SHADES OF SEVENTIES - RESTRUCTURE MIXES


• Stay Tonight - Glenn Rivera ReStructure Mix - Caprice Jacques Fred Petrus was responsible for producing projects which were essential to disco music and it's growth during the late 70's. Very little is known about this project titled Caprice which he produced in 1980. The compositions and arrangements were done by Candelario Sanchez. It was released on Goody Music Records as an Italian Import. The compositions have the last touch of Euro-disco from this period. It was a time where arrangements with actual players was becoming a bit extinct in disco music. This may have been due to the popularity dwelling down and the funds for recording were limited to musicians and left many keyboards as the last option. "Stay Tonight" is a track from this album which is about 4 minutes on the LP and featured with no intro to mix into. I always favored this cut because of the melodic chorus and the vocal (which is unknown) that always reminded me of Vi Ann from Paradise Express. It is a great song with some elements that are unforgettable. I have taken a chance to create a whole new base for the song with a pumping synthesizer being the foundation and ambient layer below the track. This is a shot for myself since the song I find beautiful and I felt needed to be revived and also the project not lost forever.
• I'll Play The Fool - Glenn Rivera ReStructure Mix - Dr. Buzzard's Original Savannah Band Sandy Linzer (Odyssey, Cory Daye, Teresa, T.S. Monk) produced this project in 1976 - and it is hailed as one of the first and top productions in it's class. There are many familiar faces in this band - Don Armando ("Deputy Of Love"), Charlie Calello, August Darnell, and Cory Daye on vocals. My first experience with this band was the single, "Cherchez La Femme/C'est Si Bon" at the age of 15 - it was not only one of the most exciting songs I was hearing constantly on the radio but also my first recollection of disco music becoming more sought after. I have taken the track, "I'll Play The Fool" and added a few new elements of beats and percussion to break and extend the track a bit more. Subtle pieces of clap add a bit more discotheque atmosphere. Dedicated to Anthony Gioffre for his sharing his Studio 54 experience and friendship with me.
• I'm Gonna Get Your Love - Glenn Rivera ReStructure Mix - Jade (alias Nancy Martin) Jade had a hit with “I’m Gonna Get Your Love” in 1982 – she was actually Nancy Martin who was later Nancy Martinez. This track was produced by Marc Racine and Danny Taillon. The original mix is ReStructured here to extend synth elements of this flowing song. Thanks to Nancy’s soft and alluring vocals this song is a dance classic. I dedicate this mix to Randy in Palm Springs – thanks for being so supportive and for asking for a new mix of this great dance number.
• Magic Fly - Glenn Rivera ReStructure Mix - Kebekelektrik This extraordinary project from 1977 was produced by Pat Deserio and featured Gino Soccio on keyboards, Larry Washington on percussion and assistance by Tony Green. Keyboards are featured in this development period for disco music - the arrangements and compositions are forerunners of electronic disco music becoming mature. "Magic Fly" was the first single released in 1977. I have taken the track into a ReStructure Mix which patterns most of the percussion elements and pounding synthesizers. The project also featured sought after tracks, "Bolero", "Mirage" and the classic piece, "War Dance".
• Heatstroke - Glenn Rivera ReStructure Mix - Man Parrish Man Parrish hit the clubs in 1982 with his LP, "Man Parrish" which included his hit, "Hip Hop Be Bop" and "Heatstroke". During this time a resurgence of a new techno-charge dance music was being formulated and perfected. "Heatstroke" being a big lead-in to this period. Produced by Man Parrish and Raul A. Rodriguez The track is reminiscent of a Giorgio Moroder track with it's futuristic vocoder elements - but Man Parrish takes the energy to whole new level. He has marked a time where technology and dance music began their longtime relationship. I have taken "Heatstroke" and added a few new breakdowns and playful edits along the way in this ReStructure Mix - an homage to Mr. Parrish.
• Shoulda Gone Dancin' - Glenn Rivera ReStructure Mix - High Inergy High Inergy hit the scene in 1977 with their Gordy LP, "Turnin' On" - this project was probably one of the earliest recollections of disco with a soulful touch. "You Can't Turn Me Off (In The Middle Of Turning Me On)" was the first big hit from the album - but there was more. If you listen to tracks form the first LP, "Love Is All You Need" you will recognize a soulful yet danceful sound that was beginning a dance revolution. Their 1979 LP, "Shoulda Gone Dancin'" was their step into the discotheques with no holding back. It s a real cooker and was always at the top of my list during it's release. Produced by Donnell Jones I have ReStructured the track using the instrumental track, which I try not to do - but the strings on the chorus were just too irresistible. This song is one of the catchiest and one of the most pop-soul dance hits during the disco rein.
• Bridge Over Troubled Water - Glenn Rivera ReStructure Mix - Linda Clifford Linda Clifford has always been one of the finest of performers. To have her talent displayed in disco music is a gift for dance enthusiasts everywhere. From her productions with Mr. Curtis Mayfield and throughout her current house and club releases you can always feel Linda's best is always given. "Bridge Over Troubled Water" was a cover in which Linda took her soulful appeal and made it work well over a pulsing arrangement. This track from her "Let Me Be Your Woman" double LP - produced by Gil Askey and mixed by Jimmy Simpson. I have taken Linda's rendition and placed a few more breakdowns throughout her vocal and used her own power to create a new formation for this disco gem.
• In Love With Love - Glenn Rivera ReStructure Mix - Munich Machine The 1978 LP by Munich Machine titled "A Whiter Shade Of Pale" was the follow up to the premiere LP featuring "Get On The Funk Train" - this project was Giorgio Moroder's innovative style wrapped into several sounds. "In Love With Love" was a track that I dreamed of taking into a new realm with it's own source of electronic pulses and create a more intricate piece. Using some synthetic percussion and Moroder's original feel I have reworked the track for a new ReStructure Mix. Hardcore Moroder fans will realize that this track was left off of the album jacket for some unknown reason, yet included on the vinyl. This is now corrected and placing this fabulous track on it's own. Dedicated to Giorgio Moroder for continuing to make innovation a thing of the past and even now - the present.
• You're A Winner - Glenn Rivera ReStructure Mix - Sharon Redd Disco divas have entertained us throughout the years. Helping us to make life easier by looking at our relationships on the lighter side, the painful side and sometimes helping us to move on. That is the role of a "diva" - to influence us. Sharon Redd (1945 - 1992) is my all-time muse of both spirit and dance. The opportunity to meet this incredible soul is one of the highlights of my life. After many years of idolizing her music and voice it was indeed a great opportunity to learn more about the feeling behind the music and words she sang about. "You're A Winner" was a song that I remember lifting me at one a most needed time of my life - being alone in a new city. This song made my life brighter making me believe, "I was a 'winner'"! Now taking the song into careful and loving hands I ReStructure Sharon's classic track that is still uplifting in many ways. Ms. Redd deserves all of the accolades that she receives everywhere - she is a great soul and lives on even today with her music and energy. Please check out Sharon's videos made here in San Diego at YouTube by CLICKING HERE Take care and good energy to you all.
• Sunset People - Glenn Rivera ReStructure Mix - Donna Summer “Bad Girls” marked a new start for Donna Summer in 1979 – and even though it seemed as though this were the last of her hardcore disco material prior to her “On The Radio” double LP set, it is with everything that change creates a new world for everyone. “Sunset People” was probably the most intense track from this double LP set and even though it has been the focus of a Video Mix recently (CLICK HERE to see) I have been driven to take this track and dissect it for a new ReStructure Mix. Donna gives a simple yet powerful performance on this cut and even though it seems the song has been redone over and over – never seems to hit the spot as this original track with her sensual vocals and Giorgio Moroder’s incredible sequencer and keyboard performance. ReStructure Mixes are not intended to be “the mix” – but just another as in the day when I would hear music completely different each night and in complete awe of a new sound all-together. I dedicate this track to Ben Tobias (who is no longer with us) and the jock that made my disco world a “heaven” with his beautiful mixes and insight on playing disco music.
• Lady Bump - Glenn Rivera ReStructure Mix - Penny McClean 1975 marked on of the most memorable periods for what was once called “boogie” music on AM Radio stations – it soon became disco music after the beat became more solidified. Michael Kunze produced this solo LP by Penny McLean who was known for her part in Silver Convention – and from what I understand many assisted in these productions. As the spoken part of the song was actually done by Lucy Neale (who was a part of Donna Summer and Giorgio’s backup ensembles) and for whatever the facts a big group of Munich artists and producers played a big part in disco’s formulation. I have taken the classic, “Lady Bump” and created more of a Saturday night ReStructure Mix using the drums and some of the fabulous vocals camp tracks! Keep on bumpin’! This is just what the doctor ordered…
• One Of A Kind - Glenn Rivera ReStructure Mix - Donna Summer From the "Live And More" double record set Donna Summer proved that her music was heart-felt. "One Of A Kind" was a piece from the "MacArthur Park" Medley that never did get the honor to be set aside from the medley on it's own fabulous right. It is a wonderful love song with some of Donna's most incredible vocals. This close to 9 minute ReStructure pulls those serious and funky keyboards out along with the horns to give the song a new make-up. This one is a another personal favorite which makes any Donna Summer fan recognize that the music has always been the reason why. Special thanks to Keith Hall in Atlanta for giving me the in site to take this one into the arena.
• Anytime Or Place - Glenn Rivera ReStructure Mix - Azoto Dance music has always progressed with new musicians and producers with a background of various styles. Celso Valli began with a studio group titled, Lucrethia And The Azoto 14,008 in 1978 – soon after finding his style of disco he unleashed Azoto as another band effort. This brought forth the LP, “Disco Fizz”. This LP was one of the finest import (to the US) projects to date. “Anytime Or Place” is the single which received the most play from this selection and well deserved. The cut contains variation of Euro-disco with splashes of Greek touches and wonderful innovative synthesizer tracks. The song seems to become shorter as you grow fonder of the light and sharp arrangement. I have taken the track into a whole new light with more of the drops and bass tracks adding new percussion to give a lift. Thank you, Kerim for requesting a ReStructure for Azoto’s “Anytime Or Place” and also sharing your wonderful insight and music.
• Do You Love Me? - Glenn Rivera ReStructure Mix - Patti Austin Patti Austin created quite a stir along with the production of Quincy Jones in 1981 with the LP, “Every Home Should Have One”. The first dance single to breakout onto the clubs was, “Do You Love Me?” This track was my favorite dance song during this time. With Patti’s incredible vocal and along with Quincy’s outstanding musical genius, this song was an anthem long before they were considered. It is beautifully recorded dance track. I have revived the music with more looping and repeat of those incredible rhythm guitars (Eric Gale and Steve Lukather) and soft keyboards (Greg Phillinganes – husband to Penny Ford – who is Sharon Redd’s sister). This track smoked from day one and even today sound ominous and just as powerful. The 80’s may have produced a great track that can even today be as fantastic! Dedicated to Rick Ashmun for continuing to bring the 80's dance music scene into view.
• I Wanna Funk With You Tonite - Glenn Rivera ReStructure Mix - Giorgio Giorgio Moroder recorded "Knights In White Satin" in 1976 for Oasis Records (a subsidiary of Casablanca Records) and formulated his Euro-disco sound using his own Munich Machine ensemble. This sound was very similar to many of his productions with Donna Summer, Roberta Kelly and Munich Machine, but somehow managed to capture an essence of it's own. It was producer, arranged, and mixed by Giorgio Moroder "I Wanna Funk With You Tonite" was the last track from this project and is the topic of this ReStructure - adding more of the funky bass keyboards as the outline for the mix along with song new "thumping". Thanks to Gary from Baytown, Texas for requesting this ReStructure and this extended mix goes, his way.
• Beat Of The Night - Glenn Rivera ReStructure Mix - Fever This was the project which may have encompassed all that was disco and everyone who pulled disco throughout the 80's. Featuring Patrick Cowley on synthesizers and Tip Wirrick (Sylvester) on guitar The Waters (Clydene, Julian, and Maxine) on vocals and produced by Dale Reed, Marty Blechman (Megatone Records) and John Hedges (Lisa, Shawn Benson, etc.). Complete and complex. This LP was a non-stop dancing fest of energy and anything that was "disco". The title cut, "Beat Of The Night" made everyones top 10 list during this time. Released in 1979 on Fantasy Records, this one was a powerhouse and remains one of the top favorite among disco collectors. I have put off many times ReStructuring "Beat Of The Night" not sure how to polish this one even more. Using the beat track alone to enhance the breaks was my turn without wanting to damage the original sound. Not too much but arranging and looping to keep this one in it's somewhat original form. Dedicated to DJ Joey Luciano, Kerim, Alan and Rick from "Back To Disco" -long live "The Beat"!
• Fantasy - Glenn Rivera ReStructure Mix - Bruni Pagan Bruni Pagan was an artist/vocalist when after hearing her voice you would wonder why we never heard more from her. She sang in a chorus for Herbie Mann and also disco artist, Venus Dodson and finally a break recording her solo project titled, “Just Bruni” in 1979 which was produced by Al Harrison and Janet Rosenblatt. “Fantasy” was the first release from the LP and created quite a response for Bruni. Although she never recorded a follow-up project she did record another dance single with Dave Valentin titled “Loquita (Crazy Lady)” which had her signature vocal style. This ReStructure is intended to break the song down into further parts with more breaks and beats. It is also great to hear Bruni working it, again!
• Nice 'N' Nasty - Glenn Rivera ReStructure Mix - The Salsoul Orchestra Vince Montana, Jr. was a ringmaster for this fantastic ensemble of musicians creating New York's Disco Signature Sound - in 1976 the LP "Nice 'N' Nasty" was released featuring the title track along with "Good For The Soul" and "Don't Beat Around The Bush" - this marking the compositions for soul, orchestra and rhythms to merge into a dance craze. "Nice 'N' Nasty" was another track I over heard being played at "Back To Disco" in Los Angeles this past week and it had all of my imagination moving along for a ReStructure which I dedicate to Ricard Aguirre for his hard work. "The music cannot go anywhere without you."
• The Hustle - Glenn Rivera ReStructure Mix - Van McCoy It did have to start somewhere. And it did in 1976 with one of the most wonderfully arranged disco tracks - it was by Van McCoy and it is called, "The Hustle". I dedicate this track to Rick, Jorge, John and Sandy of "Back To Disco" (www.backtodisco.com) for their hospitality and kindness this past weekend on our video shoot with Cynthia Manley. Their event was incredible. If ever you want to return to the great dance floor era of the 70's - check it out! During this evening an entire dance floor of talented line dancers (some originals from American Bandstand) joined in on a wonderful salute to "The Hustle" with a disco-line dance that was exciting and brings back the feeling of how disco music brings people together and the fantastic energy it brings on. To you, Rick and your staff - always!
• Cherchez Pas - Glenn Rivera ReStructure Mix - Madleen Kane Jean-Claude Friederich produced Madleen Kane's third project titled, "Sounds Of Love" - another great disco LP from the sexy and beautiful Swedish songstress. The track "Cherchez Pas" was the first single hit the clubs - it was like the rebirth of disco all over again. The blaring horns and the nice touch of "wiry" guitars created a wall of energy under Madleen's sultry vocals. I can recollect that many people would approach my booth asking if this were Deborah Harry singing the song. "Cherchez Pas" in French means, "To Be Without" - I believe she is singing about how incomplete her life would be without that special someone next to her in the discotheque. The track is being divided in this ReStructure to give it a more underground disco feel - with some exploding to accent the power of these breaks. Dedicated to the guys at Multiply whose love for disco music is the best I have seen.
• A Dance Fantasy - Inspired by "Close Encounters of The Third Kind" - Glenn Rivera ReStructure Mix - Montana Disco covers of major films were quite a standard during the 70's - beginning with Meco's cover of "Star Wars". Vincent Montana, Jr. (billed as Montana) worked heavily during the disco era creating a fantastic sound of full orchestrations with a disco beat. Creating what would be known as the Euro-disco influence on American disco artists. "A Dance Fantasy" is a project which takes movements from John Williams score from "Close Encounters" and weaves a funky and beautiful medley. I have focused more on the Sister Sledge vocals in the closing of the original project with, "When You Wish Upon A Star" and also the wonderful sitars of the "Mexican Desert" theme. Adding just a touch of percussion to spice up the fluent track. This was requested by Vic from SHADES OF SEVENTIES site - thank you, Vic.
• Dance - Glenn Rivera ReStructure Mix - Night Force This track is one of the early 80's ever lasting high energy movers! Night Force is a project produced by Bart Van De Laar (Discotheque's "Intro Disco") and Francis Goya. This has always been a hardcore dance emporium track. The latter part of the 70's utilized synthesizers in a way that continued to perfect the dance movement as it matured even more in the 80's. I can always remember hearing this track at clubs and events during the early 80's whenever the dance floor was peaking and only at this time. Which shows you what kind of a song it is. Watching people on the sidelines move to it while the floor exploded was another memory, which is why this song holds a special place in my dance history. ReStructured to bring out those slamming synthesizers and fabulous horns! Dedicated to the guys and gals from the 80's who could not get enough night after night.
• Wishbone - Glenn Rivera ReStructure Mix - Tantra In 1980, "The Double Album" by Tantra was pretty much like "the word" for disco music. This project arranged by Celso Valli and produced by La Drogueria Di Drugolo and Quelli Del Castello not only contained classic euro-disco tradition - it also was a bit cutting edge for dance floors. The first successful track from the LP was "Hills Of Kat Mandu" and followed by "Wishbone" this product made history. It is still looked at as perfect dance music and researched by many new jocks who may not have the ability to play it in their programs, but certainly respect it's existence. This ReStructure brings the beat to a maximum with some new rhythm tracks - but my overall attempt to keep the original sound was my purpose. Dedicated to Kerim for sharing so much wonderful music and his love for true disco/dance music.
• Behind The Groove - Glenn Rivera ReStructure Mix - Teena Marie Teena Marie explored the implications of disco, funk and soul with her 1980 LP, "Lady T". As an artist, Ms. Marie made it clear that her music was always created and not manufactured. As you can hear in this production of "Behind The Groove" - produced by Richard Rudolph. I have always imagined this place she sings about, "Xanadu" to be a place of mystery and excitement. An extended intro and playful additions hopefully create more of a description. This one is a classic among soul, disco and funk catalogues - this ReStructure is dedicated to those who "feel the funk."
• I've Got The Next Dance - Glenn Rivera ReStructure Mix - Deniece Williams The 1979 disco hit, "I've Got The Next Dance" by Deniece Williams was produced when disco music was at it's highest in dance energy. It was an exciting time. This production by David Foster (Average White Band's "Let's Go Round Again") a multi-award winning producer, arranger and composer. It is obvious that he placed every effort in this project. And with a 12" version mixed by Mr. Jim Burgess, this track was as polished as disco music could get. I have taken the 12" track and arranged it as if it were meant for a dance marathon for the track itself. Adding only a few more beats and some percussion to pull even more energy from the track. ReStructured for Alan - "The dance does go on, Alan."
• Believe In The Beat - Glenn Rivera ReStructure Mix - Carol Lynn Townes Carol Lynn Townes confirmed the dance craze of of the 80’s, brought on by the disco era with “Believe In The Beat” – this song rings 80’s and also the good old a great dance anthem for it’s time. I have taken the 1984 track produced by Ollie E. Brown and a fantastic 12” single mix by John "Jellybean" Benitez to a new arrangement and synth-mover feel. No matter how dated the sound may be – let’s keep the heart of the matter alive. This track opens my SHADES OF SEVENTIES site and has remained the opening clip for several years now. Thanks to Alan for insisting this ReStructure be done. Thank you, Alan – it is a fantastic “good feel” song.
• Ain't No Stoppin' Us Now - Glenn Rivera ReStructure Mix - McFadden & Whitehead This 1979 blockbuster was the finale conversion from Philly to disco - it was the most conventional track for discotheques during this peak period. Produced by Gene McFadden, Jerry Cohen and John Whitehead for Philadelphia International Records. I have taken more of the bass line and created more of a "hop scotch" style arrangement - jumping back and forth and finally leaving where you cam in. This song is still a classic as one of the "old school" songs that can still be heard supporting disco's history - this ReStructure is dedicated to Rick and Dream Lounge for "Back To Disco"!
• Love Is Just A Breath Away - Glenn Rivera ReStructure Mix - Donna Summer From the 1982 LP produced by Quincy Jones comes “Love Is Just A Breath Away” – this one was a hidden treasure to be uncovered right now! This track always displayed Donna as “Donna” – her whispery vocals and soaring climactic bridges are brought to life with this ReStructure to a close-to10-minute mix. For those who can’t get enough of Donna Summer I dedicate this steamy number. Bringing alive the dance movement of the 80’s and lingering on to now. The perfect song to start the weekend.
• Quartz - Glenn Rivera ReStructure Mix - Quartz In 1978 Quartz released their LP simply titled “Quartz”. This LP displayed some of the earliest signs of new age technology in dance music. Many variations are displayed throughout this project, which remain some of the simplest, yet the most complex. Produced C. Quartz and engineered by Regis Le Corre “Quartz” is the “A” side of the project, which is simply a theme using bold synthesizers and keyboards to outline a tribal like theme. Much of the choruses and chants are not understood and this is what makes the track as mystical as a classic like “Hills Of Kat Mandu” by Tantra. It builds into several layers of rhythmic pulses, which is how I ReStructured the track for a new feel. A bit of fantasy has always been what disco music was based on in the mid and late part of the era – this is one of the finest.
• Can You Read My Mind - Glenn Rivera ReStructure Mix - Krypton This 1978 single was produced by Bobby Martin and Ron Kersey - although it sounds alot like the Johnny Mann singers of the mid-70's it still holds much of the magic that lyrical disco was all about. I have taken the track and created a plausible arrangement which folds into string section loops and more verses to accentuate the song and mix. This track is dedicated to the imagination of all those who close their eyes while listening to this music and hold it dear to their hearts.
• Self Control - Glenn Rivera ReStructure Mix - Laura Branigan Laura Branigan burst upon the dance scene of the 80's with her big hit, "Gloria" - many at first suspected that this might have been the new Donna Summer when hearing it echo through the clubs at first release. I can remember many coming up to the booth asking if it was the new Donna track. Branigan's powerhouse vocals rocked her way onto the dance floor. Her follow up to "Gloria" was "Self Control". During a time where pop-dance was taking on more of a rock edge this track was perfect. It contained an early morning sleaze edge and an energy that made Branigan even more of a commodity in dance music history. Sadly, Branigan passed in 2004 at the age of 47. She left behind some great pop-tracks and an unforgettable energy that was in my mind, the start of her career. This ReStructure is dedicated to Laura and also Paul in NY for requesting an epic mix of the track. Good energy to you all.
• Fantasy Island - Glenn Rivera ReStructure Mix - Tight Fit Produced by Tim Friese-Greene in 1982 and performed by Denise Gyngell, Julie Harris and Steve Grant - This track soared as a number by ABBA would with crescendos that could make a dance floor shutter! The original 12" and 45 track was 3:23 - I have taken the major parts of the song and extended it to over 10 minutes and beautiful choruses and looping chords. Dedicated to Robert from the UK for his belief in the "magic".
• Forbidden Love - Glenn Rivera ReStructure Mix - Madleen Kane Produced by Lana Sebastian, Michaele and Paul Sebastian - this classic disco track mixed by Jim Burgess is brought to life again with more "fire" than originally intended. I have taken the piano track and looped them with more of the percussion and energy from the 12" mix. Madleen Kane scored high with this follow up to "Rough Diamond" LP - it is a perfectly recorded LP and also features, "Cheri" and "Secret Love Affair" making it perfect for your Valentine's Day - no matter what kind of love you hold in your life. Dedicated to Paul Parker and Madleen Kane.
• Night Dancer - Glenn Rivera ReStructure Mix - Jeanne Shy Those disco songs that pulled you into a make believe world of flowing strings and thumping ecstasy were wonderful to find. In a realm of fantasy "Night Dancer" by Jeanne Shy erupted in 1979. Produced by Bob Esty (Barbara Streisand's "The Main Event", Frankie Valli's "Heaven Above Me", Cher's "Take Me Home" and "Hell On Wheels" LPs, D.C. LaRue, Andy Williams disco rendition of "Love Story", etc.) and also the arranger and probably the reason for the success of Donna Summer's "Last Dance" and "Once Upon A Time" projects. Esty's genius in the disco scene has been overlooked long enough - he has created some of the most lyrical and exciting productions and arrangements in disco history. With Jeanne Shy he utilized her incredible (and I say mildly) vocal range to the extent of haunting disco lovers for years with this 12" single featuring a fabulous remake of "That Old Black Magic" on the flip. This track was another that I felt reluctant to touch - but had to pay homage to the greatness of it and continue to spread the magic across another place and time. This one will have you floating above the floor as well as moving on it. A great track and best dedicated to the artist, Jean Shy (as spelled today) - check out the magic at her site by CLICKING HERE - WHAT A VOICE!
• Moonlight Madness - Glenn Rivera ReStructure Mix - Teri DeSario Teri DeSario created quite a stir with her 1978 initial hit, "Ain't Nothing Gonna Keep Me From You" - this track was written and backed up vocally by Barry Gibb. It was the sweetest love song to hit dance floors at this time. Returning with a follow LP in 1979 titled, "Moonlight Madness" on Casablanca Records. The project was produced by H.W. Casey (K.C. of the Sunshine Band) and contained more of DeSario's beautiful ballad tracks (including the top 10 hit "Yes, I'm Ready" - a duet with K.C.). "Moonlight Madness" was a mystical sounding medium energy track which would have worked well for an early morning set. I have taken the track and exposed more of the swirling sounds of the synthesizers and keyboards along with Teri's magnificent and "whimsical" vocal. The new rhythm tracks and "slaps" bring the song a bit more energy. This one is dedicated to Michael in New Mexico for reminding me of this little gem - it worked then and I believe it works now.
• Dance To Dance - Glenn Rivera ReStructure Mix - Gino Soccio The 1979 LP "Outline" by Gino Soccio was probably one of the most innovative of the time since Giorgio Moroder's "From Here To Eternity" in 1977. "Dancer" was the top dance pick at the start of the excitement - later bringing "Dance To Dance" onto the floor for it's spin. This track has all of the element's which Soccio made his own sound. Many influences from his past productions are lightly sprinkled around this project - but he truly focuses on creating a new sound all together. This LP also generated the popular single "The Visitors" also and a top form remix which lasted throughout the early 80's. I have had many requests for this one and other Soccio tracks - which is why he returns so soon. And of course, this is a personal favorite among many. This ReStructure is dedicated to Soccio and his mystical sound and the "magic" he has left for listeners and dancers to become intrigued by.
• Savage Lover - Glenn Rivera ReStructure Mix - The Ring Producer, arranged and conductor by Marcus Barone in 1979 - this was one of the first in experimental tracks on the "dark-side." It is a fantasy apparently brought to life with rhythms and a distinctive chant. The first time at hearing this track may pull you in several directions. It was intended that way I am sure. Ray "Pinky" Velazquez is noted as the "disco consultant" on this track - he added the right flair for a early trance-like experience. "Savage Lover" is a fierce cut. I have always been hypnotized by it's simplicity and always reminded that the arrangement in a track this this makes it effective. It presents a stage for the vocals, chants, percussion and synthesizers. It was a bit of a stand still trying to figure out what to do with this number. Making it more abstract was all I could think of. And with the looping and fading it works a whole new feeling into the song. Dedicated to the all-night dancers of the past who may have found themselves stomping to this number early on a weekend morning.
• This Time I Know It's For Real - Glenn Rivera ReStructure Mix - Donna Summer Yes. It's the "Queen Of Disco" once again in the ReStructure spotlight: Paul from New York asked about applying a change to Donna's 1989 hit comeback, "This Time I Know It's For Real". This is a mild and mediocre blend of the highest peaks of the song. The long piano intro is my way of creating a lush intro with enough looping and effects to notice a bit of a change, but not take away the original feel. It was strong enough. Produced by the UK pop-dance trio Stock, Aitken & Waterman and mixed by Pete Hammond, this track is a classic return to disco with an 80's edge of studio engineering. Dedicated to Paul and all of Donna's everlasting fans who know that the love has always been there in her music from the start.
• Right In The Socket - Glenn Rivera ReStructure Mix - Shalamar Shalamar in 1976 was Jody Watley, Jeffrey Daniels and Gerald Brown and later in 1979 Howard Hewett replaced Gerald Brown. This was originally a studio project produced by Simon Soussan with their first successful LP "Uptown Festival" - their third LP "Big Fun" followed "Disco Gardens". The big hits were endless for this trio. "The Second Time Around" had already ran it's fever across dance floors when "Right In The Socket" was released from the LP. This cut was made for the dance floor with it's clever lyrics and fantastic array of percussion tracks. Produced by Leon Sylvers and Dick Griffey from Solar Records. I have ReStructured the cut to give the breaks more standing and the track a bit more length. I dedicate this track to "Misha" who never ran short of energy back in the day and still goes strong with inspiration and love.
• Willie and The Hand Jive - Glenn Rivera ReStructure Mix - Rinder and Lewis Discognosis, El Coco, In Search Of Orchestra, Le Pamplemousse, Saint Tropez, and Tuxedo Junction are disco diehard projects which helped create a formula that we know today as disco music. Laurin Rinder and W. Michael Lewis were the geniuses behind these productions. Much of the music that Rinder and Lewis created were based on their own experiences of discovering what discotheques and the music creating that was creating te excitement. Their approach obviously was a great one. The ability to utilize their keyboard and synthesizer skills as well as orchestral ensemble completed a well-accepted sound. "Warriors" was one of their projects which rang true to their formula - it was a blend of disco music's most basic elements and a few of their 50's and 60's influences. "Willie and The Hand Jive" was originally a smash hit in 1958 and started a dance craze for the then dance scene. Rinder and Lewis revive the song in 1979 with pulsating synthesizers and ominous keyboards dripping which bring the song to life once again. I have taken the track and removed some of the "saint-like" choral segments which always worked mystically for me - but my attempt was to capture the song in a driving essence using the original song as the key. New drum beats and claps (Hand Jive Style) were added to give a new feel to those funky synthesizers. Dedicated to W. Michael Lewis and Laurin Rinder for their gift to dancers all over time.
• Working The Midnight Shift - Glenn Rivera ReStructure Mix - Donna Summer Those of us who remember when "Once Upon A Time" was released in 1977 can remember the impact that it created. It was truly as if the "Queen" had arrived - Ms. Donna Summer. This LP was a demonstration of pop/funk/soul and disco all rolled into a fantasy-like package - what more could this genre of music ask for at such an important phase? The choice cuts on the LP are many. Hardcore techno-disco fans that could not get enough of Giorgio Moroder and Donna Summer's "I Feel Love" achievement the year before will remember "Act 2" of the story board featuring "I Need You" and "Working The Midnight Shift" with Moroder pulsating synthesizer work pounding out the "Phantom Of The Opera-like" organ's and keyboards and Donna's soft and enticing vocals floating over them. I have taken "Working The Midnight Shift" and created a whole new ReStructure complete with new percussion and some usage of those fantastic keyboards and sequencers. This ReStructure is dedicated to the hardcore electronic junkies of disco.
• I'm A Man - Glenn Rivera ReStructure Mix - Macho "I'm A Man" brought a whole new dimension to disco music. It was apart of the Jacques Fred Petrus sound which Prelude Records distributed in the US and Goody Music worked internationally. The synthetic tracks introduced a whole new concept to dance floors across the country. It was an exciting time. With the LP version clocking in a 17:45 minutes this mix was another experiment in "how much can you take?" The answer is now history. The original mix by Tom Savarese is an ingenious display of how disco music blossomed into an electronic symphony of sounds. My ReStructure mix is dedicated to Tom and his part is disco history.
• Can't Take My Eyes Off Of You - Glenn Rivera ReStructure Mix - Boys Town Gang Producer, Bill Motley revisited the euro-disco feel ala San Francisco style in 1982 following the success of the first Boys Town Gang EP "Ain't No Mountain High Enough" - this time utilizing Jackson Moore on lead vocals as Cynthia Manley went onto create a solo career. This LP was a potpourri of remakes featuring Redbone's "Come And Get Your Love" and Stevie Wonder's "Signed, Sealed, Delivered I'm Yours" - the top of the list was a remake of Frankie Valli's "Can't Take My Eyes Off Of You". This track was the track which is most celebrated from his LP. Motley created a layer of strings and percussion elements similar to those of the Euro-disco peak of a few years earlier and did so with a common ground on maintaining the disco sound. This period was known as the return of high energy/disco. I have ReStructured the standard breaking the track down into a few more melodic breaks as well as crashing breaks. Thanks to Kerim for requesting this one.
• I Don't Wanna Lose Your Love - Glenn Rivera ReStructure Mix - The Emotions The LP "Flowers" was released in 1976 and featured a production of Sheila Hutchinson, Wanda Hutchinson and Wanda Vaughn as the funky and soulful Emotions. This project produced by Charles Stepney and Maurice White who later moved onto projects with Denise Williams as well as Maurice's Earth, Wind and Fire band. Soul and funk moved together during this period and created an exciting brand of dance music. This being the most exciting of this time. "I Don't Wanna Lose Your Love" is a fantastic production of horns and guitars which are ReStructured with some new percussion tracks, which I created to give the track a new feel. Dedicated to Maurice White and the ensemble of Earth, Wind and Fire for their years of devotion to soul and funk.
• Fill My Life With Love - Glenn Rivera ReStructure Mix - Saint Tropez W. Michael Lewis and Laurin Rinder were the magicians of disco music. Many of their projects including El Coco, Le Pamplemousse, Tuxedo Junction, Discognosis, and their own solo production titled Rinder and Lewis were the hardcore essence of disco music. Utilizing strings, horns, percussion and the almighty synthesizer to mesmerize dancers throughout the disco era. Songs like "Cocomotion" I must admit I never quite figured out why I was so enthralled by their arrangements and ideas. This is the magic of disco music. Saint Tropez was more of their adult-theme side - utilizing sexy LP covers to guide our minds into why disco music has always been sensual - with it's pulsating beat and ability to explore areas much more effectively in pop music of the time. "Fill My Life With Love" is an orchestral movement with a love song attached - I have taken the original arrangement and have broken it down several moments to expose more of a stimulating fantasy mix. This ReStructure is dedicated to the geniuses of their own kind - W. Michael Lewis and Laurin Rinder.
• Stars - Glenn Rivera ReStructure Mix - Sylvester In my ears this is the most powerful disco gem of all time – Sylvester’s “Stars”. It outlines the club scene of the disco era in one song. “Everybody is a star…” Written by Patrick Cowley and produced by Harvey Fuqua and Sylvester this one could not loose! A powerful thought brought this one to mind for a ReStructure and also a request from a close-friend, Michael – here in San Diego. I would never dream of touching this classic mix and sound – but when I started I began flowing with the song and hopefully brought it to life for you again. Backing vocals were provided by Hodges, James and Smith and build under the pulsating synthesizers and bold horn and string arrangements with great demeanor. This track will live on and on in my memory as one of the best moments standing in the Trocadero Transfer in 1979 and hearing it for the first time on one of the most dynamite sound systems over a dance floor – to you Sylvester!
• Poinciana - Glenn Rivera ReStructure Mix - Paradise Express In 1978, Paradise Express released their first LP. Producers Henry Cosby and Phil Jones gave Herb Jimmerson and his wife and lead vocalist, Vi Ann their break on the disco scene. But it was not long after when they caught onto the formula that was necessary for dance floors and came forth with the second LP, “Let’s Fly”. Both LPs are winners. They contain Jimmerson’s magic keyboards and Vi Ann’s fabulous vocals. On this first LP “Poinciana” was my choice for one of the loveliest tracks recorded for a cover song – recorded by Bing Crosby in 1944 and charted at the time. The backing vocals on the first LP were performed magnificently by Two Tons O’ Fun (Izora Rhodes and Martha Wash) and Sharon Hymes giving the songs a touch of magic. I had the privilege of seeing Paradise Express here in San Diego back in 1979 at a local club when “You Set Me On Fire” and “Let’s Fly” were on top of the dance charts. It was an incredible experience – Vi Ann truly brought the house down and Herb was right by her side. Not much is known about them and where they are now, but these LPs and this song will live on forever in many disco enthusiasts minds and feet. My ReStructure gives “Poinciana” a chance to reach some new listeners and dancers.
• This Is My Life (La Vita) - Glenn Rivera ReStructure Mix - Shirley Bassey In 1979 Shirley Bassey joined the dance floor for a rendition of her 1976 hit, “This Is My Life” – the track had enough drama to bring a roaring chorus line to the center of any dance floor. The best part of this recording is that it was produced by Rick Gianatos and listed on the United Artists 12” as “"rerecorded by" due to contractual conflict with original album producers.” An interesting piece of information. The original mix flows beautifully and builds into a crescendo for Bassey to be “Bassey” – a great disco cover. I have taken bits and pieces of this classic and created my ReStructure with a new direction. Some stops and pauses along the way break the song down into a vision. Thanks to Alan for the request and this one is “for you!”
• All Night Thing - Glenn Rivera ReStructure Mix - Invisible Man's Band It was close to the disco era and bands like The Brothers Johnston were giving us tracks like "Stomp" that were infusing funk with disco - this was the ultimate fare for bands like S.O.S. Band and their hit "Take Your Time". Invisible Man's Band took charge at the end of 1979 with "All Night Thing" - a somewhat beautiful disco/funk dance number incorporating strings, horns, percussion and a soulful male ensemble. Produced by Alex Masucci and Clarence Burke this track was one of the greatest treats in it's disco genre. This ReStructure Mix gives the song a new intro and some looped breaks and hooks to bring it into a whole new sound. Michael from San Diego was one of my oldest "party buds" from 1981 and I dedicate this to Michael after he suggested it. It is still a great stomp-er.
• Save Your Love For Me - Glenn Rivera ReStructure Mix - Space Produced by Jean Philippe Iliesco and Composed by Didier Marouani this album was the third project by Space. The first LP displayed a futuristic outline of dance music in the formation of a new age keyboard in it's early stages. Dance floors welcomed this sound with open arms. "Save Your Love For Me" was a fast track from the LP clocking in around 140 BPM - originally if you heard this song in a club it was rolling out an imaginary road to techno music for dancers. The vocal by Madeline Bell (backup for Donna Summer's early LP) is one of the most haunting - she created this feel over and over for these projects beginning with "Carry On, Turn Me On". I have taken the original LP track to ReStructure rather than use the 12" remix to keep the track in it's original state. I dedicate this ReStructure to DJ Peter Calandra of Seattle who reminded me that this track can still be played today and create such wonder over it's beauty.
• Rhythm Of The World - Glenn Rivera ReStructure Mix - Gino Soccio If you wondering how Gino Soccio found his way in another ReStructure you probably don’t know this album very well. How could I resist? “Rhythm Of The World” is probably one of the finest disco numbers in the early 80’s to begin a trance-like feel with Soccio’s hypnotic synthesizers and his flawless arrangements. They may sound simple, but as his first hit “Dancer” proved he is ingenious. This track would bounce off of the floor during its play in large clubs and pound out its motivation, which is “move”. A bit intrinsic of disco music and is a formation of the technology that was approaching close by. Soccio can be set in his own category with the sounds he has created with this project. It got better in forthcoming albums. Special thanks again to DJ Joey for giving me the inspiration for retouching another classic by Gino Soccio – may the sound ring on forever!
• Machine Gun - Glenn Rivera ReStructure Mix - Commodores 1974 was the release of second LP for the very talented Commores - Produced Gloria Jones ("Bring On The Love"),Jeffrey Bowen (Bonnie Pointer), Pam Sawyer(Diana Ross) and James Anthony Carmichael. It lives off of the soulful edge of music by Billy Paul and artists who were incorporating keyboards as an instrumental tag, this track is "dynamite!" "Machine Gun" was featured in the 1977 film, "Looking For Mr. Goodbar" as a base for the sound of disco music for the time. This outta-site track features wah-wah guitars and slamming keyboards. The original track ran for 2:39 - I have extended the track by looping and transforming some of the major keyboard arrangements into new bridges and chords. The song has recently made it back into a new film which I will find post the title when it is released. This goes out to the hard-core disco lovers from way back when soul was it's daddy...
• I Wanna Take You There (Now) - Glenn Rivera ReStructure Mix - Gino Soccio Disco music made it possible for some musicians to find a place they could call there own. Donna Summer, Alec R. Costandinos, Cerrone, etc. During the transition to a more synthetic and artistic approach at disco music, Gino Soccio emerged. Soccio had worked on several studio projects prior to his solo LP - Kebekelektrik, Bombers, Karen Silver and Witch Queen. His concept on the live instrumental 60's rock style influence and the art of electronic music which created his first solo hit, "Dancer." This song gave Soccio the key to disco city. In 1980 as disco music began to insist on a reformation of style since nu-wave Jamaican influenced music and pop were taking over the charts and dance floor again. Soccio had the answer, "S-Beat". This LP featured several songs in various genres which maintained his engineering techniques. The tracks which held on to his disco persuasion were "Rhythm Of The World" and "I Wanna Take You There (Now)" - both cuts being as innovative and true to a new sound as Soccio had delivered on his first LP. I have taken "I Wanna Take You There (Now)" and added so to speak edges to the square - creating a flow for the song and added several breakdowns. It doesn't quite tell any story - but "dance to the music!" This ReStructure is dedicated to DJ Joey - whose love for true disco music and fondness for Soccio are enough to motivate this mix. Thank you, Joey!
• To Each His Own (That's My Philosophy) - Glenn Rivera ReStructure Mix - Faith, Hope and Charity VanMcCoy brought us not only classics such as "Love Is The Message" and "The Hustle," but also Faith Hope and Charity's "To Each His Own (That's My Philosophy)" from their first LP in 1975. Is there much more that can be said about a classic dance number which continues to outline the era of early soul and disco music? This cut boldly states more than a great philosophy in words - it states the funkiness of guitars and the beauty of strings flowing over a soulful chorus of voices which includes Albert Bailey, Brenda Hilliard, Destry and Zulema ("Change"). There is value and quality in this track, which will remain a true disco standard in plain sight. Thanks to Alan for always supporting my cause and making it easy to fall in love with disco music over and over again - this one goes straight to you.
• Ritmo de Brazil - Glenn Rivera ReStructure Mix - Ultimate Euro-disco began with the fusion of soulful band elements meeting lush and melodic strings. US influences began with The Philly Sound (The Three Degrees, O'Jays, MFSB, etc.) and during the disco peak many producers were working to reproduce a sound which was geared towards the modern dance floor of the time. More synthesizers and electronic gadgetry played a role in updating this feel - Boris Midney's sound was the first and bravest attempt at doing so. This project from Juliana Salerni and recording engineer, Bruce Weeden (who played guitars in Midney's first USA EUROPEAN CONNECTION LP) was a touch of Cerrone meets that modern day sound. Also credited are Elton Farokh Ahi (Destination, Stereo Fun, Inc.) and Casablanca's Marc Paul Simon. "Love Is The Ultimate (Medley)" became the track which took most of the excitement but on a closer look at the LP there were sounds on the B side which outlined the Euro-feel that was being perfected. "Ritmo de Brazil" received allot of airplay as well as became a favorite among listeners. I have taken the track and extended it into several breakdowns - adding a touch of percussion here and there. This one is dedicated to all the hardcore Euro-dance junkies and a reminder of how "beautiful" dance music can be timeless.
• All Night Man - Glenn Rivera ReStructure Mix - Loose Change If you take a look back and glance at the cover of Loose Change's credits you will find the finest musicians, engineers and production team in disco music. This was at the peak of disco music in 1979. "All Night Man" is the single from this project which created quite a stir among disco enthusiast. It outlines a trip through every element of dance music which is perfected. The fantastic vocal is poured over the raging synthesizer like milk on a crunchy cereal. And a treat it is. This project was produced by Tom Mouton (another release along side of TJM on Casablanca Records) and features musicians such as John Davis, Keith Benson, Thor Baldursson and Arthur Stoppe among many other talents. This ReStructure is dedicated to Peter Calandra and Tom Moulton. Peter being a San Diego disc-jockey who brought to life many nights of mine and Tom for being the ring master to a fine course of dance music in it's embryonic state.
• Rise Up - Glenn Rivera ReStructure Mix - The Parachute Club Dance music in the 80's was heavily influenced by the disco mix of the 70's - many of disco's deejays and engineers were working closely to create dance edits and versions of top 10 music. Gearing it towards the dance floors once again. The Parachute Club's "Rise Up" was a single produced by Daniel Lanois and mixed by John "Jellybean" Benitez for RCA Records. The song was an underground classic for many hardcore club addicts. I myself had this track on rotation for an early morning crowd - it had that sound for me.