, Mr. Paul Jabara.
• Mama Told Me - Glenn Rivera ReStructure Mix - Fantastique

Fantastique is a disco project from The Netherlands - with Marian Pijnaker and Cor van der Hoogt - although vocals on "Mama Told Me" were performed by Astrid Leuwener and Dick Van Dam. The group had one album and various singles which were in the 80s high energy - electronic disco vein.

I have taken the 12" of "Mama Told Me" and created a ReStructure Mix extended the fun-and-frolic of the song - and adding a few elements to give it a swing and "hoe-down" feel. It is great 80s disco in arena which made dance floors feel as though they were back in "Funky Town"!
• Give Me Tonight - Glenn Rivera ReStructure Mix - Shannon

Shannon (Brenda Shannon Greene) set the 80s on fire with "Let The Music Play" a brand of New York electro-funk which is know as "The Shannon Sound". This beat-and-kick formula utilizes the scratch mix in more ways than one.

"Give Me Tonight" is the second single from Shannon's debut album and as big - if not bigger - than "Let The Music Play". The sound of the 80s is all hear and may bring back more than you can handle.

I have taken the 12" vocal and dub version to give this song a ReStructure Mix and re-funk the mix with some new elements and emphasizing the work of the original.

This ReStructure Mix is dedicated to Mr. Bob Tiedemann - who I thank for his support and for this request! Go get it, Bob - tonight!
• Give Me Your Body - Glenn Rivera ReStructure Mix - Lime

Lime is Denis and Denyse LePage - the duo that set dance floors back into motion and paved the way for 80s high energy with their 1980 hit, "Your Love". Although, Denis was no stranger to disco music - he had arranged many projects in the late 70s and continued to grow and innovate disco with his electronic music.

"Give Me Your Body" is from Lime's third album titled "Lime 3" - another big move for the duo who never seemed to disappoint our ears or feet. I have the album version of "Give Me Your Body" and have applied my ReStructure Mix method to this lovely track. It is the love song of the time - or at least it was on my dance floor: the nights of seeing couples holding each other as if they were moving to a ballad - that's just how lovely it is.

Dedicated to the Lady of Lime - Ms. Denyse LePage. It is that time again Denyse and I thank you for your wonderful talent and your beautiful view on the music even today.
• Gimme Your Love - Glenn Rivera ReStructure Mix - Alma Faye

Alma Faye is one of the voices of disco musics which brings to mind and emotional and soulful experience. Her album "Doin' It" from 1979 is one of the great marker in the disco era. The album was produced by Dominic Sciscente and Michel Daigle - who also brought us Black Light Orchestra and Space Project.

I have taken the album version of "Gimme Your Love" and have rearranged and added some minor production to give Alma another chance to work her magic on your hearts and feet. This track is accentuated by a few samples from Star City's "I'm A Man".

This ReStructure Mix is dedicated to Nick and Lindsay - and special thanks as always to their support and kindness. Also, the knowledge of these special women of disco who have made our worlds beautiful and more lovely. Thank you, boys!
• Higher - Glenn Rivera ReStructure Mix - Vivian Vee

Vivian Vee is a disco chanteuse who made dance floors jump with her big hit, "Give Me A Break" from 1979 - produced by Claudio Simonetti and Giancarlo Meo (Easy Going, The Mask, Capricorn, Kasso). Vivian's third album titled "With Vivian Vee" was a nice touch for 1983 dancers - more of an electro-funk approach on most cuts and the flowing Italo-disco sound as in "Higher".

I have taken the album version of "Higher" and have given it a rework with this ReStructure Mix - taking the verses out and placing them among some loops and fun with the percussion and awesome synthesizers and sequencers. It was always a favorite early morning track for me and was great fun to remix.
• Primitve World - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley breathed new life into synthesizers and electronic music as Giorgio Moroder created in the early and mid-70s during his work in the late 70s. Cowley's work with Brenda Mitchell's "Body Party" in 1978 and Michelle's "Disco Dance" in 1977 were only segues his classic remix of Donna Summer's "I Feel Love" in 1979. His touch labeled as "Mega" was accentuated in his own track "Megatron Man" in 1981.

From his 1982 album (and finale) "Mind Warp" comes the segment "Primitive World" - which is a play of Cowley's electronic effects and sequenced drums. Into a tribal-like fusion of chants and rhythm.

I have taken the album version and clipped and looped the track into a whole new adventure - with Raquel Welch in that loin cloth in mind. A new ReStructure Mix is to salute Mr. Cowley and his short-lived but highly "worshiped" and adored work.
• Feels So Fine - Glenn Rivera ReStructure Mix - Ultimate

Ultimate is a disco studio group who followed closely in the footsteps of U.S.A European Connection - with more of a Philly-disco feel. The second album contained a track called "Feels So Fine" which features vocals from Barbara Hernandez, Deborah McGriff and Riti Saunders

I have taken the album version of "Feels So Fine" and worked a new ReStructure Mix adding breaks, loops and an extended vocal from the original. It was produced by Bruce Weeden and Michale Forte and on the classic Casablanca Records and Film Works label.
• Ecstasy - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane moved disco music into a chic and sensual mode with her 1978 album, "Rough Diamond" - it was what disco music was all about. Her music was always accepted widely on dance floors with it's sultry and sophisticated edge.

Her 1985 album "Cover Girl" was produced by UK high energy producer, Ian Anthony Stephens (Hazell Dean, Marsha Raven, The Flirtations) and San Francisco's disco giant, Paul Parker. It was once again the touch that gave that sparkle to disco's Goddess of Sensuality.

I have taken the track "Ecstasy" and have given it the ReStructure touch using the sexy elements and samples to make it fit into a new realm. And also adding a little cameo from another sexpot who will ask that question which falls into the remix perfectly!
• No One Home In The City - Glenn Rivera ReStructure Mix - Suzi Lane

Suzi Lane is a singer and model from 1979 who brought "Ooh, La La" whole new meaning - chic disco. Along with producer Giorgio Moroder a classic disco project remains one of grandest of dance floor pieces from this year.

"No One Home In The City" is a track from the album which sounds much like the Donna Summer theme tracks from a disco storybook. This time around Suzi takes the track to a lonely home where the nightlife is calling a soul into the arena to find love, mystery and excitement. "Some one must be home..." to take this fabulous diva out!

I have ReStructured this track - extending and looping parts to give it a new meaning and message again - it is one of Moroder's top level productions and along with Suzi it is irresistible!
• Theme from 'The Warriors' - Glenn Rivera ReStructure Mix - Barry De Vorzon

Barry De Vorzon is a producer and composer from New York City - his soundtrack to the 1979 cult-film "Warriors" has the title theme which sounds much like Giorgio Moroder's work on the "Battlestar Galactic" project - with ripping rock-edged guitars and phasing synths and keyboards. It is one of the tracks I have been wanted to remix for years.

"Theme from :The Warriors" is take from the soundtrack album and given the ReStructure touch - adding new kick drums and an extended arrangement of the 4 minute soundtrack version.
• World Wide Party - Glenn Rivera ReStructure Mix - Max Berlin

Max Berlin's "World Wide Party" is one of the disco trax from 1979 which played out like a dance floor anthem. Giving plenty of of the drawn out disco mix which dancers clamored for. Accentuating the disco beat with drums, percussion and synths - driving feet from one side of the dance floor to the other.

Jean Pierre Cerrone is noted to be brother of Jean Marc Cerrone ("Supernature", "Love in 'C' Minor", etc.) and also is known for his first project titled, "Disco Dream".

I have taken the US LP release on Emergency Records - using both sides of the medley's - chopping and trimming down some of the groovin' segments with some new breaks and arrangement.

This ReStructure Mix is dedicated to Deejay Chris of Facebook - and thanks for his request and part in keeping disco music here for life's party!
• Lovely One - Glenn Rivera ReStructure Mix - The Jacksons

The Jacksons not only made a transformation from a young members band to soul and from soul to disco and pop - but also achieved it with the highest marks and rhythmic force! Their 1980 album "Triumph" is one of the most spectacular projects from these talented musicians and artists.

"Lovely One" is a track which was released as a single for radio and clubs yet never did have a remix of the track. I have taken the album version and created a ReStructure Mix to give a new floor-lift. It is one of the fullest productions with horns and strings accentuating those harmonic voices.

To all of the hardcore Michael Jackson and The Jacksons' fans!
• I'm Free - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer moves her mystique of The Queen of Disco into the 80s by working on her perfected vocals for a new direction. Her 1984 album "Cats Without Claws" - produced and arranged by Michael Omartian is one of her most powerful vocal projects. As Donna was in search to refine her talent these recordings proved satisfaction for those who understood her real talent.

My ReStructure Mix of "I'm Free" from this album is worked to create a new interpretation and echo of her past sound which never let - it was only enhanced.
• S.O.S. Fire In The Sky - Glenn Rivera ReStructure Mix - Deodato

Eumir Deodato De Almedida is a talented Brazilian composer, arranger, and musician who began recording in 1964. His work most know to disco-lovers are his productions with Kool & The Gang ("Ladies Night") and his own projects: "Whistle Bump", "Night Cruiser", "Shazam!", etc.

"S.O.S. Fire In The Sky" is a track from Deodato's 1984 album "Motion" - which once again points to his keyboard genius in creating sounds and elements which wind -up the disco energy and funk style of the 80s. His work in this 80s dance track are another movement of his work surviving another generation of dancers and music connoisseurs.

I have taken the 12" "Disarmamix" and have given it a new ReStructure Mix to pump some of the energy the song has always relayed to me - it is quite beautiful when you hear the vocal and understand the message of the needed love for this soul.
• September - Glenn Rivera ReStructure Mix - Earth Wind & Fire

Earth Wind & Fire are one of the successful and acclaimed bands of the 70s - expressing their talent through soul, disco, R&B and funk. The talented list of members are lead by Maurice White, Verdine White, Philip Bailey and Ralph Johnson.

Their 1978 album "The Best of Earth Wind and Fire Vol. I" featured their new single, "September" which today is an old-school/disco classic. The use of horns, guitars, vocals and ominous feeling gave this track one of the most memorable experiences.

I have taken the 3:37 minute version and a have added some new parts and pieces to create an underground and moody feel below the blaring celebration and also give it a more hardcore club feel. But not leaving out the horns and sensational vocals. Lots of loops and edits are a part of this ReStructure Mix.
• Playboy - Glenn Rivera ReStructure Mix - France Joli

France Joli is the one of the biggest gifts to disco lovers. She is the disco candy any dancer or beat-lover could ever ask for. Her 1979 album "France Joli" is one of the classic New York disco sounds to this day. Combined talents of Canada on this project include, Peter Dowse, Denis LePage, Miguel Fuentes, The Sweethearts of Sigma, and Mr. Tony Green.

"Playboy" is from the "fourgy" of dance-delights on this project and is the sound of disco music in it's changing of club sounds and execution. I have taken the album version and have given the track a ReStructure Mix - looping, chopping and sprinkling some new beats, effects and vocal effects to bring this diva back to front of the stage where she belongs!
• Hold Tight - Glenn Rivera ReStructure Mix - Gino Soccio

Gino Soccio is one of the second wave of disco artists to become a major innovator - following in the footsteps of Giorgio Moroder - using technology and band elements to create a a new disco sound. His first LP "Outline" is held as one of the most influential projects of the time - the big disco hits, "Dancer" and "The Visitors" are the proof.

I have taken "Hold Tight" from Soccio's 1981 album "Closer" and have given it a ReStructure Mix to add a new dimension of rhythm and effect-s to the mix. It was never featured as a 12" mix and so the mood was on when I thought of placing a new edit and remix to this bouncy and infectious tune.
• It's For You - Glenn Rivera ReStructure Mix - Munich Machine featuring Chris Bennett


Munich Machine is one of the disco projects from Giorgio Moroder which became of the electronic disco sound thanks to many talented players who many were apart of the disco movement in Germany during the mid-70s. With a touch of Moroder's synthesizers and sequencers creating the pumping energy new to ears and feet.

"It's For You" is from the second Munich Machine album from the famed disco label Casablanca Records where a new blend of sexuality and the disco beat were created. Vocals on this project featured Chris Bennett - who also recorded with Moroder on his "Love's In Me, Love's In You" project - another experimental disco project where his keyboards and electronic work were being formulated.

I have taken the album version of "It's For You" and worked a ReStructure Mix which falls more in an underground mood - with lots of dark percussion and phasing-reworked synths from the original track. It is a new experience in hearing Chris' beautiful vocals and Moroder's magic!
• Physical - Glenn Rivera ReStructure Mix - Olivia Newton-John

Olivia Newton-John is an English-Australian singer and began recording in 1971 and throughout present she remains active in music. Her voice was the sound of 70s pop ballads and a glamour celebrity whom always seemed to be in the right place at the right time.

Her 1981 album "Physical" is her 80s homage with the title track which is the pop-dance record that was silly and a bit teasing - but always remained one of the fun aspects of Olivia's repertoire. The project was produced by John Farrar.

This ReStructure Mix takes the album version and brings the simple radio arrangement to a more hardcore feel. I have added a lot of new breaks and vocal-play to make this workout even more fun!
• Keep In Touch (Body To Body) - Glenn Rivera ReStructure Mix - Shades of Love

The Shades of Love are a disco session produced by Lonnie Johnson and Patrick Adams - also appearing are r&b vocalist Melissa Morgan on flawless lead vocals and Peggy Dodson in the backup ensemble.

One of the best disco-funk tracks of 1982 this is the low-down of the transition from disco to funk in the early 80s. Done with sophistication and soul. It is also one of the guaranteed floor packers for me.

This ReStructure Mix is dedicated to Elizabeth Ruiz-Kessep - thank you for the request and the support!
• Nightline - Glenn Rivera ReStructure Mix - Randy Crawford

Randy Crawford is a jazz vocalist who released her debut album in 1976. Her contribution to jazz and dance music were noted most indefinitely with her recording of "Street Life" with The Crusaders in 1979.

"Nightline" is Randy's album from 1983 and centers on the title track which was released during the 80s dance movement - so much of the production is intense and synth-pop.

I have taken the 12" remix - both vocal and dub to create a new ReStructure Mix -a re-EQ on both both and revitalizing the energy with most of the fast and hypnotic sound of the original mix. It is a new experience.
• The Medicine Song - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills is a disco/soul artist who appeared in the Broadway production of "The Wiz" in 1975. He singing career has been a touching one thanks to her talent of taking a ballad and painting an anthem. We are fortunate that her musical career led her to the disco arena.

"The Medicine Song" is from Stephanie's 1984 album "I've Got The Cure" produced by George Duke. The song immediately became a big radio and club hit. It is the sound of the 80s dance scene with the mood and mix which helped to keep disco alive.

I have taken the 12" vocal and dub to create a new ReStructure Mix along with some old advice from Julie Andrews. This is a newly pieced and edited version to give those who know just what that "cure" is!
• It Doesn't Only Happen At Night - Glenn Rivera ReStructure Mix - Cissy Houston

Cissy Houston is one of disco music long-time vocals including sessions with Sweet Inspirations, Zulema, Herbie Mann, Bionic Boogie, Michael Zager Band and Love Child's Afro Cuban Blues Band. Her 1980 album "Step Aside For A Lady" is another disco project from producer, Michael Zager and contains two of the big disco tracks of that year: "You're The Fire" and "It Doesn't Only Happen At Night".

I have the album version of "It Doesn't Only Happen At Night" and have given it a few lifts here and there - including a new intro and break-beat to make those horns and funky guitars sound even deeper. This is one of favorite from Cissy who reined during the disco era with "Think It Over".

This ReStructure Mix is dedicated to Nick and Lindsay - and done per their wonderful request and advice to keep those great disco tracks alive!
• Disco Symphony - Glenn Rivera ReStructure Mix - Lightning

Lightning is a disco band from John Henderson and Jeff Ross - both guitarist from nu-wave/rock bands who created some of the most beautiful and funky disco music on this project. A member of the glam-rock band Kiss (Paul Caravello) played drums on the project also.

The project was produced by Lewis Merenstein (The Main Attraction, Van Morrison, Phyllis Hyman, The Spencer Davis Group), Ralph Moss and disco DJ and remixer Howard Merritt (who remixed Ultimate's "Touch Me Baby" 12")

"Disco Symphony" is the first and most memorable track from the collection love songs with a beat here. It rings out with a great mellow-rock edge vocal and the elements of late 70s disco music. It is one of the most contagious pieces.

I have given the track a ReStructure Mix with a new intro-exit and some curring here and there. It is a wonderful song to get lost in and still captures my heart!
• Don't Turn Away - Glenn Rivera ReStructure Mix - Thomas Dolby

Thomas Dolby is a name which stood out following his big dance floor hit "She Blinded Me With Science" in 1982. It was a new take on the electronic pop-wave of the period. His work included artist Ofra Haza, Adele Bertei, Magic's Wand and also the soundtrack to the 1987 film, "Gothic".

"Don't Turn Away" is a song from the soundtrack of "Howard The Duck" from 1986 - also featuring his project Dolby's Cube. The album version was always one of my favorite ways to start out the evening. It has a wonderful bass line and melodic feel. One of Thomas Dolby's most lovely pieces. It also features Steve Wonder on harmonica.

I have taken the album version of "Don't Turn Away" and created a ReStructure Mix with a new intro and a few breaks. The song was featured as a longer 12" version with a vocal by Lea Thompson which is nice although Dolby's is much more fitting for me.
• Lady Night - Glenn Rivera ReStructure Mix - Patrick Juvet

Patrick Juvet is a vocalist from Montreux, Switzerland who began recording in 1973 - he has worked with Jean-Michel Jarre on his 1977 disco album "Paris By Night". In 1978 he was added to the artist roster at the monster disco label Casablanca Records and paired with producer, Jacques Morali - who was on a roll with his projects with The Ritchie Family, Village People, and Phylicia Allen.

"Lady Night" is the second album from Patrick on Casablanca and has the disco edge that dominated the top disco influence of the time. The title track I have created a ReStructure Mix to give the song a new spotlight with some elements to make this night more exciting.
• Back In The Day - Glenn Rivera ReStructure Mix - The Jones Girls

The Jones Girls are Brenda Jones, Shirley Jones and Valorie Jones - a soul/funk/disco trio from Detroit, Michigan. Their first big disco hit is "You Gonna Make Me Love Somebody Else" from their first album in 1979. One of the last great Philly-disco tracks.

"At Peace With Woman" is their second album from 1980 - produced by Dexter Wansel, Kenneth Gamble & Leon Huff. I have taken the album version of "Back In The Day" from the project and have given it a ReStructure Mix to give it a bookmark - where I would spin the album version hoping someday for an extended version.

The song has a fun and light take on the reflection of good times but with a great resolution of good times were just as crazy and well as good times today. A very nice hook!
• Hazy Shades of Love - Glenn Rivera ReStructure Mix - Amant

Amant is a disco band from Ray Martinez - a man who is a dance music icon dedicated to the sound of disco music and the loving and admiring mood it creates. Ray worked with some of Miami's forerunners prior to disco making it's mark in the late 70s - offering his own style as the shaping tool of it's sound and popularity.

"Hazy Shades Of Love" is the second single and side to the 1978 project "Amant" released on Henry Stone's Marlin Records and as single on T.K. Disco. This has and always be one of my favorite songs. There are layers and layers of elements from grooves to percussion riffs which are what made disco music exciting and adventurous of the time.

I have taken the full album version and gave it a ReStructure Mix working in my own new and existing elements to layer in a new chapter for this fabulous song. My prime motivation is to pay homage to one the disco greats, Mr. Ray Martinez and Amant.
• Bayou Village - Glenn Rivera ReStructure Mix - Voyage

Voyage is a disco band from France produced by Roger Tokarz featuring Marc Chantereau, Pierre-Alain Dahan, Sauveur Mallia, Slim Pezin and Sylvia Mason-James. Their first self-titled album began a disco odyssey around the world featuring a departure theme and various instrumental and vocal tracks representing each location. the project caught on well on dance floors during 1978 and brought a second LP with a continuation of he journey.

"Bayou Village" is the spot for a visit back to old Mississippi River land and on the river where the rhythm is set to a hill billie jam session. Complete with violins and washboards. The cut was featured on the side-B of this trip and was always a fun track to bring in that square-dance moment during a fun period of disco music.

This ReStructure Mix extends the celebratory piece of music and gives me a chance to mix-up a silly number - featuring a favorite show of mine from the 60s and it's theme. I am sure Oliver and Lisa would approve!

"Green Acres" theme by Vic Mizzy
• Climb/Rushin' To Meet You - Glenn Rivera ReStructure Mix - Midnight Rhythm

Midnight Rhythm is a disco project from Joe Long and Robby Adcock - who always gave us Hallelujah 2000, C.M. Lord, Liquid Gold, Joe Long Sound. This production is a complete orchestrated and arranged dance sensation which took dance floors to a place called "disco heaven". A sound where a crescendo builds and builds to a satisfying climax.

"Climb/Rushin' To Meet You" is from the self-titled album and is contained there as a 15 minute suite. It is one of the most extensive pieces of disco music and remains a classic. Vocals include both Joe and Robby as well as Hodges James and Smith.

I have taken the full album version and ReStructured the pieces into a new version. Dedicated to Mr. Ramon A. Sandoval - for sharing in insight and talent with myself and the world - his note is to thank Marsha Stern as production assistant on this recording as well as Patricia Hodges for her vocals and DJ Bobby Viteritti for the support.

Get to movin'!
• He's So Shy - Glenn Rivera ReStructure Mix - Pointer Sisters

Pointer Sisters made the 80s a fun place to dance in with their big hits, "Jump", "Could I Be Dreaming", "We Got The Power", "I'm So Excited", "Automatic", "Baby, Come and Get It", and "Neutron Dance". Whew! Thank is allot of music which powered dance floors and dance attitudes.

Their album "Special Things" from 1980 had a radio hit - which played out in the Pointer Sisters tradition and sound - "He's So Shy". However, the album version was the only track available so unless you ran across a club with a dedicated and skillful disc jockey, you may not have been able to dance to it.

I have taken the 3:37 minute album version and have given it a ReStructure Mix with a new drum track to pound the heck out of that keyboard track. It is a lengthier and more dub-like - the genre I always love getting lost on the dance floor to!
• Heartbreak In Disguise - Glenn Rivera ReStructure Mix - Pattie Brooks

Pattie Brooks is known for her onstage performance with lovely fans - I know her as one of the disco divas whom introduced the lush-sweet sound of disco anthems. "After Dark", "This Is The House Where Love Died", "Girl, Don't Make Me Wait" and "Party Girl" are the magic of disco which created the fantasy world that made dancers feel free.

Pattie's second album produced by Simon Soussan contained the sound which made disco mature and chic for the time period. Lots of percussion, strings and lovely songs about 'heartbreak' and 'love'. It was quite a moment in disco history.

I have taken the 12" remix of "Heartbreak In Disguise" (mixed by Bob Stone and Manny Slali) and have given it a new ReStructure Mix. Using most of the lush-strings and piano tracks I wanted to make this one not only lengthier, but also remind us of just how fabulous disco music was as it captivated hearts and feet!

Dedicated to Ms. Pattie Brooks - the lady of true disco feeling!
• Don't You Feel My Love - Glenn Rivera ReStructure Mix - George McCrae

George McCrae brought the Miami disco sound alive in 1974 with his big hit, "Rock Your Baby". His music has always reflected a progressive style of disco music remaining in the underground club genre.

His 1979 single "Don't You Feel My Love" is another big club dance track which uses the Afro-Cuban percussion like a cannon - blasting the beat and rhythm with energy.

I have taken the 12" version on Sunshine Sound Disco Records and have given it a new ReStructure Mix to give the song a new stage and added a few new light touches to give it a new arrangement and opportunity to funk-you!
• Inside You - Glenn Rivera ReStructure Mix - Isley Brothers

The Isley Brothers are Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley and Rudolph Isley - the group has been recording since 1959 - their big classic "Shout" among the most memorable. The group lasted throughout the 60s, 70s and 80s.

"Inside You" is a single from their album by the same name from 1981and is one of the most endearing dance singles of that year - and one of my favorites. The fabulous vocal is a yearning and love which I always was brought to tears or a hypnotic trance. Always reminded me of the best of a Marvin Gaye feel.

I have taken the 12" and have given it a ReStructure Mix - making it even dreamier than ever with those echo-driven guitars and swooning vocals. Some new production to bring it out a bit more into the dub arena. Ahhh!
• I Don't Wanna Lose You - Glenn Rivera ReStructure Mix - Lime

Lime is Denis and Denise Lepage - a duo who took dance floors in the early and mid 80s to a new extreme. High energy is the sound which took over the disco legacy and made dancers find more moves between beats than ever.

"I Don't Wanna Lose You" is from their 1984 album "Sensual Sensation" and is one of the project from Lime which is progressive in the state of electronic dance music and a new group of songs which play out in their style once again, very well.

I have taken the album version of "I Don't Wanna Lose You" and have given it a new ReStructure Mix - playing on the synth loops and kick drums. Also, adding a few new words from a couple of dance classics.

This ReStructure Mix is dedicated to Gillian C. from Facebook - thank you Gillian for always being so uplifting!
• Boogie Boo - Glenn Rivera ReStructure Mix - Bionic Boogie

Bionic Boogie is a disco group from Gregg Diamond who at the time was better know for his production of Andrea True Connection's classic "More More More". The band is one of the most respected as cutting-edge disco/funk and soul. Thanks to the participating talents of Cissy Houston, Gwen Guthrie, Luther Vandross on vocals - Brad Baker arranging and Jimmy Maelen on percussion.

I have taken the track "Boogie Boo" from this project and stretched out that "funky-ass" guitar into full fledged disco-funk piece. Adding a few samples of one of Diamond's later tracks from Starcuiser and a special guest who makes the boogie go "boo"!
• I Love My Radio - Glenn Rivera ReStructure Mix - Taffy

Taffy is Katherine Quaye and producers Claudio Cecchetto (Sandy Marton, Tracy Spencer, Sabrina) - both created an Italo-disco classic from 1985 which took clubs by storm and had dancers bouncy joyfully. It is one of the well-known dance tracks from the mid-80s and even today brings back wonderful memories to many - as the lyrics suggest!

I have taken the 12" version from Flarenasch Records (Italy) and have given it a new ReStructure Mix to give praise to one of the happiest and wonderful moods of disco music. I have added a few surprises and new breakdowns to enhance the experience!

Whoa-whoa-whoa" - dance on!
• Theme from Disco '77 - Glenn Rivera ReStructure Mix - Sassy

Sassy is a disco group produced by Mr. Ray Martinez - who also brought us Amant, Passion, Ray Martinez and Friends, a few productions by Foxy, George McCrae, Celi Bee, Seven Seas and the disco label Paris International which featured artists Evelyn Thomas and Jill.

Ray's track "Theme from Disco '77" was the theme from the disco-dance television show which featured many popular and upcoming disco artists. This track is one of my all-time favorites and one big hit for me during my mobile disc jockey years.

I have taken the 12" single from TK Disco and have given it a ReStructure Mix - for a revisit to the days when dancing was made for couples and disco music was for falling in love. It has the classic Ray Martinez stamp which for me always excited and had me swaying.

Dedicated to "the man" himself - Mr. Ray Martinez. Thank you, Ray - over and over your music brings so much joy and love to many. This is for you!
• Below The Belt - Glenn Rivera ReStructure Mix - Grace Jones

Grace Jones is the "avant-garde" diva of disco. Her years of performing, recording and giving to the clamouring audience throughout her continual re-creation of her style. Even today, her recent release proves that Grace does not have to do more than be Grace to win. Not many artists have that drive or acceptance.

"Below The Belt" comes from her 1978 album "Fame" - produced by the man who taught us how to dance to the beat, Mr. Tom Moulton. The track is similar to the drama and disco-opera which Grace entered the limelight. It was all about her attitude and poise.

I have ReStructured "Below The Belt" using the album version and enhancing it with a new intro break and "punch"! It is one of those songs which grows on you...on and on.

Special thanks to my cinema and disco friend, Paul C. from New York for requesting this Grace-anthem and also for being just who he is! This is for you, Paul!
• Rock It To The Top - Glenn Rivera ReStructure Mix - Mantus

Mantus is a hardcore disco band from 1979 - their first monster project "Midnight Energy" contained their big debut single "(Dance It) Freestyle Rhythm" and "Rock It To The Top" - along with two stomping disco tracks which also received clkub play. This was the disco sound in complete form as if they were the rock-n-roll of disco.

I have taken the album version of "Rock It To The Top" along with a few pieces from the 12" remix and created a ReStructure Mix to once again "rock you body"! A hot piece of dance music and a reason to pull the furniture out of the way.

Mantus is Billy Amendola, Frank DeCrescenzo, Jimmy Maer and Kenny Bee

• Burn - Glenn Rivera ReStructure Mix - Melba Moore

Melba Moore is a singer and actress from New York who took the disco world by storm with her 1978 album "Melba" and her two big dance floor hits, "Pick Me I'll Dance" and "You Stepped Into My Life". Melba is still performing today keeping the fire alive with her energy, soul and fabulous vocals.

"Burn" is a wicked track from the 1979 by the same name - and also produced by Pete Bellotte (Donna Summer, Munich Machine, Trax). This is one song that had my dance floor jumping and screaming on Saturday nights. It is also one of my favorite disco tracks from Melba as it shows a versatile and workin' side of Melba's voice.

I have taken the album version and ReStructured the song to give it a new lift and also salute Ms. Moore for all she has and continues to give!
Burn, Melba!
• Can't Get To Sleep At Night - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer released her second double-record set project in 1979 - and the album was one of the most satisfying releases of that year. Through disco/dance and ballads the album had it all and each segue to the next was a good as the last. Produced by Giorgio Moroder and Pete Bellotte.

The cut "Can't Get To Sleep At Night" was penned by Donna's husband, Bruce Sudano and percussionist Bob Conti. A nice synth-driven love song which is placed well within an early morning set or a nice long drive.

I have taken the album version of "Can't Get To Sleep At Night" and have given it a ReStructure Mix with a few new surprises and effects to give Summer fans an alternative version to dream to.

This ReStructure Mix is dedicated top Bob T. - and a thanks to Bob for always being kind and dedicating another Donna Summer song which should not be hidden away. Thank you, Bob
• Oh, La La La - Glenn Rivera ReStructure Mix - Love & Kisses

Love & Kisses is a disco band created by Alec R. Costandinos in 1977 - with their first Euro-disco album "Love & Kisses" ("I Found Love (Now That I Have Found You)").

The Euro-disco sound became one of the foremost movers of the disco boom occurring in the mid and eventually the late 70s. It was a full orchestrated production which gave disco a whole arena and sound. The last album from Love & Kisses in 1979 was "You Must Be Love" - I have taken a track from the album titled "Ooh, La La La" and have given it the ReStructure Mix edge to give the lyrical song a place once again to remind us of the disco history which continues to ignite excitement and dancing all over the world.
• Take My Love - Glenn Rivera ReStructure Mix - Nancy Wilson

Nancy Wilson is the jazz singer who recorded more than 70 albums and holds three Grammy Awards to her success. In 1980 Nancy recorded her album "Take My Love" - produced by Larry Farrow and Carolyn Johns. The project gave Nancy an opportunity to grace a wonderful disco track - "Take My Love".

This album contains Nancy's style in her jazz style and also soul/disco genre. It was quite exciting to hear this iconic voice again to a beautiful and lyrical dance number.

I have taken the album version of "Take My Love" and have given it a ReStructure Mix to strike up that Nancy feeling again with that touch of soul. It is a sound that began to emerge at the end of the disco boom as tracks like "Sweet Talk" by Robin Beck began to make club charts.
• Hot For You - Glenn Rivera ReStructure Mix - Brainstorm

Brainstorm is Belita Woods, Charles Overton, Deon Estus, Gerald Kent, Jeryl Bright, Lamont Johnson, Larry Sims, Renell Gonsalves, Robert Ross, Trenita Womack, andWilliam L. Wooten, III - a 70s funk/disco band who brought to the disco round a classic titled "Lovin' Is Really My Game" in 1977 - a classic with the lead vocal by Benita Woods!

"Hot For You" is from their 1979 album "Funky Entertainment" and pulls another big punch with a fast paced funky disco piece. It is one of my favorite high energy disco numbers of that year.

I have taken the original 12" extended mix by Mr. Rick Gianatos and ReStructured the song to pull a few more punches, add a familiar classic disco riff and give Benita another chance to make your feet and hips work!

Dedicated to the wonderful memory of Ms. Benita Woods who passed this year - her energy is still here - feel it!
• Radio Action - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry is a performer who began her career in Munich, Germany and eventually became one of disco music most celebrated artists.l He early hits "Sweet Dynamite", "Dancin' Fever" and the big "Boogie Woogie Dancin' Shoes" are track which expose the disco beat properly.

"Radio Action" is from Claudja's 1981 album "Made In Hong King" - produced by her husband Jurgen Koduletch (Disco Circus, Ronnie Jones, Lipstique). This track is in the uplifting disco genre with a high chorus which makes any dancer feel higher than the mirror ball.

I have taken the 12" version and have given it a ReStructure Mix to pull that classic sequencer layer out and play a bit with the vocals and verses. It is a whole new track now with some of the new beats guiding the promise of success as the lyrics say.
• Bad Love - Glenn Rivera ReStructure Mix - Cher

Cher has taken over the dance floor again! "Take Me Home" is a classic disco track created by Bob Esty and the fabulous essence of Cher. It was not long until a follow-up and more, were demanded.

"Bad Love" is a track written by Cher and produced by Giorgio Moroder from the soundtrack of the motion picture "Foxes" from 1980. This electronic whirl into the sound that Moroder created and perfected is a risque and tantalizing piece of disco work.

I have taken the soundtrack version and created a ReStructure Mix - making the synthesizers work for Cher in a new way. It is a whole new ball-game so get your mitts and head to the dance floor - ala Cher!
• What About Me - Glenn Rivera ReStructure Mix - France Joli

How can you say France Joli without saying "Come To Me"? The biggest dance floor painted "disco" in the late 70s. France has come a long way back claim her fame as it always should have been.

"What About Me" is a track from her 1985 album "Witch Of Love" - which also featured her song, "Does He Dance" featured in the film "Perfect". The song "What About Me" is a 3:45 minute track that I always had a heck of time trying to extend when the album was new. Thanks to a request by friends, Nick and Lindsay (from Australia) I have taken on a ReStructure Mix for the dance number.

New intro - added effects and a familiar chorus to give France more to think about as a love ends and leaves someone lonely...as love always does when it ends.

For Nick and Lindsay! Thank you boys - here is the longue version!
• How High The Moon - Glenn Rivera ReStructure Mix - Gloria Gaynor

Gloria Gaynor is the voice which brought disco music to a frantic celebration. Her first LP "Never Say Goodbye" produced by Jay Ellis, Meco Monardo and Tony Bongiovi seemed to capture a sound which discotheques where searching for. Along with the help of Tom Mouton and the disco mix the rest was made by dancers and history.

"How How The Moon" is a cover of the Benny Goodman & His Orchestra recording done with disco flare and excitement. Complete with vocals by the queen of dance! This is truly a blockbuster moment!

I have taken the album version which holds true to the first Gaynor album in the antidote for disco's sheer way of symphony and funky grooves. A new ReStructure Mix gives the bass line a front and of course the swooning strings a chance to tell their story.

Nick and Lindsay - Once again, for you both. Thank you for requesting the hidden giants and helping me to keep the sound of disco in it's great shell alive!
• Don't Worry Baby - Glenn Rivera ReStructure Mix - The Good Vibrations

The Good Vibrations is a disco project from producer Stewart Levine - known for productions with Hugh Masekela, The Crusaders, Minnie Riperton and Rare Earth. His project "I Get Around" is a disco-fied production of songs by The Beach Boys.

This is one of the early disco projects which fit into the complete arrangement and orchestration of an ensemble. Very well placed and also features the late, great Luther Vandross on vocals and also David Lasley and Arnold McCuller - crooning a new sound for the pop-beach sound of the 60s translated to the disco dance floor.

I have taken the album version of "Don't Worry Baby" and have given it a new ReStructure Mix adding a few pieces from another disco cover of the Beach Boys tunes by Sea Cruise. The drum beats of the original are the foundation again and the sweet ballad feel of the song.
• Happily Ever After - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer took discotheques on a magical journey with her 1977 double-album "Once Upon A Time". And with musical arrangement in the hands of disco producer, composer and conductor Bob Esty the story was complete. Each track in this package is a golden moment filling in the make-believe fairy tale of a modern day Cinderella.

I have taken the finale closing dance track from side 4, "Happily Ever After" and decided to play with the rejoice in the closing of our tale. It is a ReStructure Mix which extends the original album version and gently takes segments into a deep-breakdown. It is a playful remix which only lends my play in one of my favorite musical productions ever!

• I Can See Him Makin' Love To You, Baby - Glenn Rivera ReStructure Mix - Ray Dahrouge

Ray Dahrouge is a singer, producer, writer and arranger who has worked on many projects in the recording industry since the late 60s. His 1976 production of Street People and his genius of blending a Philly sound along with the sound of the growing disco trends is one of his talents I have been moved by.

"Rendezvous With Destiny" is 1979 album with the hit "I Can See Him Makin' Love To You, Baby" which helped the big year of disco sound complete. The track is a catchy post-love song with the pain and regrets. The emotion that flow along with the dramatic strings and funky guitars pulls it all together in the production. Disco producer John Davis assists here on the arranging and conducting along with Billy Terrell co-producing.

I have taken the 12" version of "I Can See Him Making Love To You, Baby" and rerouted the mix with the emphasis on those infectious wah-wah guitars to give this new ReStructure Mix a new feeling.

This ReStructure Mix is dedicated to the man himself, Mr. Ray Dahrouge who has given a new shade of sound to disco music with his talent and love. Thank you, Ray!

You can find Ray on Facebook along with more of his recent music at: https://www.facebook.com/ray.dahrouge
• J'ai Deux Amours (Two Loves Have I) - Glenn Rivera ReStructure Mix - Phylicia Allen

Phylicia Allen is a singer/actress who had a brief moment of disco stardom with her LP "Josephine Superstar" from 1978 - a tribute to dancer/singer and actress, Josephine Baker. The project was produced by Jacques Morali - who is also very well known for his disco work from Village People and Ritchie Family.

"Two Loves Have I (J'ai Deux Amours)" is the hit from the album and does well in creating a new stage for transforming the Baker 1931 hit into a swirling disco number. I have taken the album version and have staged a ReStructure Mix to give the song a new arrangement and length - also removing the tail end of the duo track, "Josephine Superstar" to enable the song to stand alone.
• Gloria - Glenn Rivera ReStructure Mix - Laura Branigan

Laura Branigan is pop-disco recording artist who was heavily influenced by Donna Summer, Gladys Knight and Stevie Nicks. Her big break came with a cover of Italian singer, Umberto Tozzi's "Gloria" in 1982. The song took off instantly in clubs and radio making Laura and instant star.

I have taken the 12" version of "Gloria" and worked a new ReStructure Mix to give the song a new reason to feel the power of the song itself - as Branigan seems to speak of a fast-track woman who should catch herself before everything collides. A great track!

This ReStructure Mix is dedicated to Miss Laura Branigan who sadly left us in 2004 - her voice and music continue to bring out the drama of dance music and the beauty of this lady.
• Street Life - Glenn Rivera ReStructure Mix - Crusaders

The Crusaders are a jazz-dance group with members Wilton Felder, Nesbert "Stix" Hooper, Joseph Sample and Larry Carlton. Founded in 1956 and began recording albums in 1961.

"Street Life" is their 1979 project and features jazz vocalist Randy Crawford on the title track. A nice jazz-disco number with the vocal topping the shine of the production.

I have taken the album version of "Street Life" and have given it a new ReStructure Mix with a new arrangement and some sprinkles of disco-dub throughout. It is one of my favorite tracks from The Crusaders and with Randy on vocals it has always been in the back of my mind - along with the memory of a crowded dance floor when I programmed the song.
• Flashback - Glenn Rivera ReStructure Mix - Rozalin Woods

Rozalin Woods in a disco singer who released her first and only album in 1979 titled "Flashback" - the first big single and hit in the clubs during it's release was "Whatcha Gonna Do About It". The production by Ed Martinez (Al Wilson, Papa John Creach, N.E. Philly Band) is a full orchestrated and rich disco sound.

"Flashback" is the second single released which was released on a promo 12". It is a cover of a B-side from a 1973 45 single by Paul Anka. The disco version moves like a dramatic torch song and gives a moment to go back to the disco diva selling her emotions for the dancers to sweat to. There are a few samples to remind Rozalin of the reality of a lost love.

Dedicated to Nick and Lindsay - thanks for the request and bringing the disco-drama to life, once again!
• You're The One - Glenn Rivera ReStructure Mix - Boys Town Gang

Boys Town Gang is a disco project from the late disco producer, Bill Motley - whose intention was to provide dance floors with beautiful disco music in the early 80s - since many club-goers were not quite done dancing yet.

The first LP "Crusin' The Streets" is a classic with the glorious high energy/disco cover of Diana Ross' "Remember Me" and "Ain't No Mountain High Enough" (features Cynthia Manley on vocals). The follow up single is a remake of Little Sister's "You're The One" from 1970 - produced by Sly Stone.

I have taken the 12" mix on Moby Dick Records (San Francisco's own disco label in the early 80s) and ReStructured the track giving it a longer groove and also adding a few new surprises. The funky keyboards and horns are the heart and soul of underground disco music.
• Traffic Breakdown - Glenn Rivera ReStructure Mix - Boogie People

Boogie People is a Canadian produced disco project from Dominic Sciullo (Nancy Martin, Montreal) and Vincent Ciambrone (Claudia Hart, Tamara) - arranged in the full disco power mix - with plenty of bass, percussion, bongos, vibes and breaks.

"Traffic Breakdown" is a single released in 1980 - and was originally titled "Boogie Breakdown" as a B-side. This is a full force instrumental for the high energy portion of the night and also requires the dancers to follow each beat and synth loop. Very hypnotic and drenching!

I have taken the 12" version on Unidisc and ReStructured the instrumental in a new arrangement to remind us of just how those disco bongos were very contagious during the disco era.
• I'm Gonna Dance - Glenn Rivera ReStructure Mix - Asha

Asha (Asha Puthli) has been recording since 1974 - and creating a captivating style of funk which began moving dance floors in a new way. It was her 1979 LP titled "L'Indiana" which struck the single "I'm Gonna Dance" on the Henry Stone label T.K. Records and created an underground hit in an new electro-vibe sound, yet Asha's commanding vocal style.

I have taken the 12" version of "I'm Gonna Dance" and created an alternative ReStructure Mix - editing the haunting like feel of the track with more of a echo of rhythm and drum fills which make the original the classic disco track that it has became.

Dedicated to Ms. Asha Puthli and thanks to her wonderful years of music and talent shared with the disco community.
• The Visitors - Glenn Rivera ReStructure Mix - ABBA

ABBA creates a classic dance track in 1981 - just when you thought their prior project, "Super Trooper" had elevated their rein in both pop and disco music. This production is truly one of the most imaginative and pop-savvy ever!

This ReStructure Mix takes the album version 3 layers deeper with some samples from a one of ABBA's prior hits and another group of "visitors". Dedicated to ABBA fans around the world and the magic of disco music!
• Jump - Glenn Rivera ReStructure Mix - Pointer Sisters

Pointer Sisters (Anita Pointer, June Pointer, Ruth Pointer) have been one the groups of the 80s whom helped save the disco mood and theme. Many of their pop-tracks stayed close to the dance formula and keeping the dance floor alive with energy and excitement.

"Jump" is from their big 1983 album "Contact" - where it seemed like an endless barrage of singles and hits were spinning out of control for the girls. Thank goodness for them and luck for us.

I have taken the 12" vocal and instrumental of "Jump" and created a new ReStructure Mix making the mood as festive and celebratory yet adding some new loops and edits to the recipe!
• Straight From The Heart - Glenn Rivera ReStructure Mix - Loose Change

Loose Change is Leah Banks, Donna Beene and Rebecca Anderson - under the production of Mr. Tom Moulton in 1979 the impact of disco and it's power is displayed.

"Straight From The Heart" is from their self-titled album which features John Davis, Thor Baldursson, Larry Washington and Don Renaldo's Strings and Horns - it is complete and honest disco music.

I have taken the 12" version of "Straight From The Heart" and have given it a ReStructure Mix to give it a new feel and to continue on the disco sound which makes the disco lover proud to dance and claim the legacy.

Dedicated to Mr. Tom Moulton - the man who made the 70s such a great place to live in and continue the memories with heart and soul!
• It's Over - Glenn Rivera ReStructure Mix - Alma Faye Brooks

Alma Faye Brooks is one of the artists from 1979 who brought excitement to the soul of disco music. Her album "Doin' It" was produced by Canadian producers Dominic Sciscente and Michel Daigle (Black Light Orchestra, Space Project).

"It's Over" was released as a 12" with the flip-side "Don't Fall In Love" - one powerhouse single for clubs during the finale phase of the disco era. Backed with the emotional and soulful vocals of Ms. Brooks you can sense the dedication to the art and creating dance music with intensity.

I have taken the original 12" version to recreate a new ReStructure Mix using a few new elements and breaking down that incredible rolling bass lines. This is one of the songs which brings to mind the word "classic" in it's first few minutes.

Dedicated to Nick and Lindsay and thanks for requesting this project which keeps the disco diva legend alive!
• Working Girl - Glenn Rivera ReStructure Mix - Cheri

Cheri is disco group from Montreal - Amy Roslyn and Rosalind Hunt (Geraldine Hunt's daughter and Freddie James' sister). Their first self-titled LP from 1982 featured their first big disco hit, "Murphy's Law".

"Working Girl" is from their Lp "Love Stew" from 1983 which was also a bug club record thanks to its bouncy house-like feel with a sassy, yet lyrical vocal.

I have taken the 12" of "Working Girl" and have given it a ReStructure Mix and work-over - creating another opportunity to "work it"!
• Time Of The Season - Glenn Rivera ReStructure Mix - The Neil Cloud Orchestra

The Neil Cloud Orchestra is a disco project from Neil Cloud - who was formerly a member of a 70s rock band titled Rabbitt. His production along with Mike Arato and Steve Thompson of The Zombies classic, "Time Of The Seasons" is a wonderful disco version with a soaring femme edge to the track. The percussion and rolling bass provide a wonderful transformation from psychedelic to mirror balls!

I have taken the original 12" version (both vocal and instrumental) on T.K. Disco and ReStructured a new version using samples of the original and rearranging and adding more of the beautiful instrumental for a dreamy sound.

Dedicated to Mr. Steve Thompson - thank you Steve for your wonderful work and talent!
• Music Machine - Glenn Rivera ReStructure Mix - Joel Diamond Experience

Joel Diamond is a producer/songwriter who founded his own label, Silver Blue Records in the 70s - we were fortunate enough that his focus was on dance music - even though his credits include a long list of pop, blues and soul artists.

Joel Diamond Experience is a project from 1978 which uses all of the sounds and energy of disco music as it evolved from the early 70s. The album featured a list of performers and musicians who helped to make this project a disco-fun house. Vocals include Jocelyn Shaw (Brown), Zach Sanders and Gordon Grody.

"Music Machine" is a single from the album and is ReStructured here to emphasize the excitement and outline of disco music - with a country-edge added to give it a new touch.

Dedicated to Mr. Joel Diamond for his longevity in the music industry and his continued part in keeping the ears and feet satisfied!
• Rock Me Now - Glenn Rivera ReStructure Mix - Peter Batah

Peter Batah is a Canadian disco artist whom released 2 big club hits during the early 80s transition from disco-to-high energy. "Rock Me Now" is his single from 1980 which created a craving for high-disco tracks all-over again in the early 80s. The track was produced by Claude Allard who also produced Black Star and Miki Hope - and also worked on tracks for Lime, France Joli, Freddie James, Suzy Q and U.N.. Some notes suggest this may even be Denis LePage under an alias.

I have taken the original Canadian 12" - using the vocal and instrumental creating a ReStructure Mix for "Rock Me Now" using more of the electronic features of the mix for a longer intro and more fantastic drop breaks in between. It is one of those rock-pop disco numbers similar to what Paul Sabu was releasing as Sabu.
• I Want A Man - Glenn Rivera ReStructure Mix - Noel

Noel is a disco artist from 1979 brought to us by Ron Mael and Russell Mael - better known as the rock band Sparks. Following the release of the Mael Brothers LP "No. 1 In Heaven" which was produced by Giorgio Moroder - the electronic disco formula may have been a bit contagious and perplexing to these artists.

Taking their nu-wave-ish muse and applying a disco edge to the pulsating rhythms brought the LP "Is There More To Life Than Dancing" to life - the entire project is looked at by disco-collectors as classic dance material.

I have taken the album version of the closing track, "I Want A Man" (which I played out during it's release and in stand up bars in the 80s) and extended it and tweaked it into a new ReStructure Mix for you lovers of Noel, Sparks and the Moroder disco sound.
• Don't Leave Me This Way - Glenn Rivera ReStructure Mix - Carol Jiani

Carol Jiani has been giving her unique touch to dance music since the late 70s. Her vocals bring to mind a torch-like feel and powerful resonance. In 1981, her big high energy track "Hit and Run Lover" gave her name a moment in dance floor history which is referred to frequently.

"Don't Leave Me This Way" is a cover of Thelma Houston's classic - in Carol's own flavor and execution. A great variation to bring the song into a mellow and haunting feel. During the early 80s the song was covered by many artists - this being one of my favorites for it's variance.

I have taken the song from the 1984 album "Dancing In The Rain" project - produced by Joe La Greca and Louis Toteda - and had created a ReStructure Mix to give this wonderful cover another place to spotlight Carol's talent and dedication to her fans and disco music.
• Tonight I Feel Like Dancing - Glenn Rivera ReStructure Mix - Mavis Staples

Mavis Staples of The Staple Singers brings her solo career into the sparkling discotheques in 1979 with her single "Tonight I Feel Like Dancing" - produced by Barry Beckett and Jerry Wexler (Philadelphia International). An exciting and "break down the walls" anthem.

This ReStructure Mix celebrates that 70s disco feeling to celebrate the dance mode we all go into when we reach deep into our souls to release the tension and feel good. It's all here in a new antidote.

Dedicated to Nick and Lindsay - thank you for the request! What a great song!
• Lies - Glenn Rivera ReStructure Mix - Thompson Twins

Thompson Twins are an 80s synth-pop band with Alannah Currie, Joe Leeway and Tom Bailey. Their 1983 album "Quick Step and Side Kick" featured the single "Lies". This single was a huge club single and helped to bring a new sound and speed to dance floors in the early 80s.

I have taken the 12" vocal and dub to recreate a ReStructure Mix with a new edit and message for feet and the mind. This combination of percussion, synths and vocal approach were a welcomed sound to dance floors and now celebrated as a great piece of dance music history.
• Life Is Music - Glenn Rivera ReStructure Mix - The Ritchie Family

The Ritchie Family are the fabulous divas who made disco music so luring and beautiful in the mid-70s. Created by producer Ritchie Rome (The Three Degrees, Jimmy Ruffin, Flower, African Suite) and co-produced and continued with Jacques Morali (Village People, The Lovers, Gypsy Lane, Patrick Juvet, Phylicia Allen, Dennis Parker).

The project "Life Is Music" from 1977 was headed by the title track - and anthem of the same name. I have taken the 12" version on T.K. Records and have given the ladies a new ReStructure Mix to give the song a new feel and extended celebration. It is a true anthem - pure and simple.

Dedicated to Nick and Lindsay who requested this beauty for a new sound. You boys make the dance floor in my mind to tempting and also allot more fun with the memories of the past in the current day! Thank you.
• One Night In A Lifetime - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer's album "Bad Girls" is one of the finale shaping moments of disco music in history. Taking Summer, Moroder and Bellotte to a new extreme of blending pop-rock and disco and created a monstrous dance floor 2 record set.

"One Night In A Lifetime" is from the B-Side medley and I have given it a new ReStructure Mix - taking pieces and parts to create a whole new experience with Donna's fabulous vocal delivery. A masterpiece and another piece of the magic double album!
• Pick Up The Pieces - Glenn Rivera ReStructure Mix - Average White Band

Average White Band is one of the big r&b-soul bands from the early 70s. Their two big hits "Pick Up The Pieces" and "Cut The Cake" are the influential dance grooves of their time and helped to create a cross between funk and soul.

The band consisted of these members:Alan Gorrie, Mike Rosen, Hamish Stuart, Owen 'Ormie' McIntyre, Malcolm 'Mollie' Duncan, Roger Ball and Robbie McIntosh.

I have taken their 1974 hit "Pick Up The Pieces" and applied a ReStructure Mix attitude to the album version to lengthen and play with some of the funkiest guitars, horns and groove ever! It is a new version that is only intended to give the original another play in a new way!
• The Scratch - Glenn Rivera ReStructure Mix - Surface Noise

Surface Noise is a British disco/jazz ensemble created by Chris Palmer in the early 80s. Their dance hit in 1980 "The Scratch" is reminiscent of the jazz piece as Rodney Franklin's "The Groove" - but with more the disco flair intact.

I have taken the 12" single and have given the jazz-jam a ReStructure Mix creating a mixable intro and an extended mix of the session. It is quite the groovy jazz dance gem and becomes a bit infectious as a few plays.
• Disco Express - Glenn Rivera ReStructure Mix - Plastic Surprise

Plastic Surprise is producer, Peter DiMlo and his concept of what disco music is - a driving energy for dancing feet to appreciate. His past work including Erotic Drum Band, Extensive Care, and Pussycats are the framework of great Canadian disco music.

"Disco Express" from the "Bang Bang" project feature the fabulous Sweethearts of Sigma (Barbara Ingram, Carla Benson, Evette Benton) guiding us through a disco fantasy.

I have taken the Canadian 12" single and recreated a ReStructure Mix addign some elements that may be familiar to retro-television fans. Mixing the track in-and-out of a journey for disco lovers everywhere! Dance! Shout! Freak Out!

Dedicated to the very talented, disco producer, Mr. Peter DiMilo!
• High On Love - Glenn Rivera ReStructure Mix - Claire

Claire is a disco artist from France with a single titled "High On Love" from 1978 produced by Thomas Davidson Noton - who also produced "Solitaire" (the original French version) by Clementine and French artist, Renaud.

This track is the French edge of disco music in the late 70s - very similar to the sound of artists like Michelle and Madleen Kane. This session was arranged by Raymond Taras Knehnetsky who also worked on Alec R. Costandinos' Paris Connection and Trocadero Suite albums, Regine and a few notable disco projects.

I have taken the US 12" on Prelude (mixed by Francios Kevorkian) and created a ReStructure Mix - focusing on the lush strings sections, drums and keyboards. This is the elegant sound of disco music and is always a nice representation of the impact and direction disco moved in the late 70s.

NOTE: Written by Jack Robinson who wrote "I Love To Dance" for Tina Charles and also James Bolden (David Christie) who also wrote "Do Or Die" and "Saved" for Grace Jones, "All Night Man" for Loose Change, the Frantique LP, and of course "Saddle Up".

• Sugar Frosted Lover - Glenn Rivera ReStructure Mix - Flakes

Flakes is D'Lanie McQuaig, Darryl K. Roberts, Harry Kim, Marilyn McLeod, Mel Bolton and Perry Peyton - a disco/funk band whom had a dance floor hit in 1980, "Sugar Frosted Lover". The 12" track was remixed by Jim Simpson and given a nice bounce with Jimmy's touch.

I have taken the 12" vocal and instrumental to create a new ReStructure Mix with more bounce and beat-clap to create a new treat. A few samples of a familiar voice accent the disco mix and give your morning a new rejuvenating feel!

Dedicated to funk-disco lovers everywhere! Pour it on!
• Relight My Fire - Glenn Rivera ReStructure Mix - Dan Hartman

Dan Hartman began his disco career with a bang - "Instant Replay" was a huge hit on dance floors in 1978 and ignited a high energy sound in clubs that began a new era of dance music. His second album "Relight My Fire" in 1979 was the time period for the height of disco madness. The title cut is now a classic along side the instrumental piece "Vertigo".

I have taken "Relight My Fire" and have given it a new ReStructure Mix to place a new emphasis on the feel and importance of Dan's music both at the tail end of the 70s and during the early 80s. This mix works on the excitement of the strings, pianos and Dan's fabulous composition and theme.

Sadly, Dan Hartman passed in 1994 - but his music lives on in the energy of disco and the hearts of many who experienced it. The music always gives way to new life and is here to create new memories for those willing to free their souls and feet.

For you, lovingly, Mr. Hartman
• Eurovision - Glenn Rivera ReStructure Mix - Telex

Telex is Dan Lacksman, Marc Moulin and Michel Moers - an electronic disco/pop dance band formed in 1978. Their nu-wave-ish take on disco music in the late 70s gave them the stamp of tongue-in-cheek type humor and odd themes. Much of their music is formulated as bands like Kraftwerk were influenced by electronic geniuses like Giorgio Moroder of the disco era.

"Eurovision" is from the 1980 album titled "Neurovision" and is the percolating sounds of robotic-disco during the changing 9of sounds and ideas of disco and dance music in the early 80s. The short near-3 minute version is extended here using ReStructure techniques - striping away layers and uncovering some wonderful synths elements which I have played with to create a near 10 minute track.

• Mother Africa - Glenn Rivera ReStructure Mix - Tantra

Tantra is a disco project from the late70s created by Italian composer and producer, Celso Valli - he also created Azoto, Passengers, Adal-Scandy Super Band, Nuggets, Silence, and The Green Future Orchestra. His work has always been the forerunner of disco music - combining electronics, the heavy disco band sound and orchestrations.

Tantra is one of Valli classic sounds - taking over where big disco producers like, Alec R. Costandinos, Cerrone and Boris Midney left off in the late 70s. It was a step deeper into a new realm of sound and themes.

"Mother Africa" is from an album originally released with "Hills of Kat Mandu" and was later packaged in the US as "The Double Album" - containing most of the work Celso Valli created under the groups sessions.

I have taken the album version of "Mother Africa" and extended in adding a few more percussion elements to stomp out the ominous breaks. I have also mixed and edited some of the vocal pieces to create a non-stop rhythmic feel.

Dedicated to Mr. Celso Valli and his wonderful contributions to the imagination and energy of the dance floor.
• Sex - Glenn Rivera ReStructure Mix - Sylvester

Sylvester’s 1984 album titled “M-105” is one of his most electric club projects from the 80s. Utilizing the high energy feel to it’s extreme on many of the dance tracks. “Sex” is the second single from the project and was produced by Tim Wirrick.

I have take the album version of “Sex” and reworked the energy to a new ReStructure Mix . It has a bit more of the ricochet edits and the ominous build of the dark and sensual feel of the song.
• Wonder Woman - Glenn Rivera ReStructure Mix - The Wonderland Band

The Wonderland Band is a studio disco group from producer Morrie Brown - who also worked with Evelyn King, Melba Moore, Al Wilson and Howard Johnson. This ensemble includes the full disco arrangement with stings, lots of percussion, and keyboards outlining the tracks. In the chorus are Clydene Jackson, Deedee Dennard, Julie Waters and Maxine Waters.

The album was centered around the comic character "Wonder Woman" and of course the television show with Lynda Carter may have given allot of inspiration. Many other cuts are fantasy-filled with themes of Superman and exotic places described with the disco touch.

I have taken the 12" European Remix and have created a new ReStructure adventure - keeping the sensual vocal of our disco-Wonder Woman - and worked a new edit with breaks and the funky chorus riffs.
• From Now On - Glenn Rivera ReStructure Mix - Linda Clifford

Linda Clifford is one of disco music's divas with a well-built reputation of always meeting expectations of her fans. Linda began as a jazz singer and soon recorded her solo album in 1977 - produced by Gil Askey and Leroy Hudson. The single "From Now On" from the album became one of the clubs favorites for a touch of the sweeping disco arrangements with echos of soul and funk.

I have taken the fabulous 12" remix and have given it a ReStructure Mix working - and extended the track with more of the percussion drop outs and a looping of the beautiful strings. Linda's vocals are intact, as they should be with a bit of play with some phrases.

This ReStructure Mix is dedicated to Nick and Lindsay - thank you for always educating me and reminding me of just how wonderful disco music really is. You boys are treasures in my collection of musical loves!
• Jive Talkin' - Glenn Rivera ReStructure Mix - Bee Gees

Bee Gees topped the charts in 1977 with the soundtrack to "Saturday Night Fever" - the single "Jive Talkin'" was featured on the soundtrack - however it was released in 1975 on the album "Main Course". It was produced and arranged by Arif Mardin.

I have taken the album version of "Jive Talkin'" and have given it the ReStructure Mix treatment - extending those funky guitars, bass tracks and the kickin' percussion. It is a dub-extended mix that takes the soulful-pop track to another dance experience.

Dedicated to the Bee Gees and their marvelous talent and contribution to disco music!
• Just Let Me Dance - Glenn Rivera ReStructure Mix - Scandal

Scandal is a disco band produced by Paul Freitas and Richard Freitas - they released two singles in the early 80s. "Just Let Me Dance" being the first - and the biggest. A disco anthem from 1980 with the funk and soul of disco music which displays a wonderful flow of energy and rhythm.

I have taken the original 12" version with the mix by Mr. Jim Burgess and have given the track a ReStructure Mix - taking parts and pieces of the irresistible song and rearranging it for another chance to celebrate it's power!

This ReStructure Mix is dedicated to Kimberly Kohler on Facebook - and her fabulous flavor of disco music - keep on dancin' Kimberly!
• Don't Let Go - Glenn Rivera ReStructure Mix - Tasha

Tasha (Tasha Joan Paul) is a European disco artist who released a pumping electronic dance single. "Don't Let Go" in 1986 - produced by Fred Bekky (also produced Trillion). The frantic energy in the song always reminded me of a more tame "Maniac"-esque feel. Tasha's vocals are the 80s high-energy style and are at times quite irresistible.

This ReStructure Mix was requested by "nep30" - so I have taken the "U.S. Remix" and the "U.S. Dub" which was released on RJM Records and recreated a new sweaty routine with a few new surprises to heat up the track.
• Thief Of Hearts - Glenn Rivera ReStructure Mix - Melissa Manchester

Melissa Manchester recorded "Thief Of Hearts" in 1984 for the soundtrack of the film by the same name. It was produced by Giorgio Moroder and Harold Faltermeyer and reflect the hard hitting electronic dance edge of the 80s.

I have take the 12" version and created ReStructure Mix adding a bit more instrumental elements to establish an more eerie introduction to the mysterious feel of the song. It was a popular pop-dance track and many hear it as a outline for the 80s dance mix.

• Keep It Confidential - Glenn Rivera ReStructure Mix - Nona Hendryx

Nona Hendryx began her recording career with Pattie LaBelle (LaBelle). Her career path was always destined as a source of soul and energy giving life to many projects. Her solo album "Nona" from 1983 was quite a welcome project during a transition period for dance music.

"Keep It Confidential" is the first single from the album and was a huge favorite among dance floors and club addicts. It is one of the most beautiful dance songs with a mixture of soul, rock and dance rolled into one incredible performance by Ms. Hendryx.

I have taken the 12" version and created a new ReStructure Mix extended much of the rolling piano tracks and Nona's wonderful vocal. It has a few new breaks and drop outs that only bring on another build.
• Stand Back - Glenn Rivera ReStructure Mix - Stevie Nicks

Stevie Nicks former member of Fleetwood Mac released her first solo album, "Bella Donna" in 1981. During the big pop-dance 80s era many artists were releasing songs that were formulated as a new style of pop-dance. Many of them actually released as 12" single with remixes for extended club play - just as the 70s 12" disco single.

"Stand Back" is from Stevie Nicks' 1983 follow-up LP titled "The Wild Heart" - the song became an instant favorite among her fans and also 80s dance floors. Produced by Jimmy Iovine, the song uses a heavy synthesizer base, which I always associated with a mild Patrick Cowley - and a clever rock edge to bring the song a pop-rock feel for Stevie and a place in clubs.

I have taken the 12" single and did a few chops and edits to create a new ReStructure Mix - focusing on the roaring synthesizer, of course and also bringing some of the hidden elements out. It pulls the original mix to a little over 9 minutes.
• Fire - Glenn Rivera ReStructure Mix - Linda Imperial

Linda Imperial is a club diva who began recording with the disco group Loverde in 1980 - featured in the big disco hit, "Die Hard Lover". Following this induction to the dance floor, Linda has since released her singles, "Stranger", her own cover of "Die Hard Lover", "Killing Me Softly", a fabulous high energy version of Brenda Russell's "Get Here", and a high energy take on "Where The Boys Are".

Linda makes the dance seem like a disco lounge at times with her beautiful vocals - and in her 1987 track "Fire" (produced by Leo Frappier) she sets the dance floor into flame over this fantastic 80s production encompassing all of the energy into one single.

I have taken the original 12" single version and created a new ReStructure Mix dividing the arrangement into a whole new "4 alarm" mix. I have also added some new surprises and extended this hot number into a 9 minute version.

Dedicated to Ms. Linda Imperial - with thanks to her diva "fabulous-ness"! And also Mr. Leo Frappier for taking the reins of high energy music in the 80s - making the fantasy last!

• Say Something Nice - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer's "Once Upon A Time" is the disco message from 1977 which made critics and the music industry take notice. A double album set with a production along the lines of a non-stop disco opera. Produced by Giorgio Moroder and Pete Bellotte and arrangements, keyboards, percussion and also backing vocals from Bob Esty.

"Say Something Nice" is the closing track from side A - which fits in this Cinderella-like take of a siblings and a evil step-mother who can never give credit to a princess in waiting. It is one of the most incredibly layered from the album and blends the funky-disco flavor with an orchestral accompaniment that lifts the message and Donna's vocals higher and higher. You may find your hips moving again!

I have taken the album version and mixed up an new ReStructure Mix to bring the song out again - with an intro using a few words from gossip shows that never seem..."to say something nice!"

Dedicated to Mr. Bob Esty! Music is a better world with your baton leading this disco symphony - thank you.