• I Can't Wait - Glenn Rivera ReStructure Mix - Nu Shooz

Nu Shooz is Danny Schauffler, John Smith, Rick Waritz and Valerie Day – an 80’s dance group whose big 1985 hit “I Can’t Wait” is one of the most distinguishable songs from the time period. Thanks to the sample riffs which are layered in this impatient theme of lovers giving way to the excitement of love. The track produced by The Drone Bros. is a slick r&b feel number that captures the groove from the start. It is one of the classics which remain a memory of good times and once again the delivery of dance music which only purpose is to move your feet.

I have taken the 12” version of “I Can’t Wait” and reworked the elements to reignite a new ReStructure Mix. The foreground is a new drum pattern to give this song a whole new moment on the dance floor.

•  Camino Al Destino (Wishbone) - Glenn Rivera ReStructure Mix - Tantra

Tantra is an Italian disco project from producer Quelli Del Castello and Celso Valli arranging. This innovative studio project was heavily influenced by the Euro-disco sound of the late 70’s and gave Tantra the freedom to give their music hypnotic and morphing arrangements. A year after their first project the 2 side long tracks were released on a 12” and recorded in Spanish. These covers of both “Hills Of Kat Mandu” and “Wishbone” were more of a collector’s gift and the presence only signifies the creative freedom Valli and producers unleashed. “Camino Al Destino (Wishbone)” is the version of a song which resembles knowledge from ones past soul and is placed with a mysterious sitar and Flamenco rolling guitars. One of the intriguing pieces of this one where the lyrics delve into a journey of a life here and after.

I have taken the 12” version of “Camino Al Destino (Wishbone)” and reinvigorated myself to lay out a new edge for this ReStructure Mix. Some heavily Indian styled drums are added and more of the mystery is fazed.

•  Breakout - Glenn Rivera ReStructure Mix - Swing Out Sister

Swing Out Sister is Andy Connell and Corinne Drewery – an 80’s group whom transferred the magic of beautiful jazz lounge into a dance pill. Their big single “Breakout” from 1986 is one of the most memorable and paints a picture of the ominous end-of-the-week sensation that comes over us and delivers it in a lovely message. Vocals are the main layer here with a resonance of Sade’s introduction to pop and how they changed the map for music. This one is a nice them song for that night out where you can refrain yourself while letting go.

I have taken the 3 versions of “Breakout” from the US 12” and utilize pieces of each to recreate a new scenario for this ReStructure Mix. I have portrayed this remix as an abstract musical canvas where the motion changes from verses to chorus.

•  Burn In His Hands - Glenn Rivera ReStructure Mix - P.Lion

P.Lion (Pietro Paolo Pelandi) is an Italo-disco artist whose career began at the start of early Italo-disco sound. The early sounds of his work were the portrayal of the uplifting and imaginative sound of the early 80’s scene from Italy and gave him the chisel of the electronic disco sound. In the 1991 Italo-house/techno piece “Burn In His Hands” this artist releases a whole new energy onto the dance floor in a new concept and placement. Using supposed vocal segments from Mahalia Jackson’s “He’s Got The Whole World In His Hands” (“burn in his hands”) he creates a fierce “carnival style piece that builds and builds with only a few segments of sampled vocals. It is one of my favorites and a lump of samples I could never get out of my head after hearing for the first time.

I have taken all 4 12” versions of the original version of “Burn In His Hands” and reedited the pieces of each for this ReStructure Mix. A hard hitting percussion/bongo piece layered over some drum beats from Lobo and the new version is ignited.

•  I Want A Man - Glenn Rivera ReStructure Mix - Bonnie Forman

Bonnie Forman is a high energy vocalist from the 80’s whose initial success came with her productions with producer, Bobby Orlando (The Flirts, Waterfront Home, Hotline, WOW, Oh! Romeo). Her 1984 release “”I Want A Man” is one the most memorable of her HI-NRG tracks since it is the perfect edge for her voice. Given the directness of her desires we are commanded by this fast moving electronic dance piece. It has all of the keyboard staples which Orlando created specifically his brand and this one makes the floor move on its own.

I have taken the 12” version of “I Want A Man” and used the existing keyboards and synthetic percussion to re-capture this one for a ReStructure Mix. There are a few new segments which are intended to assist in the breakdown and also give us more of what Bonnie needs.

•  Gimme, Gimme, Gimme - Glenn Rivera ReStructure Mix - The Three Degrees

The Three Degrees and Stock, Aitken and Waterman in 1985 – “Gimme, Gimme, Gimme”. The efforts of the trio of hit masters and the lovely voice of this ensemble were a close return to the disco edge of “The Runner” and their high-energy sassy delivery. The 80’s took the piece into a more into the pop-synth arena yet the energy thanks to the vocals gives off that magnificent disco era feel. The song is a teasing promise of love with the delivery of the goods and has the drive of a classic sexy disco classic.

I have taken the 12” version of “Gimme, Gimme, Gimme” and re-energized the song for this new ReStructure Mix. A new drum pattern moves the energy along and a few new segues are created to give the song more energy.

•  Miss Me Blind - Glenn Rivera ReStructure Mix - Culture Club

Culture Club is an iconic 80’s band and their music gave the scene and the generation an identity. “Miss Me Blind” from their 1983 project titled “Colour By Numbers” – produced by Steve Levine. The track is another one of lead singer, Boy George and his vocal mysticism of the time. His gentle yet directed emotion always gave these tracks a fullness that was more like a love anthem. The band also includes Jon Moss, Michael Craig and Roy Hay – who along with the outline of a new direction for music and the “culture” formulated the 80’s into a memorable place that was uplifting and yet provoking.

I have taken the 12” vocal and the instrumental of “Miss Me Blind” and revamped the song for this ReStructure Mix. This time around more drums are added for a more club-underworld type feel and segments of the instrumental give some of the flowing beauty more of a stage.

•  The Age Of Love - Glenn Rivera ReStructure Mix - Age Of Love

Age Of Love is Bruno Sanchioni and Giuseppe Chierchia – an Italian based techno project which their first single “The Age Of Love” from 1990 brought the attention to the techno and new trance movement. The piece is eclectic in its formulation where many sounds and vibrations play part in the rhythm. As experimental as Kraftwerk was in the mid-70s. The track has mystic feel to its somewhat claustrophobic groove yet plays out with a hypnotic effect – which in turn became the sound of trance music throughout the 90’s.

I have taken the 12” versions of “The Age Of Love” and focused on the real pieces that make this one click in this ReStructure Mix. I have added a touch of beats and percussion to lift the energy a step higher.

•  Dirty Looks - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross made Motown a classic sound for girl groups along with The Supremes in the 60’s and throughout the 70s she found her new title “The Boss” in disco music. In the 80’s her venture made a new place for her move on 80’s pop-dance tracks. “Dirty Looks” is from the project “Red Hot Rhythm and Blues” from 1987 and is produced by Tom Dowd. This track plays with the sexy innuendo and gives our lady a chance to use her vocals with a lure and sexy edge. It has the heavy percussion which makes the dance floor the perfect landing and as this number continues on it takes off with Diana’s sexy overture.

I have taken the 12” vocal, instrumental and bonus beats of “Dirty Looks” and revamped it for this ReStructure Mix. There are extended bridges throughout this new take and also a couple of new breaks to give it a new lift for the soul.

•  Dolce Vita - Glenn Rivera ReStructure Mix - Ryan Paris

Ryan Paris is an Italian singer whose and one of the early voices of early 80’s Italo-disco which gave the style an identity. His music along with producer Pierluigi Giombini helped to set the stage for the sound of dance music which would take a new place in dance history. “Dolce Vita” is a single from 1983 and perhaps one of his most haunting. This piece is a level of celebratory remembrance and emotion which transforms itself into a majestic piano concerto at times. It contains the 80’s dance feel and logic of the stamp that Italo-disco would be proud and influence many new artists to take the opportunity to be as creative.

I have taken the 12” vocal and instrumental of “Dolce Vita” and realigned the track for this ReStructure Mix. Adding a light touch of new beats and bongos to accentuate areas of the song and also maintain the fabulous instrumental pieces which make this song a wonderful as it is.

•  It All Comes Down To Love - Glenn Rivera ReStructure Mix - Stainless Steal

Stainless Steal is a disco project from producer Pete Bellotte (Donna Summer, Trax) and arranger Geoff Bastow (K.I.D.) and features a full-on orchestrated disco ensemble. The project is centered on a disco version of “Can-Can” and in many ways a following of the disco themed projects. More of the studio work here is layers and layers of strings, horns along with the heavy disco beat and funky rhythm guitars. “It All Comes Down To Love” is a segment of grooves with a disco chorus enlightening a message that resonates throughout the piece. The flowing strings make this one almost a symphonic experience. It is another one of those dance numbers that pulls the groove out and stretched it beyond its label.

I have taken the album version of “It All Comes Down To Love” and reworked the rhythmic piece into a new ReStructure Mix. I have added some new percussion pieces to outline the arrangement and also created a few new breaks along the way.

•  Love Thang - Glenn Rivera ReStructure Mix - First Choice

First Choice is a trio featuring Annette Guest, Debbie Martin and Rochelle Fleming. Their 1978 album “Hold Your Horses” is one the disco banquets of the time period. Produced by Tom Moulton, Norman Harris and McKinley Jackson this project was a shining example of who delivered during the peak of the disco music explosion. “Love Thang” is the funky piece which plays out appropriately for the ladies and their soulful pipes. It is a touch of the disco sound bringing the elements that have been polished from the early 70’s.

I have taken the album version of “Love Thang” and made a new ReStructure Mix by rewiring the elements. A new percussion piece levels in the new intro and throughout the mix there are extended bites of delicious disco.

•  Let Go - Glenn Rivera ReStructure Mix - France Joli

France Joli became of the disco music’s gem and the start of her career became the flame that burned on in discotheques from the release of her classic “Come To Me” in 1979. This powerhouse project was produced by Tony Green and featured some of the best performers of disco music from the near past, The Sweethearts of Sigma and future bloomers including Denis LePage (Lime). “Let Go” is the second cut from the project and is the girl-talk ad-libs of a bad relationship and feeling early remorse over ending it. This one is as outlined as disco music allows and gives of the power of the bass and strings in the disco music genre. France also delivers a wonderful vocal which gives of the pain that the theme is intended to outline.

I have taken the album version of “Let Go” and made way to use the original elements to recreate a new experience for this ReStructure Mix. The breaks and percussion riffs and realigned for the energy once again.

•  Melting Pot - Glenn Rivera ReStructure Mix - Soundblast

Soundblast is a Canadian studio disco band who covers Booker T & The MG's 1971 soul/psychedelic instrumental “Melting Pot”. The remake released on Uniwave Records in 1980 is a groove with more downbeats and a vocoder added for the technology advance effect. This one has a true allegiance with more determination on the climbing bridge which almost feels gospel backed with the keyboards blaring out their refrain. It is a nice taste of the past roots of soul and where the groove began to educate those involved with a more underground dance experience.

I have taken the 12” cover of “Melting Pot” and used more of the rhythmic elements to create this ReStructure Mix. The bongos and rhythm parts are given a faraway into the excitement of this laid back, yet funky-ass track.

•  Into The Groove - Glenn Rivera ReStructure Mix - Madonna

Madonna released the single “Into The Groove” in 1985 and was featuring in the soundtrack “Desperately Seeking Susan” – a film she also starred in. The single was produced by Madonna and Steve Bray. It is one of my favorite tracks from that year as it has an infectious groove and also lifts the spirits with its positive message. The song became one of the top dance chart entries and also helped to give Madonna a new iconic track to her fans. This one has the simple keyboard ruffs that echo the 80’s sound yet the dedication that Madonna gives to her tracks makes it even more of a dance floor move.

I have taken the 12” vocal and the instrumental versions of “Into The Groove” and stripped down the essence of the song for this ReStructure Mix. I have layered pieces of the lyrics and vocals for an opportunity to create some new breaks and rhythm loops.

•  I Need Love - Glenn Rivera ReStructure Mix - Novencento

Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch electronic dance team. Their music is always in the realm of lighthearted fantasy and play – and always with a heavy drum beat. It is the lighter side to disco Calypso with an ensemble assisting in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from their self-titled album. The theme here is a zoo-keeper who returns late at night to find the inhabitants partying on down in a funky way. An escape in a way that disco music created in the late70’s with a theme and concept. This one is only sheer fun with some kick ass beats and claps programmed for dancing.

I have taken the 12” vocal, instrumental and bonus beats versions to recreate that partying for “Go Go Gorilla” in this ReStructure Mix. More of the melodic pieces are used to give the track a more sweeping sound.

•  Go Go Gorilla - Glenn Rivera ReStructure Mix - Gazuzu

Gazuzu is a production from Cat Music (Adams & Fleisner) a Dutch electronic dance team. Their music is always in the realm of lighthearted fantasy and play – and always with a heavy drum beat. It is the lighter side to disco Calypso with an ensemble assisting in the chorus and ad-libs. “Go Go Gorilla” is their 1984 track from their self-titled album. The theme here is a zoo-keeper who returns late at night to find the inhabitants partying on down in a funky way. An escape in a way that disco music created in the late70’s with a theme and concept. This one is only sheer fun with some kick ass beats and claps programmed for dancing.

I have taken the 12” vocal, instrumental and bonus beats versions to recreate that partying for “Go Go Gorilla” in this ReStructure Mix. More of the melodic pieces are used to give the track a more sweeping sound.

•  D.J. I Wanna Be Your Record - Glenn Rivera ReStructure Mix - Moulin Rouge

Moulin Rouge is a Slovenian group whose sound follows the Italo-disco fare of the early and mid-80’s. Their 1988 release “D.J. I Wanna Be Your Record” is one of that years which so few were successful high energy which were memorable. This uplifting track has the rolling bass with a few breakdowns which work well in the flow of Italo-disco and makes a mark of course with the titled “D.J.” included. It does have several riffs that mark a memorable dance experience for that peak set. Produced by Fabio Sparago, Kosi Matiage and Riccardo Persi – the full-on electronic arrangement is broken into parts with samples and catchy verse interactions.

I have taken the 12” version of “D.J. I Wanna Be Your Record” and reworked the flowing pieces into am continuous energy force for this ReStructure Mix. There are new breaks created with vocal pieces and the cha-cha keyboard parts for the energy breaks.

•  Love Hangover - Glenn Rivera ReStructure Mix - The Players Association

The Players Association is a disco/funk ensemble lead by producer, Danny Weiss. One of the early signs of soul and funk emulating a new sound that was fully dedicated to the dance floors of the time. Similar to The Salsoul Orchestra with more of that jamming essence in arrangements and production. “Love Hangover” is their instrumental cover of Diana Ross’ big soul classic from 1976 a year following its success. This recording is a full on instrumental as a live band would project its sensual allure. The layout is identical yet minus Ross’ sex appeal. It is from their first self-titled release. The disco history is all contained in bands like The Players Association and the lure of many who were curious of what disco music was or was becoming is a big part of this sound.

I have taken the 12” version of The Players Association’s “Love Hangover” and laid down some new beats and heavy percussion to recreate this ReStructure Mix. Some of Diana Ross’ original acapella is added to remind us of just how sexy and infectious this track is and was.

•  It's Inevitable - Glenn Rivera ReStructure Mix - Charlie

Charlie is rock band from London, England formed in 1971 and released their seventh, self-titled album in 1983 – produced by Kevin Beamish and Terry Thomas. “It’s Inevitable” is a single from the project which was also released as a 12” dance single. With an electronic path leading the rocked guitars into a dance arena this track depends widely on the lead vocal which gives way to that 80’s edge called DOR. It pulsates a vibration from the start and makes a nice fusion for 80’s dance and rock combined. The powerful 12” version makes for most the songs long and alluring qualities here for the dance floor. A great crossover and fusion for the 80’s.

I have taken the12” version of “It’s Inevitable” and remapped the track with new beats and segment arrangments for this ReStructure Mix. More of the keyboard riffs are placed with new energy to spike this one back for a rock-out moment on the dance floor.

•  Hungry For Love - Glenn Rivera ReStructure Mix - Bad Boys Blue

Bad Boys Blue is Andrew Thomas, Trevor Taylor and John McInerney – a trio who started their fame in Europe in 1985. “Hungry For Love” is a single released in 1988 – produced by Tony Hendrik & Karin Hartmann. This love song is a yearning for a feel and emotion with a touch of that club anthem energy. The orchestral strikes are the introduction which makes this one feel like it is climbing the peaks of the mirror balls above. It has always been a favorite of mine and received allot of response from my dance floors during its release.

I have taken the 12” vocal and instrumental of “Hungry For Love” and recapped the song again for this ReStructure Mix. It is guided by some new percussion and beats added to the foundation of this new journey.

•  Envy - Glenn Rivera ReStructure Mix - Rinder and Lewis

W. Michael Lewis and Laurin Rinder are pioneers of the disco sound and may have been one of the deciding factors on relying on disc jockeys and dance floors to help shape the sound of genre itself. “Seven Deadly Sins” is their 1977 release which outlines exactly what the title says in a disco fluent style that plays out in their discotheque lounge style. “Envy” is the focus of this ReStructure Mix and is replayed with an edit of the second part of this piece titled “Animal Fire”. The flow of the instrumental parts remains the sound that Lewis and Rinder were known for and became their unique gift to disco history.

I have taken the track “Envy (Animal Fire)” from the album and removed the vocal segments to create a new ReStructure Mix for this classic. A new foundation is laid out from another innovative source in the electronic dance movement of the 70’s, Kraftwerk. The tease here is the ongoing keyboard pieces bringing this “sin” into a lighter place: the dance floor.

•  Love Waves - Glenn Rivera ReStructure Mix - Patty Heart

Patty Heart is a German dance project from producers Andy Free and Jozef Smits. This hard ponding piece has some nice electronic dance qualities including the defiant lead vocal which at times reminded me of an 80’s rock anthem on an imaginary theme. “Love Waves” is a yearning for that last minute love opportunity as the night grows older and the meaning become disturbing. This piece is laid out into segments with pull on a keyboard riff and a male chorus shouts out that echoes into the night. It is one of my favorite underground early-morning songs and has a nice mystique about itself.

I have taken the 12” dance mix and “bass waves” version of “Love Waves” and worked to create a deeper messaging using the weary keyboard pieces. This ReStructure Mix also adds a heavy techno thumping beat to bring the ideal to light.

•  Love Oasis - Glenn Rivera ReStructure Mix - Patris

Patris is an electronic dance project from producers Craig Peyton and Nelson Cruz – and released on the New York dance label, Emergency Records in 1985. The vocals by Patris here are soft and subtle yet the beats pound out the ominous search for that “love oasis” at the end of the day. One of the nice synth-pop pieces with a direct hardcore club feel. This one compares to a Latin-free style with more emphasis on the drop beats. Nice segments into a rock-styled guitar break which bring the essence of a nice fusion on board.

I have taken the 12” vocal and instrumental of “Love Oasis” and laid out the beats and the heavy bass sequencer in a new way for this ReStructure Mix. A bit of play with phrases add a new break and some new percussion above those80’s beats work a track again.

•  Fancy Dancer - Glenn Rivera ReStructure Mix - Gregg Diamond's Star Cruiser

Star Cruiser is a studio project from producer Gregg Diamond (Andrea True Connection, Bionic Boogie, Hardware) from 1978 and released on Henry Stone’s Marlin Records label. The project highlights not only Diamond’s studio magic in creating a slick sound for disco but also features in this vocal ensemble, Diva Gray, Gordon Grody, Jocelyn Brown and Zach Sanders. “Fancy Dancer” is the low groove which Diamond created with his early production of “More, More, More” by Andrea True Connection – a sound called “boogie music” and eventually “disco”. Diva Gray is the lead on this one and gives off the early injection of disco funk crossover in the chic-est sense. It is not hard to understand how Gray was transformed into many studio projects including Lemon, Oyster and he solo career.

I have taken the album version of “Fancy Dancer” and reinjected a heavy drop beat below intro segments and percussion in this ReStructure Mix. The rearrangement is provided to relay the power in each portion of this disco-funk number.

• All Right Now - Glenn Rivera ReStructure Mix - Witch Queen

Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete Martin – an 80’s synth-pop band who released their album titled “The Victory Parade” in 1986. The project included a single “Cry Cry Cry” which was a post killer 80’s dance track with many elements that mark it as an unforgettable piece. The guitar and drum effects are the slamming side of this dance track and the vocals are a subtle New-Romantic edge leading the song into that soaring mode. The song did quite well in clubs who favored the high energy sound and made the band unforgettable even though there was never a follow-up album.

I have taken the 12” “club version” of “Cry Cry Cry” and rewired the synth-pop number into a new ReStructure Mix. The opening of this new version focuses on the keyboard riffs that use the song as a stage for their sound.

• Cry Cry Cry - Glenn Rivera ReStructure Mix - Two Minds Crack

Two Minds Crack are David Hewson, Kevin Jones, Mark Davies and Pete Martin – an 80’s synth-pop band who released their album titled “The Victory Parade” in 1986. The project included a single “Cry Cry Cry” which was a post killer 80’s dance track with many elements that mark it as an unforgettable piece. The guitar and drum effects are the slamming side of this dance track and the vocals are a subtle New-Romantic edge leading the song into that soaring mode. The song did quite well in clubs who favored the high energy sound and made the band unforgettable even though there was never a follow-up album.

I have taken the 12” “club version” of “Cry Cry Cry” and rewired the synth-pop number into a new ReStructure Mix. The opening of this new version focuses on the keyboard riffs that use the song as a stage for their sound.

• If You Love Somebody Set Them Free - Glenn Rivera ReStructure Mix - Sting

Sting is Gordon Matthew Thomas Sumner is a musician, songwriter and singer who is also known at the start of his career with the band, The Police. His solo ventures in the mid-and late 80’s includes his single “If You Love Somebody Set Them Free” from 1985. Produced by Pete Smith and Sting this track resonates as one of Sting’s profound pieces with a dire message of love and life. This one made dance floors take note with the 12” versions which brought the track an immediate success. This one plays out just as a heartfelt message which brings solace to the mind and feet.

I have taken the 12” remix and William Orbit piece and have given “If You Love Somebody Set Them Free” a new pounding edge for this ReStructure Mix. A booming downbeat now takes the stage as the track is broken down into new segments for this 80’s classic.

• What's In It For Me - Glenn Rivera ReStructure Mix - Zalmac featuring Zulema

Zalmac is Al MacDowell along with Zulema Cusseaux (”Change”) released in 1982 and defining a new period for dance music in the early 80s in a New York soul depiction. Having soul-diva Zulema on board is a big lift for the sound itself as she represented an untapped soulful edge during her solo-career. “What’s In It For Me” is a single from the project titled “Whatcha Gonna Do” and is one piece that gives several surprises – the theme of a distant lover assisting in survenlance to a secret love whose interest is detained. Zulema performs this one with all of her power and mite and helps bring this street-sound to a new level. It is one of my favorite underground hits and always made my dance floor go “boom” early in those evenings.

I have taken the 12” vocal and instrumental of “What’s In It For Me” and reworked the track as if it were an old friend in this ReStructure Mix. The percussion riffs that stand out are brought the core of the mix and an extended chorus is added.

• Action Tonight - Glenn Rivera ReStructure Mix - V.I.S.A.

V.I.S.A. is an Italian disco project from producers Angelo Piccarreta & Felix Music Production – with arranger Celso Valli bringing his style to the project. This one is very reminiscent of the 1979 session titled, Nuggets. Lots of disco orchestrations that blare like a Village People number from the late 70’s. The album titled “San Francisco” is one the complete Italian disco pieces which encompass that celebratory edge which disco music thrived on. “Action Tonight” is a cut from this album which has the feel of a love song transformed into a Main Street parade. It gives way to the wonderful chorus which is very reminiscent of Peter Jacques Band. Disco gem this one shines as the memory and influence of disco continues.

I have taken the album version of “Action Tonight” and rebuilt this number for a new ReStructure Mix outline. Using pieces of the rhythm guitars and horn sections to create more momentum with a heavy bass beat also.

• That's When (We'll Be Free) - Glenn Rivera ReStructure Mix - State Of Grace

State Of Grace is an 80’s synth-pop band consisting of Adrian Thomas, David Inglesfield and Pat Thomas. Their 1982 single “That’s When (We’ll Be Free)” is one of their memorable pieces which utilizes a heavy bass beat and light spotty keyboard layers to execute the rhythm. It was produced by Lawrence Burrage and the band itself. This one gives way to a promise of freedom as the night progresses and every in store is positive and momentum. A nice crossover number for either early evening or early morning.

I have taken the 12” vocal and instrumental of “That’s When (We’ll Be Free)” and have given it a new ReStructure Mix using more of those pounding drum beats as a foundation. The energy is given a lift some new added percussion and accenting of those drums.

• Hold Me, Squeeze Me - Glenn Rivera ReStructure Mix - Michele

Michele is a studio project from producer, Pierre Jaubert – featuring vocals by Chantal Sitruk (Chantal Curtis). The album “Magic Love” is one of the early disco solutions to make the clubs excited to worship that dance floor nightly. “Hold Me, Squeeze Me” is a single from the project which caught my attention with the sexy chorus riff that seemed to be all that disco music was an interpretation for. The backup vocals are performed by The Sweethearts of Sigma and are the staple of the 70’s not only as they were heard on many studio sessions – but they were also so darn perfect for the disco fling. This track was a single from the album and I am sure had allot to do with the success of early disco music.

I have taken the album version of “Hold Me, Squeeze Me” and interpreted it in an EDM style with a new heavy bass beat accompanying the sensual directions in this ReStructure Mix. I have given this remix a slim down of the bridges and segments and keep the rhythm tracks and verses more on top.

• Bahia - Glenn Rivera ReStructure Mix - El Coco

El Coco is W. Michael Lewis and Lauren Rinder - duo who began working with disco music in 1975 with their first album titled “Brazil”. A dance ode to the lounge sound of the 50’s with a rhythmic beat enticing the sweet melodies and heavy percussion. “Bahia” is a track from their first album and is a masterpiece of wonderful “mall music” in its own formation. The tropical theme explodes here with the flowing of keyboards and the drifting percussion. It is a masterful take on the early disco sound where an orchestra is being led on the dance floor once again in a new way. One of my personal favorites from El Coco and one of the geniuses of theirs from the start.

I have taken the album version of “Bahia” and realigned the lounge edge with some new heavy duty elements to make it pop for this ReStructure Mix. It has a lengthier intro and nice fade where you can almost hear someone asking for the tanning lotion.

• Watch Your Step - Glenn Rivera ReStructure Mix - Anita Baker

Anita Baker is a blues/soul vocalist who brought a gift to the end of the 80’s with her album “Rapture” – produced by Michael J. Powell. The track “Watch Your Step” was always one of interest to those club jocks who were enamored by this voice which became the new artists that immediate demanded attention. The track is a soulful r&b number that resonates thanks to Anita’s incredible vocal style. It is one which brings to mind the crossover necessary for artist to create a track for clubs at this time.

I have taken the album version of “Watch Your Step” and have given it a new presence for this ReStructure Mix. I have added additional percussion and broke the song into new segments to give it a new meaning for the dance floor.

• Sister Power - Glenn Rivera ReStructure Mix - Sister Power

Sister Power is a disco project from producer Paul Sabu (Debbie Jacobs, Sabu, Ann Margret) who takes the best of disco and brings it to another level. The group is headed by vocalist Gwen Jonae who also brings to mind the Sabu outline where a powerful female voice works his music. The project from 1979 is one of the fabulous concept groups for the play of disco all around. “Sister Power” is a track that introduces the ensemble as they describe their direction and funky means – it is a track that has layers of Sabu’s rock-edged keyboards and guitar riffs that echo his style. This one has always been a favorite with the strings leading my ears and heart and along with Gwen’s vocals it is priceless.

I have taken the album version of “Sister Power” and re-played this disco overture for this ReStructure Mix. Use of the existing drums and keyboard pieces are used to re-piece the energy all over again.

• Seduction - Glenn Rivera ReStructure Mix - Val Young

Val Young (Valaria Marie Young) is an artist who worked with George Clinton (Funkadelic), Roy Ayers and The Gap Band. Her solo career began in 1985 with her project “Seduction” – produced by Rick James. This electro-funk exercise is a laid out groove and offers the enticing sound of Val’s breathy vocal. The keyboards are the sound that Rick James uses in a push-and-pull style and is adapted well in the 80’s funk piece. There is a cameo from Mr. James which plays out to bring this song to the next level.

I have taken the 12” vocal and instrumental of “Seduction” and remapped the sensual yearning into a phase for this ReStructure Mix. Using the keyboards as an outline for a new break and intro for this desirous track.

• The Dream - Glenn Rivera ReStructure Mix - Irene Cara

Irene Cara is a singer and actress who brought some big hits to dance floors at the end of the 70’s ( ”Fame”) and the start of the 80’s (“Flashdance…What A Feelin’”). Her music along with disco producer Giorgio Moroder is another shot at capturing that disco anthem track as in “The Dream” from 1983. Along the lines of a struggle to make one’s dreams come true with the soaring chorus and the big lead-ins. This one was also featured in the film, “D.C. Cab” from the same year. The Moroder/Cara blend is one that brings to mind the 80’s in the spotlight sense.

I have taken the 12” version of “The Dream” and relit the track for this ReStructure Mix. Giving it a lift using the existing syndrums to pound out the dedication to dancing in this positive/winning piece.

• In The Sky - Glenn Rivera ReStructure Mix - Loose End

Loose End is a project from Eddie Amoo and Chris Amoo – a single with a fusion of funk/soul and a touch of modern jazz. “In The Sky” released in 1982 is an uplifting love song with a beautiful vocal which flows as if it were lifted by a summer breeze. One of the pieces which display a use of a jazz influence with funk rhythms. A great after-hours number which surges the dance floor into a fantasy world. Lead vocals are provided by Jane Eugene who made her star shine in the projects with Loose Ends (with the ‘s’).

I have taken the 12” single version of “In The Sky” and reapplied these wonderful elements into a new recipe for this ReStructure Mix. The delivery for a new dance experience is painted another shade with added Afro-Cuban percussion accenting the groove.

• Drives Me Crazy - Glenn Rivera ReStructure Mix - Peter Jacques Band

Peter Jacques Band are a piece of disco history that has a beginning and an end. Their first release from 1978 is a project which helped to shape disco music and prepare it for the electronic Fusion coming at the end of the 70s .”Drives Me Crazy” is from their 1985 album title “Dancing In The Streets” produced by Jacques Fred Petrus . The production feels more of a mid-tempo energy but still have the hooks that the Peter Jacques Band has been known for. It was a favorite of mine during its release and a resurgence for the group to keep their name in disco music alive .

I have taken the 12-inch version of “Drives Me Crazy” and re-wired the track to create a whole new sound for the song in this ReStructure Mix . I have used the wobbly keyboards and “boppy” bass rhythm with new edits for this outline.

• Livin' It Up (Friday Night) - Glenn Rivera ReStructure Mix - Bell and James

Leroy M. Bell and Casey James are a duo who released three projects. Their debut album featured a single which became a dance floor hit the instant it was laid down – “Livin’ It Up (Friday Night)” from 1978 is one of the iconic songs of the disco era. The production is the stripped down funky arrangements which made the pop-edge of disco music irresistible. This one has the vocals that also resonate of the 70s male figure in disco and funk. The two also are credited for writing the disco hit “This Time Baby” recorded by Jackie Moore in 1979.

I have taken the 12” version of “Livin’ It Up (Friday Night)” and gave it some new petroleum to pump it into an anthem like ReStructure Mix. Using the grooves and fantastic keyboard riffs I have realigned the song for a whole new area of the dance floor.

• The One - Glenn Rivera ReStructure Mix - Lipps Inc.

Lipps Inc. is producer Steve Greenberg and vocalist Cynthia saved the 80s from a complete sanity. The feel of their music always contained the dose of freeing the serious brain into a disco insanity. “The One” comes from their third project from 1981 titled “Designer Music” and is one of the hidden gems from this ensemble. A killer thump bass riff makes this track hit the mark as soon as the plucking begins. Cynthia Johnson takes the disco edge to a new side of funk with endless energy. This one was always a favorite and still makes me listen sometimes more than dance.

I have taken the album version of “The One” and reworked this troubled love song into a new ReStructure Mix. There are some new heavy percussion pieces to pound the beats out some of the riffs become more of this version.

• Sea Hunt - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley is pioneer of mastering the layer of electronic sounds over dance rhythms. It may have been Giorgio Moroder’ s creation of “I Feel Love” which evoked Cowley’s journey to find the center of the disco beat through swirling effects. In 1981 his project, “Megatron Man” was a turning point for electronic dance music and disco music in general. Included in this package is a cover of the theme from the1958 television show “Sea Hunt”. The composition by David Rose is disco-fied and given several new levels of mystique as Cowley brings on Carol McMackin, Jo-Carol Block and Lauren Carter (Jo-Lo) to create a haunting vocal that emulates the wailing of the goddess of the sea. The disco version also integrates an electronic castanet sound giving it a rather interesting fusion.

I have taken the album version of Patrick Cowley’s “Sea Hunt” and reworked the percussion and basslines for this new ReStructure Mix. A new arrangement in segments is created and a cameo from Mr. Lloyd Bridges added.

• Tonight - Glenn Rivera ReStructure Mix - Suzy Q

Suzy Q is Michelle Mills in 1981 project titled “With Your Love” and is produced by Jerry Cucuzzella (Nightlife Unlimited). “Tonight” is one of the singles which helps to set this set on fire as it contains many of the hooks that make the electronic 80’s futuristic and rhythmic as it can get. The piece gives Suzy Q an opportunity to pour her heart to a lover who she is excited to reunite with on the nightlife frontier. This one has the entire keyboard riffs move it from one end of the dance floor to another. One of the hidden gems of this project and now an outline for that 80’s electro-sound.

I have taken the 12” vocal and instrumental of “Tonight” and relit the energy for this ReStructure Mix. There is a deep bass beat added to give off a nuance of rhythm to its existing form and some back-beat effects to ignite this message all over again.

• Open Your Heart - Glenn Rivera ReStructure Mix - Madonna

Madonna’s 1986 project titled “True Blue” was perhaps her most adorable in the synth-pop arena. “Open Your Heart” is an irresistible track that has the yearning and appealing love call as any of her recordings. The song is one of my favorites during the Madonna 80’s rein and gives me to this time how her timing in music has always been “on time” and “to the point”.

I have taken the 12” vocal and dub of “Open Your Heart” and rewired the energy for a more deep electronic synth experience. This ReStructure Mix uses more of the sequencers to create a foundation that gives the vocals a whirling place to exist.

• Playing For Time - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane is the beauty behind many big disco hits. Her music has always surprised as her talent and dedication to become involved in creative process. “Playing For Time” is from Madleen’s 1981 project produced by disco-pioneer and innovator, Giorgio Moroder. The early 80’s were a challenging time for disco artists heading their music in a new direction. Madleen is one of the artists who seem to overcome this hurdle and much of her 80’s productions were successful in her iconic past and moved her following along with her. The Moroder production on the project “Don’t Wanna Lose You” gives Madleen the synth-pop edge which emanated success and proof that the 80’s had not shifted dance floors far from home.

I have taken the 12” remix of Madleen’s “Playing For Time” and have given the ReStructure Mix not only a tribute to her talent, but also a salute to Moroder and his 80’s appeal. A riff from Moroder’ s genius is thrown in for an echo of his music and Madleen is enough in her adaption to her own style in a new arena of music.

• To My Heart - Glenn Rivera ReStructure Mix - Mark Farina

Mark Farina (Mauro Farina) is an Italian producer/artist whose recording career gave a new resurgence to the Italo-disco period of the mid-80s. “To My Heart” is his single from 1988 and is one of the most beautiful dance pieces to fade onto dance floors. The production hits hard with the beats and percussion and there is more layered in this one to bring it out above the rest. The lovely guitar accompaniments add a nice feel which gives it a lasting attraction. One of my favorites of that period and a fast floor-packer for me.

I have taken the 12” versions of “To My Heart” and re-expressed this love song in a new way for this ReStructure Mix. Only original elements have been used here to give this beauty a new pump.

• You Can Win If You Want - Glenn Rivera ReStructure Mix - Modern Talking

Modern Talking are Dieter Bohlen and Thomas Anders. Their music is perhaps one of the golden moments in dance music. Their sound utilizes heavy beat soften by a bass accompaniment which became the 80’s dance formula and magic. The sweetness of their songs is another lure to their talents and even though the themes may be quite simple they are delivered with a romantic edge on vocals. “You Can Win If You Want” comes from their 1985 project titled, “The 1st Album” – this one has their signature riff which is a chorus riff and a nice supportive tale of a love who ventures off to discover ones future. And even though the divide will be difficult there are the positive words for success.

I have taken the 12” vocal and instrumental of “You Can Win Of You Want” and made use of the beautiful synth-pop track for this ReStructure Mix. Adding just a touch of new percussion and re-igniting pieces with a new arrangement.

• You Make My Heart Beat Faster (And That's All That Matters) - Glenn Rivera ReStructure Mix - Kim Carnes

Kim Carnes’ is a singer who took a turn to dance floors following her big pop-single “Bette Davis Eyes” from 1981. Her voice is recognizable in her music and gives off a unique feel and genuine edge. “You Make My Heart Beat Faster (And That’s All That Matters)” comes from her 1983 album titled “Café Racers” – produced by Keith Olsen. This fast paced synth-pop number is unforgettable with its many hooks and the main console which is Kim’s vocal. It climbs with the bass pumping out the energy and dedication to the romance here. The 80’s has this sound plastered over the dance floors and this track brings the best of it alive.

I have taken the 12” vocal and instrumental of “You Make My Heart Beat Faster (And That’s All That Matters)” and rewired the energy again for this ReStructure Mix. More of the bass is pumped out and some of the vocals are accented for breaks and fades.

• I Will Find You - Glenn Rivera ReStructure Mix - Mohikana

Mohikana is a trance version of Clannad’s “I Will Find You” from 1992 and displays the power of 90’s electronic dance music. The reiterating verses echo in a smooth and translucent feel throughout this production. The vocal by Mohikana is a spiritual experience in itself and with the pounding drums among this track is moving. A nice transition for a ballad and adding enough energy to give the new mode a satisfying effect.

I have taken the 12” vocal, acapella and dub into this new ReStructure Mix of “I Will Find You” for another hypnotic experience. The intro stretches far beyond the original and more of the dub-drums are displayed for this new mix.

• Somebody Tonight - Glenn Rivera ReStructure Mix - Alexis

Alexis is an Italian disco project from producer Giacomo Maiolini and his 1991 single “Somebody Tonight” features vocals from Emanuela 'Taleesa' Gubinelli. This piece is a fast moving dance floor piece which for its time created the continuum for the high energy or then labeled Euro-dance stay alive. The outline on the hooks on this track resembles Pet Shop Boys’ “Always On My Mind” with its crashing symphonic pieces. The outline of this one is a night out on the town knowing that somewhere – someone will be waiting to take the blues from this heroine.

I have taken the 12” version of “Somebody Tonight” and re-hashed the original into a new ReStructure Mix with more drops and breaks to make it new again. There is a cameo from The Eagles and one of their rock hits giving the other side of what is to come.

• I Don't Want To Be With Nobody Else - Glenn Rivera ReStructure Mix - Alton McClain and Destiny

Alton McClain and Destiny are D'Marie Warren, Robyrda Stiger and of course, Alton. This trio brought a nice blend of soulful vocals to a polished disco and r&b sound. Their second album titled “More Of You” from 1979 is another supreme display of their beautiful harmonies as well as Alton’s incredible play with phrases. It had been since The Emotions burst onto the soul music scene that the excitement was met. “I Don’t Want To Be With Somebody Else” is another cut with gives the ladies another opportunity to work the groove. It is a slick love song with a few of the best vocal arrangements of these talented ladies.

I have taken the album version of “I Don’t Want To Be With Somebody Else” and revisited it for the ReStructure Mix piecing the original in a new way. Some new percussion is placed to give moments a new shine and new breaks added to break the song into a dance floor experience.

• Like An Old Time Melody - Glenn Rivera ReStructure Mix - Teresa

Teresa is a vocalist who is featured here along with producer, Sandy Linzer (Cory Daye, Odyssey, Dr. Buzzard's Original "Savannah" Band) and also Paul Shaffer arranging. The project titled “Class Reunion” is a big-band retro feel project much like the “Savannah Band” outline. “Like An Old Time Melody” is a dreamy torch number with a flowing with saxophones and clarinets and along with the sultry vocal it makes its mark. A beautiful touch with the layered backing vocals which bring to life the smooth edge.

I have taken the album version of “Like An Old Time Melody” and reworked the retro feel with only a new beat foundation added for this ReStructure Mix. There are a few new segments blended to create a new arrangement for the dance hall horns to resonate even more.

• State Of Independence - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer made the 70’s the disco era and also took the 80’s with a new sound which she displays as natural as her ability to vocalize her music. Along with Quincy Jones her 1982 album self-titled album featured a more rhythm and blues pop sound on many tracks and a few surprises – “State Of Independence” is a track written by Jon Anderson and Vangelis. This world beat/new age song is rebuilt by Donna and delivers the voice and energy in this percolating anthem. The track has the touches which Quincy Jones is known for and also gives Donna the opportunity to make this piece her own in many ways.

I have taken the album version of “State Of Independence” and re-invigorated the foundation with a new world beat and also bringing out more of the beautiful segments of the song. This ReStructure Mix also makes way for a fade during the most lyrical and hypnotic part of the song itself.

• Really Sayin' Somethin' - Glenn Rivera ReStructure Mix - Bananarama

Bananarama is Keren Woodward, Sarah Dallin and Siobhan Fahey – a trio from the 80’s dance scene whose lasting aura exists even today. The girl group with the 80’s appeal brought many dance floor hits in the mid and late 80’s. “Really Sayin’ Somethin’” is their 1982 release produced by Dave Jordan and Fun Boy Three (who also accompany the ladies on this single). This cover of The Velvelettes 1964 hit single is laid over a heavy tribal drum fare which makes this piece a nice piece of 80’s dance. The vocals are light and sweet and use each drum break as freshener.

I have taken the 12” version of “Really Sayin’ Somethin’” and placed the drums in new layering to begin this new ReStructure Mix. More of the verses are placed among this new arrangement and a minor use of the original for the fade.

• Blue Monday - Glenn Rivera ReStructure Mix - New Order

New Order is Bernard Sumner, Peter Hook, Stephen Morris and Gillian Gilbert – a band from UK whose big dance hit “Blue Monday” from 1983 brought an innovative hard-edged groove to life in an underground display of warped keyboards and thumping beats. The piece became an instant hit and gave the band the notoriety and label as the new-metal sound of dance music. The band created a new edge to dance music with their sound as Depeche Mode and Yaz had pronounced.

I have taken the original 12” versions of “Blue Monday” and reassembled some of the well-known riffs as well as some of the rhythmic pieces for this ReStructure Mix. More of a play on the heartbreak is drawn out with the raw sound of the band bringing on the purpose.

• Love Me In The Moonlight (Lay Your Body Down) - Glenn Rivera ReStructure Mix - Valentine French

Valentine French is a disco project from Eugene Moule and John Mealing – and features vocalist Patricia Snaric on sexually-fused disco vocal. One of the disco pieces from the late 70’s which uses a hook to play out a sexy urge to make love. It is the Euro-disco formula which was formulated by tracks like “Love In ‘C’ Minor” and “I Feel Love” and presented in a new raw form with percussion pounding out the disco orgasm. The build on this one is quite dramatic and gives of the ideal that “moonlight” is the place to be for that moment in the night.

I have taken the Disconet version of “Love Me In The Moonlight (Lay Your Body Down)” from Volume 3 Program 2 ?and reworked those familiar bongos into a new ReStructure Mix. More of the sexy feel is extended across this mix and delivered with some extended segments with a bit more of the sultry verses to lure one into the den.

• Just How Sweet Is Your Love - Glenn Rivera ReStructure Mix - Rhyze

Rhyze is a disco/soul group from New Jersey from the early 80’s produced by Paul Kyser. The ensemble included "Jojo" McKnight, Charles Holmes, Ellsworth Anderson, Kenneth Hicks, Kevin Barbee, Richard Menter, Roscoe Taylor and Vince Jackson. “Just How Sweet Is Your Love” is their single from 1980 which became one of the underground club hits almost immediately as the shift from disco to New York funk hit. This piece makes a simple statement and the real sound is the vocal edge of this arrangement. The soulful feel gives their music more of a standing especially when more and more of the New York disco began to slowly become less and less produced. This piece remains a club classic to those who understand the music or experienced it themselves.

I have taken the 12” version of “Just How Sweet Is Your Love” and rolled up this piece with some latter elements for this ReStructure Mix. A realignment of the original production are the new properties as well as pieces from a cover of this song using the chorus melody – “Baby, I Need Your Love” by Lee Marrow featuring Ce Ce Houston from 1993. A clever drift for Marrow to bring back these club classics in his own way.

• No Regrets - Glenn Rivera ReStructure Mix - Amanda Lear

Amanda Lear is a disco magnificent icon. Her music has always been directed appropriately with the elegance and chic attitude which disco music represented during its inception. The haunting allure of her vocals has always been the focus of her sound and also the mood in which she continues to create with each number. “No Regrets” comes from her 1983 project titled “Tam Tam” – produced by Roberto Cacciapaglia and features Amanda’s shift into the 80’s electronic dance forum. This piece is a memorial to her near past which Amanda gives us to apologies for any outrageous or questionable degree. It is a mini-anthem and plays out with a musical outline as haunting as her vocal.

I have taken the 12” vocal and instrumental of “No Regrets” and used the keyboard elements and the rolling bass sequencer to rework for this ReStructure Mix. More of the instrumental in injected to give the stage appeal for a show which once again pleads, “no regrets”.

• Crazy Over You - Glenn Rivera ReStructure Mix - Desire 

Desire is an electronic high-energy project from producer Sabby Rayas and Steve Galindo. Their 1986 release “Crazy Over You” is one of the underground pieces which brings back the sound which makes the 80’s exciting. The pumping bass and lyrical keyboards give off a spark which made dance floors move with dedication to the beat/ Vocals are provided by Rae Flores and deliver the riff which make this one so memorable. It is again one of the releases that make it easy to understand high energy music and how it works.

I have taken the 12” vocal and beats version of “Crazy Over You” and reignited the powerhouse track for this ReStructure Mix. The play with pieces of the vocal and the keyboard riffs are new to make this one fly again.

• Hypnotic Tango - Glenn Rivera ReStructure Mix - My Mine

My Mine is Carlo Malatesta, Danilo Rosati, Darren Hatch and Stefano Micheli – an early mark in Italo-disco during 1983. “Hypnotic Tango” is the breath behind the dance genre which became the move into electronic pulses and arrangements along with the melodic sweetness of disco music aura. Italo-disco became a new edge from innovative productions as this. The mild percolating sequencers guide the chorus which makes another alley for 80’s dance music. This classic does stand out in the execution which brings home the foundation for the Italian disco machine of the time.

I have taken the 12” vocal and instrumental of “Hypnotic Tango” and made a new set of steps for this ReStructure “Tango” Mix. A standard tango classic is matched and serves as the driving force behind this new remix.

• It's My Turn - Glenn Rivera ReStructure Mix - Venus Dodson

Venus Dodson is a vocalist whose talent appeared in many disco classics as they were in the making – including Herbie Mann’s “Superman” and the project Phreek from 1978. Her first project titled “Night Rider” is one of the disco transition pieces vocally even though the sound of Patrick Adam’s resonates throughout each song. Venus takes her voice into a more relaxed delivery and makes each line a calming and assured verse. “Night Rider” is one of my top 10 picks of all-time. It is one of the perfect moments in pure disco music. “It’s My Turn” is from the same album and gives a mature breakup some words for closure. It has some wonderful riffs and also that calm and bluesy-like delivery which Venus makes her own.

I have taken the album version of “It’s My Turn” and realigned the pieces which make the track groove in this ReStructure Mix. New drums are used to bring the rhythm some new energy and Venus again is saluted as she deserves.

• Moody - Glenn Rivera ReStructure Mix - ESG

ESG is Marie Scroggins, Renee Scroggins and Valerie Scroggins – a trio from South Bronx whose first album “Come Away With ESG” released in 1983. More of an experimental recording with several dance genres taking over their raw instrumental which present the underground dance feel of its time. “Moody” is one of the more recognizable pieces and is simply a drum groove with an early bass line of the house sound. The faint and distant vocal has been used in several house mixes and became one of the moments where a hall full of dancers was place in a hypnotic trance on the floor. This one truly has its own power and makes the point which the band intended.

I have taken the album version of “Moody” and reworked the message to a new ReStructure Mix. Adding some classic percussion from the Chicago/New York underground house movement which would soon follow. A guest vocal from the “King Of Soul” is also hosted in this new mix.

• Love Is On The Way - Glenn Rivera ReStructure Mix - The Duncan Sisters

Helen and Phyllis Duncan are The Duncan Sisters - an unforgettable duo making the last days of disco memorable and hard to leave behind. The production from Three Hat Productions (THP Orchestra) recorded a rousing backdrop for these magic ladies powerful vocals. They can also be heard of the “THP 2” and Sticky Fingers projects. “Love Is On The Way” is a above the clouds number that not only exclaims the joy but explains it with the ladies quite eloquent performances – much that reminds us of the powerful of those groups like The Three Degrees. The horn section here is a striking celebration of a 20’s big band pounding out the energy. This one may be a filler piece from the project but still unforgettable.

I have taken the album version of “Love Is On The Way” and played with the commencing celebration in a new feel for this ReStructure Mix. New beats and the original bongo fills are used to dress up the piece for a few more surprises.

• Beat Of Love - Glenn Rivera ReStructure Mix - Chris Thompson

Chris Thompson is vocalist from New Zealand whose past work includes Manfred Mann’s Earth Band and Alan Parsons Project. His single “Beat Of Love” from 1991is one of the highlights of the early morning set pieces. It was produced by Harold Faltermeyer of Munich disco sessions and plays out in a whirlpool of love and admiration to a relationship. The rock-edged vocal over the rolling bass sequencers and haunting breaks made this one a part of my program for after hours or simply a life-dance tape. It has Chris wailing a beautiful masculine outline and brings up to an early sunrise on any dance floor.

I have taken the 12” version of “Beat Of Love” and re-kindled the mood for this ReStructure Mix. More of the instrumental is placed in this mix to give way to the mystery and haunting unrest which is heard over and over.

• All Of Me For All Of You - Glenn Rivera ReStructure Mix - 9.9

9.9 are Leslie Jones, Margo Thunder and Wanda Perry – an r&b trio produced by Richard 'Dimples' Fields in the mid-80s. Their big pop-dance hit “All Of Me For All Of You” from 1985 is a memorable piece with the synthetic funk edge which slams vigorously along with the vocals from these gals. It is a love song full of emotions and also a few moments where the uplifting serenade takes on its own. This one was always a nice number during a funk set or early evening when the floor needed to be ignited.

I have taken the 12” vocal and dub of “All Of Me For All Of You” and re-funked the groove for this ReStructure Mix. There is a longer intro using the groove formulated by the bass guitars and some play with the beats to place this one back on the floor with more evidence of the winning sound it created during its time.

• Funky Celebration - Glenn Rivera ReStructure Mix - Queen Samantha

Queen Samantha is producer Harry Chalkitis and vocalist Gloria Brooks. The concept band began in 1978 with their first project titled “The Letter” which included a cover of Box Tops 1967 rock-classic by the same name. The sound of Queen Samantha consisted of the falsetto lead painting a mood over Euro-disco and electronic arrangements. “Funky Celebration” is from the 1979 project “The Queen Samantha” and is the eclectic sound of disco in its finale 70s form. This one uses horns and a heavy percussion layer to move from rhythmic sessions to the verses and acapella verses. One of the iconic sounds for this fabulous group and another reason they will always be remembered.

I have taken the album version of “Funky Celebration” and realigned the wonderful horns and vocals for this ReStructure Mix. I have extended the vocalese pieces of the song and made use of a new exit where the energy attempts to slowly due down.

• Goddess Of Love - Glenn Rivera ReStructure Mix - Soif de la Vie

Soif de la Vie is Christian Krusch, Helmut Wittler, Leo Walter, and Oliver Hardt – a German high energy project from 1984. Their single “Goddess Of Love” became the staple for high energy dance music of the period. The rolling syntheses and heavy jungle drum beats are the pinnacle master of disco music. The theme is sung by vocalist Rosary in a wicked delivery where she gives out the message from her thrown. This one is a fast moving and rhythmic adventure and is no wonder why it was such a favorite in the wee-hours of those big dance palaces.

I have taken the original 12” vocal and instrumental of “Goddess of Love” and re-tamed the track with a new intro for this ReStructure Mix. There are more breakdowns at the fade and again the vocals that rage among the dance floor.

• Space - Glenn Rivera ReStructure Mix - Viola Wills

Viola Wills is a disco legend who made dance floors not only recognize a fitting voice for the dance floor but also the number of times she struck more than a chord. Her hits include many cover versions with a dance arrangement including her big 1980 classic of Gordon Lightfoot’s “If You Could Read My Mind”. Viola took many different turns throughout her recording career but always remained faithful to the dance floor. “Space” is a track from her 1983 project by the same name – it was produced by Viola and her husband Robert Ashmun. The question here is how much we know of the relationships we work at and a rule of law where time apart creates growth also. The arrangement is much like a Broadway number which reaches several heights and gives off a chorus of bold believers.

I have taken the 12” versions of “Space” and laid out the song for a new ReStructure Mix. The intro is a longer fade in with some added percussion and more of the dub-like feel for this fast moving 80’s dance number.

• Dancing Machine - Glenn Rivera ReStructure Mix - Jackson Five

Jackson Five are Jackie, Jermaine, Marlon, Michael, Randy and Tito Jackson. Their career has spanned from the early 70’s throughout the late 80’s first as family band and then as a force in pop music. “Dancing Machine” is a track from their 1974 album by the same name and was produced by Hal Davis and arranged by Arthur Wright. The single is one of the group’s iconic pieces in that it introduced the soulful sound of their music along with early signs of themed disco song. The energy behind this piece is the riffs which drop in and out as horn sections and bring the song to a higher level.

I have taken the album version of “Dancing Machine” and the instrumental version to bring a new ReStructure Mix to salute this classic. The new down beat brings this one a new edge of hardcore floor action. Pieces of the song are drawn more focus for this arrangement to secure a new listening experience.

• Mamy Blue - Glenn Rivera ReStructure Mix - Claire Chevalier

Claire Chevalier is a memorable talent from the late 60’s to the late 70’s whose music always gave way to her vocal performances. There is a meek yet sensual approach to her lyrics and the true essence of a stage magnet. “Mamy Blue” she recorded in in a production by Gay Vaquer. Claire approaches this now classic piece with no fear or holding back. The tale of an estranged mother and child is delivered with the emotion the song was meant to deliver.

I have taken the original 7” version of Claire’s “Mamy Blue” and revisited the track with more production using beats and key effects throughout the new ReStructure Mix. The mood is dug a few deeper with the hard beats and mystical pieces of a Laura Branigan classic.

• Infatuation - Glenn Rivera ReStructure Mix - Midnight Passion

Midnight Passion is an Italian dance project from producer Shany with arrangements by Romano Trevisani. “Infatuation” is their 1986 release with takes a basic street sample and blends it into a fierce horn break and plenty of electronic riffs which flow together in a challenge-like fashion. It is one of the crossover pieces which feel like high energy yet leaves behind the energy which Italo-disco presented a few years earlier. This is their second single and gives out the same energy but with more of a stage for the instrumental.

I have taken the 12” version of “Infatuation” and remapped the energy into a new ReStructure Mix. This time around the pieces of this number are given more time to play a foundation for this new arrangement.

• In The Name Of Love - Glenn Rivera ReStructure Mix - Thompson Twins

Thompson Twins are Tom Bailey, Alannah Currie and Chris Bell – one of the many memorable groups from the 80’s. Their first dance floor hit “in The Name Of Love” from 1982 was produced by Dennis Bovell, Mike Howlett and Steve Lillywhite. This was a powerhouse single who gave the band their identity with its nu-wave edged vocals, heavy percussion and drums. It was the synth-pop sound of the early 80’s exploding with a new direction. “In The Name Of Love” has several riffs which keep the energ moving at a steady pace along with the somewhat distorted groove.

I have taken the 12” original mix, the 1988 dub and house versions of “In The Name Of Love” to rework the classic into a new ReStructure Mix. More of the rhythm is pulled out to give it a spotlight and the flow continues along the same lines where a crescendo brings on more energy.

• Temptation - Glenn Rivera ReStructure Mix - Corina

Corina (Corina Katt Ayala) is a freestyle artist who released her 1991 single “Temptation” to dance floors waiting for the next big thang. This track immediately took off and became the top on club playlists. Produced by Chris Paul and fed more beats than one song can handle. This backbeat/freestyle dance release has been said to have saved freestyle music at the time. These hard edged beats will take the dance floor and pound out a new surface with its razor sharp sound and ominous energy. One of the top picks from my club at the time and gave the dance floor no empty spaces.

I have taken the 12” version of “temptation” and re-pounded the awesome beats for this ReStructure Mix. A new foundation of key pieces are injected and given they spot to rewire this 90’s classic.

• Don't Go Breaking My Heart - Glenn Rivera ReStructure Mix - Ciao Ciao

Ciao Ciao is an Italian-disco project from producer Mauro Farina (Alan Barry, Coo Coo) who worked in the transformation of Italo-disco from the early 80’s to the high energy/girl twirl sound of the mid and late 80’s. This duo consisted of Cristina Cucchi & Rachel Fellini on vocals. “Don’t Go Breaking My Heart” is their first single from 1988 – and on the classic Italian dance label, Asia Records. This is one of the fluffy dance numbers that plays out using the formula of rolling bass and soft pounding beats. The essence of mid-80s Italian dance is all here and the melody even flows closely to a Bananarama style (“Love In The First Degree”). It is one of the memorable tracks from catalogue of Italo-dance with the foundation which always works.

I have taken the 12” version of “Don’t Go Breaking My Heart” – both the vocal and bonus beats and revisited this song with a ReStructure Mix. There is more emphasis on the bass beats and sequencers creating more of dub-like environment for the light and celebratory feel.

• Somebody Save The Night - Glenn Rivera ReStructure Mix - Sharon Redd

Sharon Redd defines an introduction to the New York funk/disco sound emerging during the early 80s. Her dance floor hits “Beat The Street”, “In The Name Of Love” and “Love How You Feel” were the structure of this artist’s powerful delivery of funk-charged numbers and anthems. Her legacy continues as many dance enthusiasts new and old discover her unique sound and presence. “Somebody Save The Night” is from her 1983 project “Love How You Feel” – produced by Eric Matthew (Gary’s Gang). This number is an outline of the Redd-experience where she takes a groove and lays out her song in a streetwise yet sophisticated approach. This one is a promise of being captured on a lonely rather than returning for the same for longing over and over.

I have taken the album version of “Somebody Save The Night” and re-funked the track into a new ReStructure Mix. Using the existing percussion and rhythm tracks to remold them into a new experience. And allowing Sharon’s pleading chorus to maintain its place.

• Age Of Reason - Glenn Rivera ReStructure Mix - John Farnham

John Farnham is an Australian singer whose recording career began in 1968 and became a best-selling single in 1960. His career continued through 2001 - including duets with Olivia Newton-John. In 1988 his project titled “Age Of Reason” brought an anthem-like dance track which became an underground classic in many clubs. This piece is one of the powerful crossover recordings for the dance floor and stays powerful from start to finish. The yearning for a movement of understanding for humanity and a time where peace and serenity is necessary are one that ring true throughout time and even more so that this lesson gives us a challenge to use of minds along with our hearts. The production id from Ross Frazer and plays out in a several moving crescendos and a wonderful cool down into the rhythm tracks.

I have taken the 12” version of “Age Of Reason” and played tribute to the dance hall classic in this ReStructure Mix. New intro and several inserts to remind us of the power behind this song are expressed with love and the need to remind us of the reason for this need.

• Down Down Romeo - Glenn Rivera ReStructure Mix - Meccano

Lime is one of the lasting flavors of disco/dance history. Denis Lepage and Denyse Lepage brought to the dance floor a more simplistic edge with plenty of percussion and colorful riffs to make their style memorable and lasting. “Take My Heart Away” is from their 1991 project titled “Caroline” and gives off a sensible energy that Lime is known for – but also displays the longevity of Denis Lepage genius with a full on electronic arrangement as he always applied in his work.

I have taken the album version of “Take My Heart Away” and given homage to the Lime sound in this ReStructure Mix. A new bass beat is added to pound out the energy and a riff from a Lime classic added to bring us back home again.

• Take My Heart Away - Glenn Rivera ReStructure Mix - Lime

Lime is one of the lasting flavors of disco/dance history. Denis Lepage and Denyse Lepage brought to the dance floor a more simplistic edge with plenty of percussion and colorful riffs to make their style memorable and lasting. “Take My Heart Away” is from their 1991 project titled “Caroline” and gives off a sensible energy that Lime is known for – but also displays the longevity of Denis Lepage genius with a full on electronic arrangement as he always applied in his work.

I have taken the album version of “Take My Heart Away” and given homage to the Lime sound in this ReStructure Mix. A new bass beat is added to pound out the energy and a riff from a Lime classic added to bring us back home again.

• Peeping Tom - Glenn Rivera ReStructure Mix -Rockwell

Rockwell (Kennedy William Gordy) released his second album titled “Captured...By An Evil Mind” in 1985 – following the success of his first single “Somebody’s Watching Me” from the prior year. “Peeping Tom” was the single from the second project and caught my attention immediately with the sheer string bridge which brings to mind the disco effect. The theme of the track is clever once again as Rockwell provides a story of eyes lured by an unknown force and making this synth-pop number stand out with his vocal and touch. Although the release was not as noticed as his first hit, it still remains a hidden treasure from am 80’s artist who left an indelible mark in dance music.

I have taken the album and 12” version of “Peeping Tom” and refocused the ReStructure Mix on a strip down of its elements and power. I have made use of the keyboards and thumping bass lines to recreate this number in a new phase.

• Body Heat - Glenn Rivera ReStructure Mix - Partners

Kano began as an Italian-disco project featuring Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. The edge of this dance music centered on a powerful mystic influence from another universe perhaps where the groove is the thing. Their big hit “I’m Ready” from 1980 featured a B-side titled “Holly Dolly” which was not included in their album release. The track was another futuristic styled theme with a voice bringing the light on a female figure who rules all during the night. It is one of the provoking pieces as much as “I’m Ready” with familiar elements however; it flies on its own.

I have taken the 12” version of “Holly Dolly” and scrambled the message into a new ReStructure Mix for a new temperature of dance. I have utilized the cowbells and clap drops in a new way to bring this “doll” back to the dance floor.

• Holly Dolly - Glenn Rivera ReStructure Mix - Kano

Kano began as an Italian-disco project featuring Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto. The edge of this dance music centered on a powerful mystic influence from another universe perhaps where the groove is the thing. Their big hit “I’m Ready” from 1980 featured a B-side titled “Holly Dolly” which was not included in their album release. The track was another futuristic styled theme with a voice bringing the light on a female figure who rules all during the night. It is one of the provoking pieces as much as “I’m Ready” with familiar elements however; it flies on its own.

I have taken the 12” version of “Holly Dolly” and scrambled the message into a new ReStructure Mix for a new temperature of dance. I have utilized the cowbells and clap drops in a new way to bring this “doll” back to the dance floor.

• Gonna Lose My Heart - Glenn Rivera ReStructure Mix - Thu Thuy

Thu Thuy (also known as Sher’e) is an 80’s dance music artist who released a single in 1987 titled “Gonna Lose My Heart” – produced by Skip Saylor. The single was one of the electronic dance productions which were being labeled as Asian Nu-wave. This piece is a rolling bass synth-pop outline with a nice catchy verse and execution with Thu Thuy’s engaging vocal. It is a bittersweet remedy for those who followed the Italo-disco fad of the early 80’s onto the late part of the dance era.

I have taken the 12” version of “Gonna Lose My Heart” and rewired the bass and beats for this ReStructure Mix. Taking the pieces of the dance number and re-stabilizing it with some hard street beats.

• Get It Up For Love - Glenn Rivera ReStructure Mix - Tata Vega

Tata Vega is one of the talents of the 70s whose voice remains one of the unique sounds in soul and R&B. Her career includes a contribution to the disco era of 1978 with her classic song “I Just Keep Thinking About You Baby” from her project “Try My Love”. The flip side of this 12” disco single is “Get It Up For Love” which is another delivery that is unforgettable and gives Tata another opportunity to create a stage for her style and energy. The production by Winston Monseque is disco/funk arrangement which brings out the best of the beats.

I have taken the 12” version of “Get It Up For Love” and recreated a new play for this ReStructure Mix. A more layered intro for the arrival of Tata to bring the message to us again with some familiar 80’s syn-drums.

• Everyman - Glenn Rivera ReStructure Mix - Double Exposure

Double Exposure is one of Salsoul Records early marks in dance history. The group included Charles Whittington, Jimmy Williams, Joe Harris, and Leonard Davis – and backing the ensemble were members of the Salsoul Orchestra sessions. This brought the soulful edge of vocals and gospel energy to disco music. As the strings wind into each verse and chorus the funky basslines provide that bumpin’ rhythm base that later became house music in the 80s. “Everyman” is from their 1976 project titled “Ten Percent” and gives a new shine to disco music of the time. One of the great pieces and outlines on the Salsoul label and now a classic.

I have taken the 12” of “Everyman” – both the vocal and instrumental and transformed the piece into a new ReStructure Mix. Pounding out the bass line with new beats to give it more power and several new breaks to make this one a welcome once again.

• Fall In Love - Glenn Rivera ReStructure Mix - Ryan Paris

Ryan Paris (Fabio Roscioli) is an Italian singer whose first single from 1983, “Dolce Vita” became a huge dance floor hit. Produced by Pierluigi Giombini and John Bini this arrangement and sound became an outline for Italo-disco produced in the early 80’s. It was a soft and majestic edge that brought sophistication along with the disco beats and claps. “Fall In Love” was his 1984 single which is another beautiful love song with Ryan’s romantic delivery and the building crescendos of lilting music. This one has always been a favorite of mine and always brings to heart the soul of Italian disco music.

I have taken the 12” vocal and instrumental and replayed a new version for this ReStructure Mix using the pianos and the moody breaks as the new pieces of this version. It still contains the wonderful bridges and breaks in a new arrangement to keep this piece alive.

• Feel Your Way Around - Glenn Rivera ReStructure Mix - Ann Joy

Ann Joy (Anna Gioia) is a disco artist produced by Peter Dimilo from 1980 – the project titled “Love Dance”, as he achieved in his Erotic Drum Band releases Mr. Dimilo brings a barrage of percussion which outlines a sexy flavor in his music. The percussion makes love the beat while Ms. Joy here gives us the sensual layering of soft intimate vocals. This was one of my favorite singles of the dance 80’s period and makes the dance floor continue to move in and out as the bongos do.

I have taken the 12” of “Feel Your Way Around” and made a new outline for this ReStructure Mix. Taking those bongos into new breaks and making the bassline work overtime.

• It's Up To You - Glenn Rivera ReStructure Mix - Lian Ross

Lian Ross (Josephine Hiebel) is a German vocalist who became one of the welcomed artists of the mid-80s on dance floors. Her big hit, “Fantasy” from 1985 is one of the high energy releases which I savored during the time period – it not only featured a great and majestic electronic dance edge but also Lian’s beautiful vocals. “It’s Up To You” is another single released in 1986 – produced by Luis Rodríguez-Salazar. This lovely track is an uplifting and haunting sound that resonates the beauty that high energy music can sound right on the dance floor. There are angelic effects that make the wind blow right on the dance floor.

I have taken the 12” version along with the “Love Call Version” and morphed a new ReStructure Mix for Lian’s track. There is more emphasis on the fading of elements and a new fade that works the original intro.

• Superman - Glenn Rivera ReStructure MiX - C.K.B.

C.K.B. is a disco project from Luigi Ojival – who also gave us Diva Gray and Oyster from 1979. “Superman” is their single from the “New York City Women” project released in 1978. Another disco tribute to the “Man of Steel” and even today maintains his spot in entertainment. This fast moving dance track features some great rhythm guitars and imaginative lyrics/vocals. An adoring chorus of “Superman” fans gives the super-hero a life in a few statements and makes the chorus uplifting and fun.

I have taken the 12” vocal and instrumental version of “Superman” and reignited the energy for this ReStructure Mix. Giving the foundation a new base beat for stability and reworking those guitars for a new adventure.

• You Blow Me Away -  Glenn Rivera ReStructure Mix - Paul Lekakis

Paul Lekakis is an 80’s singer who brought an anthem to clubs in 1986 titled “Boom Boom (Let's Go Back To My Room)” – produced by Miki Chieregato. The risqué track became an instant hit in many clubs and gave Lekakis his head start in dance music. “You Blow Me Away” is a single released in 1989 and produced by Shep Pettibone. This piece gives way to a high energy love song with the classic Pettibone sample tracks. This one was a popular pick on weekend packed dance floors and gave another anthem riff to Paul’s reputation.

I have taken the 12” vocal, dub and bonus beats versions of “You Blow Me Away” and moved them into the ReStructure Mix feel. There is more of that ripple bass line that makes the skin jump and more of the edits using the vocal sequencer effects.

• Ain't No Mountain High Enough - Glenn Rivera ReStructure Mix - Inner Life

Inner Life is a disco project from producers Patrick Adams and Greg Carmichael and features Jocelyn Brown on vocals. Their big dance floor hit “I'm Caught Up (In A One Night Love Affair)” from 1979 made an impact as an anthem for the end of the 70s disco era. Their 1981 project “Inner Life” features their fabulous cover of the Motown classic “Ain't No Mountain High Enough”. One of the Garage classics beautifully remixed by Larry Levan himself and along with the incredible vocal from Jocelyn this one will live forever. One of the great early revival pieces of the early 80s when the underground scene again to prove that the dance floor was not yet closed.

I have taken the 12” Garage Version of Inner Life’s “Ain't No Mountain High Enough” and displayed this one in the ReStructure Mix mode. The arrangement is recapped in a new way and several new drum and percussion tracks added.

• Express - Glenn Rivera ReStructure Mix - B.T. Express

B.T. Express is funk band from Brooklyn, New York and is well known for their sexy 1974 hit, “Do It (‘Til Your Satisfied)”. Produced by Jeff Lane and features early member, Billy Nichols (“Give Your Body Up To The Music”). “Express” is a memorable track since there were a few dance releases featuring the train theme as energy on the dance floor. This one delivers the brass and horn section which makes the early 70s funk scene jump start the disco era. The arrangement is a smooth groove along with a breakdown of instrumentals along with the popular chorus line. A piece of the funk and dance scene which makes the 70s groovy.

I have taken the album version of “Express” and stamped the ReStructure Mix seal on it with a downbeat to level the groove into a new energy. The bass and horns are given another opportunity to give those sweat glands a chance to work overtime.

• Party Light - Glenn Rivera ReStructure Mix - Munich Machine

Munich Machine is a staple disco project from producers, Giorgio Moroder and Pete Bellotte. The fusion of Euro-disco and electronic elements from Moroder’s early masterwork. Their big dance floor track “Get On The Funk Train” has always given the disco elegance to the nightlife and are an important part of the path of dance music. “Party Light” is from the 1979 project titled “Body Shine” and gives this session an anthem for the time period. It has several movements pieced into a slick mover that takes the project into a new phase.

I have taken the album version of “Party Light” and make a new effort to bring the track alive again in this ReStructure Mix. The beats and bass lines are reedited and placed into a new step by step celebration for the dance floor.

• Burn Me Up (With Your Love) - Glenn Rivera ReStructure Mix - Frisky

Frisky is a studio group from producers Moses Dillard and Jesse Boyce – and features Joy Cannon and Lorraine Johnson on vocals. The project simply titled “Frisky” is more of the New York disco/funk which Boyce and Dillard made their own. On projects by Saturday Night Band, Constellation Orchestra to the solo album from Lorraine Johnson there is a groove which
captures disco music in its most influential time. “Burn Me Up (With Your Love)” is a hot single from the project which gives off a subtle sleaze edge with lots of funk guiding the way. A nice sassy vocal gives this piece its own remedy.

I have taken the album version of “Burn Me Up (With Your Love)” and stripped down pieces of the chorus and groove for this ReStructure Mix. This time around it is more emphasize on a dub-like delivery with more breaks and ominous fade.

• Makin' Music - Glenn Rivera ReStructure Mix - Gary's Gang

Gary’s Gang is Joe Tucci (Eric Matthew) and Gary Turnier – who also marked a vital period in disco history with their 1978 dance floor hit, “Keep On Dancing”. A lightly woven sound which encompassed a soft disco edge with percussion and a few harmonies. Their 1983 release “Makin’ Music” is a return to that soft-disco feel with more of the energy which dance music acquired from the late 70s and became high energy in the 80s. This one is the same formula with a touch more of that sweetness which makes Gary’s Gang a favorite in the disco realm.

I have taken the 12” vocal and instrumental of “Makin’ Music” and reworked the arrangement with a new ReStructure Mix outline. More of the sequencer riffs are outlined and shaped into new breaks and drops.

• Faith In You - Glenn Rivera ReStructure Mix - Kiss Like This

Kiss Like This is Richard Hennassey – a synth-pop project produced by Robin Goodfellow. “Faith In You” is a 1990 love song which has the anthem energy of the time and also brings to mind the Stock, Aitken and Waterman period of the late 80s with the swirling chorus and beautiful breaks. The winding feel of this magic has always been one of my favorites and made the top of my playlists during a set which demanded a touch of magic.

I have taken the 12” version of “Kiss Like This” and reworked the arrangement in a new direction for this ReStructure Mix. More of the orchestral edge is my focus here and that fabulous guitar bridge.

• You're All The Booge I Need - Glenn Rivera ReStructure Mix - Teena Marie

Teena Marie created a style of her own as many 80’s artists had the freedom to rewrite for a whole new dance floor and sound. Her funk-edged sound gave her the ability to send messages in a new way for female artists; “You’re All The Boogie I Need” is from her second album from 1980 titled “Lady T” – produced by Richard Rudolph. This percolating piece is a great piece for Teena’s exuberant delivery and sweetness combined. It plays out with energy and also brings a nice funkiness to its own groove.

I have taken the album version of “You’re All The Boogie I Need” and reworked the keys into a new ReStructure Mix. I used pieces of the backing vocal and lead to place new breaks and a feel to the track.

• You Can't Steal My Love - Glenn Rivera ReStructure Mix - Azure

Azure is hi-NRG producer Steven Schani and Mark Ligget (Shannon) along with Jennifer Matthews on vocals. Their music from the late 80’s through the mid-90s was one of the welcomed high-energy sets on the dance floor. The energy is pumping though their first three releases and makes a sweeping sound on their catchy keyboard riffs and Ms. Matthews' fantastic vocals. “Can’t Steal My Love” is their first release from 1989 and was also released on San Francisco’s Megatone Label. A fast moving statement from a worn-out relationship where our divas asserts her final warning. One of the high energy gems of the late 80s.

I have taken the 12” versions of “Can’t Steal My Love” and reworked the magic in this new ReStructure Mix. There is some play with the originals sequencer tracks and a bit of playful looping for some new breaks.

• Proud Mary - Glenn Rivera ReStructure Mix - Nuggets

Nuggets are disco project from Italian producer, Celso Valli who also gave us Tantra, Passengers, Lama, Azoto and Future State. This release from 1979 was a promise of many good things to come as he ignites the early sound of disco building into a solid energy for dancers. “Proud Mary” is his cover of the classic made most famous by Ike and Tina Turner. This rendition is a Broadway spectacle with fanfare and long drawn out breaks. It is his arrangements on horns which make this one most noticeable. The power builds immediately and continues throughout.

I have taken the album version of Nugget’s cover of “Proud Mary” and leveled out the energy with longer segues for this ReStructure Mix. Lots of play with phase looping and also utilizing a new hard core beat to pound out more of the energy.

• Glori, Gloria - Glenn Rivera ReStructure Mix - Sheila

Sheila (Annie Chancel) is a French singer who took on the huge 1982 dance hit “Gloria” from Laura Branigan. This version sung in French is quite enticing with the smooth delivery. Arrangement from Mathias Camison is mirrored from the original with a new layer of excitement from Sheila. A nice ripe alternative to the original. It always worked for my dance floor in many ways on those nights where a classic was desired in a new way.

I have taken Sheila’s 12” version of “Glori, Gloria” and reworked it for this ReStructure Mix. There are a few dub inserts to give this relay a new edge and also more of the edited horns for new fun.

• Beat My Drum - Glenn Rivera ReStructure Mix - Claudja Barry

Claudja Barry is the “muse of disco music” – throughout her recording career she has continued todeliver one hit after another without losing her stance or dedication to the dance floor. Always a delicacy for me her voice is an operatic diva serenading the floor with her energy. “Beat My Drum” comes from her 1983 EP titled “No La De Da Part 2” – produced by Jürgen S. Korduletsch. This dive into the lounge music of the 50’s transforms the dance floor into a nightclub complete with Ricky Ricardo on the congas. A nice theme and driving rhythm that gives Claudja a home for her fabulous vocals.

I have taken the album version of “Beat My Drum” and pounded out the beats for this ReStructure Mix. A new rhumba beat is added to give it a new foundation is segments and some loop-effects to drive the message home…or to the clubs!

• Castro Boy - Glenn Rivera ReStructure Mix - Danny Boy and The Serious Party Gods

Danny Boy and The Serious Party Gods are John Hedges, Lester Temple and Barry Beam. One of the delicious camp records of the early 80s as there were so few in dance music at this extreme. Taking the grossly-silliness of Moon Zappa’s “Valley Girl” and flipping it on the hardcore San Francisco Castro scene. This one takes the ridiculous nature of Moon Zappa’s strange song and converts it into some kind of sense. The music is a nightmarish take of Frank Zappa’s play and works like an early morning “stand and pose” piece.

I have taken the 12” vocal, and dubs to recreate a new “Castro Boy” for this ReStructure Mix. I have added the bass guitar line from “Valley Girl” and a classic old school beat track to really take things somewhere else.

• Stop! In The Name Of Love - Glenn Rivera ReStructure Mix - Quantize

Quantize is Chris Lucas and Damien Paule – a high-energy dance session that was released on Passion Records (UK). Their 1990 cover of Diana Ross and the Supremes, “Stop! In The Name Of Love” is one of their streamline electronic disco productions with the hip-hop swap beat used to bring it into the 90s. One of the more intriguing of the groups since the sweetness of the original is fully intact. A nice keyboard rendition and hard hitting street beats make this one an instant feel good track.

I have taken the 12” version of Quantize’s “Stop! in The Name Of Love” and rewound the Motown classic for this ReStructure Mix. There is a new drop beat to bring the power into a more slammin’ feel and more of the wonderful keyboard inserts.

• If You Feel It - Glenn Rivera ReStructure Mix - Taffy

Taffy (Katherine Quaye) is one of the Italian groups from the 80d best known for her big hit from 1985, “I Love My Radio (Midnight Radio)”. Her popularity on the dance floor gave way to many tracks following in a celebratory feel – including “If You Feel It” from 1988 – produced by Steve Taylor. This one falls into the Miami-freestyle category of beats and rhythms. An infectious chorus and more of Taffy’s irresistible vocals are the portions that make this song a lasting one.

I have taken the 12” version of “If You Feel It” and re-stamped a deep beat with some new percussion for this ReStructure Mix. The layout is designed to create more energy and revive this wonderful dance number.

• Je T' aime - Glenn Rivera ReStructure Mix - Saint Tropez

Saint Tropez is a session band from W. Michael Lewis and Laurin Rinder (El Coco, Le Pamplemousse, Tuxedo Junction) which became an icon for the erotic approach at recording disco music and displaying it as well. The first project from 1977 contained a disco-fied cover of Serge Gainsbourg's “Je T’aime” with the orchestral swirling strings and lustful adlibs. This version is one of the sensual moments of disco where the art is the timing of the bass lines and the striking of violins. A wonderful time for this during disco music formulation and a successful time on the dance floor.

I have taken the album version of Saint Tropez’s “Je T’aime” and added a little fire to this ReStructure Mix. The strings are used to create new segments for some added breaks and a looped opportunity for the sensual moans for energy and mystique.

• Loving You, Losing You - Glenn Rivera ReStructure Mix - Phyllis Hyman

Phyllis Hyman is a talent from the 70’s whose voice helped to stamp soul and jazz over pop music. Her music has always told a story in many ways as the master story teller always captures the listener – and indeed Phyllis did just that. “Loving You, Losing You” is from her first self-titled project from 1977 – produced by Jerry Peters (Brainstorm) and features The Sweethearts of Sigma on backing vocals. The track is a never ending crescendo of doubts and a question of the time spent being useful. It is a heart break dance number that is told in several acts and Phyllis leads this orchestral dance movement like a mother guiding a child. There is a lot of experience in Phyllis’ voice which is why she resurfaced in the 80’s with a focus on standards, ballads and blues.

I have taken the 12” version of “Loving You, Losing You” and reintroduced the dramatic flair in a whole new way. A more fade in intro and exit are used to bring us to the point of being just as confused as Ms. Hyman in her testy relationship. New drums tracks pound out each crescendo and percussion leads the rhythm.

• Takin' A Chance On You - Glenn Rivera ReStructure Mix - Sticky Fingers

Sticky Fingers is a production from Three Hats Productions (THP) – Willi Morrison and Ian Guenther. The vocals of Phyllis and Helen Duncan (the second THP Orchestra album, Duncan Sisters) are the main attraction here as they recreate the dreamy and disco-soul feel of an orchestrated love song. This one dwells into the possibilities of a love experience into a future of lasting moments. A wonderful and soaring piece that is reminiscent of the “THP #2” project which is a disco masterpiece.

I have taken the album version of “Takin’ A Chance On You” and realigned the heart felt signals for this ReStructure Mix. There is a percussion riff from a classic high energy 80s piece which also begs, “take a chance” and a new alignment for the gal’s dreamy sound.

• Midnight Music - Glenn Rivera ReStructure Mix - Martin Stevens

Martin Stevens is a singer from Quebec whose 1979 project “Midnight Music” brought us the magic of his title cut which brings to light the music of the 70s in a nice midrange crescendo dance piece. Produced by Michel Daigle and the righty amount of electronic disco fantasy to make this one come alive over and over again as it plays out into the night.

I have taken the 12’ version of “Midnight Music” and rewired this beauty into a new ReStructure Mix. There is a familiar funk element from an old school classic by Lakeside added to secure the base of this piece to the dance floor.

This ReStructure Mix is dedicated to Carla Monsalve who once again reminds me of a goddess from Xanadu and never lets us forget where the real music is coming from.

• Warm As Mamas Oven - Glenn Rivera ReStructure Mix - Teena Marie

Teena Marie is a funk-master who transformed the female agenda on soul and dance music in the late 70s and early 80s. “Warm As Momma’s Oven” is from her 1994 project “Passion Play” and displays again her move into the 90’s with a swing/hip-hop feel and Teena’s illustrious vocal ability. This one is a great sound and tribute to her own style and talent.

I have taken the album version “Warm As Momma’s Oven” and reapplied the groove with some new beat and kick elements. This is a request from an old school expert, Mr. Ray Duran, Jr. – thank you Ray for always bringing the heat up where it needs some fire.

• Little Bit Of Soap - Glenn Rivera ReStructure Mix - Nigel Olsson

Nigel Olsson is a drummer from England who played for Elton John and Uriah Heep in the 70’s. His solo career gave him the opportunity to explore his star-side and vocal abilities. “Little Bit Of Soap” is Olsson’s cover of the 1961 song by The Jarmels and done in a pop-disco edge which follows closely of The Doobie Brothers’ “What A Fool Believes”. Nigel takes hold of this classic is his own style vocally and works it in an effective manner.

I have taken the 12” version of Nigel’s “Little Bit Of Soap” and washed out some of the more pop essence and dipped it into a more house feel in this ReStructure Mix. Some new keyboard riffs and percussion are added to bring the groove to the surface again.

• Let Go - Glenn Rivera ReStructure Mix - Sharon Bryant

Sharon Bryant is a vocalist who I know best as the voice behind the Atlantic Starr track “Circles” from 1982. Her solo project titled “Here I Am” from 1989 contained the funky-street beat track “Let Go” – produced by Denzil Foster. This slamming number is one of the funk regimes of the late 80’s and displayed all which was brought forth from years earlier. A great vocal and a tickled hard hitting beat that strikes the right chords for this divas fabulous performance.

I have taken the 12” versions from “Let Go” and rewired the funk and beats for this ReStructure Mix. More drop beats are added and also splicing the drum patterns into new breaks and segues.

• Village People - Glenn Rivera ReStructure Mix - Village People

Village People are Alexander Briley, David Hodo, Felipe Rose, Glenn Hughes, Randy Jones and Victor Willis. Produced by Jacques Morali and brought to the stage where liberation was excitement. The 70’s were brought to a whole new light with this group and their music. “Village People” is from their first self-titled project from 1977 – it is a touch of an anthem for their introduction and some of their energy and courage to make change in the music industry.

I have taken the album version of “Village People” and moved it into a ReStructure Mix forum by request of Steven Farias of Facebook. The layers of chanting are realigned with the bass patterns which make this track its own sound all together.

• Go Home - Glenn Rivera ReStructure Mix - Stevie Wonder

Stevie Wonder brought the earliest disco rhythms to soul music with his 1976 project “Songs In The Key Of Life”. His continuance throughout the 70s and into the 80s was also a successful venture for his talent. “Go Home” is from his 1985 project titled “In Circle Square” and again displayed his use of current musical elements to combine with his endless soulful reign of music. This one is an irresistible recording that plays out with his energy and staple sound of pure soul and funk.

I have taken the 12” vocal and instrumental of “Go Home” and re-played the motion here into a new ReStructure Mix. Using a touch of percussion to build an extra layer throughout the new remix.

This one is for Roddy! Thank you, Roddy!

• Girls Cost Money - Glenn Rivera ReStructure Mix - Passengers

Passengers are Chuck Rolande, Elwanda Contreas, Gesualdo Arena and Kathleen Flynn – and this project produced by Celso Valli. “Girls Cost Money” is another one of the fantastic dance tracks from Passengers which embodies the nightlife and troubles financing it. The light and somewhat whimsical piece has that Valli touch which makes the disco edge fun and phasing into an original sound. A great dance number and some memorable riffs.

I have taken the album version of “Girls Cost Money” and reworked the debt into a new ReStructure Mix for this visit back to nightlife disco-world. A slight adjustment on the arrangement and some new twists to start a new dance floor.

• Hello Superduper Star - Glenn Rivera ReStructure Mix - Sylvia Mason

Sylvia Mason is a voice which helped the 70’s to lure dancers into the disco lullaby sound. The sweet and powerful essence of pure disco is a woman igniting the energy with strength and vibrancy. Her performances in Voyage’s “Souvenirs” and “Let’s Fly Away” are the pinnacle of disco’s mold. “Hello Superduper Star” is from Sylvia’s 1979 solo-project and with the help of Voyage members Slim Pezin, Marc Chantereau and Pierre-Alain Dahan. The track exudes the power that disco music has always strived to create and makes high energy begin its embryonic stage in the early 80s.

I have taken the album version of “Hello Superduper Star” and used the existing elements to bring this ReStructure Mix a tribute to Voyage and Ms. Mason. There are a few new breaks along the way to make those who know the track a bit more imaginative in the movement of their

• Whenever You Go - Glenn Rivera ReStructure Mix - Danuta

Danuta (Danuta Lato) is a disco vocalist from Szufranowa, Poland who became well known following her dance hit, “Touch My Heart” from 1987. The following year a second single titled, “Whenever You Go” – produced by Gerd Rochelle became another memorable dance track. This time around the rhythm and execution of this piece was sweet and broken down by a thumping double beat and smooth keyboards. He vocal is light and airy as the sexy disco divas in the 70s promoted the club sound and goes well with the simple love message relayed here.

I have taken the 12” vocal of “Whenever You Go” and rewound the original beats with more pronunciation with some new percussion. This new ReStructure Mix also gives though lovely interludes the spotlight where they belong.

• 1,000 Ways - Glenn Rivera ReStructure Mix - Martin King

Martin King is a British singer who released the track “1,000 Ways” in 1987 produced by Werner Pensaert and Martin King. The track was a retro high energy piece for its time and respreads the magic that electronic music created in the early and mid-80. One of the beautiful flowing male vocal pieces of the time and also the keyboard structure which brings on the symphonic feel of disco music. A favorite of mine and a mover – even today!

I have taken the 12” vocal and instrumental of “1,000 Ways” and re-created a flowing ReStructure Mix with more of the wonderful instrumental segments. There are more of the percolating bongo fills and a step deeper into breaking the track into a new dance segment.

• Send Your Love - Glenn Rivera ReStructure Mix - Sharon Redd

Sharon Redd took dance floors prisoner from the start of her career on dance floors – her performance with Front Page on the track; “Love Insurance” is a masterpiece. Her solo career began with open arms and her music became a sound which moved dance floors into a new era of dance music. “Send Your Love” is from Sharon’s project from 1982 produced by Eric Matthew and Daryl Payne. A love letter in this song plays out in a plea for a love connection and works with that New York funk sound of the 80’s.

I have taken the album version of “Send Your Love” and rewired the song for this ReStructure Mix. New bongos and a few samples from a disco classic are sprinkled on the remix.

• Autumn Love - Glenn Rivera ReStructure Mix - Electra

Electra is a late 80’s project from producer, John Rocca (Freeze, Secession) and Paul Oakenfold. This endeavor is a mild take on the sound created by Soul To Soul and Enigma with heavy drop-beats and a light swing. “Autumn Love” is their single from 1989 and uses segments of Donna Summer’s “Love To Love You Baby” to bring the sensual jazz-like overtone to life. It is one of the sounds that was picked up by the New Beat community and later hailed as “Balearic beat” among followers and disc jockeys.

I have taken the 12” version of “Autumn Love” and refined the Summer influence in this ReStructure Mix. A few more of Donna’s memorable hits are added to the flavor of this mix and a nice kick back Latin rhythm added.

• Fantastic - Glenn Rivera ReStructure Mix - Meccano

Meccano is an Italian disco project from Walter Bassani and Andrea Bassani. This powerhouse duo has brought to the mid-80s a group of exciting dance tracks that echo throughout the end of this period. “Fantastic” is a single released in 1988 and is one of the uplifting pieces of the love sings brought to the beat. This one has that rockin’ feel thanks to Andrea’s moving vocal style and delivery. This one has always been one of my favorite moods and ear candy of the 80s.

I have taken the 12” version of “Fantastic” and made a new pact to bring more energy out of this blockbuster. There is a new rolling intro which explodes into the chorus which always seems to bring me out of any shell that I may be in.

• Help! Help! - Glenn Rivera ReStructure Mix - Gilla

Gilla (Gisela Wuchinger) is an Australian singer whose recording career began in the mid-70s and through 1980. Her 1976 dance track “Help! Help!” is a hard hitting rocked edged piece produced by Frank Farian. This one uses a filtered percussion track which makes the mind bend along with it wavering sounds. The vocal by Ms. Gilla is a nice hard hitting and defiant piece for this disco number and makes the track more memorable.

I have taken the 12” version of “Help! Help!” and resurfaced those filtered bongos for a new ReStructure Mix. There is a lot of power in the original and the new swing funk drums pound out more of it energy.

This ReStructure Mix is dedicated to Carle Monsalve from FB

• Something Ya Got Makes Me Hot - Glenn Rivera ReStructure Mix - El Coco

El Coco is the disco trench dug by W. Michael Lewis and Lauren Rinder during the mid and late 70’s. Their productions brought to mind old-school disco with a new flair with a funky edge and refined groove. It was the raw sound of disco in a new approach. “Something Ya Got Makes Me Hot” is from the 1980 project titled “Revolution” and plays out in the formula to the ‘t” during a period of change in dance music. El Coco has always maintained their sound with the pumping bass and rhythm guitars making their way to the hilt. One of their most guiding moments in disco and a true sign of genius all the way around.

I have taken the album version of “Something Ya Got Makes Me Hot” and rewired the energy for another trip around the disco clock. This ReStructure Mix focuses on the drop beats and those rhythm guitars that never seem to get a rest.

• First Time Ever - Glenn Rivera ReStructure Mix - Joanna Law

Joanna Law is a singer/songwriter from UK who took on the unbelievable task of taking Roberta Flacks 1972 soul/ballad “The First Time Ever I Saw Your Face” and adding rhythm to the beautiful piece. Joanna sticks in an alternative lounge arena with her vocal which works incredible well with the production from Simon Law where the beats are hard hitting and laid back with a jazz-esque touch. A very nice and successful attempt at the classic song and another reason why the early 90’s took some hard lessons from the 80’s and turned it around and into gold.

I have taken the 12” versions of “First Time Ever” by Joanna Law and retraced the bass line and those drum roll beats into a new ReStructure Mix. There is a longer and more defined intro and an exit that questions this curtain as it closes slowly.

• Crystal World - Glenn Rivera ReStructure Mix - Crystal Grass

Crystal Grass is an early dance project lead by producer, Lee Hallyday. The first album from 1974 is a definite beginning of disco to come with the sound of funky rhythms, a downbeat and accompanying strings. “Crystal World” is a single from the project which lasted throughout the time period and became an iconic sound used in 1988 by S’Express and their single, “Theme from S-Express”. The horn section became one of those recognizable pieces in disco history.

I have taken the album version of “Crystal World” and remapped this track into a new ReStructure Mix. Adding a light beat and kick track to pull more of the rhythm onto the new foundation. Some surprise elements are added to boost the realm of this disco classic and the horns used again as the lead.

• Music Makes My Night - Glenn Rivera ReStructure Mix - Madleen Kane

Madleen Kane is the disco chanteuse who made dreams come true on the dance in a lovely way. Her music has always been a Euro-flavor with a powerful impact thanks to her stature and talent. “Music Makes My Night” is from Madleen’s 1980 project titled “Sounds Of Love” – produced by Jean-Claude Friederich. This is the closing number on the B-side and was always one that I admired as it is a curtain call for Madleen as a dance number. This one has a rolling energy and makes it point across in her sweet and passionate manner. A great Friday opener also and now that is what it is directed at.

I have taken the album version of “Music Makes My Night” and realigned the track into new ReStructure Mix using elements of a new drum track throughout. I have also made use of the horn sections which give out a unity beyond the crowd – the theme that this lyrics relay.

• High Above The Clouds - Glenn Rivera ReStructure Mix - Narada Michael Walden

Narada Michael Waden is one of music’s rare talents – as an artist, songwriter, musician and producer. His 1985 project titled “The Nature Of Things” was another surprise with the single “High Above The Clouds” taking dance floors on another journey. This one is just what it says – it is celestial and flows into streams of fantasy and emotion. One of the mid-80’s memorable moments on the dance floor where the high energy outline of the period was matched with a unique touch that only Walden could bring.

I have taken the 12” vocal version of “High Above The Clouds” and worked on extending our flight with more of the rolling bass edge and the sweetness of each chorus. A new drum beat pounds us out into the heavens and the closing is a fade from the peak of the song.

• Jour de Neige - Glenn Rivera ReStructure Mix - Elsa

Elsa (Elsa Lunghini) is a French singer and released her self-titled project in 1988 produced by Vincent-Marie Bouvot. “Jour de Neige” – meaning “snowy day” is one of the deep house movers that helped my dance floor to understand the power of a French vocalist. The track carries throughout a deep thumping rhythm with an soft concerto rock feel. It is one of those dance pieces that is both haunting and refreshing.

I have taken the 12” vocal and instrumental of “Jour de Neige” and have given it the ReStructure Mix outline. More of the moody intro is kicked into a new groove with some drums and use of the wavering effects and orchestral strikes.

• I Like It - Glenn Rivera ReStructure Mix - D:Ream

D:Ream is Pete Cunnah and Al McKenzie – a house/dance duo who began their journey onto dance floors in 1991. “I Like It” is from their 1993 project titled “D:Ream On Vol. 1” and is one of the cuts which drew my attention thanks to the extensive diva (Linda Dugan) working her way through this track. A retro disco bassline winding up and down this piece and lots of nice breaks with our lady of the dance floor taking us on a trip of full ecstasy.

I have taken the 12” version from their EP “4 Things 2 Come” and worked the hot stuff with a new stomping beat and some percussion to bring out the rhythm. This one plays out with more of the sweet key-strings sweeping over the jam.

• American Soviets - Glenn Rivera ReStructure Mix - C.C.C.P.

C.C.C.P. is Rasputin Stoy and Frank Schendler – a synth-pop band from the late 80’s who struck an appropriate chord with their dance track, “American Soviets”. A middle-eastern feel throughout the song gives the funk-edged beat and clap tracks a nice flowing edge as the vocals reminiscent of that 80’s poker-face style delivery makes a nice layer. This one was always a secret weapon to make the dance floor come alive during a lull and always made the turntable take note of its extended play.

I have taken the 12” vocal and instrumental mix of “American Soviets” and rewired the territory for a few new surprises. There are extended loops on the riffs that make this clever piece an 80’s classic for this ReStructure Mix.

• Dirty Cash - Glenn Rivera ReStructure Mix - The Adventures of Stevie V.

“Dirty Cash” is one of the deep-house / hip hop tracks of the early 90’s which rings over and over the social messages with groups like Snap! ventured in to. Stevie V. is like a mini series of dance segments all bringing forth the supposed answer to all happiness. This one has memorable hooks and a dive into the deep bass house edge with a tribal foundation. “Dirty Cash” brought into the 90’s all of the promise of 80’s from the dance floor and help to keep it hardcore. Produced by Stevie V. and featured vocal by Kevin Dozier.

I have taken the 12” vocal, sax and instrumental of “Dirty Cash” and made this reality show a new ReStructure Mix. All of the original elements are used in loops and overdubs to create the same energy with a new need for that “green”.

• Motion - Glenn Rivera ReStructure Mix - Deodato

Eumir Deodato is best heard with his productions of Kool and The Gang (“Ladies Night”, “Celebration”) and his own work as, “Knights Of Fantasy”. His work also includes his early work with jazz and film scores. “Motion” is from his 1984 project by the same title where he finds himself outlining the celebration of the movement which creates human satisfaction. This hard hitting piece contains vocoders and key strikes that empathize more than you can use on one dance floor. It is a celebration of sound and dance and so close to the edge that you may have to hold on.

I have taken the album version of “Motion” and re-vitalized the rhythm tracks into a new “motion” with some help from Boris Midney. There are some new drum fills to make the floor shake even more with this one is planted.

• You Are My Desire - Glenn Rivera ReStructure Mix - Shy Rose

Shy Rose is an Italo-dance project from producer, Antonio d’Addezio and is one of the sweetest dance sounds from a female artist. Valeria is her real name and the delivery she brings to this high-energy and lovely dance notations are lilting and resonant. “You Are My Desire” is her 1989 release and plays out with a piano crescendo and percussion driven foundation where a romantic feel is startlingly wonderful. Her first release titled “I Cry For You” from 1987 is the start of this wonderful artists high energy love songs and this track is quite a finish.

I have taken the 12” version of “You Are My Desire” and relit the candles of a romantic dinner for lovers in this ReStructure Mix. An intro with the piano concerto brings us into a bongo fritz to move to with my new infusion.

• I Feel Love - Glenn Rivera ReStructure Mix - Fax Yourself

Fax Yourself is a Belgium New Beat project from producers, Fabian Van Messen, Jack Mauer and Marc Meuttiens. Their single from 1989 contained two covers – Donna Summer’s “I Feel Love” and Rocker’s Revenge’s “Walking On Sunshine”. The focus of this ReStructure Mix is “I Feel Love” which is presented here is a thumping bass beat format close to the New Beat solution that took over in the mid and late-80s. Vocals are provided by Carrie Ann and play out in a sensual nature once again minus Donna’s range and power. It works closely with the scaled down production and is satisfying for another “twerk” of this disco classic.

I have taken the 12” cover of “I Feel Love” by Fax Yourself and went free-range on the beats and sampled effects. The new arrangement contains a lengthy and more continual vocal segment and still breaks along the way to make this classic remain just what it is.

• I'll Be All You Ever Need - Glenn Rivera ReStructure Mix - Trinere

Trinere (Trinere Veronica Farrington) is one of the early Miami freestyle tracks to slam the dance floor with beats in 1986. “I’ll Be All You Ever Need” is a love song with a street edge and the resonance of innovative projects from the past like Kraftwerk and early rap-music beat box. Produced by Pretty Tony for the Jam Packed Record label this one pounds into our feet what Trinere is allowing her lover to know. Hard hitting and makes the floor move on its own. A new dance arena for the sound of Miami’s new iconic sound.

I have taken the 12” club mix and instrumental of “I’ll Be All You Ever Need” and added a new intro which starts with a few mild hints and then slams you into the wall. The beats have always made this one worthwhile and everlasting and now it is time to prove it.

• Magic - Glenn Rivera ReStructure Mix - Brian Soares

Brian Soares is one of the San Francisco artists whom helped to make the 80’s a continual dance celebration. His work included endeavors with David Diebold and also the big dance floor hit, “Dancing In My Sleep” by Secret Ties. “Magic” is one of his memorable dance tracks where he takes the love song from the film, “Xanadu” (originally performed by Olivia Newton-John) and transforms it wonderfully into a male lead dance anthem. An exciting moment for its release in 1985 as it did not seem possible for this to be done by a male artist. Dance floors worked their bones to this one as the excitement was also bound to the fast moving high energy groove.

I have taken the 12” vocal and instrumental of Brian Soares’ “Magic” and waved a ReStructure Mix wand over this magnificent cover. There is a longer into with play on the keyboards and sequencers and a lasting fade for the magic to dissipate.

• High Energy/Reach Out, I'll Be There - Glenn Rivera ReStructure Mix - Sandy Linton

Sandy Linton is a disco project from the mid-80s produced by Ronald Thorpe. This medley takes Evelyn Thomas’ big dance floor hit “High Energy” and combines it with Four Tops’ soul classic “Reach Out, I’ll Be There”. The electronic arrangement spikes a whole new feel for the blend of the two tracks and gives new energy to the iconic “high energy” anthem also.

I have taken the 12” vocal and instrumental into a new ReStructure Mix and blended the pieces of both to maintain a new level of energy. There is a new drum track to pace out the excitement and a longer segues for both songs.

• It's You - Glenn Rivera ReStructure Mix - Lime

Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her big introduction in the Broadway production of “The Wiz”. Her debut in the disco arena was a welcomed one and several big dance hits ensued including “Put Body In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing Hot” made another mark with her dance floor hit titled “You Can’t Run From My Love” – produced by James Mtume and Reggie Lucas. This statement is one of the tracks again from Stephanie which allow us to hear her voice as intended – strong and certain. A big dance floor hit for my club and one which helped to ignite more fire for her later in the 80’s.

I have taken the 12” remix of “You Can’t Run From My Love” and worked another ReStructure Mix out of it. There is a slight percussion accompaniment and also more of what this piece delivered originally – funk and movement.

• Sweet Drums - Glenn Rivera ReStructure Mix - Cerrone

Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her big introduction in the Broadway production of “The Wiz”. Her debut in the disco arena was a welcomed one and several big dance hits ensued including “Put Body In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing Hot” made another mark with her dance floor hit titled “You Can’t Run From My Love” – produced by James Mtume and Reggie Lucas. This statement is one of the tracks again from Stephanie which allow us to hear her voice as intended – strong and certain. A big dance floor hit for my club and one which helped to ignite more fire for her later in the 80’s.

I have taken the 12” remix of “You Can’t Run From My Love” and worked another ReStructure Mix out of it. There is a slight percussion accompaniment and also more of what this piece delivered originally – funk and movement.

• You Can't Run From My Love - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills is a r&b/soul vocalist from Brooklyn, New York and made her big introduction in the Broadway production of “The Wiz”. Her debut in the disco arena was a welcomed one and several big dance hits ensued including “Put Body In It” and “You Can Get Over” in 1979. Her 1982 project titled, “Tantalizing Hot” made another mark with her dance floor hit titled “You Can’t Run From My Love” – produced by James Mtume and Reggie Lucas. This statement is one of the tracks again from Stephanie which allow us to hear her voice as intended – strong and certain. A big dance floor hit for my club and one which helped to ignite more fire for her later in the 80’s.

I have taken the 12” remix of “You Can’t Run From My Love” and worked another ReStructure Mix out of it. There is a slight percussion accompaniment and also more of what this piece delivered originally – funk and movement.

• Get The Look - Glenn Rivera ReStructure Mix - New Paradise

New Paradise is a French disco project from producer, Leo Carrier and features an ensemble of driving vocals guiding the energy of their dance numbers. “Get The Look” is a 1981 single from their self-titled album and is one of the fast moving electronic tracks with several great hooks. The sequencers are loaded for play from the start to finish. The girls are shouting about a fashion statement that obviously is being made on dance floors and making them excitement with every minute. This one was always a favorite of my clubs with its wild guitar cha-cha break and then the chorus exploding over and over.

I have taken the album version of “Get The Look” and redirected this energy into a new ReStructure Mix. The movement is still quick and the pace if fast with some new drum tracks and percussion to make the trip an whole new experience.

• She's A Star - Glenn Rivera ReStructure Mix - Kano

Kano began as one of the innovative groups of the early 80’s with their big dance floor classic “I’m Ready” from 1980. The project is Luciano Ninzatti, Matteo Bonsanto and Stefano Pulga – who were joined on the second album, “New York Cake” with vocalist, Glen White. “She’s A Star” is a single from this 1981 project and is a lighter play of Kano’s initial hardcore/underground approach. The piece is still exciting and has some nice keyboard elements and lure on this mystery lady who makes the night stand still when she is a part of it.

I have taken the album version of “She’ A Star” and translated the energy in a new way to this ReStructure Mix. The new percussion and drum tracks give the song more of a disco pulsating sound and make the energy more evident.

• Cecilia - Glenn Rivera ReStructure Mix - Mike Mareen

Mike Mareen (Uwe-Michael Wischhof) is a high energy project which helped to shape high energy music from the roots of electronic disco. His big hit “Dancing In The Dark” from 1984 is very much an influence from the synthesizers and approach of Giorgio Moroder from the mid and late 70’s. Mareen used a light edge of wizardry and also a proclaimed “Power Play” which defined his high energy sound. “Cecilia” is Mike Mareen’s cover of the Simon & Garfunkel 1970 pop-hit in a hardcore electronic package. The flow of the song is sweeping and uses Mareen’s edits and drops to entertain the dance floor. It is a sweet remake since the original song is infectious and quite moving.

I have taken the 12” version of Mike Mareen’s “Cecilia” and reedited the segments of rolling bass and sequencers into a new ReStructure Mix. This one plays out with more segues and breaks so that one can feel the energy that was released on dance floors with this style of dance music.

• Don't Leave Me This Way - Glenn Rivera ReStructure Mix - Slip

Slip is a Euro-disco project from producer, Manfred-Alois Segith – who also gave us Fancy and many Euro-disco/dance projects by various artists. Slip is one of early 80’s sessions which began with a cover of the Harold Melvin and The Blue Notes/Thelma Houston disco classic, “Don’t Leave Me This Way”. This electronic piece is a production which takes the vocals into a dreamy and sexy wonderland with a Marilyn Monroe feel. The chorus builds unlike the original soulful versions are campy and sweet – the underground disco way. A nice take on a disco classic and a new twist on the heartbreak in the femme fetale arena.

I have taken the 12” version of Fancy’s “Don’t Leave Me This Way” and played out this sexy drama in a new way. This ReStructure Mix utilizes the syn-drum breaks in parts of the track where e definite energy is new and surprising.

• Dr. Doo-Dah - Glenn Rivera ReStructure Mix - Kongas

Tantra is one of the most intense disco tracks in all of dance music history. The “journey” in fact the genius of arranger/producer Celso Valli who worked with producer La Drogueria Di Drugolo. “Las Colinas De Katmandu” is a released version of the huge club hit “Hills Of Katmandu” from 1979 and is one of the forerunners of Italian produced disco music. The track has always been hailed as an innovative production and used over and over in many programs to give that high energy, yet mystic feel of music. A great history and also still a great song – in English or Spanish.

I have taken the 12” version of “Las Colinas De Katmandu” and decided to enter and approach this experience in a new way. The ReStructure Mix follows many of the tools that I utilize in my play and often you may find that you are lost if you expect the original order.

• Las Colinas De Katmandu - Glenn Rivera ReStructure Mix - Tantra

Tantra is one of the most intense disco tracks in all of dance music history. The “journey” in fact the genius of arranger/producer Celso Valli who worked with producer La Drogueria Di Drugolo. “Las Colinas De Katmandu” is a released version of the huge club hit “Hills Of Katmandu” from 1979 and is one of the forerunners of Italian produced disco music. The track has always been hailed as an innovative production and used over and over in many programs to give that high energy, yet mystic feel of music. A great history and also still a great song – in English or Spanish.

I have taken the 12” version of “Las Colinas De Katmandu” and decided to enter and approach this experience in a new way. The ReStructure Mix follows many of the tools that I utilize in my play and often you may find that you are lost if you expect the original order.

• Jumpin (Get Hot, Hit The Spot) - Glenn Rivera ReStructure Mix - Vera

Vera is a Canadian disco project created by Louis Toteda and features one of the loveliest vocals on dance music, Ms. Patti Masi. This project caught my attention immediately in 1981 as it was one of the projects to bring a new energy to dance floors. The edge which is laid out here is the beauty of disco music with the sweetest messenger and also a band backing which plays out with the grooviest intention. “Jumpin' (Get Hot, Hit The Spot)” is the single which became the B-side to Vera’s huge club hit, “Take Me To The Bridge” and gives an early sign of this lilting voice building a party all on her own. A nice pumping sound enlightened with Patti Masi’s sweet delivery – yet giving the dance floor the reason to be there.

I have taken the album version of “Jumpin' (Get Hot, Hit The Spot)” and redecorated the ReStructure Mix using Vera’s big dance track. “Baby, Won’t You Dance With Me” as the starting point. The energy is brought to life again with a new arrangement and pulling out some of those great hooks.

Dedicated to Ms. Patti Masi and Mr. Louis Toteda

• San Salvador - Glenn Rivera ReStructure Mix - Azoto

Azoto is an Italian disco project from Celso Valli – formerly titled Lucrethia and The Azoto 14,008. One of the early signs of disco music maturing all around. The electronics and strings working together along with beautiful arrangements on bass, synths and keyboards. The project titled “Disco Fizz” was released in 1979 and brought the promise of future projects from Valli like Tantra, Lama, Pete Richards, V.I.S.A. and many more arrangements in various sessions. “San Salvador” uses the high falsetto sound which is reminiscent of the Bee Gees in the disco world. This number is a celebration all around and from start to finish proves just that.

I have taken the album version of “San Salvador” and relit another chance to party in the streets. It is enhanced by its own percussion in new places and layered into a new feel in this ReStructure Mix.

• Over You - Glenn Rivera ReStructure Mix - Wendy

Wendy is a Hi-NRG project from producer Andrew Reynolds. The track “Over You” from 1988 follows the independent label sound of high energy music as it was transformed into an electronic production with pulsating bass synths and a power anthem-like theme. This song about a heartache falls into a self-alerted message from our heroine whom has come to recognize that her heart has finally let go of an abusive relationship. There are elements here that are standard 80’s feel yet the full picture delivers a message in a unique way.

I have taken the 12” single vocal and instrumental of “Over You” and replayed this drama using a slight shift in arrangement and also some new percussion tracks. It is one of the pieces that my dance floor would remain on the floor for its entirety and now it would make more sense as the drama continues.

• Enchanted Garden - Glenn Rivera ReStructure Mix - Giovanni Fenati / Madeline Bell

Giovanni Fenati is an Italian pianist, composer and orchestra director. His project with vocalist, Madeline Bell from 1980 – an unreleased project produced by Giorgio Moroder and Pete Bellotte. This piece of disco in a full-on European delivery is a lovely take on an imaginary place where love is of abundance and life begins over again. The vocals are from Madeline Bell who enjoyed a solo career 1967 – 2014 and also is known for her lead vocals in projects by Space (“Prison”, “My Love Is Music”, “Save Your Love For Me”). The original version of “Enchanted Garden” is an extended disco play which gives way to several orchestra and band movements that are truly in the disco arena at its finest.

I have taken the original version and have worked on this ReStructure Mix to give it a new buff and shine. Adding drum and percussion to pull out more of the dance stamp in this new version. It was requested by Carla Monsalve from Facebook – so all of the beautiful feel is for this wonderful lady.

• Let's Get It Together - Glenn Rivera ReStructure Mix - El Coco

El Coco is W. Michael Lewis and Lauren Rinder – a musical duo who brought the real deal to disco music – long before disco was “disco music”. Their edge was a lounge-esque feel with a funky groove. Taking the Barry White approach substituting the orchestral section with a 50’s lounge take. Their music is soothing with an infectious bass and lead guitar taking us on to the dance floor with no regrets. “Let’s Get It Together” is from their 1976 project and label AVI Records. This lovely piece of music may have been inspired by pieces like “Quiet Village” by Les Baxter – with a 70’s take. A great part of disco history and a reminder of what a fusion is all about.

I have taken the 12” version of “Let’s Get It Together” and attempted a fusion of percussion and new breaks to make this great number come to life again. The loops and new segmentation of the chorus are of the ReStructure Mix family and hopefully make the feet and hips move once again . . . smoothly!

• Escapade - Glenn Rivera ReStructure Mix - Janet Jackson

Janet Jackson made the world a “rhythm nation” in 1989 with her project produced by Jimmy Jam and Terry Lewis. “Escapade” is the single which brought a celebration with a smile from Janet with her moves which made us move to emulate the unity. This track is one that made my club go wild as it takes Friday and makes it forever. One of the big ones for me from Janet as even today makes the punch seem new and real.

I have taken the album version vocal and instrumental of “Escapade” and remade the energy into bits and pieces of energy. The most memorable moments are chopped and a realigned for a whole new experience. Let’s go!

• Tower Of Love - Glenn Rivera ReStructure Mix - Romance

Romance is one of producers, Simon Soussan deep disco projects from 1978. The sound he created with disco music has always been the innovation between the mature formula with heavy beats and percussion. It was his lead that helped to pave the end of the 70’s to a full-on disco production with all of the elements that worked the floor. His groups French Kiss, Arpeggio, Charisma and his Pattie Brooks masterpiece album, “Our Miss Brooks” were the staying power of not a pop-edge, but more of the true underground disco feel. “Tower Of Love” is from the project “Dance My Way To Your Heart” and has always been a favorite of mine from the outline and still sounds mystifying. The lyrics reveal a love built throughout the years in jeopardy and undying allegiance to keep it alive.

I have taken the album version of “Tower Of Love” and placed it in that ReStructure Mix realm for Mr. Simon Soussan. This is the movement that made me believe in disco music and it is my time to give my homage to this talented man. Thank you, Mr. Soussan.

• Wind Beneath My Wings - Glenn Rivera ReStructure Mix - Menage

Menage is a disco ensemble from pioneer disco producer, Warren Schatz (Vicki Sue Robinson, New York Community Choir, The Brothers) and vocalist, Ellen Bernfeld. Their three 80’s releases began with a big dance floor cover of “Memory” – the theme from the Broadway show, “Cats”. The re-introduction to disco music’s intention to make the dance floor a stage. “Wind Beneath My Wings” is their third single and a wonderful cover of the theme from the motion picture, “Beaches”. The strings and fusion of keyboards make a mark once again on a dance version of a song that celebrates just as disco music always has.

I have taken the vocal and instrumental of Ménage’s “Wind Beneath My Wings” and added a new edit to this ReStructure Mix. Taking the drama onto a whole new purpose for this great dance cover.

• A Good Man (Is Hard To Find) - Glenn Rivera ReStructure Mix - Boys Town Gang

Boys Town Gang is a studio recording group whose first big hit, “Ain’t No Mountain High Enough” from 1981 featured Cynthia Manley on lead vocals. The project eventually led to a gamut of dance floor hits from their first hit through 1985. “A Good Man Is Hard To Find” is from their last album titled, “A Cast Of Thousands” which features Jessica Williams, Debbie Jacobs, Martha Wash, Izora Rhodes, Sylvester and Margaret Reynolds. It is producer, Bill Motley’s tribute to disco music and its lasting presence. Featured vocals on “A Good Man…” are JoLo – Jo-Carol Block and Lauren Carter. A big surprise from the group since the track was the last to surface from the many cuts that were classic Boys Town Gang merits.

I have taken the album version of “A Good Man Is Hard To Find” and reworked it for a new time for this one to play out. More heavy beats and a challenge from Cass Daley and the Cerrone ensemble to remember.

This ReStructure Mix is dedicated to Martin KJ Kellerman – thanks, Martin for the kind words and for requesting this one!

• Give It To Me Baby - Glenn Rivera ReStructure Mix - Cheri

Cheri is Amy Roslyn and Rosalind Hunt who are best known for their dance floor hit, “Murphy’s Law” from 1982. Their self- titled album was produced by Freddie James (“Get Up And Boogie”), Geraldine Hunt (“Can’t Fake The Feeling”) and Peter Dowse – and features Alma Faye on back-up vocals. “Give It To Me Baby” is the single that merged the funk into the disco realm with its intense directive and hard hitting rhythm. The piece was a big hit for me in my club and created quite a stir among those who were catching its groove from afar.

I have taken the 12” version of “Give It To Me Baby” and re-pumped the funkiness of the track over again for this ReStructure Mix. It has been leveled out with a few new breaks and a new arrangement using the duos’ enticing sensual lure.

• I Want A New Drug - Glenn Rivera ReStructure Mix - Huey Lewis and The News

Huey Lewis and The News brought the pop sound of rock ‘n roll alive along with the synth-pop edge. Their 1983 album “Sports” contained several radio hits and few aimed at the dance floor including “I Want A New Drug”. One of the tracks that challenged the hearty emotions of a romance with the undying need to be high on love alternatively. A great twist one of the unforgettable dance pieces of that year.

I have taken the 12” vocal and instrumental of “I Want A New Drug” and shot into this ReStructure Mix pieces of Ram Jam’s “Black Betty” as a side note for rhythm. This one takes the percolating sequencers into many new purposes – but mainly to shake those hips.

This ReStructure Mix is dedicated to my good friend, Bonnie Shoultz – who still insists that Huey as “got a new truck”!

• Doctor's Orders - Glenn Rivera ReStructure Mix - Sunny

Sunny Leslie (Heather Wheatman) is a singer who began her recording career in the 60’s and throughout the 70’s. Better known in the disco arena as a part of the trio, The Midnight Ladies – who were the backing vocals on the first Munich Machine project (“Get On The Funk Train”) produced by Giorgio Moroder. Sunny also appears on backing vocals for Donna Summer (“Four Seasons Of Love”), Love and Kisses (“I Found Love”), Roberta Kelly (“Zodiac Lady”) and Sumeria (“Golden Tears”). There is a definite star quality to this singer when it comes to the disco circuit. “Doctor’s Orders” is a track she recorded in 1974 for her first solo album produced by Roger Greenaway – the song was made a disco standard by Carol Douglas who recorded it a year later in 1975. Sunny’s version has that 60’s pop edge with the new transitional sound of “boogie” music as it began during the period.

I have taken the album version and pieces of Sunny’s Spanish recording of “Doctor’s Orders” and moved it into a hardcore ReStructure Mix. Adding some new percussion and beats to ground this fabulous lead into this classic. This was requested by Carla Monsalve of Facebook who makes disco music shine with resilience from her dedication and inspiration – which is where this remix is aimed to. Thank you, Carla.

• De Musique En Musique - Glenn Rivera ReStructure Mix - Caprice

Caprice is a Euro-disco project from producer Jacques Fred Petrus from 1980 – and one of the true final albums of its kind. The orchestrations and arrangements are by none other than, Celso Valli – who always created magic with his own talents with Tantra, Passengers, Azoto, and Nuggets. This outline defines the power of producer Petrus who seemed to wave a wand and create the dance sound he was envisioning – hiring the right talent for each session. He proved this over and over with his groups Macho, Peter Jacques Band, Revanche, Change and Midnight Gang. Caprice is a venture into the heart of Euro-disco with the completeness of all encompassed. “De Musique En Musique” is a segment of sexy chorus gals serenading an orchestra-la disco in a sparkling display. This one always stood out to me from the project and I am happy to give it the stage it so deserves, again!

I have taken the album version of “De Musique En Musique” and dropped a new deep seeded beat below the rustic Italian disco feel. There is play with those sexy voices in the ensemble and more to peak into dance frenzy with such a beautiful arrangement.

• Take It Up - Glenn Rivera ReStructure Mix - Lime

Lime is that color-wheel spinning on the old metallic holiday trees – igniting colors over a celebration. Their music has given dance floors a new found energy in the early 80’s and throughout 2002. “Take It Up” is from their 1984 project titled “Sensual Sensations” and is producer/musician/vocalist, Denis LePage in a new spectrum of high energy music. The heavy bass beats remain intact along with the light and romantic themes – yet there is a new side to Lime in this period. High energy music was growing quickly and LePage was the Godfather of it all. Many projects from various countries and artists emulated his style and execution. This track is a touch of Denis’ rock ‘n disco edge with a vocal that brings energy and the vitality which kept Lime in DJs grips always.

I have taken the album version of Lime’s “Take It Up” and resurfaced a new outline using the synthesizer in pieces and rewiring the energy once again. There is some play with the beats and heavy bass and the traction should keep the feet satisfactory to the dance floor itself.

• Running Up That Hill - Glenn Rivera ReStructure Mix - Kate Bush

Kate Bush began her recording career in 1978 and became one of the unique rock creators of our time. The project “Hounds Of Love” – her fifth album from 1985 contained one of her most intriguing tracks titled, “Running Up That Hill”. This piece is mystifying and engulfing with her haunting performance and moody edge. One which I immediately placed in an early morning environment for splashing a crowd with something to dance worship to. This song makes the soul feel lonely and engulfed with emotions. One powerful track produced and performed by Ms. Bush.

I have taken the 12” vocal and instrumental to rework “Running Up That Hill” with more of a ReStructure Mix outline. An intro which gives it a flowing celestial start and ending the same. Of favorite of mine and thought of long before touching this masterpiece.

• Give Me You Love - Glenn Rivera ReStructure Mix - Soccer

Soccer is a disco project from producer, Tony Valor (Tony Valor Sounds Orchestra, The Hustle Factory, Touch and Carol Williams). The lead vocals are supplied by Angelo Venuto and play out in this disco realm as an exact outline for underground disco in the late 70’s. The heavy percussion breaks, the funky guitars along with the sexy and romantic aura of themes applied as, “Give Me Your Love” from 1979. This one is from the self-titled album which also contains their first classic, “Come On And Get It On” – this is genuine Hustle music and down the beat it plays out as disco satisfaction.

I have taken the 12” version of “Give Me Your Love” and used a breakdown of the bouncing bass tracks and swaying feel to this new ReStructure Mix. A few new segues back and forth from verses to chorus are the new outline here and give Soccer and Tony Valor the attention once again to make the dance floor what it was and continues to be.

• Heaven - Glenn Rivera ReStructure Mix - Gibson Brothers

Gibson Brothers are Alex Francfort, Christian Francfort and Patrick Francfort – a trio from Martinique, West Indies who have ignited dance floors in the mid and late-seventies with hits “Que Sera Mi Vida (I You Should Go)” and “Ooh, What A Life”. Their distinctive vocal sound is one of the refreshing sounds of the disco movement with a powerful male force behind it. “Heaven” is a single from their 1978 album by the same name and was produced by Daniel Vangarde (Ottawan, Who’s Who). A driving love song with a powerful need to let the heart go to extremes.

I have taken the 12” version of “Heaven” and re-wired the track with more Latin percussion to give it center stage once again. The outline is brought out with more breaks and long rhythm interludes and this ReStructure Mix makes it more electric.

• Love Rescue - Glenn Rivera ReStructure Mix - Project

Project is an ensemble from producers André Perreault (The Zebras) and Ralph Esposito (Boogie People, Tamara Lorincz) and features a laid back rhythm which builds into a disco lullaby feel. Also gives a spot on backup vocals to Mr. Benny Diggs in this fantasy love song. The essence of nightlife works throughout this number as our heroine finds love in the cloudy atmosphere of the discotheque. The guitars and horns work like electricity throughout this almost-jazz-like flair.

I have taken the 12” version of “Love Rescue” and did the de-piecing of the rhythim and chorus to recreate this new ReStructure Mix. Using the drums and percussion break throughout make the new energy hard to ignore.

• Can't You Feel It - Glenn Rivera ReStructure Mix - Time

Time is an Italo-disco formulation from producer, Piero Fidelfatti – with lead vocals from Glenn White, who soon after became the voice of Kano. “Can’t You Feel It” is their first single from 1982 and is one of the heavy beat and synth creations in the early stages of Italian dance music. It helped to define a spot on the dance floor for many more artists and producers. This funky and uplifting piece features an interesting chorus which sounds like Lilliputians serenading the club and then Glenn White delivering a rap that is "rad" and infectious. One of my favorites from the period of Italo-disco where you never knew what to expect next.

I have taken the 12” vocal and instrumental of “Can’t You Feel It” and focused more on bring the pieces with most of the electronic riffs and chorus to life. Re-arranging segments to “feel it” all over again!

• Shine Up - Glenn Rivera ReStructure Mix - Doris and The Pins

Doris and The Pins is a synth-pop ensemble featuring Debbie Jenner, Dona Baron, Ingrid de Goede, Irene van der Hoeven and Yvonne van Splunteren – a group which later became Risqué minus Debbie Jenner (Doris). Produced by Piet Souer a Dutch guitarist, producer, arranger and songwriter. “Shine Up” is from their debut project from 1981 which takes dance music into the early 80’s with a driving heavy layer of rolling synthesizers and funky guitar licks. An early presence of Bisque’s “The Girls Are Back in Town” a year later in 1982. “Shine Up” has the uplifting vocoder break which gives the robotic edge which electronic music was always attuned to on dance floors.

I have taken the track and reworked it again as an after-hours mystical experience where the gals lure us into a love song movement. It uses the keyboard segments as separate intros to the homage the girls pay to this dream man who lifts their spirits.

• Suspicious  Minds - Glenn Rivera ReStructure Mix - Thelma Houston

Thelma Houston has taken on the Elvis Presley 1969 #1 track, “Suspicious Minds” – a song that was originally recorded in 1968 by the writer, Mark James. Thelma gives a new disco/soul presence in this masterpiece of an insecure story. It has always enveloped the opposite side of a defense in a relationship where the movement of our protagonist is constantly challenged. The vocal from Ms. Houston is as lovely and soulful as usual and the rolling disco production gives it a luster that the mirror ball has always projected. It is from her 1980 project “Breakwater Cat” – produced by James Gadson and Michael Stewart.

This is a request from the fabulous Nick Bunning from Facebook and is executed with a new instrumental added to give this ReStructure Mix a new flair. The extension moves in and out of both the original and some new breaks and beats to guide it along.

• That's What Keeps 'Em Dancin' - Glenn Rivera ReStructure Mix - Persia

Persia is disco project produced by 70’s pop-singer/songwriter Kenny Nolan (“I Like Dreamin'”) and features Zell Black (“I Been Had By The Devil”) along with Munich engineer Jurgen Koppers. Their self-titled project from 1979 was known to many discophiles thanks to their first single from the album titled “Inch By Inch”. The group was obviously formulated to be a disco band and unfortunately was a closing of the disco era of timing. “That’s What Keeps ‘Em Dancin’” is another track from the project which always reminded me of the pop-essence of disco music and the influence it created. The piece has a touch of a light-rock feel and may have been that energy which brought the disco era to the success it became.

I have taken the album version of “That’s What Keeps ‘Em Danciin'’” and relit this flame for a new ReStructure Mix. I have added a techno-edge to the new outline and pieced together the disco-rockin’ sound to bring a tribute to Kenny Nolan, Jurgen Koppers and vocalist, Ms. Zell Black..

• If You Wanna Get Back Yor Lady - Glenn Rivera ReStructure Mix - Pointer Sisters

Pointer Sisters began their reign of dance floors during the early 80’s. Each project from this period on was building a path to success in the mid-80’s. “If You Wanna Get Back Your Lady” is from their 1982 project “So Excited” – produced by Richard Perry. This one always moved like a wave of funk-energy for the ladies to work their wonderful harmonies with. Many of their tracks have memorable riffs and this one of no exception. This one is an outline for the “sisters” to make their way too many hits to follow.

I have taken the 12” version of “If You Wanna Get Back Your Lady” and realigned the groove for this ReStrcuture Mix. A heavy force beat is added to transcend the foundation and more of the sequencers and play-breaks are used also.

This ReStructure Mix is dedicated to Ray Duran Jr. – thanks for requesting this powerhouse piece and for always being so kind.

• Dealin' With The Boogie - Glenn Rivera ReStructure Mix - Westside Strutters

Westside Strutters is a disco project originally from producers Phil Hurtt and Ritchie Rome with the single “Dealin’ With The Boogie” released in 1978. The desire to make the disco format one which contained all of the riffs and elements of disco music to this period were alive. This production makes use of the rhythm guitars and funky-disco breakdowns along with the chorus girl ensemble serenading the dance floor to do what they came for. The track lead to an album release in 1979 and featured disco version of songs written by George and Ira Gershwin.

I have taken the 12” vocal and instrumental of “Dealin’ With The Boogie” and placed the dramatic arrangement in this ReStructure Mix in a new way. A new heavy drum beat pounds out with the melody and lead guitars riffs to plaint a new dance identity.

• Boys - Glenn Rivera ReStructure Mix - Mary Jane Girls

Mary Jane Girls are a group who began as back-up singers for his touring and eventually became one of his protégé with a few dance floor hits on their hands. Members included Candice Ghant, Cheri Wells, Joanne McDuffie, Kim Wuletich, Lisa Sarna, Tabby Johnson, Val Young and Yvette Marine. Their 1983 hit “Candy Man” gave the female ensemble the break they needed although much of the funky innuendos and grooves were solid as Rick himself polished. “Boys” is from their first album simply titled “Mary Jane Girls” and is one of the tracks that playout in the flavor these gals exude. A sexy and funky play with the way “boys” affects their wellbeing and the street smarts to handle these toys.

I have taken the 12” vocal and instrumental of “Boys” and re-funked a new version for this ReStructure Mix. A new bass rocky beat is added to take hold of the funk and shake it up some more. There is also more of the bridge that flows like the sexiness this gal group is well known for.

• I Just Died In Your Arms - Glenn Rivera ReStructure Mix - Savage

Savage is Roberto Zanetti – an early Italo-disco project which was known for his emotion moody dance tracks like “Only You” and “Don’t Cry Tonight”. In 1989 his cover of Cutting Crew’s “I Just Died In Your Arms” made his standing on the high energy/Euro-disco playlists more visible and also added to his sound of a full electronic arrangement and adding as much emotion to the genre. This version plays out as the original with more of a bass sequencer foundation to pump the dance floor initiative. I know that it worked for me on many nights on closing a high energy set for the night or building up to one.

I have taken the 12” version of Savage’s “I Just Died In Your Arms” and reedited a new ReStructure Mix for homage to this artist. I added a few elements of the original by Cutting Crew and added some new drum patterns and percussion effects to give it move of the energy it deserves.

• Full-Tilt Boogie - Glenn Rivera ReStructure Mix - Uncle Louie

Uncle Louie is Eugene Pistilli and disco producer, Walter Murphy (“A Fifth Of Beethoven”) in a session band which was released 1979 during the disco wave. The recording also features backing vocals by Alex Brown, Stephanie Spruill and Angela Winbush – a definite trio for these tracks and heard throughout the songs. “Full-Tilt Boogie” is the first single from the project and one of the driving pieces which define this combination of talent. It plays out with plenty of groovy riffs and blaring horns and defines the 70’s funk era in a nutshell. Perhaps one of the TK Records 12” singles which I would reach for as an alternative piece in this genre.

I have taken the 12” version of “Full-Tilt Boogie” (remixed by Michael Arato and Steve Thompson) and revised the funkiest pieces of this track for a new ReStructure Mix. Moving of few pieces of the original layout into re-edited grooves make this play out in a new junky way.

• I Don't Wanna Be Lonely - Glenn Rivera ReStructure Mix - Joan Orleans

Joan Orleans (Joan Schmitt-Parks) is a vocalist from the late 80’s. Her 1989 project titled “With You Or Never” was produced by Nigel Wright – who also gave us many Passion Records high energy classics from Astaire, Dolmann, and Charade. He also produced for the British dance/jazz group Shakatak. His touch on Joan’s single “I Don’t Wanna Be Lonely” are a sharp, energetic and claims the Passion Records high energy formula that he created with a touch more. This one was always a favorite as the vocals from Joan play out like a Chanteuse freeing her emotions for her lover and are heard by all. It is also a beautiful piece with many wonderful moments where the yearning and emotions are heart felt.

I have taken the 12” version of “I Don’t Wanna Be Lonely” and reaffirmed the parts of this wonderful song for a new ReStructure Mix. Some of the parts are reinserted at new timing for a new flow and a fade out is used to give it a classic stage feel.

• Lip Service (Rumor Control) - Glenn Rivera ReStructure Mix - Jessica Williams

Jessica Williams is a vocalist known for her energy and unique power in her vocals. Her recording career includes work with disco bands Arpeggio, French Kiss, and also a long list of her own dance floor hits. “Lip Service (Rumor Control)” is Jessica’s 1987 release produced by Man Parrish and Paul Parker. This track is a fast moving dance number with plenty of bongos taking the energy into layers of movement. The outline regarding the gossip of her beau and her reckoning with it by sticking by him no matter what. Jessica performs this one in her calm and assuring delivery with the right amount of power needed for pounding drums and percussion.

I have taken the 12” vocal and instrumental of “Lip Service (Rumor Control)” and reignited this one for a ReStructure Mix. A few new percussion effects are layered into the mix for a new foundation and Jessica’s verses played out in a new arrangement.

• Danger - Glenn Rivera ReStructure Mix - The Flirts

The Flirts are a session group created by producer Bobby Orlando. The success of the trio is due to the changing sound of dance music in the early 80’s to a full electronic sound and also a touch of nu-wave fusion. Their big 80’s dance floor hit “Passion” was one of the pinnacle moments for Orlando where his sound became a reality for dance floors to clamor for. “Danger” comes from their 1983 project titled “Born To Flirt”. It is one of the master outlines for the gals who seem to capture the essence of sensual high energy in more than one way.

I have taken the 12” vocal and instrumental; of “Danger” and re-signaled a new ReStructure Mix for this high energy classic. There are a few drop outs for the new intro to give way to the pulsating energy that is on its way.

• It's Passion - Glenn Rivera ReStructure Mix - The System

The System is David Frank and Mic Murphy. An electro-soul band who gave dance floors the tracks “You Are in My System” and “Don’t Disturb This Groove”. Their music began as a fusion of computerized effects and sounds blending in to yearning love songs. A nice phase of sounds for the early 80’s and with their soul injection into the music more was promised for these two. “It’s Passion” comes from first project titled “Sweat” released in 1983. It begins as a sharp edge with enough jabs to make a computer move. One of the pieces that crossed over into my club and created quite a shake on the dance floor.

I have taken the 12” vocal and instrumental dub of “It’s Passion” and rewired this electro-funked piece for a ReStructure Mix. I have stripped the riffs into a new arrangement focusing more on those creamy segments where a reality seems endless.

• Spring, Summer, Autumn, Winter - Glenn Rivera ReStructure Mix - Moonstone

Moonstone is a disco project from Ian Levine and Fiachra Trench. The recordings featured quite a list of talent in the disco/high energy genre including Liza Strike, Helen Chappelle, Kay Garner, Katie Kissoon, Tessa Niles, Nicci Gable, Lance Ellington, Joycelyn Phillips, Tracy Ackerman, Jackie Rawe and Vivieen Ray. “Spring, Summer, Autumn, Winter” is a single released in 1988 and is a wonderful love song with that Broadway-orchestral feel that Levine and Trench left embedded in our minds and feet many times. It is one of the B-sides that I was aware of from their big cover of ABBA’s “The Visitors” from 1989. This one has many nice qualities and stands out with a unique flavor.

I have taken the 12” version of “Spring, Summer, Autumn, Winter” and placed in in the ReStructure Mix realm. I have taken several of the beautiful musical movements and made them more a part of the mix and of course the keyboards and percussion are used in a new way.

• The One - Glenn Rivera ReStructure Mix - Crocodile Mark

Crocodile Mark is a pseudo name for the Italian dance project from
Giuseppe Troccoli, Paolo Cocchini and Pino Di Pietro – and their 1992 cover of Elton John’s anthem from the same year are a bass thumping Italo-house piece. The original as beautiful as it lies still remains here as the trio creates only new rhythm foundation with a house bass track and drums guiding this Taupin and John song into a new heaven. This one was a big peak hour track in my club and thanks to the simple but masterful new arrangement the song was kept alive in a whole new way.

I have taken the 12” vocal, instrumental and dub of “The One” and transformed it into a new ReStructure Mix. Giving it more percussion along the path of the build and also more of the nice melodic riffs in its own way.

• Under Fire - Glenn Rivera ReStructure Mix - Jackie

Jackie is a disco artist who released her 1979 track “Under Fire” and gave a transition piece a nice touch into the electronic disco period. This number is one that has many hooks that are infectious and worthy of an anthem along the edge of rock where the energy is transformed. It was produced by Terry Britten and is an instant disco classic thanks to the arrangement and of course Jackie’s mild yet hard hitting vocal. One of the nice tracks that was also covered in 1980 by Debra Dejean.

I have taken the 12” version of “Under Fire” and reloaded the pieces of this great dance number for this ReStructure Mix. It is more of a laid out synth-pattern play with the rolling bass playing out for the feet.

• Maneater - Glenn Rivera ReStructure Mix - Daryl Hall and John Oates

Hall and Oates are one of the lasting duos from 1967 to current where they continue to record live and new material as the band. “Maneater” comes at their second career recharge in the early 80’s – it is a warning regarding a figure in the clubs who works her beauty to take from unsuspecting men who believe she is theirs. Sounds a bit complicated, but with the tables turned on the sexes this track sizzles brightly as a sort of anthem. The guitar work of course from John Hall is another outline for their return in the 80’s and Daryl Hall brings his blue eyes soul feel to this pop-dance piece The bassline always reminded us of the Motown classic “You Can’t Hurry Love” but even with the echoes this Hall and Oates number still works on its own.

I have taken the album and instrumental versions of “Maneater” and re-tracked the bass beats and some new drums for this ReStructure Mix. There is more of the moody and mystical night music for a lasting effect and added a few breaks along the path.

• Break My Stride - Glenn Rivera ReStructure Mix - Matthew Wilder

Matthew Wilder is a songwriter, musician and producer who’s 1983 single “Break My Stride” was more glue for the 80’s dance period. Not only were the 80’s alive with a bold edge on persona and style it also invigorated a fusion of uplifting music for dancing. This pumping pop-dance track is given a steel drum for a light Calypso feel yet moves in a Congo-line fashion. Perhaps one of the least of the remembered but one of the light hearted and fractured heartbreak numbers of its kind.

I have taken the 12” vocal and instrumental of “Break My Stride” and gave it a new send off for this ReStructure Mix. More play with the keyboard riffs and a few new drop outs. This is a tribute to the 80’s and its dance floor joy in full swing here.

• Up The Ladder to The Roof - Glenn Rivera ReStructure Mix - John Kydd

John Kydd assists divas Scherrie Payne, Jayne Edwards, Cindy Birdsong and Lynda Lawrence in this Rick Gianatos production of The Supremes 1970 classic “Up The Ladder To The Roof”. This release from 1987 is vocal ear candy featuring some of the ladies from the second wave of The Supremes. Rick Gianatos takes a Motown classic and makes it work with a complete 80’s electronic arrangement and with his touch on mastering vocals this one raises again in the realm of disco heaven. Keyboards at one point play out where a mystic edge on this cover makes it pure magic.

I have taken the 12” vocal and house version of John Kydd’s “Up The Ladder To The Roof” and rewired a new ReStructure Mix. Using the keyboards and vocals in a new way to create a new path for this wonderful remake.

• Body Music - Glenn Rivera ReStructure Mix - Chris Rainbow

Chris Rainbow (Christopher James Harley) is a musician whose career includes sessions with Alan Parsons Group in the 70’s. His 1981 single “Body Music” is a wonderful dance/jazz fusion piece with a nice flow and vocal. It is the outline of the night life scene and the focus is on a femme dealer who supplies the players with their substances to make the evening complete. It is a pop-oriented dance number that was also featured on the DJ subscription service, Disconet. Many jocks including myself found it a nice number to program during early evening sets or after-hours wind-downs. The irresistible arrangement is a bit haunting gives off a nice resonance that plays out well in the night club scene,

I have taken the 12” version of “Body Music” and realigned a new ReStructure Mix to give this dance track another story to play out. A new heavy drum is added to lay down the bass with more power and a couple of new breaks included.

• Boogie Nights - Glenn Rivera ReStructure Mix - Heatwave

Heatwave is a band featuring Byron Byrd, Calvin Duke, Derek Bramble, Eric Johns, Ernest Berger, J.D. Nicholas, Johnnie Wilder Jr., Keith Harrison, Keith Wilder, Mario Mantese, Peter Allatt, Rod Temperton, Roy Carter and William Jones. One of the early signs of the dance era on the horizon with their big hit “Boogie Nights” from 1976. – produced by Barry Blue. The sound of this polished ensemble gave the mid-70’s an opportunity to hear what was to come on dance floors. “Boogie Nights” is one of the iconic disco tracks that fits in the soul and funk category and still makes waves with its sharp production and moving vocals.

I have taken the album version and instrumental of “Boogie Nights” and rewired a new ReStructure Mix. Taking elements and rearranging them to give the funky piece a new opportunity to pay homage to one of the greats.

• Love Is Like An Itching In My Heart - Glenn Rivera ReStructure Mix - Lisa

Lisa is a disco artist whose career began with a big club hit titled “Jump Shout” in 1982 and helped to start a movement in San Francisco to bring disco-oriented tracks back to the dance floor. Her influence was uplifting and positive from the inception of her music and its energy. Her 1985 release was a cover of Diana Ross and The Supremes classic “Love Is Like An Itching In My Heart” – produced by Ian Anthony Stephens and Paul Parker (“Right On Target”). This dance twist works very well with Lisa’s unique vocal delivery and in places leaves an indelible mark. A nice electronic production works like a well-oiled machine here.

I have taken Lisa’s 12” vocal and instrumental of “Love Is Like An Itching In My Heart” and re-vamped the song for this ReStructure Mix. I have used the bass keyboards as a new guide for the arrangement and added some new drum tracks to bring it alive again.

• Cuba - Glenn Rivera ReStructure Mix - Man 2 Man

Man 2 Man is Miki Zone and Paolo Cilione along with musician and producer Man Parrish. This HI-NRG is one of the 80’s groups with some exciting results as in their 1986 energy piece, “Male Stripper”, one of the devoted projects to the high energy scene and its growth. “Cuba” is their 1988 cover of The Gibson Brothers disco classic – produced by Man Parrish and Paul Zone. The original is transformed into a stomping electronic dance piece that is hard to resist. It plays out well as a remake and as another release from the duo it surely gives us another sound that they are known for which is energy and excitement.

I have taken the 12” version of Man 2 Man’s “Cuba” and re-worked the piece with some new Cuban percussion and effects. It is displayed here in parts where the break takes up some breathing space for that non-stop energy.

• Angel Eyes - Glenn Rivera ReStructure Mix - Lime

Lime has brought to the 80’s an excitement that soon took over the ready feet and hearts on dance floors everywhere. Denis Le Page took his sound and made it an icon which would become high-energy dance music in the mid-80’s. “Angel Eyes” comes from their third album titled “Lime 3” and is another example of the imaginative fold in which Lime creates in every dance track. It is as if the formula were created and programmed into place all along – only this time around a unique vocal approach aided their success also. “Angel Eyes” is a love song that pulsates with son many keyboard riffs and syndrum fills that it also jumps right out at the dance floor. It is one of Lime’s truly outstanding pieces and remains one of my favorites.

I have taken the album version, 12 remix and a special sub version of “Angel Eyes” and rewired the energy for this ReStructure Mix. There is more moving of verses and chorus pieces to give a new outline and also a play with those drums.

• Please Don't Go - Glenn Rivera ReStructure Mix - Digital Game

Digital Game is an Italian disco project lead by Italian producer Alessandro Novaga. Their delivery was three releases from 1983 – 1985 and all three were covers of disco classics. “Please Don’t Go” is their electronic production of K.C. and The Sunshine Band’s 1979 release from their album “Do You Wanna Go Party”. This placemat in Italo-disco gave the track more of notoriety and with the yearning melody it was revived on dance floors again. Novaga’s electronic piece is close to the original and contains a proper male vocal to pull this heartbreak treat into a nice finished piece.

I have taken the `12” vocal and the instrumental of Digital Game’s “Please Don’t Go” and reworked a new ReStructure Mix. The edit is more of an instrumental focal mix and uses layers of the original mix to give it a new face.

• Who's Your Boyfriend - Glenn Rivera ReStructure Mix - Eric

Eric is a Bobby Orlando project from 1984 using his high energy format from the period which was winding up from the early 80’s onto the mid with a passionate high-energy storm. The heavy percussion and ricochet syn-drums are placed in rotation here that is powerful and overwhelming. “Who’s Your Boyfriend” is the scorned lover wanting to feed his own jealousy by igniting a revealing question. All in good fun and some camp on top of it. This is the Bobby Orlando progression at its peak.

I have taken the 12” vocal and instrumental of “Who’s Your Boyfriend” and reloaded the drums and percussion up for this ReStructure Mix. The layout is more sparing for those rolling bass sequencers and the drums still pound out the question.

• Stand By Me - Glenn Rivera ReStructure Mix - Jam Tronik

Jam Tronik is a German Euro-dance group with vocalist Anja Lukaseder and producer Ulrich Fischer. Their cover of the pop-classic “Stand By Me” from 1992 is a wonderful shine in the essence of the many covers of this song. This time around heavy drum beats accompany a swirling keyboard arrangement and deep house feel. The vocal is a nice twist and is a bit like Kim Carnes and in her raw fashion. This one was a closing favorite of my club at the time and remains a bit infectious with it use of an uplifting edge for this already fantastic piece of music. It stands with some of the best covers in the Euro-house tradition and makes it easy to understand how the 90’s became a path for the sound of a heavy synthesized disco feel.

I have taken the 12” version of Jam Tronik’s “Stand By Me” and worked in many of the drop outs for this ReStructure Mix. The extended intro and more lyrical feel of the musical pieces are accentuated with a new drum beat.

• French Kiss - Glenn Rivera ReStructure Mix - Lil' Louis

Lil’ Louis (Marvin Louis Burns) is a DJ and producer who took the concept of house music and placed several of his innovative twists into the mix during the end of the 80’s. “French Kiss” is his big 1989 techno/acid house track that took dance floors by storm and also influenced many in the New Beat genre to enhance their own creative minds in a new direction. This sensual pulsating track has the vocals of Shawn Christopher (“Don’t Lose The Magic”, “Another Sleepless Night”) making it surge with a feeling of sheer ecstasy on the dance floor. This one has been recreated by many instrumental bands with the original flair intact. One of the big house thumpers and a start for Lil’ Louis to stake his claim during the house music era.

I have taken the 12” version and instrumental of “French Kiss” and re-ad mistered a new edge for this ReStructure Mix. A Latin percussion track guides the sexy feeling into a new arrangement and re-edit. This piece is a salute to the electronic genre and of course the house mix.

• Band Of Gold - Glenn Rivera ReStructure Mix - Sylvester

Sylvester is an artist and vocalist who began a recording career breaking away all of informalities of the recording industry, His persona as a disco artist is one of the iconic moments in music history. His 1983 project titled “Call Me” contained a cover of the Freda Payne soul classic “Band Of Gold” and once again gave us a unique version of this track in an 80’s dance genre. Produced by Sylvester and given a nice mid-tempo energy to guide this story of heartbreak into another generation. This one is perhaps one of the pieces where you may recognize the melody yet there is something fresh and new about this version. That of course, is the magic of Sylvester.

I have taken the 12” vocal and instrumental of Sylvester’s “Band Of Gold” and reworked the arrangement to introduce it in a new ReStructure Mix. The energy is built from the start and takes us into the original fading out as dramatically as it started.

• On The Upside - Glenn Rivera ReStructure Mix - Xena

Xena is Paula West – a vocalist who stepped into the sound created by producers Chris Barbosa and Mark Liggett – the duo responsible for Shannon’s big hit “Let The Music Play” from 1983. This electro-street beat edge took over dance floors and made a place for the heavy beats and percolating sequencers. “On The Upside” is another outline with the basics of Shannon’s track with more of the sounds injected as a rhythmic foundation. Very similar yet the sound brings back the period of dance where street beat was alive and making dance floors move in a whole new way.

I have taken the 12” vocal and dub of “On The Upside” and remapped the beats into a new ReStructure Mix. More of the downbeat is used to pull the song into a pattern which guides those thumping beats into a new direction.

• No Life Without Love - Glenn Rivera ReStructure Mix - Jeanne Dee

Janne Dee is a house/disco project from producers Aron Friedman and Damon Rochefort. This 1993 release gave another breath of that swirling disco sound which paints the perfect funky groove moving the dance floor. A touch of heavy bass in the house genre makes this one a retro-dance track in its own sense. A beautiful vocal from Jeanne Downs who takes the chorus into a celestial aura. This one is one of my favs from the 90’s and deserves another chance to remind us of what the disco fantasy is all about.

I have taken the 12” disco vocal and instrumental of “No Life Without Love and recreated the mirror ball effect again in this ReStructure Mix. A new drum track is provided to piece through those funky guitars once again and a new arrangement makes way for this monster.

• I Can't Get Enough - Glenn Rivera ReStructure Mix - Chyp-Notic

Chyp-Notic is Vlad Mint, Jan Eric and Walter Bee – a German Euro-dance group who sound became the answer to smooth pop-male dance energy. “I Can’t Get Enough” is their 1991 single from the project by the same name. It was produced by Don Chereyne and Tom Jamski who execute a wonderful melodic track that in some ways resembles Londonbeat’s single “I’ve Been Thinking About You” from a year earlier. And although those rhythm guitars resemble this piece it remains its own in many other ways. “I Can’t Get Enough” pumps out a love song that has a certain touch where the yearning is felt through and through and gives off a haunting feel. This one was always a favorite of mine and worked for an early evening jam set or peak hour. The magic of this song is the lasting feel and more and more I hear it I continue to want to share its essence.

I have taken the 12” vocal and instrumental of “I Can’t Get Enough” and reworked some of the nice rhythm tracks and keyboards for this ReStructure Mix. A new drum track and bongos are added to give you “enough”.

• The Pleasure of The Music - Glenn Rivera ReStructure Mix - Ester B.

Ester B. is an Italo-house track from Severo Lombardoni. The house music takeover of the mid-80s is one of the most definitive as it was concocted by disc jockey themselves using the raw elements of a heavy bass beat and keyboards punching against the beat to kick up any rhythm not awaken. The formula is expressed here in this 1989 release “The Pleasure of The Music” which uses the piano and heavy bass riffs but on its own terms. This production by studio group Esther B. has one of the sexiest vocals which resemble Eartha Kitt in her Cat Woman garb playing with her prey. The vocals are the outline of the track and always reminded me of a clever take on the Lady Kier of Deelite in a new way. The song explores more of sliding rhythms than a direction and parts of it are glued together like a kick drum on a set.

I have taken the 12” vocal and instrumental of “The Pleasure of The Music” and moved the pieces of the original groove into new segments. The vocal remains intact with a few extras thrown here and there for effect.

• Haven't Stopped Dancing Yet - Glenn Rivera ReStructure Mix - Faces

Faces is an electronic high energy project from Jean Claude Alves, Marvin Howell-Kashff and Tony Atkins. It is one of the 1977 disco breaks through songs thanks to an extended and additional production remix from the master himself, Mr. John Luongo. This 80’s electronic cover does quite well in taking the song into a new era of dance music. The sexy vocals are taken further as a female vocalist joins in on the promise. One of the best stripped down productions of a disco classic.

I have taken the 12’ of Faces’ “Haven’t Stopped Dancing Yet” and rewired the energy for a new ReStructure Mix. There are some areas where the vocals are extended for good measure and few new breakdowns to take advantage of the energy.

 • Another Sleepless Night - Glenn Rivera ReStructure Mix - Shawn Christopher

Shawn Christopher is best known for her erotic vocal on the 1989 Lil’ Louis track “French Kiss”. Her solo project in the house genre of the late 80’s been a success and gave new light to former vocalist from My Life With The Thrill Kill Cult. “Another Sleepless Night” is one of the big dance floor movers of 1990 – produced by Mike 'Hitman' Wilson. This one is ignited by many riffs and of course Shawn’s lovely and soulful vocals. It is the last time this girl will wait up for her man as you will learn. It is one of the powerful moments in house music where the ‘play is the thing’.

I have taken the 12” versions of “Another Sleepless Night” and reentered this phase and expose of direct house tags for this ReStructure Mix. There is a longer intro to give the drama more of a stage and a fade using pieces of a disco classic from the 70’s to tie it all together in a new way.

• Certain Things Are Likely - Glenn Rivera ReStructure Mix - KTP

KTP (Kissing The Pink) is a band from England and one of the synth-pop bands whose ignition centered from the nu-wave edge of the early 80’s. “Certain Things Are Likely” comes from their project by the same name and also one of their biggest dance floor numbers from 1986. The track is a rolling piece of positive energy and a chorus that is unforgettable in many ways with its roaring sound. The track was remixed by Phil Harding and given new life with that bass sequencer which made up many Stock Aitken and Waterman hits of the time period. There is however many riffs from the song to take notice and always plays out with an anthem-like quality.

I have taken the 12” versions including the Phil Harding master dance mix and recreated a new play-out for this ReStructure Mix. New percussion and drums are beat into the mix and a fading exit for a lasting resonance.

•  Daddy - Glenn Rivera ReStructure Mix - (212)

(212) is a disco project from 1979 produced by Joe Castellon and Stan Bronstein and brings several big band tracks to life and another classic piece titled “Gaz-O-Lean”. “Daddy” is a swing classic written by Bobby Troup (yes, the Bobby Troup from the 70’s show “Emergency”.). The song was recorded by Sammy Kaye and released in 1941 and is another femme de shark story of a woman of the night club scene with dollar signs bigger than her heart. The song is all in good fun and lays out this way as this disco-fied version which takes on the disco chorus girls working their gifts long before Madonna had a chance in the 80’s. The production is a definite 70’s throwback with the cowbell ringing out the energy but there is nice big band flare which plays with any dance floors imagination.

I have taken the 12” and album version of (212)’s “Daddy” and gave it a twirl for homage to the independent label Friends and Co. in this ReStructure Mix. A downbeat pounds out the bands passages and use of that old cowbell are used again.

•  Requiem - Glenn Rivera ReStructure Mix - London Boys

London Boys are a Dennis Fuller and Edem Ephraim – a German band started by producer Ralf René Maué in 1988. Their album “The Twelve Commandments of Dance” contained their big single “Requiem” which was set perfectly amongst a time period where haunting chorus brought light into this rolling love song. The production is based upon many of the street beat elements with sampled keywords and direct strikes make out the rhythm. It has always been one of my favorites from this duo and remains on that continues to haunt my musical heart.

I have taken the 12” version of “Requiem” and revamped a new version with an extended intro and a fading of the haunting chorus in this ReStructure Mix. A new percussion track is added to pieces of the crescendo here and some scattered pieces of the original synth bass are used throughout to add new break parts.

•  Rock Me Tonight - Glenn Rivera ReStructure Mix - Chip Chip

Chip Chip is an Italo-disco project from Mauro Farina – and was previously known as Two Girls (“Another Boy In Town”). “Rock Me Tonight” is their 1987 release which follows a formula for a high energy dance experience and most likely influenced of course by Fun Fun. The clean execution of this electronic arrangement and much like the initial release, “Never Say Goodbye” from 1986. The energy in this single is definitely the target for both a transition for Italo-disco to their “girl twirl” period of the late 80’s.

I have taken the 12” version of “Rock Me Tonight” –using the vocal and instrumental for a revisit on this ReStructure Mix. The wonderful instrumental version lured me into breaking the verse and chorus into segments and more of the build in the energy is extended

•  Daydream - Glenn Rivera ReStructure Mix - Buckbeats

Buckbests are Andreas Drewling, Christian Wilckens, and Holger Kopp –a trio who also recorded under the name Beagle Music Ltd. Their 1986 song “Daydream” is remixed and re-released in 1988 by Giuliano Crivellente, Laurent Newfield and Mauro Farina. The excitement created in this work is much like a Stock, Aitken and Waterman touch where the keyboards and bass jump out of the speakers. The vocals are fremescent of a 60’s pop band and build mildly throughout the song. It is one of the nice gifts from the 80’s to have as a love song with a “dreamy” chorus.

I have taken the PWL 12” remix of “Daydream” and reimaged the song with more of a downbeat for this ReStructure Mix. The song is extended with more verses added and that magical chorus line fading us out.

•  Darling Forever - Glenn Rivera ReStructure Mix - Baiser

Giorgio Moroder made his mark in the 70’s with his innovative work with electronic music and style and this eventually led him into scoring a motion picture soundtrack for the 1978 film, “Midnight Express”. The movement titled “Chase” became focus for a dance version which became a big hit on dance floors. My experience with Moroder’s soundtracks brought to mind the organ music behind the silent movie; out lineg the drama as it unfolds. In 1985 Moroder released a compilation of his work up to date titled, “From Here To Eternity..And Back” which also featured a new recording of “Chase” for the 1985 sound. This new version was kicked with new beats and stripped down the basics of the composition. It displays a raw feel and a bit less of what the original created yet it is still one of Moroder’s must feel as his music continues to influence artists and minds.

I have taken the album version of “Chase 1985” and reapplied some effects and phasing for this ReStructure Mix. The keyboards play out in several segments for a new effect and new percussion gives it a slight lift.

•  Chase 1985 - Glenn Rivera ReStructure Mix - Giorgio

Giorgio Moroder made his mark in the 70’s with his innovative work with electronic music and style and this eventually led him into scoring a motion picture soundtrack for the 1978 film, “Midnight Express”. The movement titled “Chase” became focus for a dance version which became a big hit on dance floors. My experience with Moroder’s soundtracks brought to mind the organ music behind the silent movie; out lineg the drama as it unfolds. In 1985 Moroder released a compilation of his work up to date titled, “From Here To Eternity..And Back” which also featured a new recording of “Chase” for the 1985 sound. This new version was kicked with new beats and stripped down the basics of the composition. It displays a raw feel and a bit less of what the original created yet it is still one of Moroder’s must feel as his music continues to influence artists and minds.

I have taken the album version of “Chase 1985” and reapplied some effects and phasing for this ReStructure Mix. The keyboards play out in several segments for a new effect and new percussion gives it a slight lift.

•  The Louder - Glenn Rivera ReStructure Mix - Peter Jacques Band

Peter Jacques Band is a studio ensemble placed by Jacques Fred Petrus whose work with Italian arranger, Mauro Malavasi stood more than the test of time during the disco era – it created a variable of sounds for it. With many groups to their credit including Macho, Revanche, Change, B.B. & Q Band, Caprice, Rudy and Midnight Gang their music matured in various grooves. The pulsating energy of Macho and Peter Jacques Band was morphed into their funky disco arrangement by Change and B.B. & Band. The success of this sound brought them to a wider market and dance floor response. “The Louder” comes from their 1980 album titled “Welcome Back” and is an electronic-funk piece that may have been well to being a new sound for the studio bands original disco energy. It is a funk fest and another opportunity to hear the talent in arranger Mauro Malavasi’s magic.

I have taken the album version of “The Louder” and worked on bringing the groove back into another place in this ReStructure Mix. A new set of bongos are added to bring that low groove into a new place and several new breaks are added.

•  My Love - Glenn Rivera ReStructure Mix - Lime

Lime is the disco group who ignited the high-energy phase of dance music. Their 1980 release “Your Love” is one of the big releases with the full execution of non-stop energy and an electronic arrangement with quite a force. Following their initial release the group never ceased to make another impact on dance floors everywhere with each project. Denis Le Page is the mastermind behind the compositions and much of his work in the late 70’s is more early successes. These projects include releases by France Joli, Freddie James and Kat Mandu. “My Love” comes from their 1984 project titled “Sensual Sensations” and plays out beautifully with another arrangement that pulsates from bass to a melodic keyboard crescendo and is topped with Lime’s unique vocal duo: Denis and Denyse Le Page.

I have taken the album version of “My Love” and aimed at giving these one another spin with more breaks and a different build for this ReStructure Mix. It has always been one of my favs from Lime so keeping it spinning was never a problem. A new drum tracks and percussion are placed to give this version a new feel.

•  The Roof Is On Fire - Glenn Rivera ReStructure Mix - Westbam

George Benson is a talented guitarist, composer and vocalist in modern jazz music. His work always relayed a dedication to his work and the sound he built project after project. His 1980 album titled “Give Me The Night” was produced by Mr. Quincy Jones and together they create a fusion of soul and jazz which takes on the 80’s for a challenge. “Love X Love” is a track which gives both an opportunity to give their best and combine the sound in a soulful manner. The song has the Jones production and arrangement from start to end yet George still stands in front with his vocal and finger play. Perhaps one of the best cuts from the project and one which makes one want to turn down the lights and grab a bottle of wine with that special someone.

I have taken the album version of “Love X Love” and added a few new rhythm elements to give a new foundation for this ReStructure Mix. A new drum track plays out over this love song and the Afro-Cuban percussion adds a new form to it.

•  Love X Love - Glenn Rivera ReStructure Mix - George Benson

George Benson is a talented guitarist, composer and vocalist in modern jazz music. His work always relayed a dedication to his work and the sound he built project after project. His 1980 album titled “Give Me The Night” was produced by Mr. Quincy Jones and together they create a fusion of soul and jazz which takes on the 80’s for a challenge. “Love X Love” is a track which gives both an opportunity to give their best and combine the sound in a soulful manner. The song has the Jones production and arrangement from start to end yet George still stands in front with his vocal and finger play. Perhaps one of the best cuts from the project and one which makes one want to turn down the lights and grab a bottle of wine with that special someone.

I have taken the album version of “Love X Love” and added a few new rhythm elements to give a new foundation for this ReStructure Mix. A new drum track plays out over this love song and the Afro-Cuban percussion adds a new form to it.

•  Nightlife - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer is one of the icons of music. Her career was one of the most exciting in the music industry that her talent was always underestimated. Her first project, “Love To Love You Baby” was a sexy innuendo and gave her the title “The First Lady of Love” – one that she would have to live with and one she refused to fade away with when the disco era began to change. Her initial vocals in the sexy track “Love To Love You Baby” many regarded less as talent and more of a voice which was not promising – except for those growing fans who listened closely and could her range and power in even the simplest tracks. “Nightlife” is from Donna’s 1980 album titled “The Wanderer” where she claimed her “Disco Queen” prize and wanted to continue her career as an artist wherever change was in her and necessary. The entire project was aimed at stripping away the disco production and giving her a rawer environment to work her magic. This one has the feel of the disco scene as it is titled yet we do have the opportunity to her that powerful gift in a whole new way.

I have taken the album version of “Nightlife” was worked into a new ReStructure Mix with the intent of extending as well as spotlighting. New drum tracks beat the energy into a new purpose and several new breaks give it that disco remix feel.

•  Lost In A Dream - Glenn Rivera ReStructure Mix - Nick John

Nick John is 80’s artist/producer whose career began on the legendary San Francisco record label Megatone Records – founded by Patrick Cowley and Marty Blechman. “Lost In A Dream” is Nick John’s 1987 high energy release which also features JoLo (Jo-Carol and Lauren Carter of The Patrick Cowley Singers) on backing vocals. This one is an inspired mood created from heartbreak and a distanced ex-love. The play on the fantasy seems to bring out the lure of dance in this one. Nick plays his keyboards here with many sequenced elements and breaks. It is one of the songs that always sound best echoing through a dance palace,

I have taken the 12” vocal and instrumental of “Lost In a Dream” and reworked the track into a new ReStructure Mix as homage to Nick John and the 80’s high energy sound. The keyboards are reedited for a new feel and arrangement.

•  Don't Stop - Glenn Rivera ReStructure Mix - Digital Emotion

Digital Emotion is a Dutch electronic disco group with Cickie De Beer, Jean François Colombo and Myrna Balrak – and produced by Adams & Fleisner. The early 80’s began to utilize the elements left from disco music of the 70’s in many hardcore areas of those who had not yet received their fill of dancing. Digital Emotion is a take on that energy and groups like this re-wired dance floors for “high energy” music throughout the rest of the 80’s. “Don’t Stop” is their 1983 release and is a segmentation of effects and rolling synthesizers that build the power behind this style. The vocals are only the chants and mantras of the theme in each piece. Even the title of the band or project emphasizes the complete digitalized world of electronic music.

I have taken the 12” version of “Don’t Stop” and have given it a whole stripped down identity in this ReStructure Mix. The chorus become the alter and the sequencer help to layer in the breaks and guest appearance from another disco classic.

•  Someday (I'm Coming Back) - Glenn Rivera ReStructure Mix - Lisa Stansfield

Lisa Stansfield is a vocalist who cannot be mistaken for. From the start of her career she brought a soulful edge to her pop-dance music and was always a promising bet for something better to come. Her single “Someday (I’m Coming Back)” from 1992 – produced by Andy Morris and written by Dave Crawford (Candi Staton). It was also a part of the soundtrack to the film “The Bodyguard” with Whitney Houston. The track is another loving piece from Lisa and although a problem in the past her vocals are always sincere and bring a promise to love.

I have taken the 12” of “Someday (I’m Coming Back)” and have given the two mixes a unifying connection in this ReStructure Mix. There is more of the wonderful jazz feel as well as some new surprises from this very talented lady.

•  Under The Lights Of Montreal - Glenn Rivera ReStructure Mix - Montreal

Montreal is a disco project from producer Joe Le Greca and features an introduction to the fabulous voice of Carol Jiani (labeled as Uchenna Ikejiani. This disco production is one of the Canadian sounds which echoes the rhythms and power of sessions from Kat Mandu, Hydro, Nightlife Unlimited and the heavy percussion and bass grooves making dance floors move. “Under The Lights of Montreal” is a nice instrumental number from the project which uses the percussion and heavy bongos as a guide to the beautiful interludes of music. It has always reminded me of a concept from Erotic Drum Band and their powerful contributions to dance music history.

I have taken the album version of “Under the Lights of Montreal” and remarked the mood in this ReStructure Mix for another disco night on the town. A few 50’s lounge numbers are placed in the break areas to give this night out an interesting twist.

• Crisis - Glenn Rivera ReStructure Mix - Rhetta Hughes

Rhetta Hughes is funk/soul singer who began a recording career in 1965 and brought this talented lady into the dance arena of the early 80’s. Two big singles were to her credit and a nice staying power it was – “Angel Man (G.A.)” and “Crisis” – both produced by Kenny Lehman (Lemon). Both tracks pulled in some wonderful riffs and dance elements and help to bring the soul diva onto the dance floors of 1983. “Crisis” is just that – a woman fighting to keep her troubled relationship from breaking to the last piece of love and care. It can all be heard in Rhetta’s vocals once again where she makes the point several times and then brings it home.

I have taken the 12” vocal and dub of “Crisis” together for this ReStructure Mix and worked a new angle for this one. A new focus on intro and also the breaks where all of the wind down is a waste of time.

• Love Queen Boogie - Glenn Rivera ReStructure Mix - Nonchalance

Nonchallance is a disco project from producer Tony Richard and lead by Patricia Snaric. Released in 1978 the single “Love Queen Boogie” is pure disco camp and more of what the magic realm of sexy disco music was for. The simple melodies are delivered in a light weight fashion along with our chanteuse giving her private fantasies reality. The track is a hidden gem for many of the hardcore French disco lovers and gives us another peak at the world that was formulated so many beautiful disco divas pouring out their hearts.

I have taken the 12” version of “Love Queen Boogie” and rewound the song into a new delivery using an iconic classic as an outline for this ReStructure Mix. There is a winding path now for the sensual yearning that is delivered and now as a pumping that cannot be midnight.

• You'll Never Find (Another Love Like Mine) - Glenn Rivera ReStructure Mix - Bill Fredericks

Bill Fredricks is a soul vocalist from an ensemble titled The Drifters and his career eventually lead him through the 70’s and 80’s dance movement where he recorded a cover of the Lou Rawls Philly classic of “You'll Never Find Another Love Like Mine”. This dance cover was produced by Jerry McCabe (Viola Wills) and Nick Straker. More of an homage to the track in a simple of sincerity of delivering this beauty back to the dance floor in the 80’s manner. Bill leads into a nice warm vocal and leaves one wanting more of his own style in the timely cover.

I have taken the 12” version of Bill Fredricks' cover of “You'll Never Find Another Love Like Mine” and rewired the track for a new ReStructure Mix. There are parts of the original instrumental placed to bring back the feeling in some segments and more of Bill’s wonderful simplistic take on this classic.

• Love In 'C Minor - Glenn Rivera ReStructure Mix - Sphinx

Sphinx is an Italian disco project with Luciano Ninzatti, Matteo Bonsanto, and Stefano Pulga. The trio also brought us Kano and Jimmy Ross. The electronic production is one of the albums which made the transition to the 80’s a slick move to hold on to many of the dance elements left from disco rein in the 70’s. Cerrone’s “Love In C Minor” is covered here and displays a wonderfully arranged instrumental with all of the bass and key segments intact. This venture gives the trio a nice credit to their musical abilities and also concludes how close their minds were attentive to the disco era of the 70’s. A close resemblance is the title of their group being “Sphinx” and the original song being written by Alec R. Costandinos who also has a disco group titled “Sphinx”.

I have taken the album version of Sphinx’s “Love In C Minor” and realigned the production into a new ReStructure Mix. Using the major pieces of the song to make this new version homage to the original in another new way.

• Baby Gets High - Glenn Rivera ReStructure Mix - Peter Brown

Peter Brown has made a mark in dance music history as one of the multi-talented musicians and writers in the industry. His work speaks for itself and lends to an achievement where each new release captures a new essence of his sound. The 1983 project titled “Back To The Front” is again one of his surprises where he takes pieces of his dance experience and ignites a new torch to carry. “Baby Gets High” is one of the releases from the project which is still one of the tracks which many has not received the club play but is a gem among jocks and collectors. This number is a night life stimulant with it light fuzzy sound and of course, Peter’s recognizable and mildly exciting vocal.

I have taken the 12” version of “Baby Gets High” and stripped as much of the rhythms that come into play for this ReStructure Mix. Added are a couple of new breaks and a bongo riff to dress up the new version.

• Silent Morning - Glenn Rivera ReStructure Mix - Noel

Noel Pagan is a Cuban-American vocalist who took hold of a freestyle groove in his track “Silent Morning” from 1987 and made dance floors move. This street-beat pounding rhythm of freestyle has been used early in the 80’s taking a new approach at breaking down the beat from the disco formula and adding a Latin feel with percussion and light keyboard riffs. It was a whole new sound that dance floors from New York, Miami and across the West Coast began to make a new stage for. Noel’s “Silent Morning” is one of the tracks produced by Paul Robb and features David Cole from C&C Music Factory on keyboards which emphasize the true maturity of this sound.

I have taken the 12” vocal, dub and instrumental of “Silent Morning” and re-patterned the beats and style of the track for this ReStructure Mix. A downbeat is placed in segments of the track to introduce the Miami street beat in a whole new way.

• Stop - Glenn Rivera ReStructure Mix - valery Allington

Valery Allington is An Italo-disco project from Maurizio Sangineto (aka Sangy) – whose song titled “Stop” released in 1982 was a gift for those admired the electronic disco feats that had creased during the late 70’s. Italian disco has reformatted the whole arrangement with a simple structure of keyboards and sequencers along with vocalists relaying the message. As Vallery Allington informs her lover here that time is running out on their relationship when he constantly leaves her alone. This one was an instant hit in many of the progressive clubs who jocks could weave in this percolating energy into a program. It also gave was to Ms. Allington as a new act from a producer whose career took off into many direction in the 80’s. An Italo-disco gem!

I have taken the 12” vocal and dub mix to re-blend a new energy into this ReStructure Mix. Taking using of those filters sound to make the song once again relive its exciting elements.

• Love Will Find A Way - Glenn Rivera ReStructure Mix - Pablo Cruise

Pablo Cruise is a 70’s soft-rock band whom started recording in 1975 and created an elegance of fans throughout the early 80’s. Their project from 1978 titled “Worlds Away” contained their big single “Love Will find A Way” – produced by Bill Schnee. Even though the song was a top radio hit in the rock arena it emphasized the rolling bass lines which made up the disco formula and although it is a soft rock styled ballad the sweetness, build and uplifting edge always gave me the pop-disco feel. The song’s vibrancy lives on with the many wonderful elements including the lead vocal by David Jenkins.

I have taken the album version of “Love Will Find A Way” and redefined the song in this ReStructure Mix. A more rhythm defined outline is created by using elements of the original song. Also, a segment from a classic Mike Oldfield project is injected to bring to mind the fusion in rock music during the early and late 80’s.

• L'amour Toujours L'amour - Glenn Rivera ReStructure Mix - Leonore O'Malley

Leonore O’Malley is a pseudo-artist produced by Michaele, Lana & Paul Sebastian – the trio that also gave us Madleen Kane, Theo Vaness, and Pacific Blue. Leonore released two projects and the first in 1979 titled “First..Be A Woman” which gives us the title track which gained some popularity and play and also “L'amour Toujours L'amour” which is homage to the heart and soul of love. The lead vocals are performed by Catherine Russell – and as many disco projects were to relay an image or so did this outline.

I have taken the album version of “L'amour Toujours L'amour” and realigned the funky drops and rolling energy into a new ReStructure Mix. The essence of the song is delivered in a new way and more of the full-on power is outlined.

• Exotic and Erotic - Glenn Rivera ReStructure Mix - Sandy Marton

Sandy Marton is a singer from Zagreb, Croatia who began his recording career in the early 80’s and his arena followed the synth-pop sound with the Italian disco flare. “Exotic and Erotic” is a big single from his 1986 project “Modern Lover” and produced by Italian producer, Claudio Cecchetto (Bizzy and Co., Taffy). The track is one of the pieces which stand out with a chorus which builds from a story of an encounter with a woman who is eye catching and hypnotic. This was one of Sandy’s big numbers as became a club favorite for those who could not stop moving to that uplifting and energetic Italian disco.

I have taken the 12” versions of “Exotic and Erotic” and revamped the energy in this ReStructure Mix. I have added some new bongos to help the story along and also more of the bass driving this song into a frantic pace as it builds.

• Planet of Love - Glenn Rivera ReStructure Mix - Le Pamplemousse

Le Pamplemousse is W. Michael Lewis and Laurin Rinder – the duo who brought the underground to the surface with their funky and laid back dance tracks. Formerly El Coco and Discognosis these talented musicians are responsible for setting the 70’s disco movement into a new realm of rhythmic songs and compositions that extend into a light orchestral flare. “Planet of Love” is from the 1979 project by the same title and is one of the funkiest numbers created by Rinder and Lewis. It engages in an erotic motion of this play land where a groove makes it all seem real. Lead vocals by Carmen Twillie are an extra added sense of fantasy here. It is another hit for Le Pamplemousse and gives way to a new disco funk that in the hands of this group was created on the dance floor – for the dance floor.

I have taken the album version of “Plant of Love” and reworked a new takeoff for this ReStructure Mix. Some down beats are added to give the flimsy percussion a run for its money.

• Just A Gigolo - Glenn Rivera ReStructure Mix - Village People

Village People are the essence of the disco era. The fantasy, the escape, the groove. Created and produced by Jacques Morali who brings to the period a whole new feel of artistry and stage appeal. The second album by Village People is perhaps the most memorable for the underground cult following as its title presents “Macho Man” – one of their greatest stamps to their own commodity. Included in this package is also a cover of Louis Prima’s “Just A Gigolo” which is fitting once again for the outline of the group and also another opportunity to discover Victor Willis’ fabulous lead vocal which are soulful and spastically disco!

I have taken the album version of “Just A Gigolo” and recreated a fantasy ReStructure Mix bringing home Louis Prima’s version to warm up spots of this new version. Also beats pump up the already movin'’ energy to a new place for a new break and fade.

• Put A Little Love In Your Lovin' - Glenn Rivera ReStructure Mix - Gene Page

Gene Page is a musician whose first project from 1972 was the soundtrack to “Blacula” – a black exploitation film. His work during the early 70’s including many talents from the jazz arena. His final solo project from 1980 titled “Love Starts After Dark” is one of the pieces from that disco-funk arena which brings some great tracks to life. “Put A Little Love In Your Lovin’” is an anthem within itself. It has a positive and uplifting message and many powerful moments when it is told by guest vocalist, Alex Brown. The track was one that I would enjoy breaking into a peak set and watching the rhythm and energy take over the floor. It was a nice hidden gem to break out every once in a while.

I have taken the album version of “Put A Little Love In Your Lovin’” and worked into the deeper edge of this ReStructure Mix. Giving way to the powerful vocals from Ms. Brown and the funk infused energy of the song. A new message is given in a whole new way.

• Unexpected Lovers - Glenn Rivera ReStructure Mix - Pseudonym

Pseudonym is a high energy dance project from British producer, Nigel Stock – who also brought us Astaire, Charade and Mirage. This focus is on the 1985 Lime song “Unexpected Lovers” and a mild cover of the classic written by Denis and Denyse Le Page. The track is presented in the Passion Records flavor with heavy rolling bass and a dedicated arrangement to the original with only a switch on lead where it becomes “her” story rather than “his”. The beauty of the composition where two strangers suddenly find themselves falling in love overnight is a hard one to resist for a club record.

I have taken the 12” version of Pseudonym’s “Unexpected Lovers” and recreated a new arena for this ReStructure Mix. Some reminders of the power of the 80’s group Lime are sprinkled throughout the remix and the bass loops are used again to outline the new direction.

• Band On The Run - Glenn Rivera ReStructure Mix - Paul McCartney and Wings

Wings are a band from the early 70’s featuring Paul McCartney one of the disbanded members of The Beatles. They recorded throughout the 70’s and produced several pop-hits including “Goodnight Tonight”, “Live and Let Die” and “Band On The Run” which is spotlighted here as a new variation of dance fusion with its pop-rock edge. The track builds to a paced energy where the title outlines an escape of some sorts which most likely has a social attachment. It is one of the memorable moments from the early 70s in rock history and gives way to another sound and edge created by Mr. McCartney.

I have taken the album version of “Band On The Run” along with a previously released instrumental version to rework a new ReStructure Mix for this rock classic. It is driven by new beats and some percussion and yet still gives it the homage for pop-rock that it marks in history.

• Free - Glenn Rivera ReStructure Mix - Kate B

Kate B is an 80’s new beat/house project from Frank De Wulf and J.P. Ruelle and features Caty Teirlynck and vocals. This hypnotic piece is one of the finales of the Belgium Beat era during the late 80’s. Heavy beats and bass are taken from the house movement and placed over more scarce arrangements as done with this somewhat airy piece of love song where Kate B implores an acquaintance of her availability for going the round. The keyboards here are simple yet effective. They play out in a segment in parts of the track that add to the eerie feel of the song.

I have taken the 12” versions from “Free” and added a more beat conscience base to this ReStructure Mix. It gives the after-hours sound to this already deep grinding recording. The vocals play out again as the sensual overtones and are kept along with the original feel from the keyboards and bass.

• More, More More - Glenn Rivera ReStructure Mix - Dayl

Dayl is an Italian disco project from producers Danny Fisher and Tommy Evans. If you are familiar with this duo as a production team then you are aware of the disco magic they performed on many of their project during the late 80’s under their own title: Evans and Fisher. This cover of Gregg Diamond’s production of Andrea True’s More, More, More” from 1976 is a Las Vegas crescendo explosion with a synthesized symphony accompanying Dayl’s sweet and light vocal. It is a showgirl extravaganza and plays out quite beautifully and in a new way. As this being one of the first disco tracks to catch my attention as a teenager this one is a must to preserve and no one other than Evans and Fisher make it work in a new way.

I have taken the 12’ vocal and instrumental of “More, More, More” and reunited the groove with more of a segmented approach on tis ReStructure Mix. I added some new drums and carried some of the existing percussion along for an extra punch.

• Take Away The Rain - Glenn Rivera ReStructure Mix - Sidewalk

Sidewalk is high energy/electronic project from producers Ian Levine and Steven Wagner. Following their work on high energy dance music throughout the late 70’s and early to mid-80’s a perfected outline and arrangements. High energy music, a continuum of disco music had reached the peak of its own sound during the mid-80s. “Take Away The Rain” is one of the dance tracks which play out with perfection in arena for which it was created. The swirling sounds of electronic strings are the disco compass of time. The vocals have a touch of the 80’s free form and work well over the smooth arrangement which both Ian Levine and Steven Wagner created many times before and once again with this release.

I have taken the 12” vocal and instrumental of “Take Away The Rain” and recreated a dance storm for this ReStructure Mix. More of the bass sequencer patterns are used in several areas to give this new version a whole new direction.

• Disco Darling - Glenn Rivera ReStructure Mix - Top Secret

Top Secret is disco project from Canadian producers, George Lagios and Pat Deserio – both responsible for Bombers and Bob-A-Rela. This 1979 project is an electronic dance layout with the sensual vocals lending to the hypnotic beat of each track. One of the more popular tracks is a cover of the 1975 Walker’s song, “Dance On (Disco Darling)” which plays out as another “Dancing Queen” with the identity similar and the spotlight ion the same direction. This version from Top Secret is close to perfection as the female vocal winds in and out of the track with just the right amount of sex appeal and excitement. It is one of those sexy disco pieces that outlines the disco era in its space.

I have taken the album version of “Disco Darling” and recreated a new device for this ReStructure Mix. A new rhythm and clap track are used to bring the song into a more ecstatic arena and the ooh’s and ahh’s are once again used in new ways.

• Where's Your Love Gone - Glenn Rivera ReStructure Mix - Julie Stapleton

Julie Stapleton is an artist from the early 90’s who recorded the deep house track titled, “Where’s Your Love Gone” produced by Alexandre Kalunszynski, Chris Forbes and Nick Austin (better known as V4 Visons). This eerie piece has a whispery delivery from Julie when she states to her lover that is amicably over. The distance from the deep house edge and her somewhat carefree vocals work well in the mixture. Although this one may resemble one you may have heard during this extensive fusion period of house music it has many great qualities to remain in a memorable piece.

I have taken the 12” inch version of “Where’s Your Love Gone” and worked the deep bass mix into a new ReStructure Mix to pay homage to this period of house music. There is a new rhythm track to bring out the mellow edge of the song and a new fade out that calls for more closure.

• Keep It Up - Glenn Rivera ReStructure Mix - L.U.P.O.

L.U.P.O. is Lutz Ludwig – a DJ of a Munich nightclub who took his mixing craft into recording his conceptual house music on the Low Spirit Recordings label in 1990. “Keep It Up” is his first single and one of the underground tracks which caught the attention of the hardcore club jocks. The emphasis on the groove is the power behind this one and the light spoken rap is an antidote for any party on the floor. This one is perhaps one of the cutting edges of new beat and house music where the groove is hard core art form and the layers working above are the fascination of an offbeat subject.

I have taken the 12” vocal, dub and afterhours mix of “Keep It Up” and moved this party into another space for this ReStructure Mix. Not only do we have a dialogue by “Cathy” here but also a cameo from another party starter from the 70’s, Ms. Gloria Gaynor.

• Midnight Rhythm - Glenn Rivera ReStructure Mix - Midnight Rhythm

Midnight Rhythm is a disco session project from producers Joe Long and Robby Adcock. This album released in 1978 is one of the monumental sounds of the shit and popularity of disco music. A full orchestra with layers of strings and horns along with the soon to be high energy feel which the end of the 70’s disco era demanded. The first single from the project “Workin’ and Slavin’ (I Need Love)” is one of the uplifting songs of that year and one of the big hits on dance floors. “Midnight Rhythm” is a single from the project which encompasses the nightlife as it moves and becomes a fantasy playground. This one is the sound of disco as it moved onto its final stages and uses the excitement that this period will always be known for.

I have taken the album version of “Midnight Rhythm” and rewired a new play for this ReStructure Mix. I have added some new drums and used the existing pieces that give the song its magic in a new edit.

Special thanks to Mr. Ramon Sandoval from Facebook who worked in this production bringing us the power of disco music forever.

• Work Hard - Glenn Rivera ReStructure Mix - Depeche Mode

Depeche Mode is an English electronic band who became one of the innovators of the 80’s dance sound. Their rein began quickly and lasted to this day and their sound continues to resonate with their original edge intact. The band consists of Alan Wilder, Andrew Fletcher, Dave Gahan, Martin L. Gore and Vincent John Martin. “Work Hard” is a single recorded in 1983 as a B-side to their hit “Everything Counts”. This is one of the moody and somewhat diabolical sounding tracks with their haunting vocals expressing the reality of life. It is one of my favorites as during its release it also created a new style of 80’s mixes where a sudden still may occur at any time in the song no matter what the energy level or typical flow may have allowed.

I have taken the 12” “East End Mix” and reworked the track for this ReStructure Mix giving more attention the into and of course a few new breakdowns. There are some great keyboards riffs which I have extended and recreated a new path for this new version.

• Get Ready To Go - Glenn Rivera ReStructure Mix - Tantra

Tantra is an Italian disco project from La Drogueria Di Drugolo, Quelli Del Castello and arranger, Celso Valli. Their project titled “Hills Of Kat Mandu” from 1979 is one of the wonders of dance music with its haunting yet enlightening sound. The session plays out like a mystic journey through each song as it gives an explanation of what is now and to come. It truly is one of the masterpieces of recordings. “Get Ready To Go” is a track from this project that also gives off a deep sense of understanding and mind full thinking with the tambura breaks giving off the powers of a meditative soul. The production is also one of the key factors where each track although somewhat similar give off its own energy. A trait with arranger Celso Valli many do not even realize the power of his work.

I have taken the album version of “Get Ready To Go” and took a deep dive into the piece as the outline for “Hills Of Kat Mandu” achieved. This ReStructure Mix gives a introduction to the answer and then plays out the lesson these verse from the chours bring to the light.

• I Can't Live Without You - Glenn Rivera ReStructure Mix - Sean Taylor

Sean Taylor is a disco artist produced by disco pioneer, Jacques Morali (Village People, The Ritchie Family, Phylicia Allen) in 1983 and released on West End Records. This jittery electronic love song has some nice qualities which welcome Morali into the early 80’s dance arena where all of his big orchestrations are covered by heavy synthesizers and keyboards. This single was another of his new ventures as was his stint with the Earth Kitt disco tracks of the early 80’s.

I have taken the 12” version of “I Can’t Live Without You” and reimaged the track with a more melodic mix as the song intends. Breaking up the percussion breaks along with verse and the roaring chorus into a new ReStructure Mix.

• Zero - Glenn Rivera ReStructure Mix - Gepy and Gepy

Gepy and Gepy are a disco group headed by Italian singer, Giampiero Scalamogna. Their 1979 project titled “Body To Body” is one of the early sings of disco music still holding its court in the early 80’s. Geoff Bastow who also gave us the 80’s gem “Don’t Stop” by K.I.D. arranged the tracks and does a beautiful job with “Zero”. This one always reminded me of an Engelbert Humperdinck love song cast to the disco beat. There is desperation of love here and a plea that creates a wonderful resonance for this love song. It is one of the pieces that fit into many of my high energy sets although the melody gives off a swirling orchestral like edge.

I have taken the 12’ version of “Zero” and redirected the love again for this ReStructure Mix. A new hardline beat and percussion are added to stir up the feet as well as more emotions.

• Barry White Medley - Glenn Rivera ReStructure Mix - Band of Gold

Band of Gold is an ensemble pieced into a session group by Dutch producer Jaap Eggermont – the man who made the “Let’s Do It” Medley into “Stars on 45” during the early 80’s. This 1984 project features a medley of hits by Barry White and done quite beautifully with the arrangements and these session vocalist reinterpreting the soul and disco hits again. This one was more of an impact with the top line production and gives each one of the cover versions a new appeal. From the early 70’s when Barry White was bringing his new orchestral fusion to soul music and bringing disco into the light – is captured here with the motion and heart.

I have taken the 12” version of Band of Gold’s “Barry White Medley:” and focused on the beautiful strings and swirling crescendos in disco form for this ReStructure Mix. Much of the content is rephrased and used only in pieces along with some new percussion and extended melodic parts of the dub version.

• I'll Dance To That - Glenn Rivera ReStructure Mix - Sylvester

Sylvester is alive again with this track titled, “I’ll Dance To That” – from his 1980 album titled “Sell My Soul”. Produced by Harvey Fuqua and Sylvester this track gives us a nights celebration where life is good and promising so that the dance floor is “thanks”. A big chorus makes this one irresistible and uplifting. One of the great tracks from Sylvester which missed it opportunity as a big dance floor mover if released as a 12” remix – however Fantasy Records may have been grooming him for a big change as we find a year later in his jazz-fused “Too Hot To Sleep” project. It was the music that 1982 brought with Megatone Records which is what Sylvester was made to create.

I have taken the album version of “I’ll Dance To That” and rewired the energy for this ReStructure Mix to fill in lost time with this very talented man. Sylvester’s message gets relayed again with a more extensive move into the dance realm. It is what we know of Sylvester and will never forget.

• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - Digital Game

Digital Game is an Italian disco project with Alessandro Novaga leading the project. They released three singles in the early and mid-80’s which were covers of K.C. and The Sunshine Band – with the electronic twist. “I’m Your Boogie Man” is their 1983 initial release which gives the bouncy rendition from the disco horns of the original version. Vocoders dictate the verses and chorus in an obviously robotic flare to give off a camp-like feature. The sequencers here are the sticks that make this Italian disco piece play out as a sort of mystery. It is clever and hard to resist for anyone who can remember doing “the bump” to the original.

I have taken the 12” vocal and dub mix of Digital Game’s “I’m Your Boogie Man” and recreated a new kind of mischief for this ReStructure Mix. There are more flash edits to make the notes jump out into the crowd and a breakdown for the close.

• Burnin' Hot - Glenn Rivera ReStructure Mix - Jermaine Jackson

Jermaine Jackson is the oldest of The Jackson family and is also one of the successful solo artists of the 80’s. His work from a solo artist beginning in 1972 always displayed another talented man from the Jackson family. His 1980 project titled “Let’s Get Serious” contained another sensational dance track titled “Burnin’ Hot” which plays out just as it sounds. Another winding track with a funky baseline which builds into a rolling break full of energy. Produced by Jermaine and has some wonderful riffs which hold up the works where his success in the latter part of the 80’s gets real.

I have taken the album version of “Burnin’ Up” and rewired a new ReStructure Mix taking complete control over the breaks and flow of the new remix. There are several new segues into drop breaks and a winding fade out.

• Freak Your Boom Boom - Glenn Rivera ReStructure Mix - Hank Ballard And The Midnighters

Hank Ballard and The Midnighters is a vocal ensemble whose recording career began in 1958. The group went through several member changes – Hank Ballard, Henry Booth, Charles Sutton and Sonny Woods are the members who recorded their 1979 disco single, “Freak Your Boom Boom” – which was produced by Hank Ballard (also writer) and Luther Dixon. This track takes the soulful road with vocals that express that deep groove which plays out with a bass guitar and a lite drum beat. One of the great pieces which was lost in the many releases of that year. “Freak Your Boom Boom” is the outline that disco music was built on where the dance floor follows along and works out to the record. A nice return to the retro disco sound of the era.

I have taken the 12” version of “Freak Your Boom Boom” and resurfaced the song for this ReStructure Mix. There is a new heavy drum beat added along with some percussion to bring this one back to the floor for more.

• Premintal - Glenn Rivera ReStructure Mix - D.A.N.

D.A.N. is an Italo-disco project from 1982 and produced by Romano Trevisani. This instrumental track uses heavy bass rhythm guitars to work a groove. It is one of the early Italo-disco pieces which once again took musicians utilizing their present skills to take part in the formulation of what this music from Italy was all about. It was the reshaping of the disco sound in a whole new way. “Premintal” is one of those pieces which may have been used for a transition mix, but the recording itself still plays out as a forerunner in a new style of music which would last throughout the 80’s.

I have taken the 12” version of “Premintal” and focused in a whole new direction for this ReStructure Mix. The new version plays out with excerpts from the 1976 version of “A Star Is Born” and features pieces of the soundtrack as a placement for this exercise.

• Catch Me (I'm Falling In Love) - Glenn Rivera ReStructure Mix - Marsha Raven

Marsha Raven is a high energy vocalist from the U.K. whose first single titled “Catch Me (I’m Falling In Love)” began a whole new era of dance music called ‘high energy’. Produced by Ian Anthony Stephens in 1983 this powerhouse spectacle brings together the electronic age of disco arrangements with drums and soaring strings. The track itself has a built that takes on several movements and with Marsha Raven at the helm of vocals this one makes the return of the “disco dolly” inevitable for the 80’s. The song is one of the big moments dance floors again shifted into a “high” gear literally and also made dance labels aware that people were not quite finished with disco yet, again.

I have taken the 12” version of “Catch Me (I’m Falling In Love)” and rewired the energy into a ReStructure Mix which extends once again the energy and excitement. There is a cameo from Fontella Bass to clear the air and more breakdowns than ever thought possible for this classic.

• Love and Desire - Glenn Rivera ReStructure Mix - Gina Desire

Gina Desire is an electronic disco project from Bobby Orlando. One of the big moments again for Orlando as he gained his momentum with projects and releases – where this single “Love and Desire” paints a similar edge to his past work yet plays out fresh. This single is a simple statement however the rolling bass synthesizers are the magic once again. It is as hypnotic as his earlier work at the start of the 80’s yet this one gives us the camp-side of high energy disco/dance music in a form that works. The vocals are provided by a studio vocalist in a sexy and vigorous performance.

I have taken the 12” version of “love and Desire” and re-lit the fire for this burning love song in this ReStructure Mix. The new power comes in loops and edits which outline the percussion and some of those heavy bass drops.

• The Promise - Glenn Rivera ReStructure Mix - When In Rome

When in Rome are Andrew Mann, Clive Farrington, Michael Floreale and Rob Juarez. This English ensemble created one of the unforgettable dance tracks from 1987 titled “The Promise”. Produced by Ben Rogan this immediate hit was all over dance floors with its pleading vocals leading the chorus into many feet and minds. The track was a radio hit also where the band gained some notoriety and released a follow up CD in 2006. A heart fond of the love and dedication to their music makes this piece an old-school classic.

I have taken the 12” vocal. Dun and instrumental and reworked “The Promise” for this ReStructure Mix and in a new way. I focused on an underground and more after-hours feel for this version and have added the keyboard riffs for an airy and moody effect.

• Romance - Glenn Rivera ReStructure Mix - Billy Newton Davis

Billy Newton Davis is a soul, gospel and jazz singer/songwriter who released a singer titled “Romance” in 1981 – produced by Boh Tanasijczuk. This track is one of those pieces which have the elements of a classic underground number. It has a nice rhythm guitar and bass lead and rolls over and over into a fulfilling destination. It was one of the secret weapons that I would use to either win down a high energy night set or beef up an after-hours program. The production is dance floor intended and along with Billy’s vocals this track works like magic. Appears to be a simple execution but there is more under this great dance song as you let yourself go with it.

I have taken the 12” version of “Romance” and reworked a new ReStructure Mix to homage to both Billy as the leader of this recording and also the songs underground feel. I have reintroduced it with a new downbeat intro and a couple more added breaks.

• Rush Rush - Glenn Rivera ReStructure Mix - Debbie Harry

Debbie Harry is an icon of the 70’s. Her career beginning with Blondie, a nu-wave band made her move onto a solo career a lasting presence throughout the 80’s. “Rush Rush” is a single she released in 1983 – produced by Giorgio Moroder and is featured on the soundtrack to the motion picture, “Scarface”. This electronic pulsating piece has Moroder’s 80’s sound at the start of the transition. A wind-pipe sounding effect gives the song a nice rhythmic sound which echoes a touch of nu-wave-ish feel with the off notes and pattern. Debbie does another wonderful sexy delivery here that gives the song more mystery and movement for its play.

I have taken the 12” vocal and instrumental of “Rush Rush” and re-ignited a new force for this ReStructure Mix. There is a new strip down on the bass and some new pounding beats added atop the already frantic mix.

• Pump Up The Volume - Glenn Rivera ReStructure Mix - M|A|R|R|S

M|A|R|R|S is Alex Ayuli, CJ Mackintosh, Dave Dorrell, Martyn Young, Rudy Tambala, Russell Smith and Steven Young. This innovative dance project was aimed at the house music sound which was becoming the outline for remixes and a new genre of music in the late 80’s. “Pump Up The Volume” is one of the big dance tracks of 1987 and plays out with emphasis on the scratch DJ and the rolling bass line. This one uses samples from pretty much all arenas and gives initial exposure to vocalist Ofra Haza. A medley of sorts yet it contains more of an art form of pieces and parts all united in one song.

I have taken the 12” club, instrumental and dub version of “Pump Up The Volume” and resliced the track in a new ReStructure Mix. My concept here is a step back to the disco rule and a few of the big riffs which made the dance floors move. There is more of a medley feel here and also a breakdown of some of those segments.

• We Must Believe In Magic - Glenn Rivera ReStructure Mix - Gregg Diamond Bionic Boogie

Gregg Diamond Bionic Boogie is one of the forerunners of the early disco generation to create the outline of the music of its time and what was to come. His arrangements and productions were a touch of musicians playing out the groove along with the orchestral strings and rhythmic percussion of the dance floor fantasy. “We Must Believe In Magic” is from the first project from 1977 and features on vocals Gwen Guthrie, Yolanda Mc Colclough and Zach Sanders. The track is one of the uplifting anthem-like pieces from Diamond and plays out with a great deal of heart and soul. Like most of Diamond’s work there is an alternating message in the track that works within its own. A great piece from a classic album and the master mind of Gregg Diamond.

I have taken the album version of “We Must Believe In Magic” and refocused on extending this wonderful message. The intro has more of a whirling sensation applied and a closing with a fade out is provided for a reoccurring chance.

• Everybody Wants To Rule The World - Glenn Rivera ReStructure Mix - Tears For Fears

Tears For Fears is Curt Smith and, Roland Orzabal. Their recording career began in 1983 and leads them onto releasing an 80’s anthem which outlines the sound of the synth-pop era. “Everybody Wants To Rule The World” is a rolling dance track which creates a hypnotic and realistic thought of where we are now. The chorus is perhaps one which holds on through time and falls well into the lyrics and power of the songs dynamic. Tears For Fears makes the 80’s seem more real than many songs of the time.

I have taken the 12” version and instrumental of “Everybody Wants To Rule The World” and reimagined the song as an early morning dirge to the suns rising. This ReStructure Mix takes pieces of the song and reworks the arrangement and adds a few new breakdowns and breaks to give it a lasting feel.

• Love On The Rocks - Glenn Rivera ReStructure Mix - Lama

Lama is an electronic dance project from La Drogueria Di Drugolo and Quelli Del Castello also known as Katmandu Productions. Best known for their work on the Tantra/”Hills Of Kat Mandu” project along with conductor and arranger, Celso Valli (Passengers, V.I.S.A., Nuggets, Tantra) the magic is once again achieved in this cover of Lucio Battisti's song "Il Veliero" from 1976. The arrangement here transforms the original acoustic feel into a whirling pattern of sequencers and echoes of piano overtures. “Love Is On The Rocks” is a moody piece which works well with the genre that Katmandu Productions is best known for in the Italian disco genre. The vocals are as haunting as the silent yet crashing effects that seem to portray a relationship heading for disaster.

I have taken the 12” vocal and instrumental of Lama’s “Love Is On The Rocks” and reweaved a ReStructure Mix for another trip down this road. It features a new drum track and some percussion added to give the haunting effect of the song more of a push of energy.

• Drums On Fire - Glenn Rivera ReStructure Mix - Gazuzu

Gazuzu is a group from The Netherlands led by Adams & Fleisner – a production team also known for tracks by Digital Emotion, Dr. Groove and Tempo Rubato. The full electronic assemblage was the sound of the mi-80’s with a touch of the street beats to give it flair. “Drums On Fire” is their 1982 single and plays out as it states – a drum beak with lots of ad-libs and fun along the way. A jungle disco in the works is more of a description. The group consists of Annelies Graave and René Portegies and is one of the pieces that made my dance floor party even more when the drums were placed on the dance floor.

I have taken the 12” long and instrumental versions of “Drums On Fire” and relit a new ReStructure Mix. This time around more of the crazy pieces of the feedback from the clan are extended and presented with new edits

• Pilot Error - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills is a diva among discophiles. Her music has been an effect on the dance floor from start which creates a powerful and lasting dance experience. “Pilot Error” is her 1983 release from the album “Merciless” – produced by David Wolfert and Gary Klein. This funk-disco track is an outline of a relationship whose problems arise from the lack of experience in dealing with issues – as the song portrays a serious moment gone awry. The production is one that plays out well with the beats and bass as the song catapults into an emotional disaster – but the dance aura works in the opposite direction.

I have taken the 12” version of “Pilot Error” and remapped the track into a new trip for this ReStructure Mix. Pieces of the percussion are used in new ways and there are some trigger loops to make up some new breaks.

This ReStructure Mix is dedicated to Steven Greer – for his everlasting love for this great diva.

• Music Box - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King

Evelyn “Champagne” King is a voice that will not soon be forgotten. The impact her talent made on the music industry is one that begins a soulful experience in disco music. Her single “Shame” from 1977 bridged the sound of soul and emotions to the disco arena. The effect was instant and gratifying giving this wonderful voice a stage for her music and energy. “Music Box” comes from her follow-up project from 1979 by the same title. Produced by Sam Peake and Theodore Life – along with Instant Funk and Luther Vandross as musicians and backing. This single is another example of Ms. King’s powerful vocal which play out with a rendition which gives the soul a moving experience. The piece is just as effective as her initial hit with a build and breakdown which makes the dance floor once again pay close attention.

I have taken the 12” version of “Music Box” and rewired a new ReStructure Mix to give this one another place. There are a few new breaks and looping edits to give it a new shine with the original soul intact.

• C'mon And Get My Love - Glenn Rivera ReStructure Mix - D Mob introducing Cathy Dennis

D Mob is a British house music producer named Danny Poku – his venture with vocalist Cathy Dennis in 1989 is a Euro-house track that brought her to the forefront. Cathy Dennis became one of the club artists who seemed to pump out hit after hit during the early 90’s. “C’mon And Get My Love” is a fantastic track and gives Cathy an opportunity to exude her sensual and hypnotic vocal appeal. It would be her mainline to a new audience and a dance floor awaiting her next move.

I have taken the 12” vocal, dub and piano mixes of “C’mon And Get My Love” and rehoused the song with some new breaks and elements for this ReStructure Mix. Cathy’s sweet vocals are broken into segments for the beats and house bass to play a whole new game.

• Love Comes Easy - Glenn Rivera ReStructure Mix - Vera

Vera is one pf those dance projects which mark for me a period of new discovery and excitement. Following the fading of the disco era for myself there were a shortage of dance tracks that were beautiful, melodic and built of a pulsating beat. Vera is a project which was began by producer and musician Louis Toteda along with Patti Masi at the vocals – which created an instant club classic titled “Take Me To The Bridge” released in 1980. The production was a new found energy for dance and although it encompassed the disco edge the sound created a new need for this concept in the early 80’s. It was magic for me to hear a beautiful voice over sweeping music once again. “Love Comes Easy” is a single from Vera released in 1984 and was produced by Louis Toteda and Joe La Greca. It is another fine example of the new energy being created in the 80’s for dance music.

I have taken the 12” vocal and dub version to recreate a new ReStructure Mix for those homage to the talented individuals involved. There are some new percussion riffs added and a cameo from The Commodores as fitting with the lush but tame energy here.

• In The Heat Of The Night - Glenn Rivera ReStructure Mix - Tapps

Tapps are a high-energy/dance project from Allan Coelho and Tony DaCosta and features vocalists Barbara Doust and Candy Berthiaume. Their music from 1983 to present has always been a welcomed feat to dance floors. Many of their singles are club classics that are now featured and rediscovered by many dance music enthusiasts. “In The Heat Of The Night” is their 1985 single – produced by Carolynne Saxton and John Forbes. This track is a departure from their fast moving energy pieces and takes on more of an 80’s rock-anthem in the after-hours form. A bit moody and emotional yet the essence of the single is the Tapps recipe which always brings together the group as a standing project for the dance floor.

I have taken the 12” vocal and instrumental version of “In The Heat Of The Night” and reworked them for this new ReStructure Mix. There is more of the vocal and verse laid out for the power of this heartache in the night track. New drums are also added to give it a new shine.

• Prison - Glenn Rivera ReStructure Mix - Space

Space is a French disco project from Jean-Philippe Iliesco, producer and Ecama, and Roland Romanelli, arrangers. This band was a forerunner in the synth-electro sound where innovation was taking their sound into a realm in a futuristic arena. Their 1977 project titled “Deliverance” is one of their most incredible contributions in this genre of disco music. As Cerrone and Alec R. Costandinos set precedence for Euro-disco in the mid-70s – so did Space for this futuristic sound and delivery. “Prison” is the initial track from the album and features a powerful vocal from Ms. Madeline Bell – a vocalist who always has a recognizable and extreme edge to her tones. This track paints the story of an outside influence on an individual trapped in a torturous relationship and a plea to flee to arms that can release them. It is always the most incredible emotions in music Space and on the side of the spectrum their instrumental always relay a force beyond our own planet.

I have taken the album version of “Prison” and relaunched it in to new sound for this ReStructure Mix. There is a new intro to ready us for the drama ready to begin and more of the drums and percussion added to give this rhythm a new place.

• Want Ads - Glenn Rivera ReStructure Mix - Ullanda

Ullanda McCullough is a voice that you have heard in dance tracks by Michael Zager Band, Thelma Houston, Joel Diamond, Quincy Jones and Rice and Beans Orchestra. Her debut solo album released in 1979 titled “Love Zone” gave this lady an opportunity to work her talented voice throughout several big disco numbers. The project was produced by Bernard Drayton, George McMahon and Leon Pendarvis. This package included a cover of the soul classic “Want Ads” from Honey Cone originally released in 1971.This polish disco version is a drama in a new way with the full arrangement bringing this song to life again. It is Ullanda’s step out into the spotlight and it was an exciting moment to hear this talent grow.

I have taken the 12” version of Ullanda’s “Want Ads” and redelivered it in a new package for this ReStructure Mix. Snippets of the original are placed for memorable moments and more of the track in reworked into a new play.

• Valley Of The Dolls - Glenn Rivera ReStructure Mix - Giorgio

Giorgio Moroder is the master player whom brought electronic music to the surface in the mid-70’s and on to becoming a motion picture composer using his own skills. His early disco projects are not only classics in the disco arena – they are also a plateau for many current artists and music followers. His trademark has always been the phasing of electronic keyboards and sequencers – the sound he brought to life with Donna Summer’s “I Feel Love”: in 1977. “Valley Of The Dolls” is another piece created for the motion picture “Foxes” release in 1980 – where he also produced several dance tracks on the double album. This movement of music contains points of the film where the drama plays out in extreme circumstances and relays the emotion and danger the film displays. Although it is most known to his hardcore followers it has the elements of Moroder and his best.

I have taken the album version of “Valley Of The Dolls” and rein spired a ReStructure Mix that aims right to the heart of the score itself for the dance floor. The fantastic rolling bassline is used over and over to give this new version a face that is indelible.

• On Hold - Glenn Rivera ReStructure Mix - Jolo

Jolo is Jo-Carol and Lauren Carter – two ladies who are better known as The Patrick Cowley Singers (along with Paul Parker). Performing on Cowley’s first two albums gave these ladies exposure and an audience. “On Hold” is their 1983 single – produced by Maurice Tani, Arthur Adcock and Jolo. This piece has a pop-edge to the sound and feel – it may have been an influence to mold to the rock-dance sound. Their harmonies are a bit more directed at a more Go-Go’s type of sound. This was a Megatone 12” single which marks the history of dance music from the masters who helped to take over the 80s – following the disco era of the 70’s.

I have taken the 12” version of “On Hold” and have given it a complete re-wiring for this ReStructure Mix. Adding some new downbeats and using the existing drum fills to give it more of a bold club feel. There is an edit on the arrangement and strip down closing to a drop out.

• Beat Of The Night - Glenn Rivera ReStructure Mix - Maggie

Maggie is a Canadian disco project from the one and only Mr. Robert Ouimet – the man who is one of the talented individuals who have dedicated his life to making dance/disco music his cause and reputation. His production here with “Beat Of The Night” from 1984 is one of the pieces I always considered “spectacle” disco where the heart and soul is set on celebrating the aura of the club scene. The mood sets a fantasy of a night filled with excitement and always something to lift the spirit. It is the true essence of what I always believed disco music was about also. Maggie does a wonderful time here with her convincing lure of promise where the song makes the temptation hard to resists.

I have taken the 12” club and instrumental version of “Beat Of The Night” and reworked the “beats” to focus a new direction in this ReStructure Mix. I have pulled the fabulous drum beats into several new areas where the display of the “beats” makes way for a new experience.

This ReStructure Mix is dedicated to Mr. Robert Ouimet – thank you for life’s work in making the mirror ball shine on-and-on!

• High Energy - Glenn Rivera ReStructure Mix -Timbuli

Timbuli is a Euro-house/techno cover of Evelyn Thomas; 80’s classic, “High Energy” – produced in Germany by Rachid Nouri, Amir Saraf, Mehmet Sönmez and Ulli Brenner. This cover is aimed at the techno dance floor where the beats reave up faster and faster to keep pace with a hopping dance floor. It is quite mild and flowing along with the new vocal from Timbuli which is somewhat buried in the back but adds a new mystique in the new experience. The pulsating beats make this as exciting as the context of the track where the new energy is definitely “high”.

I have taken the 12” vocal and dub of Timbuli’s “High Energy” and reignited it for this ReStructure Mix. There are pieces of the original version produced by Ian Levine and Fiachra Trench to punch up moments of the new remix and pieces of the new version that are extended and re-flashed.

• Under The Boardwalk - Glenn Rivera ReStructure Mix - Tom Tom Club

Tom Tom Club is a spin off from Talking Heads led by Tina Weymouth and Chris Frantz. Their big club hit “Genius Of Love” from 1981 gave them a led in an alternative synth-pop dance arena. Always a sense of creativity and innovation in their sound and approach to dance music. “Under The Boardwalk” is a cover of The Drifters 1964 pop/soul hit. This again another creative approach at a remake where a reggae stylized rhythm is applied and the cartoonish-like vocals fit perfectly and snug in their place. This was a big hit for my club and also for many nights where a wind-down was required and this one always worked magically.

I have taken the 12” version of “Under The Boardwalk” and reapplied the rhythms here to a new ReStructure Mix. The original plays a part in this version and also gives way to a longer and more laid back arrangement.

• Warlord Part 2 - Glenn Rivera ReStructure Mix - The Immortals

The Immortals are an electronic disco project from Ian Guenther and Willi Morrison – the duo who brought us some of the most phenomenal dance projects including. THP Orchestra, The Grand Tour, The Duncan Sisters, Sticky Fingers and Skatt Brothers. This venture from the disco productions of the 70’s to the synth-pop of the 80’s was a curve ball for their game. “Warlord Part 2” is the B-side to their 1979 release is a sense of power in the direction to where dance music was headed. This fantasy tale of a “game of thrones” feel of players is an all most make shift for a theme for action as it plays out with a reality. It is one of their turns into a new area and genre of dance music and is successful as many underground disco fans are aware of this club record.

I have taken the 12” version of “Warlord Part 2” and have taken the fantasy into a new ReStructure Mix. The beats have been electrified and pulsed up for a new groove for this almost theatric sound and imaginative feel.

• Tie U Up - Glenn Rivera ReStructure Mix - The Three Degrees

The Three Degrees are one of the golden voices of soul and disco music. Many of their hits are made thanks to their beautiful harmony and delivery. “Tie U Up” is from their 1989 project titled “..And Holding” – produced by Buzz Amato and John Abbey. A departure from their high energy disco numbers of the late 70’s and early 80’s and onto a funk-driving bass and kick drums. A touch of the Jimmy Jam – Terry Lewis feel from Janet Jackson’s “Control” project. This one gives the ladies a bit of defiant love and dedication to a heart. The chorus is self-explanatory and gives this piece a touch of sleaze but still elegant thanks to these three ladies.

I have taken the 12” vocal and instrumental versions of “Tie Me Up” and re-secured it for this ReStructure Mix. There are some new beats and percussion added to guide the funk of the groove into a hardcore dance track.

• Together Forever - Glenn Rivera ReStructure Mix - Rick Astley

Rick Astley (Richard Paul Astley) is a singer from the U.K. whose voice ignited the mid-80’s with beautiful and soulful results. His first project produced by Stock Aitken and Waterman is one of the most memorable of the time. Rick has a fantastic voice which has the effect that Barry White had in the early 80’s. It was a romantic feel and the dance tracks which SAW created were perfection for this celebrated new star. “Together Forever” is from his 1987 album “Where Ever You Need Somebody” and is the outline of the powerhouse productions that the three producers were well at creating and along with Rick’s vocals the music is still intriguing and uplifting.

I have taken the 12” version of “Together Forever” along with a short instrumental the new “reimagined” ballad piece and reworked a new ReStructure Mix for this classic. The bass synths are realigned and re-patterned and a break in the energy is put to a halt for a slow climb back to the energy.

• Rock City - Glenn Rivera ReStructure Mix - Roderick Falconer

Roderick Falconer is a glam rock artist from the mid-70's. His second album titled “Victory In Rock City” from 1977 featured the track “Rock City” – which is a tribute to the rock genre and mentioned artist, The Beatles and their contribution at creating rock and roll history. Falconer’s single became a part of the disco single phenomena thanks to it 60’s edge groove and upbeat rhythm. It is one of the pieces that are a crossover during a time when rock and disco could share their identities calmly. This one works for those who love alternate tracks that move like a club anthem.

I have taken the 12” vocal and instrumental of “Rock City” and have re-wired the song for this ReStructure Mix. The fantasy that exists within Falconer’s lyrics playout as The Beatles make their cameo several moments within this mix.

• You Can't Help (Sentimental Sunday) - Glenn Rivera ReStructure Mix - Flesh

Flesh is Coral Gordon, Janice Hoyte, Stephen Lironi and Douglas Macintyre – an ensemble produced by Steve Harvey from 1985. “You Can't Help (Sentimental Sunday)” is one of my favorite club records of that year. A big hit for my dance floor and one that was infectious drawing more and more to the floor as the track played on. There is so much in this track that it feels complete and secure within its own sound. I always pictured this as an underground hit for The Pointer Sisters at the time – however Flesh is one with two great female vocalists who make the songs lesson – where meeting a new love interest on Saturday makes Sunday feel “sentimental”. It has everything from great keyboard breaks to vocal riffs.

I have taken the 12” vocal and instrumental versions of “You Can't Help (Sentimental Sunday)” and rewired the energy into this ReStructure Mix. I have extended the intro and placed more of those gospel-hard hitting organ breaks into play in this mix.

• Donna Rouge - Glenn Rivera ReStructure Mix - Fake

Fake is a Swedish band whose big hit “Donna Rouge” from 1982 is an Italo-disco gem. A touch of the 80’s synth-pop edge on the reminiscent vocals and has always brought to mind the “new romantic” sound of the 80’s, This slick piece of dance material flows like a wonderful melody in the Italian disco flair. It is perhaps one of the most influential for those who were hearing this sound for the first time. Produced by Fabio Sbaragli – this one bears all of the innovation that Italian disco music had successfully utilized brining the 80’s a new catalogue and artists and songs such as Fake’s “Donna Rouge”.

I have taken the 12” version of “Donna Rouge” and the 7” instrumental to rework its magic into a new ReStructure Mix. A heavy downbeat brings this version into more of house feel and some elements that are used to push the limits a bit more are a part here.

• Ending Up On A High - Glenn Rivera ReStructure Mix - Seventh Avenue

Seventh Avenue is a high-energy project from “the masters”, Ian Levine and Fiachra Trench. This is a concept group which began in 1979 with their album “Midnight In Manhattan” and then revised in 1984 with the release of the single “I Hear Thunder” which brought their upbeat Broadway celebration feel disco arrangements into a new dance period with a full electronic arrangement. A new line up of men were assembled for the group and a make-over created a whole new, yet reminiscent view of the concept group. “Ending On A High” is another bright and swirling love song with the two discovering a new found affection when close to a break up. The track did quite well in the dance palaces which featured anthem dance tracks as a norm and club that clamored for high energy.

I have taken the 12” vocal and instrumental of “Ending Up On A High” and as being a favorite of my own, I reignited the piece for this ReStructure Mix. The accapella intro has become the movement of the remix and some new arrangements on verses and choruses are newly placed.

• Stop In The Name Of Love - Glenn Rivera ReStructure Mix - Gloria Gaynor

Gloria Gaynor is disco music’s muse. Her voice has been the soulful sound of disco music since the inception of her recording career in 1975. “Stop In The Name Of Love” is her cover of the Motown classic from Diana Ross and The Supremes. It is from her project “Gloria Gaynor” released in 1982 and produced by Amir Bayyan. This is one of the most in-depth approaches at a cover of a classic where it is completely edged with a new sound as Gloria’s vocals transform the pop track into a soulful rendition. A nice rhythm and blues arrangement and sound make it shine as if it were bringing the song to light for the first time.

I have taken the 12” version of Gloria’s “Stop in The Name Of Love” and revised it again for this ReStructure Mix. There is a longer intro and a take on the original arrangement for a new approach.

• Money Runner - Glenn Rivera ReStructure Mix - Scotch

Scotch is an Italian disco ensemble created in the early 80’s and features
Fabio Margutti, Franz Felleti, Franz Rome, Manlio Cangelli and Vince Lancini. Their single “Money Runner” from 1985 is one of the pieces which helped to move Italo-disco into a new sound utilized the power beats and keyboards with a touch more of the house-sample touches along the way. It is one of their strongest dance tracks and a story that is up to whatever you feel within the chants and verses. It is produced by Zambelli Bros and has a lasting crescendo that will bring back that brightly lit dance floor igniting from the motion and energy of the music.

I have taken the 12” vocal and instrumental of “Money Runner” and retouched the song for this ReStructure Mix. The rap segments are removed and more emphases are placed on delivering that breaks and chorus pieces.

• What Have I Done To Deserve This? - Glenn Rivera ReStructure Mix - Pet Shop Boys / Dusty Springfield

Pet Shop Boys are the magic of the 80’s. Their contribution to the 80’s is priceless when you look closely at the music and their main focus which has always been to deliver a dance track celebrating that entire disco created in the 70’s. Their clever wits and phrases helped to make their new sound as alternative as possible while feeding beats and rhythm into the dance floors. “What Have I Done To Deserve This” is a fine example of a feeling of walking into the middle of a conversation and still understanding its presence. It is from their 1987 album titled “Actually” and shines along with a guest vocal from Dusty Springfield – making this more confusing and even more of a gem.

I have taken the 12” and dub version of “What Have I Done To Deserve This” and descrambled their message in this ReStructure Mix. It is displayed as a montage pf the song itself and reworked to give itself a whole new identity.

• Too Hot To Stop The Rock - Glenn Rivera ReStructure Mix - Keith Zorros

Keith Zorros is a rock artist from the late 70’s who recorded one of the big energy dance tracks of 1980 – “Too Hot To Stop The Rock”. This single was a big hit for many clubs that were breaking the rock edge with their disco program as this piece is a cross between pop-rock and disco. The vocal plays out with a nice rockin’ feel and also breaks down in parts of the track with some nice harmonies. This one is recognizable piece and gives off the disco era when many artists were still friendly and attempting to delve onto the dance floors to give the disco edge their own flavor.

I have taken the 12” version of “Too Hot To Stop The Rock” and broke it down to recreate this ReStructure Mix. There are more of the bongo fills and some breaks that appear from chorus lines and that rolling bass line.

• Nasty Girl - Glenn Rivera ReStructure Mix - Vanity 6

Vanity 6 is Vanity (Denise Katrina Matthews), Brenda Bennett and Susan Moonsey. This trio is one of project brought together by Prince who was moving in many directions at the time with his music and talent. “Nasty Girl” is there single from 1982 and has a rolling funk beat pattern which is a strip down of the groove itself. It is a sleaze number that always raised quite a few feet and eyebrows. Now an 80’s old school/.funk classic this one plays out as always in the deepest of eroticism.

I have taken the album version and instrumental of “Nasty Girl” and rewired the segments into a fast moving ReStructure Mix. The rhythm is pumped with more drum tracks and the vocal are spared with a more censored application.

• Mind Over Matter - Glenn Rivera ReStructure Mix - E.G. Daily

E.G. Daily is an 80’s artist whose recording career began in 1985 and a big club hit produced by Harold Faltermeyer titled “Love In The Shadows” – which became an instant dance floor anthem. Her singe “Mind Over Matter” was released in 1987 and was a Stock Aitken and Waterman powerhouse dance track. It was the sound that made the 80’s worth dancing to and along with E.G.’s driving vocal this one is always remembered. One of the big peak songs for my club and always a welcomed piece for those tea dances.

I have taken the 12” versions of “Mind Over Matter” and have given it a new ReStructure Mix for a tribute to a great combination of artists and producers. The main ingredients are still intact where I have only added a new dropout break and a few new percussion pieces.

• Runaway - Glenn Rivera ReStructure Mix - One-Two-Three

One-Two-Three is a dance project from producer Bobby Orlando in 1983 – and features Bobby Orlando, Debby Gaynor and Tony Caso on vocals. The electronic dance project opened with the single “Runaway” which is another tale of a man distraught over the grattude for assisting a lover through hard times – very much a continuum of Human League’s “Don’t You Want Me”. The eerie feel of this track gives you more of the ominous heartbreak and disposal of ones necessity in a shattered relationship. This one is another one of Orlando’s brain-child projects of the time and gives us another outline of what his talent can create.

I have taken the 12” vocal and instrumental of “Runaway” and reworked a new ReStructure Mix feeding off of the moody sound of the original. I have placed a few pieces of soundtrack from Ennio Morricone into the mix for a sound that plays out just as mysteriously as the song itself.

• Love Is Calling - Glenn Rivera ReStructure Mix - Ella Toy

Ella Toy is an Italo-house project from Walter Cremonini and Mario Albanese released in 1991. Following the success of the 1990 Italian group Black Box it was the open gates for the Italian house movement to create their own style of bass driven dance music. More of the sample feels as in the M.A.R.R.S. track “Pump Up The Volume” and a unique edge where recorded vocals could be used in the same manner. “Love Is Calling” is an infectious piece in this genre that makes it all worthwhile. The intricate weaving of the big band horns are the energy that makes the song work like magic. This was always a favorite of mine and one that lit many nights a fire on dance floor.

I have taken the 12” club and dub versions of “Love Is Calling” and rewired the pieces into a new ReStructure Mix. I have spaced apart the vocal and added a new drum beat along with a fierce kick to guide the song in its new form.

• It's A Way - Glenn Rivera ReStructure Mix - Lucrethia & The Azoto 14,008

Lucrethia & The Azoto 14,008 is an Italo-disco project from producer and arranger Celso Valli from 1978. This is one of the Italian disco projects which headed the end of the 70’s onto a whole new sound for disco music. The electronic sequencers and keyboards became a standard outline for the energy as it evolved. “It’s A Way” is the initial track from the project and it one of the happiest tracks with an uplifting feel. It outlines the chorus of carnival in celebration. This may have been one of the influences of productions like Peter Jacques Band during the mid-70’s. Celso Valli leads this project again and you feel and hear his influence over the magical arrangements where even mandolins are used to accentuate the rhythms. It is one of the great disco albums with more of what was to come later in disco history,

I have taken the album version of “It’s The Way” and reworked the synthesizers and joyous keyboards for this ReStructure Mix. There are more breaks along the road here and a fade out for the excitement to slowly subside.

• Standing In The Shadows of Love - Glenn Rivera ReStructure Mix - Cerrone

Fever is a group featuring Dennis Wadlington, Joseph "Joe" Bomback and Dale Reed. Their self-titled first project from 1979 is disco classic and was produced by Dale Reed, Marty Blechman (Megatone Records) and Johnny Hedges. The 2 sided double medley contains some of the most exciting dance tracks from the period. The production is an early sign of the disco sound and production maturing into a synth-pop vehicle for the 80’s and eventually become high energy. Fever has always delivered the dance tracks that made an innovative statement. “Over The Edge” is the finale track from the side two medley and is the focus of this ReStructure Mix. I have used the slamming piano tracks and percussion to recreate a closing of the powerful statement that this group has made in the closing of the disco era.

I have taken the album version of “Over The Edge” and placed it in a montage of the Fever project for this ReStructure Mix. It moves along with some new drum tracks to beat the power up a few and also some new breaks.

This ReStructure Mix is dedicated to Mr. Dennis Wadington and his work with Fever and his contributions to disco history.

• Over The Edge - Glenn Rivera ReStructure Mix - Fever

Fever is a group featuring Dennis Wadlington, Joseph "Joe" Bomback and Dale Reed. Their self-titled first project from 1979 is disco classic and was produced by Dale Reed, Marty Blechman (Megatone Records) and Johnny Hedges. The 2 sided double medley contains some of the most exciting dance tracks from the period. The production is an early sign of the disco sound and production maturing into a synth-pop vehicle for the 80’s and eventually become high energy. Fever has always delivered the dance tracks that made an innovative statement. “Over The Edge” is the finale track from the side two medley and is the focus of this ReStructure Mix. I have used the slamming piano tracks and percussion to recreate a closing of the powerful statement that this group has made in the closing of the disco era.

I have taken the album version of “Over The Edge” and placed it in a montage of the Fever project for this ReStructure Mix. It moves along with some new drum tracks to beat the power up a few and also some new breaks.

This ReStructure Mix is dedicated to Mr. Dennis Wadington and his work with Fever and his contributions to disco history.

• Walk Like A Man - Glenn Rivera ReStructure Mix - Divine

Divine is one of disco performers who landed in the right direction during the early 80’s. His early career as John Waters’ cult movie icon was a definite twist for a 6’2” transvestite to find his way to the disco stage. His early recording with disco producer, Bobby Orlando captures the camp and energy that his stature presented as a performer. In 1985 Divine released a cover of the 1963 Frankie Valli & The Four Seasons hit “Walk Like A Man” – this time around done in a more camp-esque fashion. The single was produced by Barry Evangeli and gives a full electronic production for this diva to play in. Lots of sequencers mimicking the Moroder “I Feel Love” outline and of course just enough percussion to give it that Dead Or Alive feel.

I have taken the 12” vocal and instrumental to the cutting board for this ReStructure Mix and worked this one with more of arrangement based on the vocals. There is a new drop bear added and some jaw harp accepts to fulfill the western edge of the song.

• New York - Glenn Rivera ReStructure Mix - Flower

Flower is a singer who is known in the late 70’s as a sexy playmate turned disco singer. Her first project was produced and arranged by Ritchie Rome (The Ritchie Family) and gave her the underground classic “How” in 1979. Her career moved throughout the 1983 where her sensual voice still echoes the sound of the disco era. “New York” is her single from her 1982 project produced by David Chackler – a song which emphasizes a distraught lover whose love is taken away by the glitz and glamour of New York City’s nightlife. This one fits into the early high energy genre for not only the fast moving chorus but also the pumping rhythm section. It was a welcome track on my dance floor for the time and gave the peak hour a nice workout.

I have taken the 12” of “New York” and rewired the song for this ReStructure Mix. I have used one of the keyboard riffs as the outline for a new dub-like mix. More breaks are dragged into the scene here and Flower again is given her stage.

• Time Bomb - Glenn Rivera ReStructure Mix - Angie Gold

Angie Gold (Angelina Fiorina Kyte) is one of the high energy vocalists whom helped to bring the era to excitement. Her big dance floor hit “Eat You Up” from 1985 was a track that made dancers move to the threats of a disheartened romance in a new outline. The Passion label is the force behind the productions by Les Hunt and the piercing vocals by Ms. Gold. The same year she released “Time Bomb” which is another track that made dance floors go “boom”! It was the delicate approach that Angie takes to her delivery and those in a chorus can add the energy to the crescendo. She is always known for this style and is one of the most celebrated of it.

I have taken the 12’ vocal and instrumental of “Time Bomb” and reignited a ReStructure Mix using more of the instrumental to add to the fuse. There is build every so often to remind us of the power of Angie Gold.

• Satisfied - Glenn Rivera ReStructure Mix - Madeleine Uzho

Madeleine Uzho is a vocalist whose 1983 project “Satisfied” was released on Galaxy Records – produced by Tommy Ekman and Christer Sandelin from Sweden. The single “Satisfied” was included on Disconet Records (Volume 5 Program 12) and received her much deserved exposure to discotheques whose jocks were giving a taste of lower bpm electronic funk. This one plays out in a sexy manner as Madeleine tempts her lover into the realm of being complete and the effect lingers on. This is one of those import singles for the US which was discovered only by those DJs who knew what to place and where.

I have taken the 12” vocal and instrumental of “Satisfied” and re-erected a new ReStructure Mix moving a new intro and some new elements to the mix. This is more room for Madeleine to take her stance and some drop outs to take the rhythm seriously.

• Don't Let Me Down Again - Glenn Rivera ReStructure Mix - M.B.O. 99

M.B.O. 99 is an Italodance project from Mario Boncaldo and Angelo Valsiglio. The theme of the band is an obvious continuum of their 1982 project Klein and M.B.O. and the sharp electronic riffs and girlish vocal by Naimy Hackett. “Don’t Let Me Down Again” is a slick moving high energy piece with the hand claps which make the foundation of the song rock and the down beat synthesizers to move the floor. This one will capture the attention of anyone who is a lover of Italo-disco. It has a wonderful arrangement and a few riffs that may hold on to your senses.

I have taken the 12” vocal and instrumental of “Don’t Let Me Down Again” and refocused on using the pieces that make this magic for a ReStructure Mix. Some pieces of the song are used in a new way and the vocal is once again yearning for understanding.

• Against All Odds - Glenn Rivera ReStructure Mix - Willie & Co.

Willie & Co. is an Italo-disco project from the Disco Magic Record Company. Their 1993 release of “Against All Odds” is an Italodance piece that is a cover of the Phil Collins song from the same film title. This execution is similar to the style of Double You and their cover of “Please Don’t Go” a year earlier in 1992. The house beats are the formation of the rhythm and pump on and on as most house music of the end of the 80’s and early 90’s create. This one has a familiar vocal also which directs the source from that era of dance music. It is done quite well with the melody placed into the dance beats and also is successful in creating emotion for the dance floor.

I have taken the 12” versions of Willi & Co. and their cover of “Against All Odds” and reworked the arrangement for this ReStructure Mix. A longer intro and some new drum beats are added to give the song more of a stage appeal

• Together - Glenn Rivera ReStructure Mix - Lime

Lime is Denis Le Page and Denyse Le Page and this duo changed the direction of dance music in the early 80’s. Their sound became iconic on dance floors from the inception of their first single in 1980 titled “Your Love”. The heavy percussive framework, igniting keyboard riffs and their unique vocals made the 80's the right place and time. “Together” is from their 1983 project titled “Line 3” and again is the genius of Denis Le Page and his dedication to creating an electric symphony of sound for his love songs and unusual themes. This piece is the groups sound rolled into one offering. It has Denis leading the vocals into a mesmerizing love song which pours out heart with a sweet and simple melody. It is the energy which made the 80’s a great place to dance.

I have taken the album version of “Together” and reworked the track again for this ReStructure Mix. Adding new drum beats and some percussion to help emphasize the love and excitement and also rearranging the choruses to give it a new flair.

• Fire - Glenn Rivera ReStructure Mix - Radiorama

Radiorama is a Euro-synth band from Italy with a hardcore edge for any lover of Italo-disco. Their music created by Mauro Farina and Giuliano Crivellente is always a bit mystical in execution. “Fire” is from their 1988 project titled “The Legend” and has a powerful punch with several riffs which create a fantasy and play with the obvious ‘fire’ brought on by desire. It has always been one of my favorite of the genre and still presents that glorious celebratory feel with its imaginative arrangement.

I have taken the 12” vocal and instrumental and rewired this track for this ReStructure Mix. Blending more of the instrumental into this remix are the guidelines to give way to more of the playful theme and energy of the song.

• Calling All Boys - Glenn Rivera ReStructure Mix - The Flirts

The Flirts are a female trio created by producer Bobby Orlando. Their first album titled “Dime A Dance” was an 80’s sensation as it introduced the trio with an electro-new wave sound and also a synth-pop dance arena. Not only did the alternative dance floors favor their tracks, so did the dance floors whom were wondering into a new era of dance music from 70’s disco. “Calling All Boys” is one of the pieces that 1982 welcomed with the percussion driven and heavy synthesized arrangements that Bobby Orlando was bringing to dance floors. The piece is a campy rip into women adoring the hot shots on the horizon and letting them know. It is pure fun and has always been a favorite of fans of The Flirts.

I have taken the 12’ version of “Calling All Boys” and rewired the track for this ReStructure Mix. A new neutron beat is laid over the original and the pieces of the song that emphasize the most are given a new stage.

• Always On My Mind - Glenn Rivera ReStructure Mix - Pet Shop Boys

Pet Shop Boys are the 80’s super group in the direction of keeping dance music alive in the electronic age of synth-pop. Neil Tennant and Chris Lowe were creating a new edge of music which encompassed a moody feel in many new areas and themes. In 1987 their production of a dance version of Willie Nelson’s 1982 ballad “Always On My Mind”. Quite a feat for the raised energy and sound of the new Pet Shop Boys venture with a symphonic edge layering the rolling sequencers. This one was an instant hit for the duo and for me kudos to them for taking one of the beautiful ballads and placing it on the dance floor in a whole new way.

I have taken the 12” vocal and instrumental of Pet Shop Boys’ “Always On My Mind” and rewound the recording for this ReStructure Mix. I have used more of the bass beats as a foundation for the new layout and also added a few new beats and percussion for the finishing touch.

• High - Glenn Rivera ReStructure Mix - Skyy

Skyy is a New York City funk/disco group produced by Randy Mueller (formerly of Brass Construction). The band included Anibal Sierra, Bonny Dunning, Delores Dunning Milligan and Denise Dunning Crawford with a sound that became the New York funk explosion and later fused the early 80’s with the Prelude label funk era. “High” is from their 1980 album “Skyway” and is a love anthem with many wonderful riffs which explain how this band and Randy Mueller were able to make them an icon and now classic band. The track is one of their signature numbers that not only lays out their ability to create a groove but also bring back the disco-funk era in full.

I have taken the album version of “High” and reworked the track for this ReStructure Mix and homage to the Skyy-sound. The beats are given some new tread with some percussion and the arrangement is separated for a lengthier message.

• Disco Squeeze - Glenn Rivera ReStructure Mix - Extensive Care

Extensive Care is a disco ensemble from producer Peter Di Milo – the master who brought us early underground club disco from Erotic Drum Band and also pieces from Ann Joy and The Pussycats. Extensive Care is one of his early 80’s releases and makes disco music as exciting as it was during the mid-70’s. The fast rolling energy of this piece titled, “Disco Squeeze” is a workout for the feet and again gives Di Milo his creative freedom to give the disco chorus more than a place for fantasy. This one is from start to finish the high energy sound which became the crescendo of the disco era.

I have taken the album version of “Disco Squeeze” and rerouted the energy into this ReStructure Mix. The percussion riffs are broken down throughout the new arrangement and more placement of the excitement is created.

• Jealous Love - Glenn Rivera ReStructure Mix - Hazell Dean

Hazell Dean is another voice in the early 80’s who brought high energy music to the board. Her 1983 dance floor hit “Searchin’ (I Gotta Find A Man)” was a contribution to that period of dance music and helped make the transition a welcomed moment. Hazell had been recording since 1975 and made her move onto dance floors seem somewhat effortless – but there is plenty of talent behind this woman. “Jealous Love” is her single from 1983 produced by Willi Morrison and Ian Guenther – who were responsible for THP Orchestra, The Grand Tour, The Duncan Sisters, Southern Comfort and Sticky Fingers. This was also their moment to transition from their big band disco productions of the 70’s into the electronic high energy sound of the 80’s. “Jealous Love” is a last-chance for romance for a lover who makes every opportunity for drama. The sequencers and percolating keyboard effects make this one a flowing number with enough of the diva to make us connect to its force.

I have taken the 12” version of “Jealous Love” and reworked the track with more of a dub-feel for this ReStructure Mix. There is a new under beat to kick up the drama and of course the sequencers working again, overtime!

• The Rain - Glenn Rivera ReStructure Mix - Oran "Juice" Jones

Oran “Juice” Jones is a vocalist who helped bring the end of the 80’s to a full-funk closing with his 1986 track “The Rain” – produced by Russell Simmons and Vincent F. Bell. Also on the early Def Jam Recordings label with a hard beats foundation which was being used as dub-mixes from popular tracks being stripped down. This story of double sorrows occurring simultaneously with a romance. The song was quite the answer to the soulful and funk necessities of its time and remains one of the memorable moments on dance floors at the time.

I have taken the 12” vocal and dub beats versions of “The Rain” and brought them into a new ReStructure Mix and a few pieces of new grooves. The Spinners and Grace Jones make unusual cameos and help to make this groove one with more than just heartbreak taking place.

This ReStructure Mix is dedicated to John Manning – with thanks for requesting it as a project along with the Spinners classic and also for being just an all-around good guy.

• Mind Warp - Glenn Rivera ReStructure Mix - Patrick Cowley

Patrick Cowley is one of the early musicians who could fuse the sounds of melting sound waves onto a dance floor and create energy. Following the steps of pioneers like Giorgio Moroder, he moved the 80’s into whole new realm of music with his talent and devotion to dance music. “Mind Warp” is from the album of the same name and is a continuum of his “Menergy” phase where a weaving of sequencer and keyboards play out like a rolling wave. This one is hos simplest of programming yet contains all of the pieces which create his art in the basic form. Cowley made the 80’s a psychedelic disco arena and many dancers followed.

I have taken the album version of “Mind Warp” and recreated a new trip for this ReStructure Mix with Cowley’s purpose in focus. I have added a few accepts from Dr. Timothy Leary to bring some knowledge to the mind willing to use it.

• Now That We Found Love - Glenn Rivera ReStructure Mix - Third World

Third World is a Jamaican reggae band who fused soul, funk and disco with their rhythms. Their 1978 album “Journey To Addis” contained their single “Now That We Found Love” which also made a big move to the dance floors and gave the band their first disco 12” single. The track is a unifying anthem which takes the elements of reggae and transforms the song into an anthem. Produced by Alex Sadkin and written by the Philly-legendary team, Kenneth Gamble and Leon Huff. A big dance treat for those who love the alternative dance tacks.

I have taken the 12” version of “Now That We Found Love” and worked a new ReStructure Mix to pay tribute to Third World and this classic number. More beats and percussion are added to give the rhythm more emphasis. The winded remix uses all of the energy with more love added.

• Can't Get Enough Of Your Love - Glenn Rivera ReStructure Mix - Taylor Dayne

Taylor Dayne is one of the 80’s notable pop-dance artists who made dance floors come alive with excitement. “Can’t Get Enough Of Your Love” is her 1993 cover of Barry White’s soul/disco classic – produced by Robert Clivillés and David Cole of C & C Music Factory, This one is an example of how a new voice can capture the magic over again with a deviate delivery and range. The production is close to the arrangement as the original although the double 12’ remixes released during the album were hardcore club house trax. Taylor gives this number her own style yet she brings more emotion to the realness of this love song.

I have taken the 12” extended album club mix of “Can’t Get Enough Of Your Love” and also the instrumental to bring to play a new ReStructure Mix. The extended intro is one of the pieces that give this new take more mystery and the works on Taylor’s word play are also re-traced.

• Get Ready For The Future - Glenn Rivera ReStructure Mix - Winners

Winners are Andrew Gadsden, Bobby Gene Hall, Jr., Herbert Ford, John M. Wells, Michael L. King, Steve Scales, Tinker Barfield and William Armour. A funk/disco band produced by Steve Tyrell and Fred Frank on one lone album and various singles. “Get Ready For The Future” is from their 1978 self-titled project and is one of the well-known underground classics from The Loft during its rotation. The piece is a funky mood with plenty of bongos, keyboards and psychedelic synth breaks – a close following of The Temptations 60’s hip approach. This one plays out with a groove that is contagious and continually rolling. One of the big hits from this band and still sounds like a disco standard.

I have taken the album version of “Get Ready For The Future” and revamped the beats and funk-fest with some new beats and percussion. More of an intro is used to bring the mood into focus and more breaks are added with those space-luster breaks.

• I Need Yoour Lovin' - Glenn Rivera ReStructure Mix - Teena Marie

Teena Marie is a music icon. Her work has always encompassed emotion and an edge of funk which is her own style. Throughout the 80’s her blend of dance and ballad numbers have made us dependent on her talent and image. Being one of the artists who received support from Mr. Rick James also. “I Need Your Lovin’” is from her 1980 project “Irons In The Fire” and is a lifting melody in spirit and groove. This unique sound is one that Teena Marie worked with soul and gave us tracks that will always compare to the greatest of the 80’s in more than one way.

I have taken the album and instrumental version of “I Need Your Lovin’” and reworked this beautiful love song into a new ReStructure Mix. I have stripped away parts of the bass and groove to use as a new break over this new remix and also faded out the end to give this piece center stage.

• Popcorn - Glenn Rivera ReStructure Mix - Slotmachine featuring Gemini 7

Slotmachine is Günther Eckert and Torsten Hartmann – a German techno ensemble who created the 1992 cover of the Gershon and Kingsley song “Pop Corn”. This techno fused version is a rolling explosion with all of the elements of the 90’s techno period to make it official. The vocoders guiding the musical elements into the fast moving rhythms are the toppings for this dance desert – and for those who cannot get enough of this classic a new fav. Production is like a joust of energy with some breaks that make the outline work as well as ever.

I have taken the 12” version of “Pop Corn” by Slotmachine and reworked the segments as they are new in this ReStructure Mix. There is a longer intro to fade into the song and a few new musical breaks to make the melody echoes out into the slowly fade to robotic heaven.

• In The Name of Love - Glenn Rivera ReStructure Mix - Astaire

Astaire is an 80’s high energy project from John Davies and Nigel Stock – and also from the Passion Records collection. One of the vital parts of the early 80’s dance transition from disco to high energy. “In the Name Of Love” is their 1985 single and once again marks a moment when the rolling drums and heavy beats made the dance floor shake with excitement. The vocals provided again by Tracy Ackerman are the sweetness which create the emotion and stir the energy into a hypnotic sound. Much like their early releases this piece is more centered on effect in many ways as the words seem to project heartache and despair even though the build within the song is always celebratory. A wonderful number and one of my favorites from Astaire.

I have taken the 12” version of “In The Name Of Love” and reworked the sequencers and keyboards for this ReStructure Mix. The intro fades in from a sweeping keyboard arrangement and some new percussion guides our story along in a new way.

• So Far, So Good - Glenn Rivera ReStructure Mix - Sheena Easton

Sheena Easton was a voice which started in 1981 and from a “whisper to a scream” Her initial pop-radio sound notable thanks to her fantastic range and energy which she wrapped into her songs. It was the 80’s synth-pop scene which became her placement following her big 1983 hit “Telefone (Long Distance Love Affair)”. It was very comfortable arena for Sheena and she took this step further and further till you found yourself dancing to one of her new dance floor hits without even knowing it. “So Far So Good” is a track she recorded in 1986 which was from the film “About Last Night” – it was produced by dance greats Nile Rogers and Narada Michael Walden. It has that 80’s overall feel with a definite place for Sheena to once again “strut” her stuff.

I have taken the 12” vocal and dub version of “So Far So Good” and have given it a new “go” in this ReStructure Mix. More of a Latin flare is added with some new percussion and drums to give it a new shine and also new groove.

• You Killed The Magic - Glenn Rivera ReStructure Mix - Arpeggio

Arpeggio is Jessica Williams, Fred Sawyers, Jason Reed and Jerry Scott. A disco ensemble by producer Simon Sousson in the late 70’s and throughout the 80’s. Their first album titled “Let The Music Play” from 1978 contained their biggest hit, “Love and Desire”. It was a complete sound for disco music of the time as innovative for technical and orchestral sounds for the time – it was all new and very exciting. “Breakout” is the follow-up project released in 1980 and even though the disco backlash had affected the industry the excitement and disco craft was evident. “You Killed The Magic” is a bitter sweet love song on a romance gone wrong and just why. The signal in this number is the funky rhythm guitars which take the song into a hypnotic dance effect. This again was a display of Soussan’s touch with a “chic” edge to his disco music and the vocalists and studio musicians who gave off the attitude in a wonderful display.

I have taken the album version of “You Killed The Magic” and rewired the drama for a new ReStructure Mix. A new disturbed drum pattern is overlaid in some segments to represent the “magic” becoming less consistent. The vocal arrangement is also broken into a few more pieces and then rewound for a new experience with Arpeggio.

• Shake It Up, Shake It Up - Glenn Rivera ReStructure Mix - The Managers

The Managers is Richard Finch of K.C. and The Sunshine Band and Ish Ledesma from Foxy. Their single “Shake It Up, Shake It Up” from 1982 is that Miami disco sound that was so truly disco during the golden years. Lots of rhythm guitars and bass to move the planet. The arrangement is quite simple – a few words and “shake it up”! A formula which was the emphasis of “boogie” music. This one is more of an experimental piece for the time to find those hardcore dancers. It is on the Henry Stone Miami “Sunnyview” Records label and is one of the many released on it after the closing of T.K. Disco.

I have taken the 12” vocal and “your mix” versions of “Shake It Up, Shake It Up” and realigned the rhythm into new segments for this ReStructure Mix. I pulled away most of the moving pasts to reconnect the track in a new way.

• Mar de la Tranquilidad - Glenn Rivera ReStructure Mix - Azul y Negro

Azul y Negro is an electronic band whose place in the 80’s became a wall of sweeping synthesizers pouring into a robotic mixture. Their big hit from 1982 titled “The Night” is one of the underground club pieces that resonate over and over. “Le Edad De Los Colores” is their project from 1981 and contains the instrumental “Mar de la Tranquilidad” which sounds like a spaghetti western soundtrack put to a disco arrangement. It is a wonderful fantasy play and gives Azul y Negro their style for giving disco music an artistic slant in the 80’s.

I have taken the 12” version of “Mar de la Tranquilidad” and reworked the mysterious guitar segments into a new ReStructure Mix. There are breaks that are new and give the musical piece a club underground touch.

• Dance - Glenn Rivera ReStructure Mix - Snoopy

Snoopy is an Italo-disco project from Franco Finotti, Massimo Monti and Vincenzo Giuffrè from 1982 on the Il Discotto Productions label. This single is an early Italian dance track which plays out with funky rhythm guitars and deep beats. This one is an innovative approach for Italo-disco where many of the projects focused on synthesizers and keyboards to guide the groove. The break downs are infectious and give off an endless energy to this rack.

I have taken the 12” vocal and instrumental of “Dance” and shaved away much of the chorus and replaced it with edits of the guitars and beat elements for this ReStructure Mix. This new version is more like a dub with the best of the tracks taken apart and fused together in a new way.

• Follow Me - Glenn Rivera ReStructure Mix - Real Man

Real Man is Jan Vanroelen and Theo Linder – an 80’s electronic group who released three singles from 1988 – 1990. “Follow Me” from 1988 is a cover of the Amanda Lear disco classic which is created with heavy downbeats and a steel plate driven keyboard arrangement which sounds a bit Belgium Beat with a high energy twist. The vocals are also a nice take with a whispery male vocal recreating the Faust-ian tale of the dark side and a convincing lure into selling ones soul for pleasure. This take is one of the musty welcomed of the time as it not only follows closely on the original – but it also adds to it with the heavy beats and its mysterious sound.

I have taken the 12” versions of Real Man’s “Follow Me” and revisited the track with a new edit for the piece. There is a longer intro into the swirling sound of this temptation. A few new drop off section provide the new breaks.

• Ooh, La La - Glenn Rivera ReStructure Mix - Princess Bay

Princess Bay is disco project from Joe La Greca and M. L'Esperance with a pulsating energy dance floor “goody” released in 1985. A blend of high energy and Italo-disco with a polished and indelible result of drama and a sweeping chorus which is somewhat haunting. The uncredited vocal is one of my favorite and echoes out like a Nancy Wilson standard with rhythm. One of my all-time favorites that I always believed missed its glory and should be a classic in the vaults. The story goes that a “strange” turn in a relationship leaves out heroine in dismay and questioning her distant lover. The arrangement is fast and heated leaving the dance floor in its wake. A wonderful high energy blend with fabulous production.

I have taken the 12” vocal and instrumental to re-weave the drama here into a new ReStructure Mix for tribute to this gem. There is a much longer intro and a replacement of the chorus to give us more of a reason to feel the energy.

• Can't Believe - Glenn Rivera ReStructure Mix - Nancy Martin

Nancy Martin (Nancy Catherine Julian Martinez) is a Canadian singer who brought a large list of dance classics to the dance floors in the 80s. Her initial talents were known in the 1982 project Jade – “I’m Gonna Get Your Love” – produced by Marc Racine and Danny Tallon. Her 1983 album “Lay It Down is one project that I was driven to with the great high energy pieces that were accompanied by Nancy’s beautiful voice. “Can’t believe” is a single released in 1982 – produced by Dominic Sciullo and follows the electronic dance explosion of the period with a hypnotic low pulse rhythm and Nancy giving it a new feel with her unique style. This one was one of my favorites and may have been played out in a matter of weeks in my club. It has many nice hooks and of course mystiques feel that I always admired.

I have taken the 12” vocal and instrumental of “Can’t Believe” and re-wired the energy into a new ReStructure Mix. I have added my own mystique with a touch of “Oz” magic and a few new breaks using the bass synths in pieces and new arrangements.

• Three Steps From True Love - Glenn Rivera ReStructure Mix - Margaret Reynolds

Margaret Reynolds is a soul/disco singer who began her recording career in 1974 and throughout the late 80’s continued to bring dance floors into her wonderful performances. “Three Steps From True Love” is her 1985 single produced by Joe Gibbs and a cover of the 1975 classic by The Reflections. The conversion from the original soulful male lead by Margaret is a nice turn. The electronic dance arrangement gives the new 80’s version the same shine that the original had with more of a crescendo for Margaret’s range and soul adlibs. One of the big dance floor hits for me and in memory is one of those tracks that once you hear in a club t sticks with you for a while.

I have taken the 12” vocal and dub versions into the ReStructure Mix arena and re-lifted the song with some new segments added. There is more of the break pieces used in this new version and Margaret stays right on top where she belongs.

• Litterbug - Glenn Rivera ReStructure Mix - Gentle Persuasion

Gentle Persuasion is Leza Holmes, Renee Johnson and Sharon Williams. These three ladies were obviously being targeted as the new Three Degrees as the trio here has some beautiful effects. Many hardcore disco music followers may remember them on the first USA European Connection album titled “Come Into My Heart” – where they made both the title track and “Love’s Coming/Baby Love” a success along with Boris Midney. “Litterbug” has the feel of a First Choice production with the stomping horns and a tale of heartache. These ladies once again make the song sweet and a pure Philly disco droplet. The production here is from Jerry Ross and Meco Monardo along with Van McCoy arranging. It is one of the early periods of disco music where the dance floor began directing the music as well as the disc jockeys.

I have taken the 12” version of “Litterbug” and reworked a new ReStructure Mix with a new foundation of kick beats to drive it up a few. There are the lovely voices of our ladies and more breaks to give the stage to the dancers.

• The Look of Love - Glenn Rivera ReStructure Mix - ABC

ABC is Martin Fry, David Palmer, David Robinson, Mark White, Stephen Singleton and Mark Lickley. After joining with producer Trevor Horn (Chromium, The Buggles, Yes and Frankie Goes To Hollywood) in 1982 the band became one of the most recognized sounds of the 80’s. Martin Fry taking the lead vocals in with a bold and unique style takes each number as if he were performing in 50’s nightclub as one of the brat-pack. “The Look of Love” is their single from the album “he Lexicon Of Love” and is a lush and orchestrated track with the electronic funk of artists like D-Train. A very nice blend of worlds which work incredibly well. The song was released with several 12” editions with various mixes and dissections of the incredible production.

I have taken the album, 12” and part 2 versions of “The Look of Love” and rewired the track with much of the orchestra alive and some dub-breaks and effects. The vocals are still intact but are broken into different segues of the new layout.

• Valparaiso - Glenn Rivera ReStructure Mix - Paula Moore

Paula Moore is a singer/songwriter who recorded the single “Valparaiso” in 1983 – produced by Daniel Vandgarde who also gave us Gibson Brothers and Who’s Who. This piece is one of the laid back disco numbers that makes the room fill with a hypnotic rhythm and vibe that is close to the 50’s lounge sound. The beauty of this song holds to the wonderful vocal which Paula Moore delivers in a heart of fondness and memories. This one made its way to many jocks at the time who knew how to start off an evening or close an early morning all night dance party.

I have taken the 12” version of “Valparaiso” and recreated a new ReStructure Mix to keep this wonderful swirling number alive. I have added a few new percussion elements to fill in the exotic sound of the lasting call.

• Double Trouble - Glenn Rivera ReStructure Mix - Diva

Diva is a session ensemble from prouder, Joe La Greca and arranger Denis Lepage. One of the early 80’s definitive sounds is this energy bolting out over and over. The electronic arrangement of Denis Lepage in the period was his most effective. The horns and strings painted a slight variation to a James Bond flick and the heavy percussion was the new guideline. “Double Trouble” also features Denyse Lepage with her recognizable sweet delivery that is a take on the dance energy itself. One of the great projects on the side and the mood set is one to be dealt with.

I have taken the 12” vocal and instrumental of “Double Trouble” and rejoined the rhythm for another ReStructure Mix. Some new piece open the drama and a percussive challenge sloes it.

• Tobacco Road - Glenn Rivera ReStructure Mix - Bob-a-Rela

Bob-a-Rela is a space disco project from producers George Lagios and Pat Deserio from Canada. The disco explosion could never have occurred without their work with Bombers and the talent which came from their sessions. “Tobacco Road” is a cover of the John D. Loudermilk 1960 classic. This is a prime example of the genius of these musicians who use the original to push out more of it with electronics and modern riffs. The Bob-a-Rela project is one of the best of that finale of disco orchestrations with that ring around it as Saturn has. This one plays on with the ragged feel of the original and a few shinning disc touches,

I have taken the album version of “Tobacco Road” and also the 12” remix by Richie Rivera and created a new ReStructure Mix. This one pays tribute to my favorite period of disco and two of the great producers who interpreted it very well.

• Disco Kicks - Glenn Rivera ReStructure Mix - The Original Mass

The Original Mass is a disco project from Mark Lindsey and Perry Botkin Jr. – creating the dance anthem for the end of the disco era and a new start for the 80’s dance scene. “Disco Kicks” was released in 1981 and features the energy of the finale stage of the disco arrangement. A rolling bass and a few excerpts of horns and strings make this one a definite anthem for the period. The track was also recorded by San Francisco’s Boys Town Gang the same year from their “Disc Charge” album. This one will always bring to mind the dance era of the end of the 70’s and the 80’s new high energy roots.

I have taken the 12” version of “Disco Kicks” and resliced a touch of energy for this ReStructure Mix. It features a new surprise from one of the 80’s dance shows and again, the magic of those rolling bass lines that define disco.

• Tell It To My Heart - Glenn Rivera ReStructure Mix - Taylor Dayne

Cameron is Rafael Cameron – a funk/disco singer from Georgetown, Guyana. His work on Salsoul Records are the relative funk fused production from Randy Mueller (Tamiko Jones, Skyy, Funk Deluxe) who moved the 70’s disco scene with his grooves worked on throughout the end of the 70’s and on to the 80’s., Cameron is a 1980 disco/funk project which plays out with more of the teasing sounds which he produced with Skyy – yet each track has its own life. “Together” is a bit of Cameron’s touch with a sensual breakdown and rolling bass line which follows. Mueller once again creates that infectious groove that achieved with Tamiko Jones’ classic “Can’t Live Without Your Love”. It is a nice piece of romance layered out with a beat. One of the tracks from the album which breaths with the sultry air that would make the early 80’s remember where dance floor owned its allegiance – the disco era.

I have taken the album version of “Together” and recreated a new arrangement for this ReStructure Mix. I have added a light touch of new drums and a few percussion elements to add to the lightly mastered original. I have kept the wind down of the original intact to only explode back into that groove for more energy.

• Together - Glenn Rivera ReStructure Mix - Cameron

Cameron is Rafael Cameron – a funk/disco singer from Georgetown, Guyana. His work on Salsoul Records are the relative funk fused production from Randy Mueller (Tamiko Jones, Skyy, Funk Deluxe) who moved the 70’s disco scene with his grooves worked on throughout the end of the 70’s and on to the 80’s., Cameron is a 1980 disco/funk project which plays out with more of the teasing sounds which he produced with Skyy – yet each track has its own life. “Together” is a bit of Cameron’s touch with a sensual breakdown and rolling bass line which follows. Mueller once again creates that infectious groove that achieved with Tamiko Jones’ classic “Can’t Live Without Your Love”. It is a nice piece of romance layered out with a beat. One of the tracks from the album which breaths with the sultry air that would make the early 80’s remember where dance floor owned its allegiance – the disco era.

I have taken the album version of “Together” and recreated a new arrangement for this ReStructure Mix. I have added a light touch of new drums and a few percussion elements to add to the lightly mastered original. I have kept the wind down of the original intact to only explode back into that groove for more energy.

• I'm Leaving - Glenn Rivera ReStructure Mix - Joy

Joy is an Italo-house project from producers Corrrado Rizza, Alvaro Ugolini and Dario Raimondi. This one is a leading piece in the elements that make up the house drive at the end of the 80’s. Released in 1989 and plays out like as a heartbreak message to a lover who is being left behind. Joy vocals are sweet and a bit unthreatening yet the message is given with a sincere departure. One of the nice Italo-house projects of the time and a notable from the producers who worked this formula for dance floors at the time.

I have taken the 12” ‘disco mix’ and ‘anxious mix” into a new ReStructure Mix taking the pieces that pumps the most energy for this new arrangement. There is a new beat added to the foundation and some new percussion.

• Takin' It Straight - Glenn Rivera ReStructure Mix - Cori Josias

Cori Josias is an artist who created a stir on dance floors with her 1983 single “Takin’ it Straight” – produced by Colin Green, Steve Barnacle and Cori. This is a blend of an electronic arrangement which sounds like the Italo-disco feel of the period and yet contains its own balance. Along with Cori giving heartache no sympathy with her stance on dealing with an unfaithful lover with defiance and a nice rippling groove. This one surprised many DJs with its sound and found itself on many playlists as an underground number. I have always remembered the dance floor becoming alive at the touch of this bass driven sequencer taking on the floor.

I have used the 12’ vocal and instrumental of “Takin’ it Straight” and recreated a new ReStructure Mix to pay homage to Cori Josias and her dance classic. There are parts of the original mix used in new ways to give the track a new life.

• California Dreaming - Glenn Rivera ReStructure Mix - The Midnight Shift

The Midnight Shift is a studio project from producers, Ian Anthony Stephens, Ian Gant and Robin Wright – three major motivating individuals in the high energy music scene of the 80’s. “California Dreaming” is their cover of The Mamas and the Papas pop classic from 1970 and follows closely on duplicating their sound with a Euro-house bass and beat. This production is of their best with many dance elements working with the outline and mood of the song. It features Issy Van Randwyck on vocals and also has a wonderful sound that brings to life harmony over the thumping beats. A big dance floor hit in 1990 on its release and also played a very important role in being on many hardcore underground house playlists for a Euro-house release.

I have taken the 12” vocal, dub and instrumental versions of The Midnight Shifts “California Dreaming” and recreated a new ReStructure Mix. The original finds its way into this mix and also leads to the unation of what this cover stick close to the original and makes magic before our eyes and feet.

• Bahamas - Glenn Rivera ReStructure Mix - Kangaroo

Kangaroo is a disco project from producer, Harry Thumann who also gave us the dance floor classic, “Underwater” and “American Express”. His work was always refining and innovating music production along with his creative process. The best example is “Underwater” from 1979 where an electronic symphony echoes throughout outer=space. Kangaroo is a studio project where he worked with the very talented Lucy Neale (Silver Convention, Giorgio, Marsha Hunt, Donna Summer, Munich Machine) as she wrote the lyrics to outline his showcase music. “Bahamas” is a Calypso celebration with a touch of that light hearted mood. It was a huge hit for me in my club for peaks and also T=dances where a party could occur at any given moment. The production here is a layering of drums and percussion along with some funky rhythm guitars and breaks to give it a place on the dance floor.

I have taken the album version of “Bahamas” and reinvented more of the energy and excitement in for this ReStructure Mix. More of the percussion is empathized throughout the new remix and some new pieces are inserted to give this celebration a few more surprises.

• The Freeze - Glenn Rivera ReStructure Mix - Spandau Ballet

Spandau Ballet is one of the 80’s more successful New Romantic groups. Members include Gary Kemp, John Keeble, Martin Kemp, Steve Norman and Tony Hadley. Their first album titled “Journey To Glory” from 1981 was produced by Richard James Burgess. The single from the project titled “The Freeze” is their first synth-pop releases which outline the 80’s dance scene in vigor and excitement. The electronic elements are the influence of many years prior during the funk, disco and boogie layouts and only applied with a new goth-like edge. “The Freeze:” is a poetic sounding piece which always makes segues more exciting throughout the arrangement. A great dance number for a new layer of music to keep dance music alive.

I have taken the 12’ vocal and instrumental of ”The Freeze” and revamped a new ReStructure Mix for this special 80’s edition. The energy is guided throughout the new remix with only samples of what had originally existed.

• Satisfied - Glenn Rivera ReStructure Mix - Donna Allen

Donna Allen takes the 80’s by “funk force” in 1986 with her album “Perfect Timing” – produced by Lou Pace and injected with his beat master arrangements. “Satisfied” is one of the singles from the project which plays out like a sensual call to a lover where Allen plays it with a bit of dare and lots of promises. One of the funk moments of the 80’s when the arrival of a new voice and energy was obvious. This one beats into a nice groove and then plays out with Donna’s wonderful soulful performance.

I have taken the 12” vocal and dub version of “Satisfied” and replanted a heavy thumpin’ bass beat to give this ReStructure Mix a touch of that early am dance floor mystique. It takes on a whole new feel and gives the purpose a new edge.

This one is dedicated to Ray Duran Jr. who requested the work on this classic. Thanks, Ray and as always, you are so right!

• One Less Bell To Answer - Glenn Rivera ReStructure Mix - Pearly Gates

Pearly Gates (Viola Billups) is a vocalist from the early 70’s whose career leads her into the arms of high energy producers, Ian Levine and Steven Wagner. Their 1989 rendition of the Burt Bacharach and Hal David classic “One Less Bell To Answer” (originally sung by Marilyn McCoo) is brought to life here in this moving dance version. The tracks is a solid piece of heartbreak with great lyrics and preface which makes this venture an win for Pearly and those who can’t get enough of the swirling ballads turned to high energy anthems. It plays out with allot of keyboards pounding out the rhythms and Pearly playing the femme fetal in this episode.

I have taken the 12” version of “One Less Bell To Answer” and reworked a new ReStructure Mix for this return to the drama. A slight twist of the original instrumental is added for a fade in and out of this heart wrenching work.

• Stars On 45 - Glenn Rivera ReStructure Mix - Stars On 45

Stars On 45 is an 80’s dance project produced by Dutch producer Jaag Eggermont and was inspired by a popular disc jockey medley titled “Bits and Pieces III – Let’s Do It Again” from 1980. The medley was a mix of various hits – disco, pop and rock blended over the beat/clap track of “Nanu, Nanu (I Wanna Funky Wich You” by Daddy Dewdrops. The medley was extended in the Stars On 45 version and released in several volumes featuring many genres of music and artists. It was a successful venture for the period and brought back the attention to many past pop hits.

I have taken the opening segues to the Stars On 45 medley’s and recreated a separate mic for this ReStructure Mix. Using parts of each and adding new percussion to give the new layout some energy.

• I Only Have Eyews For You - Glenn Rivera ReStructure Mix - Bonnie Forman

Bonnie Forman is a high energy project from Bobby Orlando from the early 80’s and during the reformation of dance music. Bonnie had a single released in 1982 titled “Walk Away” which charted very well on the dance charts and drew some attention to her raspy and rock edged vocal delivery. Here in this cover of The Flamingo’s classic “I Only Have Eyes For You” she gives another edge to the song which blends Bobby Orlando’s hardcore synthesizer and heavy percussion as a tough and raw love song – almost as a hard rock version would. This one is quite a surprise where an odd approach works in more than one way. Bonnie’s version was a welcome to those who wanted that 80’s edge and a rough of the upcoming high energy feel that was new for the period.

I have taken the vocal and instrumental of “I Only Have Eyes For You” and reedited a new ReStructure Mix for this winding and punchy version. There is a touch of the original doo-wop version injected to give those who love the piece another chance to find themselves lost in it again.

• Can You Feel It - Glenn Rivera ReStructure Mix - Cindy and Roy

Cindy and Roy are Cyndi Wallman and Roy Wallman. This talented pair is husband and wife and also has shown a dedication to their music as they continued to entertain currently as The New Censations. Their disco project from 1979 was produced by Walter Kahn who also gave us Karen Young and Mizz. “Can You Feel It” is the single which received the most play and gave them a short lived prominence among the fading disco era into the 80’s. The production is one of the full on orchestrated moments and gives way to the end of the majestic disco period with a nice touch. The Casablanca Records finale in the new artist regime was one of substance for these two since they shared a talent in music as they continue to display today.

I have taken the album and 12” version of “Can You Feel It” and reworked both into more of a dub-like mix for this ReStructure Mix. It adds a few new elements via drum tracks to give the new “feel” a new sound. It is a tribute to the talents of Cindy and Roy and also the great Walter Kahn – who left us in 2013.

• The Man With The 4-Way Hips - Glenn Rivera ReStructure Mix - The Tom Tom Club

Of Love” from 1981 became an instant classic for funk and alternative dance floors. Their unique style and execution always gave a groove something to study and move to. “The Man With The 4-Way Hips” is from their second album titled “Close To The Bone” from 1983. More energy in this single than their first trial gives a new drum in an Afro-theque ritual a run for the words and money. Their tale of a man whom can move to any groove makes this one a perfect contender for the bands alternative use of synthesizers and feedback. It is one of the surprises from the period and kept the band in the midst of where the 80’s had gone and was going.

I have taken the 12” vocal and instrumental/dub versions of “The Man With The 4-Way Hips” and reworked a new ReStructure Mix for this tribute to The Tom Tom Club. I placed the original; percussion pieces in a new edit of breaks and some special lifted samples.

• So Glad - Glenn Rivera ReStructure Mix - Pepper Watkins

Pepper Watkins (Carolyn Watkins) is a vocalist who performed in The Alabama State Troupers and Mount Zion Singers. Her solo career gave us a single from 1986 titled “So Glad” – produced by Ross Vannelli who also gave us Gino Vanelli’s “I Just Wanna Stop”. This Euro-disco piece is one of the singles released on TSR Records which echoes the specialized dance etiquette the label was dedicated to. The high energy edge to this electronic production is given a beautiful vocal from Pepper Watkins which moves closer to a standard vocalist creating this love song.

I have taken the 12” vocal and instrumental of “So Glad” and rearranged the dance track in a new way for this ReStructure Mix. It works on the percussion riff and then uses the heavy synthesizer elements to keep it moving in a new way.

• Cruising - Glenn Rivera ReStructure Mix - Sinitta

Sinitta is a UK artist who also happens to be the daughter of high energy singer, Miquel Brown (“So Many Men, So Little Time”). Her 1984 single “Cruising” is one of the moments of HI-NRG when the return to the basics payoff. This flirty track produced by George Hargreaves and Mick Parker is a mover that takes sweetness and brings the power that the early 80’s high energy marked. The rolling synthesizers and heavy sequenced hand claps pump up the song to several crescendos. This one was another excitement for dance music when a breath of energy was needed.

I have taken the 12” vocal and instrumental of “Cruising” and retaken the energy into a ReStructure Mix that plays to the hilt. A slight replacement of the original that pulls out a new arrangement and a few new breaks.

• Two Pillows - Glenn Rivera ReStructure Mix - Joanne King

Joanne King (Léona Mills) is an 80’s pop singer from Germany who released a single titled “Two Pillows” in 1982. The track was produced by Idris Cheba and Michael Andrew. This heartbreak tale is an interesting blend of disco and synth-pop with a few riffs that give the song a bit of mystique, The bird call loops throughout the song give it a haunting edge and flow with the uncertainty of the waiting if the forlorn. This piece is one of the nice transitions to 80’sdance music with the direction in the disco realm. The lead vocal is a nice blend of sweetness with that touch of defiant heartbreak.

I have taken the 12” version of “Two Pillows” and have worked on a new ReStructure Mix to give this classic a lift. There is a new lengthy intro into the Calypso feel vibes and the hard hitting breaks,

• Vision Love - Glenn Rivera ReStructure Mix - Topazz

Topazz is Alex Saltos, Evette Vera and Jesse Ramos. This 80’s hi-energy/euro-house trio has brought the late 80’s a finale jolt of house energy. “Vision Love” is their first release from 1988 which was an independent label release and in the realm of what real disco music has in its ability to produce excitement from Indi-artists to add to the spectrum of dance music. This rolling track is a bit of a break on break sound where the keyboards take hold of each segment and make it whole. One the exciting pieces of its genre and another reason how disco music has survived throughout time.

I have taken the 12” vocal and instrumental of “Vision Love” and added some new but well known elements to this ReStructure Mix, I have extended the riffs which make it memorable and given it a tribute for the world of dance music and how it has influenced and survived.

• Flash - Glenn Rivera ReStructure Mix - The Flash Back Band

The Flash Back Band is an Italo-disco project from Gilberto Gattei and Max Sierra and was released in 1983. The prime time for innovative Italian disco music was the period where many releases held a unique form and sound along with the heavy beats, bass and sequencers. “Flash” is originally a segmentation of jazz fell horns dueling with the disco keyboard riffs. A single that held many riffs which took the edge of dance music from the period and placed them into a new realm. This one was more of an early evening warm up track which would build and drop into complete silence. More of a jam session complete with the sequencers and breaks.

I have taken the 12” version of “Flash” on the Il Discotto Productions ‎label and realigned the instrumental with some new energy and theme. Adding the main theme from the 1980 film “Flash Gordon” performed by Queen into the mix to give the title new drama. There are some breaks along the way and hope that this “Flash” can rejuvenate your ears.

• You Make It Hard To Love You - Glenn Rivera ReStructure Mix - Abbe

Abbe is Abbe Lane is an entertainer whose career began in the mid-50’s. Her long list of recording along with her bandleader husband. Xavier Cugat is the outline of the lounge and club sound which helped to bring Latin rhythms to America. Always known as a “sexpot” she eventually landed in the 70’s disco period when she recorded her album “Rainbows” in 1980.The project was produced by Norman B. Ratner who produced Bob McGilpin and various disco artists from the mid 70’s. “You Make It Hard To Love You” is the single with the most impact from her return to the mic experience. This one is a heartbreak tag with lots of the electronic disco elements that became the staple of dance records. One of my favorite pieces that play out with a diva from the past blending into the disco world.

I have taken the album version of “You Make It Hard To Love You” and reworked a new ReStructure Mix playing tribute to Abbe Lane and the Butterfly Disco Label. There are some new elements added to pound out that disco rhythm with more of the percolating edge that was exciting for the time.

• Charming Prince - Glenn Rivera ReStructure Mix - Sylvie Stone

Sylvie Stone is an Italo-disco project from producers Ennio Manuel (Cruisin’ Gang) and Enzo Vallicelli (Max-Him, Hugh Bullen). This 1983 single is one of the fantastic pieces of early Italo-disco which displays the heavy synthesizer influence and creativity. The strange theme is also of interest where it points to a title “Charming Prince”. The vocal is a childlike delivery and plays out to a promise of intimate closure. This one was a big hit for me during the early 80’s and always brought the curious record seekers asking of the artist and title. The vocal always sounded to me like an Angela Bofill in a different setting.

I have taken the 12’ vocal and instrumental of ”Charming Prince” and reworked this fairy tale dance track in a new ReStructure Mix. I have taken the wonderful rhythm pieces and reassembled them along with a cameo by Donna Summer.

• Dancing With You - Glenn Rivera ReStructure Mix - PAX

PAX is a German dance project lead by Robert Poerschke (Slizzy Bob) whom creates a beautiful Euro-pop track titled “Dancing With You” from 1994. This song is one of the nice laid back pieces that bring to mind the great dance palaces where morning music was the vital piece to the event. The vocal here is a nice blend of Martika like jazz echoes with a nice smooth energy. It has always been among my favorites of this genre of dance music and even today brings many nice emotions to the surface with its haunting sound.

I have taken the 12” dance extended version and ballad track to recreate a new magic for “Dancing With You”. I have made the intro more of a fade to a new fantasy where romance is all about dancing and loving the one you are doing it with.

• Wonderful City - Glenn Rivera ReStructure Mix - Marika

Marika is Andrea Delfino – an Italo-disco vocalist who began recording in 1989 and with the single “Wonderful City” with her captivating sound. The single was produced by Franco Diaferia and Marika and features a percussion driven arrangement which has an anthem like quality n its simplicity and wonderful piano segments. It is one of the lovely pieces from the Italo-disco world and even today sounds as beautiful.

I have taken the 12” vocal and instrumental versions of “Wonderful City” and remapped a new ReStructure Mix and plays out with more of the samba-feel bongos. There are more pieces edited and looped for some new changes within the play.

• Move This - Glenn Rivera ReStructure Mix - Technotronic

Technotronic started as a Belgium Beat studio concept and eventually became one of the 80’s most prominent sounds and echoes. This electronic movement was a cross between house music’s deep beats and heavy bass and a nu-new wave essence in style and arrangement. Lead by producer Jo Bogaert and eventually becoming the new riff for rap. It was another period in dance history where two mediums of dance united for excitement. “Move This” is one of the singles from the “Pump Up The Jam” project from 1989 and again features Felly on simple words and energy. This one is a touch of flavor for the end of the 80’s and a huge influence on dance music in the 90’s.

I have taken the 12” vocal and instrumental of “Move This” and rejammed a ReStructure Mix using more of the pieces to recreate some new sound. There is more bass pumping in and out of the mix and some fades that give the vocal a new spot.

• Sweet Dreams - Glenn Rivera ReStructure Mix - Hip On Ice

Hip On ice is a German electronic dance project from Alexander Henninger who is better known as the innovator on 80’s dance ensembles Micro Chip League, Deborah Sassoon, Celebrate The Nun, J.W.B. Hits The Beat and Axodry on the Westside Music Label. The mid and closing years of the 80’s made many hardcore projects using the elements of sounds which were incorporated in dance music during the creative and innovation. “Sweet Dreams” is a synth-pop track that takes the mood into an industrial feel of works. Much like the work with Micro Chip League, Alexander brings this one into a dark edge where night feels like a hardcore fantasy. A nice deep sound that is appropriately influenced by Kraftwerk and the synth period of disco music. “Sweet Dreams” always reminded me of a Bowie vocal floating over a light Bronski Beat sound. Successful to me and one of the big picks for my dance floor of the time.

I have taken the 12” versions of “Sweet Dreams” and used segments of each to recreate a new experience in this ReStructure Mix. The electronic sequencers are tagged and used for more mystique and the “Missing The Days” mix to calm down the moody exchange.

• Tokyo - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer is not only one of the most incredible voices in the music industry – she is also one of the most driving in momentum for keeping her music and presence alive. Following the disco she released several projects displaying her vocal and versatile talents. “Tokyo” is from her 19863 album titled “She Works Hard For The Money” – produced by Michael Omartian. The track is a slight shift from her pop-synth dance material with a touch of light jazz infused. The tale of her travel and fond connection to this place make way for a nice transformation for her vocals again as most hardcore fans could never get enough of. The bridge of this track are what lure me into it in memory and paying tribute to it and Ms. Summer are always in the back of my mind.

I have taken the album version of “Tokyo” and pitched it up a few for this ReStructure Mix. I have added a few new percussion riffs and played with the existing drum and keyboard parts to create a more under-tone to the song.

• Give Me Love - Glenn Rivera ReStructure Mix – Fun Fun

The Time is Morris Day, Jesse Johnson and Jerry Hubbard – one of the 80’s leading funk-dance ensembles. This band was produced by The Starr Company who is also 80’s artist Prince and his dedication to keeping new talent rolling. “Ice Cream Castles” is from their album by the same name released in 1984 and following their appearance in the film “Purple Rain” which brought them into focus. This track always gave me attention from the first beats with its wobbly bass effect over driving funk drums. It is one of the elements of the song that makes it a dance floor hit from the start. The tale here is a lyrical fantasy of falling in love and comparing it to an enchanted placed where the wonderful dreams overflow. One of the magical pieces of this one is the connection to Prince’s organization and talent yet maintains its own. A great number from the 80s and The Time and another salute to the dance/funk of the period.

I have taken the album version of “Ice Cream Castles” and reworked the groove which was something I welcomed for this ReStructure Mix. The double vinyl was the only way to play out this one during its time which always made the dance floor or stand up patrons catch on to the groove also.

• Ice Cream Castles - Glenn Rivera ReStructure Mix – The Time

The Time is Morris Day, Jesse Johnson and Jerry Hubbard – one of the 80’s leading funk-dance ensembles. This band was produced by The Starr Company who is also 80’s artist Prince and his dedication to keeping new talent rolling. “Ice Cream Castles” is from their album by the same name released in 1984 and following their appearance in the film “Purple Rain” which brought them into focus. This track always gave me attention from the first beats with its wobbly bass effect over driving funk drums. It is one of the elements of the song that makes it a dance floor hit from the start. The tale here is a lyrical fantasy of falling in love and comparing it to an enchanted placed where the wonderful dreams overflow. One of the magical pieces of this one is the connection to Prince’s organization and talent yet maintains its own. A great number from the 80s and The Time and another salute to the dance/funk of the period.

I have taken the album version of “Ice Cream Castles” and reworked the groove which was something I welcomed for this ReStructure Mix. The double vinyl was the only way to play out this one during its time which always made the dance floor or stand up patrons catch on to the groove also.

• Dance In America - Glenn Rivera ReStructure Mix – Boogie People

Boogie People are Bruno Perri, Yves Charbonneau and Vincent Ciambrone. This Canadian based project is a disco extravaganza with the focus on percussion and a bass groove along with the showgirl chorus celebrating an era of dance. “Dance In America” is the studio ensembles first project and plays out like a disco anthem. This may have been the last of the crescendos of the disco era and plays out quite dramatically as such. A stripped down production with the feel of a Euro-disco piece.

I have taken the 12” version of “Dance In America” and rewired the feel of this track for a new ReStructure Mix. I used the percussion once again as the mainframe and added only a few more rearranging of the chorus girl segments.

• Don't You Want Me - Glenn Rivera ReStructure Mix – Jody Watley

Jody Watley is one of the artists from the 70’s who successfully transformed herself into funk singers who made a light of her own career. From her first appearance as a “Soul Train dancer” and then onto being a member of one of the most exciting disco groups of the late 70’s – Shalamar. Throughout the 70’s it seemed as though her singing career had become the worthy investment and in the 80’s her solo career was the big win. “Don't You Want Me” is from her first solo project and was produced by Bernard Edwards of Chic. This track is one of the most iconic pieces which give off Jody’s aura of a gentle sweetness and yet a hard hitting funk edge. One of my favorites of mine from productions to the last vocal piece it is hypotonic.

I have taken the 12” club version, dub and vocal dub into a dreamy like arrangement for this ReStructure Mix of “Don’t You Want Me”. There is an added hint of Jody’s past and also a few new breakdowns and a fade.

• (I'm Not Your) Steppin' Stone - Glenn Rivera ReStructure Mix – Modern Rocketry

Modern Rocketry is Morey Goldstein and Ken Kessie. Their disco project from the early 80’s is a studio ensemble keeping dance floors moving with an electronic arrangement and a new energy. “(I’m Not Your) Steppin’ Stone” is a cover of the Paul Revere and The Raiders 1966 rock song in a bass rolling arrangement. The 12” version was a top pick for a changing sound in the early 80’s and in the wake of new-wave and pop rockabilly releases of the time. The San Francisco Disco edge here is the sound that Megatone Records used throughout the 80’s in various production and artists.

I have taken the 12” vocal version of “(I'm Not Your) Steppin' Stone” and reworked this ReStructure Mix for a new turn in placement and arrangement. I have utilized the cowbell percussion to the hilt for more of a pulse in this new version.

• Garden Of Love - Glenn Rivera ReStructure Mix – Don Ray

Don Ray (Raymond Donnez) is an arranger and musician who are well known as one of the pioneers of the European disco sound as it progressed in the mid and late 70’s. Along with Cerrone and Alec R. Costandinos this man achieved a notation in the creative process of symphonic disco productions. “Garden Of Love” is the title track to the 1978 project produced by Cerrone and Don Ray along with many other talents from the Euro-disco pool including Madeline Bell, George Rodi, Ray Cooper, Kay Garner, Mo Foster and Sue Glover. This number is one of the nice Calypso-disco feel rhythms with a smooth vocal provided by Lee Rich and Rob King. One song that was least to receive the play due to the big disco energy pieces “Got To Have Loving” and “Standing In The Rain” but every bit as exciting and worthy.

I have taken the album version of “Garden Of Love”: and worked on playing more on a down beat in this ReStructure Mix. The aura of the smooth and whimsical melody is intact with more of a kick-drum rhythm track placed to give it a new energy.

• Mommie (Erotic) - Glenn Rivera ReStructure Mix – Kryptonite

Kryptonite is a Canadian disco project which began in the early 80’s along with producers Joe La Greca and John McDiarmid Their initial singles featured a production with heavy percussion and bass sequencers rolling out the energy – very close to the feel of Denis Le Page and his Lime sound. Kryptonite was taken over by Italo-disco producer Biagio Farina in 1986 and a new antidote was created for a single titled “Mommie”. The new sound was a mambo-like track that encompasses a mystique and edge as if it were a theme from a James Bond film. It plays out in a clever arrangement where a confession from a loyal boy to his mother gives us a teasing reading. One of the big numbers in my club for the time and no stranger for Farina who is known for his work with various dance projects in the 80 are including Ray Vista, Judy B., Claudia Hart, and Kim Lamour. Another wonderful production by Biagio who always displayed his dedication to dance music by the great results,

I have taken the 12” version of ”Mommie” and rewired the track for this ReStructure Mix. There is more laid out using the fantastic percussion track and some play with the segments to take this version on another new path.

• Get Down Saturday Night - Glenn Rivera ReStructure Mix – Oliver Cheatham

Oliver Cheatham is an r&b singer whose career spanned from 1982 through 2002. His big dance hit “Get Down Saturday Night” from 1983 is one of the tracks that received a notable amount of play and also one of the pieces which was produced by Al Hudson, Dave Roberson and Kevin McCord of One Way (“You Can Do It”). This one is a slick dance number that carries out the message that resonates throughout the disco and 80’ synth-pop era which was the excitement to come on each weekend while stepping out. Oliver does perform this song with the mild enthusiasm and funky style which makes it hard to resist. The production is a soulful approach with a nice appeal for disco crowds as well as the laid back funk edge.

I have taken the album version of “Get Down Saturday Night” and rewired the song for a new ReStructure Mix. A longer intro with a touch of Earth Wind and Fire’s “Boogie Wonderland” bringing the promise of a little more and a few new breakdowns to move the soul.

• Jump Into My Life - Glenn Rivera ReStructure Mix – Stacy Lattisaw

Stacy Lattisaw is singer who began a career at the early age of 12 and worked a path on dance floors in the early 80’s following her classics “Dynamite” and “Jump to the Beat”. Her music displayed the youthful energy of the 80’s dance scene and gave her an immediate response of welcome. “Jump Into My Life” is a single from her 1986 project titled “Take Me All The Way” – and was produced by Kashif. This track is one of the outlines of Stacy’s lure which is a funky rhythm along with her lovely and gentle vocals. It plays out as a love song where the excitement of things to come is the promise of love and fort us an energetic dance play. One of my favorites from this spectacular lady and a big dance floor hit for me for the time.

I have taken the 12” vocal, dub and instrumental to recreate a new ReStructure Mix for “Jump Into my Life”. There are pieces of Stacy’s two classic hits added to remind us of the place that she made for us to feel good about the music and ourselves.

• Heroes - Glenn Rivera ReStructure Mix – Big Ben Tribe

Big Ben Tribe is Renato Posani, Riccardo Persi and Stefano Previsti. This trio released three singles from 1983 and 1984 and caught the attention of Italo-disco lovers with their melodic and somewhat sultry sound. Heavy on drum-like percussion from a jungle feel and synthesizers pulling along whimsical themes is the basis of their arrangements. A cover of David Bowie’s “Heroes” is their second release and one of the most memorable. This one plays out with the romantic fantasy which Bowie created in the original with a full on synth-pop sound. It is quite haunting and works well for the band. This one always worked for me early in the morning for afterhours set and makes the mystery of the song more enticing than ever.

I have taken the 12” vocal and instrumental in the ReStructure Mix arena for another spin on "Heroes”. There is a new intro featuring spots from Bowie himself and also a drop for breaks along the new version.

• Love and Fantasy - Glenn Rivera ReStructure Mix – Eskimo

Eskimo is an Italo-disco project from producers Mauro Farina, Giuliano Crivellente and Florian Fadinger. This trio transformed the Italo-disco sound into a high energy feel with many of their releases during the late 80’s and early 90’s. “Love and Fantasy” is their 1990 release on Asia Records and displays the vibrant energy which became the rolling sound of disco and high energy with a lighter edge. The vocals by Antonella Melone and Daniela Rando are reminiscent of the early 80’s Italian productions by Fun Fun and Chip Chip – however their harmonies create a unique sound which works well with the wind up energy number. This is the execution of both worlds where dance music takes us to another world.

I have taken the 12” vocal, dub and bonus beats to create a new version for this ReStructure Mix. A longer play with the chorus and an added beat track from the Dazz Band give this new edge more of a breakdown on energy.

• Don’t You Want My Love - Glenn Rivera ReStructure Mix – Nicole

Nicole (Lillie Arlene Nicole Jade McCloud) is one of the exciting voices of the mid-80’s dance movement. Her first solo album titled “What About Me?” is one of the productions from Lou Pace (Donna Allen, Stacy Lattisaw, Joy and Pain). The single from the project titled “Don’t You Want My Love” are one of the explosions of the dance floor during the period. It encompassed the energy of the pop-80’s dance scene and also along with Nicole enticing vocal makes this one a bomb. One of the floor-packers in my club and amidst the energy there was always the recollection of watching the hard hitting horns take on a reaction from the crowd. This one is a promise of lasting energy since there is no way to put it out.

I have taken the 12’ vocal and dub of “Don’t You Want My Love” and reworked a new found energy in this ReStructure Mix. The synth pieces are aligned more as the foundation and the kick-ass beats are the motivation now. It has always been one of my favorites and now expressed in a club feel environment.

• Sleepin' (Now That You're Gone) - Glenn Rivera ReStructure Mix - Cabballero

Cabballero is Ricco Raggazzi, Ronald Bähr – a Eurodance studio group whose repertoire includes their covers of classic 80’s dance tracks and a few disco classics. Their electronic productions are powerful and motivating where the riffs take over and create a techno influence. “Sleepin’ (Now That You’re Gone” is their cover of Rick Astley’s 2001 track – and although their version was released in 2004 there is newness with energy about this dance version. The vocals are close to the original and play out as a nice heartbreak drama over the pumping Eurodance groove. This track is one of those that is haunting for the mind and moving for the feet.

I have taken the 12” vocal and instrumental of Cabballero’s “Sleepin’ (Now That You’re Gone)” and redesigned a ReStructure Mix. This one lends more to the sound of those bass sequencers and thumping of those beats – a classic Moroder riff is used throughout to make this one pop even more.

• Hymn - Glenn Rivera ReStructure Mix - Magna Charta

Magna Charta is Helmut Meyers and Walfried Böcker. This duo creates an ambient/trance experience for dance music in the early 90’s. “Hymn” is a single released in 1990 which originally followed the path of Enigma’s “Sadness” complete with the Gregorian Monk chants intact but this time around there is a house bass neat which pumps up the energy and also the direction. It was one of the big floor stompers in my club at the release and continued to make its way onto many afterhours’ sets and of course ambient mix projects. The entirety of this track is an emotion feel with the piano and strings melodically painting a picture for the romantic interlude.

I have taken the 12” club and instrumental of “Hymn” and reworked a ReStructure Mix adding a few new drum beats and also a movement from Madleen Kane to complete this new segment. There are more of the bass winding drum beats and a breakdown for the energy.

• Too Late - Glenn Rivera ReStructure Mix - Sylvester

Sylvester is one of the disco music’s shining stars! His music and presence has always branded a unique and powerful experience. His 1983 project “Call Me” was produced by Dennis Wadlington, Dwayne Sweet, James "Tip" Wirrick, Marty Blecman and Sylvester. “Too Late” is a single from the album which was released as a 12” single remixed by Ken Kessie, Marty Blecman and Steve Hasemeier. The song is one of the moments again where Sylvester takes over the music and emotions run to the top. It is informing his lover that the affair has become a serious one and even though fighting it has been there – it is no longer an option. A great electronic funk/dance piece and some wonderful vocals both backing and lead.

I have taken the 12” and album versions of “Too Late” and reworked a new ReStructure Mix to pay tribute to the Megatone Record label and the power of Sylvester. More of the instrumental is used a treatment to give the new take some length and surprise.

• Loveline - Glenn Rivera ReStructure Mix - Shawne Jackon

Shawne Jackson is a Canadian singer and songwriter whose career began at the age of 15 and eventually leads her into the early 80’s. She recorded the track “Loveline” (which was also recorded by Tavares in 1981). The production is executed by Willi Morrison and Ian Guenther of THP Productions and also responsible for Duncan Sisters, THP Orchestra, Skatt Bros, and American Fade. The slick electronic keyboards help this rekindling a nice update and some nice riffs make it a transition for the big disco productions of their past a wonderful sound. Shawne executes the sexy vocal in her own unique sound and make the sound her own on more than one way. It is a nice shift from the hardcore disco of the late 70’s into a funk driven 80’s.

I have taken the 12” vocal and instrumental of “Loveline” for a new version in this ReStructure Mix. It features a use of both vocal and instrumentation that it pieced into several new breaks a funk foundation for Shawne.

• On The Road Again - Glenn Rivera ReStructure Mix - Rockets

Rockets are Claude Lemoine, Alain Groetzinger, Alain Maratrat, André Thus, Bernard Torelli, Christian Le Bartz, Fabrice Quagliotti, Gerard L'Her and Sal Solo. This futuristic styled band in the late 70’s became an underground hit with their sound engaging a mix of synthetic effects with a rock fused style. “One The Road Again” is from their 1978 project by the same title and is one of their signature tracks. A touch of doo-wop meets disco/space funk. Their sound changed in the 80’s to more of a nu-wave influence and also gave them more of an opportunity to utilize their unique stage presence. Rockets are in indeed one of the sounds of the late 70s which was unique and ahead of its sound.

I have taken the 12” version of “On The Road Again” and worked it into a new ReStructure Mix. A bass beat with more of a union for this space age piece is added for a rhythmic feel and more of the sequencers are placed among the journey here.

This ReStructure Mix is dedicated to Antonio Fisichella – thanks for requesting this great band for a remix and may the force stay with you!

• You Came 2 Me - Glenn Rivera ReStructure Mix - Susanne Jackson

Suzanne Jackson is a vocalist who works with Italian house producers Frank Minoia and Max Minoia on this majestic Italo-house track titled “U Came 2 Me” from 1991. The 90’s were a new arena for club music which used the legacy of house music and Italian dance producers took the elements of this genre and made it their own. A fresh edge was Italo-house which embodied the heavy bass and piano riffs into a sweeter and more energetic phase. The outline of “U Came 2 Me” is a confession of a love from the heart and mind of an adorned woman who is represented by Suzanne Jackson with a nice blend. This track was the top piece in my club for months after its release and represented the power that previous songs by Black Box, Lil’ Louis and many of the pop-artists who included a house remix in their single releases. The beautiful sweeping of pianos and the funky keyboards are the outstanding moments if the song. A house topper for producers who gave us several releases dedicated to this Italo-house more shine for us all.

I have taken the 12” version from “U Came 2 Me” and worked to pay tribute to Italo-house contributions in dance music history. This ReStructure Mix takes the high energy edge of each mic into an arrangement with a few new elements to give on a new edge.

• Born To Be Alive - Glenn Rivera ReStructure Mix - Disco Connection

Disco Connection is Eddie De Gucht – producer of electronic covers of disco classics. His work from the early 80’s was exciting to disco audiophiles like myself who found a new version of a disco standard refreshing. At the end of the disco era much of the hardcore dance music was produced and released in the UK, Germany and Italy. Many of the contenders were new fusions of dance music which centered on the fact the world had not finished dancing yet. Disco Connection takes the 1979 Patrick Hernandez disco classic into the reprise mode with a full on electronic stripped down arrangement. The melody plays the identifier and only the rolling sequencers formulating the energy. Another release by this studio project emerged including a cover of George McCrae’s “Rock Your Baby”. The classic disco sound was being electrified and kept alive for those who could not get enough.

I have taken the 12” versions of Disco Connection’s “Born To Be Alive” and used the segments that make up the original tribute and some of the new interludes for this ReStructure Mix. This plays out more like an addition to the original with a few chorus pieces and new added percussion and beats.

• Midnight Lover - Glenn Rivera ReStructure Mix - People Like Us

People Like Us is Paul Crossley, Terry Owen and vocalist Cindy Dickinson – and together they gave the end of the 80s several high energy tracks. These discs were fittingly an appropriate closing for the end of the high energy era of the 80s. The production and outline of People Like Us were the intense homework done from dance floors during the 80’s from groups like Lime, Charade, Miquel Brown and Hazell Dean. The energy derived from the use of percussion, rolling sequencers and strong lead vocal were all set for the genre and this crew used each part to the dance floors advantage. “Midnight Lovers” is a nighttime fantasy with a desperate cry for the day to pass and a reunion of two lovers in the night becomes a reality. A high energy number for the tail end of the 80’s in the Passion Records tradition.

I have taken the 12” vocal and instrumental of “Midnight Lover” and created a new Restructure Mix with more of the percussion riffs worked and some new segues into the excitement. The vocal by Cindy Dickinson has always been the desperation and feel of the song and is maintained.

• You're The One - Glenn Rivera ReStructure Mix - Rory Block

Rory Block is a blues guitarist who began a recording career in 1968 covering country and Mississippi Blues. The end of the 70’s brought her into the disco era where she experimented along with soul/disco producer Bobby Eli for a project aimed at dance floors. “You’re The One” is the single which became the headliner from the project and gave way to a classic percussion riff. Rory’s vocal are the fitting edge of the project which gives a soulful and bluesy sound to many of the disco motivated tracks. Performances on the session include Dexter Wansel and disco percussionist Larry Washington. Bobby Eli’s work here is the upmost for the period of disco and gives Rory a comfortable place to rest her vocals in.

I have taken the 12” version of “You’re The One” and reworked a new ReStructure Mix to give homage to Rory and Bobby Eli. The track is laid out with more extended pieces from the intro and also a couple of new breaks.

• You're My Heart, You're My Soul - Glenn Rivera ReStructure Mix - Creative Connection

Creative Connection is an Italo-disco project featuring Athina Haikali, Leroy Skeete Davis and Lian Ross. The group is one of the 80’s electronic synth bands that helped to keep the 80’s dance scene moving. Their cover of Modern Talking’s “You’re My Heart, You’re My Soul” from 1985 is one of the true praises to a sound which made a big impact on dance music. Creative Connection takes the melody and outline of the original and recreates it to the standard with a few new elements - one being a wonderful vocal from Lian Ross who later became a solo artist and recorded the classic dance track “Fantasy”. The magic of Modern Talking’s classic love song is alive here and the recreation is worth its own weight as it gives homage to the sound of the 80s.

I have taken the 12” version of Creative Connection’s “You’re My Heart, You’re My Soul” and reworked the essence of the recording for this ReStructure Mix. There is a new break surrounding the love notes a new arrangement on the vocal.

• The Music Takes-U-Away - Glenn Rivera ReStructure Mix - Panthera

Panthera is Ferre Baelen and Thierry Thielemans. This acid-house club track titled “The Music Takes-U-Away” was released in 1989 at the peak of house and techno music and dance floors were heavily relying on beats and bass to stomp out a rhythm. The Technotronic take over the same year made a mild rap a big part of house productions using the hip-hop chant to bring a new break for the ingredient. The pop world had taken hold of this new genre and moved it into a standard. “The Music Takes-U-Away” is one of the singles that worked a peak dance floor into frenzy during this period for me. The pumping beats are the outline of what the dance floors were craving. This production is more of the house touch and some acid pieces to bring it to the “new dimension” that our rap entails. Many of the parts that join the song are nice riffs that make this style what it was as it made itself home.

I have taken the 12” version and beats from “The Music Takes-U-Away” and reworked a new arrangement for this ReStructure Mix. The single versions are extended here with more elbow room for the rhythm to make itself a center stage.

• Electricity - Glenn Rivera ReStructure Mix - Ashaye

Ashaye (Trevor Julian Ashaye) is a singer who began his career with Earthline Connection and eventually introduced him to producers Fiachra Trench and Nick Glenny Smith who featured him on a medley of Michael Jackson hits. After charting in the UK he was brought on to a project with producers Andy Sojka & Rick Dejongh and the single “Electricity”. One of the dance tracks that were fittingly arranged the song with a blend of electronic street beats meet high energy. The arrangement follows the innovative style of Sojka and Dejongh’s work on their past work project by Atmosfear and Contact-U. “Electricity” is a piece that feels like a mild tremor and then builds to a mild energy that is hypnotic. Ashaye performs his vocal with an ease that creates another lure into this wonderful dance number.

I have used the 12” vocal and dub version of “Electricity” to perform a ReStructure Mix on this 80’s dance track. There are more definitive street beats added to give the song more of a stripped down feel.

• The Only Way Is Up - Glenn Rivera ReStructure Mix - Yazz

Yazz (Yasmin Marie Evans) is a vocalist from Britain who is the focus of a house project produced by Coldcut (Jonathan More and Matt Black). This experimental acid-house sound was a big spot in the late 80’s and utilized the format and sound created by DJs in the formulation of a simpler and raw approach at dance music. Many of the pop bands and artists of the period used this style as a part of the 12” remix package for disc jockeys to customize the track for their format or a block of house music played during a sweaty response on the dance floor. “The Only Way Is Up” is not only an anthem with the unity, peace and love infused in the mood and lyrics but also gives way to Yazz as a new underground house figure. Following successes like Deelite and Rupaul used house music and its aura to project their own mission of a peace loving dance culture. The sound here is almost leaning heavily into the high energy sound as the power behind the drive is ominous in execution – which is why this track is a classic!

I have taken the 12” original club version and dub (“Bad House Music”) to reposition this mover into a ReStructure Mix. The beats play the main stage and give another shot at feeling the unity and hope – overall a good uplifting emotion which is what disco music has always provided.

• Get Up - Glenn Rivera ReStructure Mix - Maria Verano

Maria Verano is a disco artist from The Netherlands who started her singing talents as a young child. A Dutch producer, Jacques Zwart discovered her in the early 80’s and created a sensation with her 1980 single titled, “Get Up” and gave Verano a new audience to share her passion to. The song has a nice rock edged vocal that definitely takes over the track with a powerful presence. One of the nice transition pieces from the end of the disco era onto a new generation of synth-pop and high energy. This one made a big mark on my dance floors during peak hours when the floor was ready for some motivation.

I have taken the 12” version of “Get Up” and rewired the song using its own electronic keyboard parts in durations for this ReStructure Mix. I have also added another 80’s classic to the mix using the Patrick Cowley bassline as a new foundation.

• My Baby Holds The Key - Glenn Rivera ReStructure Mix - Moulin Rouge

Moulin Rouge is a disco project from Mike Leander – a British producer who worked from the early sixties onto the 90’s including artists Marianne Faithful, Tom Jones and Gary Glitter. One of his 80’s dance projects was Slimline and the 1982 track “If You Can Dance You Can Do It” are one of the hidden electronic dance gems of the time period. “My Baby Holds The Key” is a song written by Paul Da Vinci (The Rubettes) and flows like a beautiful wave of heart and emotion which display a feat in transposing the love song into a dance number. The rhythm track with its beat and clap patterns play out a nice foundation for the melody. This one was a favorite of mine since it gave us another beautiful disco track in 1983 when it was difficult to locate such a piece following the disco fade.

I have taken the 12” version of “My Baby Holds The Key” – using the vocal and the instrumental to rework a ReStructure Mix. A new intro and use of the pieces that build the high end of this number are used in the new arrangement for a new effect.

• (I Know) I'm Losing You - Glenn Rivera ReStructure Mix - Uptown

Uptown is an electronic dance project from producer Scott Yahney. The project released a cover of the Motown classic, “(I Know) I’m Losing You” – recorded by The Temptations in 1966. The twist on the arrangement is a winner in itself – a Detroit soul production translated effectively in a pulsating street beat format. The vocals are another part of the magic where The Temptations soul rendition is disco-fied by a lyrical female chorus. It is one of the big sleep hits of 1983 and resurfaced again in 1989 with a killer remix to bring back this force again. This classic dance floor piece was one of the sleeper hits of its time and still brings it all back.

I have taken the 12’ vocal and instrumental of “(I Know) I’m Losing You” and reworked a new ReStructure Mix to give this one another beat to pound into your feet. More of the instrumental is blended to give more distance between the verses and new breaks.

• New Toy - Glenn Rivera ReStructure Mix - The Flirts

The Flirts are one of Bobby Orlando’s female groups created in the early 80’s to help move his new high energy music into play. The ensemble has changed vocalist throughout time but have always remained dedicated to the rolling bass and energy of the driving dance energy which Orlando worked in many variations on many of his studio sessions. “New Toy” is from the 1985 album “Blondes Brunettes & Redheads” and takes the trio into the New York beats and samples werk that was a sensation of the time. It is a catchy track that is simple and yet plays out with these ladies as a perfume of lure with lots of sensuality once again.

I have taken the 12’ vocal and dub of “New Toy” and reworked a play thing for this ReStructure Mix. Adding a classic Cerrone piece as the anchor for rhythm and bass this time out the energy in more pumping.

I have taken the 12” versions of “No Good Boy” and reworked a new ReStructure Mix for a tribute to Todesco and Bonzanni and their club work in keeping dance music alive. There are new breaks and segments using some new percussion to give this one a new chance to move the house bones in you.

• No Good Boy - Glenn Rivera ReStructure Mix - Maxi Shannon

Maxi Shannon is an Italo-house project from 1991 and executed by Raff Todesco and Sergio Bonzanni. The late 80’s brought house music into the light with many variations on a style which focused on a heavy bass loop and kick beats to fetter the beats. It was soon to take over the 90’s and create a whole new style influence on disco, techno, and pop-music. With the success of studio groups as Black Box and Inner City using the elements of this transition began a new audience and dedication to the unity and celebration of dance music. “No Good Boy” is in the mash-up tradition which Black Box created with “Ride On Time” in 1989 – a play with a classic club track using vocals or segments of the song along with a new arrangement and production to create a whole new meaning. Bonzanni and Todesco take the club song “You're No Good For Me’ by Kelly Charles from 1987 and redirect the original into an Italo-house ride. This one was huge in my club during its release and I have to thank Dean Ferguson for his high recommendation of it.

I have taken the 12” versions of “No Good Boy” and reworked a new ReStructure Mix for a tribute to Todesco and Bonzanni and their club work in keeping dance music alive. There are new breaks and segments using some new percussion to give this one a new chance to move the house bones in you.

• Revelation Day - Glenn Rivera ReStructure Mix - First Vision

First Vision is an Italo-disco project from producers Franco Zasa and Tony Travagliante – who also released singles under the name Los Angeles T.F.

“Revelation Day” is their single from 1983 and reflects the innovative period of dance music from Italy which helped to reinvigorate the dance community in the early 80’s. The electronic keyboards are the magic here and play out with the patterns which hypnotized dancers to a whole new dimension of imagination and movement. The mood is a moody rhythm that works over layers of pulsating keys and sounds. It may have been the influence of work by Giorgio Moroder from the late 70’s and influenced house, techno and new age dance on to the 90’s. “Revelation Day” has a biblical reference that is obviously twisted into a somewhat uplifting message? This myth is one which always captures the attention of those who emphasize the destruction of a soul that does not follow – here, it is used in a most romantic edge with a strange haunting chorus.

I have taken the 12” single of “Revelation Day” – using the vocal and instrumental to work this new ReStructure Mix. The best of the keyboard elements are used in a transformation for this eerie sound.

• Total Eclipse Of The Heart - Glenn Rivera ReStructure Mix - Koffie

Koffie is a disco singer who along with producers Warren Schatz and Mitch Farber brings the 1983 rock anthem “Total Eclipse Of The Heart” from Bonnie Tyler.to life again for the dance floor. This rendition is certainly the disco edge of the 80’s with the flowing drama and the twist of the raspy rock edge of the original to the vigorous diva workout of a disco chanteuse. The production is a percussive foundation with the keyboards pouring the energy into Koffie’s vocal performance. One of the more predicted disco covers yet it still plays out in an interesting manner.

I have taken the 12’ vocal and instrumental of Koffie’s “Total Eclipse Of The Heart” and laid out a whole new transition for this ReStructure Mix. Using the original percussion to give pieces of the original more of the resonating power of the song and this remake.

• Backstreet - Glenn Rivera ReStructure Mix - Patti Whatley

Patti Whatley is a vocalist who sang tribute to the 70’s discotheque “Backstreet” in Atlanta, GA. The track simply titled “Backstreet” was released in 1979 on Ray Caviano’s RFC subsidiary of Warner Bros. Records – and produced by Angelo Solar and Carlos Glover. It is a simple party track that holds dear to many who experienced or frequented the club during its monumental period. The energy is driving here and the vocal is a bit dropped below the level of being a bit faint. Any tribute to the great fantasy and escape locations of the disco era are surely worth keeping alive.

I have taken the 12” version of “Backstreet” along with the instrumental which was mixed by discos one and only Mr. Jim Burgess and resent a message to the memory of this dance palace within this ReStructure Mix. More of the percussion plays a heavier role as well as the uplifting chorus.

• Mandrill - Glenn Rivera ReStructure Mix - Patrick Colby

Patrick Colby is an Italo-disco project from producers Alex Cundari and Max Sierra. The single was released in 1985 and was an Italo-disco number in the mature stages of high energy and the rolling hypnotic sequencers weaving patterns. “Mandrill” is a story about a tough kid who falls into a new world when he is free on the dance floor. The energy here is nice and blends into the pop-iconic vocals which Patrick amerces himself into when the chorus rides into a nice crescendo. One of the mid-tempo gems for my club of the time and a favorite of mine which I always remember from the sweet melody.

I have taken the 12” vocal and instrumental of “Mandrill” and reapplied a new arrangement for this ReStructure Mix. A new break with a guest appearance by Tito Puente is added to give the Latin fantasy some reality.

• Turn Me, Turn Me, Turn Me - Glenn Rivera ReStructure Mix - Mary Love

Mary Love is a soul and gospel singer who joined the disco sensation of 1979 with her single “Turn Me, Turn Me, Turn Me” – produced by Jay Kessler and Pardo Jones. Featured on the classic disco 12” label T.K. Records. The track has some wonderful riffs including the space-like chorus which Lu Janis (writer) used in many of his productions and also some nice percussion and horn segments. A simple love song on how love changed the world of a lonely girl forever and a great chorus to disco down to with a reverberating edge. The piece has always been one of my favorites from the T.K. catalogue and still holds up with the sound which brought it down on many club turntables.

I have taken the 12” version of “Turn Me, Turn Me, Turn Me” and reworked a new ReStructure Mix for a new take on the song. Using the original beats and bongo tracks as a new emphasis on the breakdown.

• Everything She Wants - Glenn Rivera ReStructure Mix - WHAM!

WHAM! are George Michael and Andrew Ridgley – a British pop-duo with more 80’s influence on the time period and its shift in both sound and attitude. The band released their second album in 1984 titled “Make It Big” – which included the track “Everything She Wants” which is homage to a love long lost where material objects become more important than heart. This one gave George Michael another opportunity to deliver a soulful pop rendition of love gone wrong with all of the drama in-between. A nice synth-pop number which many may remember the 80’s being a strong flavor of which this one delivers.

I have taken the 12” version of “Everything She Wants” and reworked the bongos and synths into a new ReStructure Mix. More of the rhythm is pounded out in this new version and a few new breakdowns are created.

• When The Fuel Runs Out - Glenn Rivera ReStructure Mix - Chuck Jackson

Chuck Jackson is a soul singer who began a recording career in 1957 and continued throughout the millennium with many variations of r&b, blues and soul to his credit. In 1979 he recorded a disco single – “When The Fuel Runs Out” – originally recorded by Executive Suite in 1973 and written and produced by Earl Young, Norman Harris and Ron Baker of the Salsoul Disco Machine of the late 70’s. This one became a classic in many ways as it gave soul music a lift up into the upbeat disco sound that was being shaped in the early 70’s and eventually became what 1979 was most celebrated by. The track is recorded with Chuck’s soulful edge in a beautiful way and gives way to another moment where dance music places itself in a framework for things to come. This Chuck Jackson version is produced by Alan Schwatzberg, Stan Khan and Horace Ott.

I have taken the 12” version of “When The Fuel Runs Out” and recreated a new edit for this ReStructure Mix and salute to the magic 3 men of Salsoul Disco’s legacy. A longer feed into the track is provided and more of Chuck’s soulful and effective vocals are added.

• The Blue Danube Hustle - Glenn Rivera ReStructure Mix - Rice and Beans Orchestra

Rice and Beans Orchestra is an early disco ensemble from producer Pepe Luis Soto – who also gave us Celi Bee and worked with Miami Sound Machine in the early 80’s. The sessions included Carlos "Kiko" Melendez, Eduardo "Sabu" Rosado, Hector Garrido, Raul Paonesa, Tato Rossi and Pepe Luis Soto. Their first self-titled project from 1976 which included a disco-fied version of Stauss’ “The Blue Danube”. This 70’s funky version is in pure disco camp as many movie themes and classic standards were dipped into the disco arena with the pop-mainstream in mind. The wah-wah guitars and rolling bass are the foundation for this disco orchestral piece. Rice and Beans Orchestra are one of the early disco ensembles to relay the new standard of disco music created by dance floors and disc jockeys early on.

I have taken the 12” version of Rice and Beans Orchestra’s “The Blue Danube Hustle” and reworked a new ReStructure Mix with added beats and percussion from the original track. A longer intro paces the new version and excerpts of the majestic “Blue Danube” are placed within this mix.

• Love Pains - Glenn Rivera ReStructure Mix - Lorenza Johnson

Lorenza Johnson is a vocalist performing a cover of the classic Yvonne Elliman song from 1979 – “Love Pains”. This song has lasted throughout time with many artists taking on the emotion and yearning in its lyrics. This high energy cover produced by Marvin Howell is a taste of the 80’s genre of dance music with its fury of percussion and adorning of the pounding disco beat. Was another cover necessary? It never hurt and this one plays out much like a lounge version of the song with the diva in the echoes of the club singing her heart out. The electronic production has some mighty nice riffs including the pounding percussion and a few bluesy saxophone interludes. One of the dance palaces of the 80’s hidden gems.

I have taken the 12’ versions of “Love Pains” by Lorenza Johnson and recreating a new version for this ReStructure Mix. I have sprinkled more of the percussion amongst the track and also given it a non-apologetic fade out.

• Party Boy - Glenn Rivera ReStructure Mix - Sean Heyden

Modern Rocketry is a San Francisco based disco/high energy project from producers Ken Kessie and Morey Goldstein – and features on vocals Jo-Carol, Kathy Kennedy and Katie Guthorn. Their 1985 project featured several dance floor singles which were successful in helping to create the outline for high energy music. “Thank God For Men” is an anthem that follows the celebratory state of machismo and all about it lure. This one may have been the sequel to “It’s Raining Men” with the uplifting feel and gospel lingering. The full on electronic production is one of the style that the label Megatone Records was popular for during the early and mid-80’s.

I have taken the 12” remix version of “Thank God For Men” and rewired the track for this ReStructure Mix. The airy feel in the mix is now covered with some added percussion and pieces of the action disbursed in a new way.

• Thank God For Men - Glenn Rivera ReStructure Mix - Modern Rocketry

Modern Rocketry is a San Francisco based disco/high energy project from producers Ken Kessie and Morey Goldstein – and features on vocals Jo-Carol, Kathy Kennedy and Katie Guthorn. Their 1985 project featured several dance floor singles which were successful in helping to create the outline for high energy music. “Thank God For Men” is an anthem that follows the celebratory state of machismo and all about it lure. This one may have been the sequel to “It’s Raining Men” with the uplifting feel and gospel lingering. The full on electronic production is one of the style that the label Megatone Records was popular for during the early and mid-80’s.

I have taken the 12” remix version of “Thank God For Men” and rewired the track for this ReStructure Mix. The airy feel in the mix is now covered with some added percussion and pieces of the action disbursed in a new way.

• Summer Love - Glenn Rivera ReStructure Mix - Lipstick

Lipstick is a Euro-house project from Francesco Bontempi and Roberto Arduini. This Italo-house cover of the classic disco track “Summer Love” by Musique is a sweeping and lusty number. It is presented here with less of the orchestration and more of the deep bass and beats of the house scene of the late 80’s and in this case the release in 1990. The vocals are not as charged as the original but the outline is centered more on a lyrical bass beat and the full electronic sweeping keyboards representing Patrick Adams’ classic arrangement. This cover is one of the obvious choices for an Italian production in any form and it is presented here in a beautiful and lyrical outline to pay an appropriate homage to the disco number that made be believe in the beat.

I have taken the 12” version of Lipstick’s “Summer Love” and used the vocal, club, instrumental and piano mix to recreate a new ReStructure Mix. This time around I focused on some new elements created by the existing house beats and the bass thumps

• Magic Nights - Glenn Rivera ReStructure Mix - Zara-Thustra

Zara Thustra is Alfons Weindorf, Berthold Weindorf, Clemens Weindorf, Eberhard Wilhelm, Hermann Weindorf, Maximilian Spenger and Walter Schwarz. A German progressive rock ensemble who gave us a classic club track titled “Magic Nights” in 1986. The song was produced by Pete Waterman of Stock, Aitken and Waterman who brought us all of the Hit Factory singles from the U.K. This piece is one of the anthems that brought to life a whole new generation of music for dance palaces. It is beautiful, lyrical and packed with the emotion that many of these genres possess. One of my favorite records of this end and most likely a change for the rock group as they lay out a new dance number that evokes the heart and soul of the dance floor.

I have taken the 12” version of “Magic Nights” and revisited the song with a new ReStructure Mix. The new version is laid out more plainly and simple with some new breaks and effects along the way. Some percussion is added to give it more energy.

• Gimme Love - Glenn Rivera ReStructure Mix – Shy Rose

Shy Rose is a cover name for singer Valeria and is one of the mid-80’s productions to keep the high energy vein moving on dance floors. Produced by Antonio d'Addezio and creating some of the most loved dance tracks which leave no excuse for a concerto synthesized piano and plenty of rolling percussion and bongos assisting. The big points in high energy in this vein in as sexy as Donna Summers’ “Love To Love You Baby” on steroids. “Gimme Love” is from 1989 and is a cover of Cerrone’s 70’s classic. This full on electronic production gives a satisfying reedition with more of a drop beat rhythm and Shy Rose’s soft and subtle vocal lighting up the sweetness. The original release also credits Toney D. and The Lovetrip Orchestra.

I have taken the 12” version of “Gimme Love” and stripped it away from the medley for this ReStructure Mix. I have reversed the arrangement with the strings starting out the need and more loops and breaks taking you to the climatic closing.

• Baby I Don't Know - Glenn Rivera ReStructure Mix – Kryptonite

Kryptonite is a disco project from Dee Jay Productions (Joe La Greca and John McDiarmid) who have also been responsible in part for heating up dance floors with pieces from Bombers, Eve John, Walter Rossi, Kat Mandu, Hydro, Melody Stewart, Lime and Carol Jiani. A reputation of making the disco beat pays its dues for the long run. Kryptonite is a dance project in keeping the disco aura alive in the early 80’s. The shift of instrumental to full electronic based arranged was the big influence of high-energy music which took over in the mid-80’s. This sound was an early sign of which Canadian disco producers dedicated their time and talent and benefited many more years and even now the influence in pop-dance music.

“Baby I Don’t Know” has the essence of a sound which was stamped on many of these productions which was heavy percussion and 'no more fooling around’ bass and rhythm guitar riffs. The true surviving and powerful elements of what maturing disco became in 1979. The hand claps that echo over the deep bass beats are the groove which made the 80’s a new disco era in itself. This track also shines with a masculine and defiant vocal which follows a simple rule of melody and level to fit into a synth-pop 80’s culture. A nice edge of the cliff relationship love song that makes the time seem simpler but at times more appealing.

I have taken the 12” vocal and instrumental of “Baby I Don’t Know” and worked on transferring the existing energy into a new outline for this ReStructure Mix. I used many of the existing parts to achieve the familiar production yet piece it a new way to make the excitement return once again.

• Love Resurrection - Glenn Rivera ReStructure Mix - Alison Moyet

Alison Moyet is a voice which helped shape the early 80’s into a progressive and full of promise. With producer and musician Vince Clarke they formed Yazoo which introduced an innovative style of synth-pop driven by Moyet’s powerful vocal. “Love Resurrection” is her solo release project titled “Alf” from 1984 – produced by Tony Swain and Steve Jolley. This number is a haunting song which gives an opportunity to feel that need to be needed. A big hit for my club at the time and lasted throughout a few years following

I have taken the 12” version of “Love Resurrection” and re-weaved a new ReStructure Mix using parts and pieces of the original and segmenting them in a new way. There are more breaks and also more of Alison.

• I Love You So - Glenn Rivera ReStructure Mix - Manny's

Manny’s is producer Manuel Dopazo and his 1983 single “I Love You So” which became one of the favorites among hardcore club enthusiast during its release. Very much a part of the 80’s dance continuum and the energy side is obvious here. Lots of heavy percussion and patterned hand claps make this one an irresistible dance piece for the time. The vocal is performed with a slight twist again where the edge falters among alternative. The lyrics are simple and there are several breakdowns which mark the timing of the songs energy and enthusiasm. One of my secret weapons for those all night parties when the dance floor needed to be cooled down slightly.

I have taken the 12” vocal and Instrumental of “I Love You So” and rework the song into a new ReStructure Mix. There are more breakdowns using the instrumental pieces and making way for more of the yearning of our diva here.

• Touch Me Baby - Glenn Rivera ReStructure Mix - Ultimate

Ultimate is one of the early Euro-disco projects to become main stream in disco music during the peak. Produced by Juliano Salerni and Bruce Weeden with the sound that Casablanca Records artist Alec R. Costandinos had made a new sound along with music by Cerrone. It was take on the Barry White and Philly sound which was full of funky bass and drums with an orchestral accompaniment. The European disco sound that Boris Midney enhanced around the same time with his own experimental take with USA European Connection. “Touch Me Baby” is a piece from the “Ultimate” album – that was conceived by Marc Paul Simon and is the true essence of that disco sound that was becoming the standard during the following years. The production on Ultimate is one the most driven outlines in disco of the time and brings a soulful rhythm into a disco arena.

I have taken the piece “Touch Me Baby” from the album Medley-“Love Is The Ultimate” and reworked its magic into a new ReStructure Mix. New percussion is added and the arrangement is rewired to give the song a new vitality.

• Let's Make Love To The Music - Glenn Rivera ReStructure Mix - Pattie Brooks

Pattie Brooks is an iconic singer and disco artist. Her work initially as a back-up singer gave her the endurance and work necessary to create her solo endeavors. Her first solo album from 1977 titled “Love Shook” was produced by Simon Soussan and featured his own studio ensemble called The Simon Orchestra. “Let’s Make Love To The Music” is one of the lyrical disco numbers that plays out in the mid-70’s fashion with a beat providing the rhythmic edge of the song. Pattie is in her early stages of becoming one the disco era’s most loved and talented performers. The session features more of disco music giants including Elton Ahi, Lauren Rinder and Michael "El Coco" Lewis*.

I have taken the album version of “Let’s Make Love To The Music” and placed it in a ReStructure Mix fantasyland. I have added a new drum track to give the flowing sound a new edge and also reworked some of the existing percussion in a new way.

• Thank You - Glenn Rivera ReStructure Mix - Judy B.

Judy B. is an electronic dance ensemble from Biagio Farina (Claudia Hart, Ray Vista, and Kryptonite) and released 2 singles in 1982. “Thank You” is the second release and is one that follows a catchy riff where keyboards light up ala “Funkytown”. The funky downbeats are the groove that makes this one work along with several nice keyboard riffs. This one made my dance floor come alive early evening and during peak hours. A touch of funk type bass licks make it even more irresistible. A great 80’s dance track that should bring back the period well.

I have taken the 12’ vocal and instrumental of “Thank You” and recreated a new version for this ReStructure Mix. A placement of arts of the song in new areas and extended grooves are added to give in a new flavor.

• Hot Feet - Glenn Rivera ReStructure Mix - Tschai Prender

Tschai Prender is a disco artist produced by Charles Blackwell who also gave us Larry Page Orchestra from the mid-70. The disco era was constructed on many independent labels and ventures into disco productions. The sound of classic disco was created on dance floors with many of the disc jockeys giving feedback from the dance floor. Many of disco music’s characteristics are based on camp and over dramatized orchestrations – “Hot Feet” is camp all around as it returns the height of the disco boom when people found themselves dancing all night long. It is a sexy moment for Tschai Prender as she gives up the floor for a woman who just can’t stop dancing. It is the essence of where disco music was intended for the feet to move to. The production follows the fast rolling hustle sound that is being covered in 1980.

I have taken the 12’ version of “Hot Feet” and retraced a new edit where the rhythm tracks are dissected in this ReStructure Mix. The outline is in more of a slice of what works best in the song.

• Hey,You Should Be Dancing - Glenn Rivera ReStructure Mix - Gene Farrow

Gene Farrow is a disco artist from 1977 and with a classic dance track titled “Hey, You Should Be Dancing” made an impact on the growing disco trend of the time. This track is an obvious take on the Bee Gee’s “You Should Be Dancing” – with a slight alteration and a heavy drum and conga outline added. This one plays out as the disco-pop sound yet with the drums and conga sections it makes a nice edge. Gene Farrow released his album in 1978 titled “Move Your Body” which contained this single and a few more pieces with a nice rhythmic outline. The song is infectious and has a bit of a sound ala-The Archie’s which is what I hear – overall a nice disco classic to remind of the huge impact the motion picture “Saturday Night Fever” made on the nightlife.

I have taken the 12” vocal and instrumental dub of “Hey, You Should Be Dancing” and recreated a new pounding and tingling ReStructure Mix for this classic. I have used more of the drum breaks in a new arrangement and offered more of the verse and chorus to bring it into a new sound.

• Leave That Boy Alone! - Glenn Rivera ReStructure Mix - Poussez!

Poussez! Is a disco project from producer Alphonse Mouzon and contributed to the 1979 dance phenomenon. The project titled “Poussez!” contained not only 4 tracks which all make the classic disco lists but also the vocalist who made it all happen – Ms. Christine Wiltshire (Musique, Center Stage, Phreek, Class Action, Aural Exciters). The vocal delivery on the initial album is the essence of Poussez! The single “Leave That Boy Alone” is from their second album released in 1980 and minus Ms. Wiltshire features Connie Harvey and Janet Wright. The production is less chic disco and more into the electronic 80’s disco camp. The sound is more camp edged and falsetto. The anticipation of the project is what maintains it as a remembered moment in disco history.

I have taken the 12” version of “Leave That Boy Alone” and reweaved a new ReStructure Mix and bring back Ms. Wiltshire in a cameo. The outline had a bit more of a dub conciseness and more play with the concept of the song.

• Out Of Control - Glenn Rivera ReStructure Mix - Evelyn "Champagne" King

Evelyn “Champagne” King is one of the soulful voices of the disco era. Her classic “Shame” from 1977 is one of the tracks which helped to unite soul and disco into a formula which would make dance floors move for years on. “Out Of Control” is from Evelyn’s 1984 project “So Romantic” and features a deep groove with a fantasy aura injected. One of the hardcore pieces from Ms. King and perhaps one of my most favorite since it focuses on the beats, bass and drums as the arrangements focus. It is one of the pieces that I would qualify as an after-hours anthem. Produced by Jimmy Douglass and powered by Evelyn’s ad-libs and infectious calls this single was quite different for her past repertoire.

I have taken the 12” vocal, instrumental and dub of “Out Of Control:” and re-directed this ReStructure Mix in a new after-hours feel. More of the keyboard riffs stand in segments where they are framed and a few new breaks give way to the space-out feel of the groove.

• We're The Right Combination - Glenn Rivera ReStructure Mix - French Kiss

French Kiss is a studio band created by producer Simon Soussan in 1979 and features Jessica Williams, Lamarr Stevens, Muffi Durham and Yvette Johnson. The success of his group Arpeggio gave him another opportunity to give dancers another explosive disco outline in his symphonic and electronic driven style. “We’re The Right Combination”: is a track from the project which stands out once again thanks to the soft-vibrato vocals which Soussan us known for in his productions. This love song is a wonderful serenade and keeps moving along with the strings tweaking at the breaks. The album titled “Panic!” is one of the great releases of 1979 and maintains the magic of the disco era.

I have taken the album version of “We’re The Right Combination” and recreated a new ReStructure Mix giving it a new intro and some play with the verse. There is an extended use of the handclap groove that moves throughout this new arrangement.

• He's A Pretender - Glenn Rivera ReStructure Mix - High Inergy

IHigh Inergy is a girl group from Motown Records featuring Barbara Mitchell, Linda Howard and Michelle Rumph. The group was formed in 1977 and became one of the top soul pics for the mid-70’s following their hit “You Can't Turn Me Off (In The Middle Of Turning Me On)”. Their last project titled “Groove Patrol” from 1983 was a powerful beat driven track produced by George Tobin and Mike Piccirillo. This one is a slammin’ dance piece telling the confessions of a woman who will not play into a “player". One of the big Motown promises of the year and the perfect stage for the ladies.

I have taken the 12” vocal and instrumental of “He’s A Pretender” and re-stomped a new ReStructure Mix for the finale chapter of High Inergy. The new groove gives way to a longer and more flowing arrangement for the feet and heart.

• Hot Lunch Jam - Glenn Rivera ReStructure Mix -Irene Cara

Irene Cara is a 70’s icon who made her way through the film and music industry. In 1980 she starred in the motion picture “Fame” and also sang the title track along with “Hot Lunch Jam” and a ballad titled “Out Here On My Own”. Irene Cara’s career was in top form during this run and it lead to another follow up in the film “Flashdance” where she also sang the titled track – produced by Giorgio Moroder. “Hot Lunch Jam” is a segment of the film where student of an art academy ad-lib a session in the lunch hall. It is one of the memorable moments from the film and gives this track a lasting memory.

I have taken the album version of “Hot Lunch Jam” and recreated a new intro and outline for this ReStructure Mix, I have centered on using the intro beats as the guide for this new experience of a “hot” number.

• Get On Up - Glenn Rivera ReStructure Mix - Suzy Q

Suzy Q is a dance music project from Jerry Cucuzzella – a Canadian disco producer who is known for his work on the 1979 project Nightlife Unlimited on Casablanca Records. His dedication to disco and dance music continued throughout the 80’s with projects like Suzy Q where in this edition of “Get On Up” is vocalist Michelle Mills (Mizz). “Get On Up” is from the album titled “Get On Up And Do It Again” released in 1981 and is another one of the infectious grooves that continued to move dance floors in the early 80’s with the disco tradition. The vocals by Michelle Mills are quite delicious in that they flow with a sensual edge yet deliver that overpowering and definitive party mood. One of my many favorites from Suzy Q and a great way to start any weekend.

I have taken the vocal and instrumental versions of the 12’ of “Get On Up” and recreated a new party for this ReStructure Mix. I have used some of my favorite pieces of the song and added a few new riffs and breaks along the way.

• Future Brain - Glenn Rivera ReStructure Mix - Den Harrow

Den Harrow (Manuel Stefano Zandri) is an Italian disco studio project which became one of the most requested songs in my club during the release. The ominous keyboard arrangements take over the song like a wave of energy and along with the ethereal chorus it is a roaring segment that takes over the sense. It is one of the tracks that make Italo-disco unique and powerful. The song “Future Brain” is produced by Miki Chieregato and Roberto Turatti. The arrangement is almost haunting as the story is told of a super computer who begins taking over love and pairing of humans. The music is a wonderful mid-80’s experience and keeps the energy driving throughout the track.

I have taken the 12” version of “Future Brain” and recreated a new act for this ReStructure Mix. A longer intro using pieces of a Kraftwerk classic give it a new introduction. New breaks and also a new fade are added.

• Breakaway - Glenn Rivera ReStructure Mix - Pure Energy

Pure Energy is a disco project from producer Wade Marcus – and features Curtis Hudson, Lisa Stevens and Raymond Hudson. Their big dance floor hit “Party On” from 1980 is one of the classics that maintain the reputation of independent label underground disco. The feel of this one is funky at best yet the disco aura is here with the strings and heavy percussion. The lead vocal once again takes the center stage as Lisa Stevens gives us the rundown on the lowdown of a relationship gone sour. The funky bass guitars and rhythm section give a smooth groove that plays out like most of Pure Energy’s evanescent disco/funk numbers. This one is another one of the examples of the essence of disco music surviving into the 80’s.

I have taken the 12” vocal and instrumental of “Breakaway: and reworked a new ReStructure Mix with a twist on some of the main elements. There are new breaks and segments that are extended to provide more energy pumping out this nice track over again.

• Show Your Love - Glenn Rivera ReStructure Mix - Kiwi and Tess

Kiwi & Tess are a sister group from Denmark featuring Anette Wilk Vesteraer and Susanna Wilk Kavåg. Their recording career began in 1988 with the single “Show Your Love” produced by First Productions. This piece is a nice synth-pop dance track that follows tight keyboard arrangement with lots of gadgetry working in the background to keep the rhythm secure. It was one of the big hits in my club for quite some time and always brought the crowd into frenzy into the chorus. Vocals are reminiscent of a Stock Aitken and Waterman sound with the same type of formula guiding it. It is one of the nice pieces of the late 80’s which embodied both pop dance and a club record.

I have taken the 12” version of “Show Your Love” and reedited a new ReStructure Mix which works out the rippling effects in a new arrangement. It has more of the uplifting chorus and also a few new breaks.

• Ten Percent - Glenn Rivera ReStructure Mix - Double Exposure

Double Exposure is Charles Whittington, Joe Harris, Leonard Davis and James Williams. One of the groups that emerged in the mid-70’ The Salsoul sound was quickly becoming an outline for New York disco and many clubs began to play this groove that emerged from the Sound of Philadelphia from years earlier. The more complete edge that this production team lead by Ron Baker, Norman Harris and Earl young was a full on club mix down in the new disco format. “Ten Percent” is from their 1976 album by the same name and is a classic by all means the same effect as a song by the Temptations is a classic in the Motown genre. One of the great pieces on the Salsoul and one which deserves that long lasting play as a one of the disco “greats”.

I have taken the 12’ and instrumental versions of “Ten Percent” and reworked a more defiant ReStructure Mix. More of a dub and playful EQ is laid in the groove and gives the verses and chorus pieces a new meaning. This one is for the Salsoul enthusiasts who never seem to get enough.

• Touch Me Now - Glenn Rivera ReStructure Mix - Bravo

Bravo is Romano Trevisani and Serse May – a duo that have produced many electronic disco-funk releases throughout the 80’s. This project is a curve on the disco sound which became an outline of disco music with more of the electronics that pioneers like Giorgio Moroder paved the road for. “Touch Me Now:” is from 1980 and from Bravo’s self-titled project which features a four songs and medley of pieces of music lead by Santana’s “Soul Sacrifice”. The outline of this and many other Italian disco projects focused more on instrumental parts of each track where a funky groove was accompanied by a high end chorus which again followed the disco formula of the female ensemble in Cerrone’s side long productions. This is a simple outline of the sexy side of disco music meets the Italian groove.

I have taken the 12” version of “Touch Me Now” and stripped away at the parts of the song that make it “werk” and recreated this ReStructure Mix. More of the percussion elements guide the segments that break up the song into a funky experience. This one is homage to the early 80’s Italian disco sound and how it has changed the dance floors of the time.

• American Love - Glenn Rivera ReStructure Mix - Astaire

Say When! Is Elvira Valentine and Ingrid Simons a dance group duo who released several singles in the late 80’s. “Save Me” is a house/synth-pop dance track released in 1987 and was produced by Fluitsma & Van Tijn. This one became one of the most played new releases of 1987 in m club thanks to its driving rhythm and sweet vocal melodies which lead eventually to a chorus that is uplifting. The drums and bass beats are deep and infectious and are an instant magnet for the feet. This one always brings me back to the essentials of dance music which is always played out in the manner this song displays – slick and a work out to dance to.

I have taken the 12” version of “Save Me” and recreated a new arrangement and flow for this ReStructure Mix. The energy flows more consistently and there are a few sampled pieces of an 80’s dance hit to remind us of the moments that were great of the time.

• Save Me - Glenn Rivera ReStructure Mix - Say When!

Say When! Is Elvira Valentine and Ingrid Simons a dance group duo who released several singles in the late 80’s. “Save Me” is a house/synth-pop dance track released in 1987 and was produced by Fluitsma & Van Tijn. This one became one of the most played new releases of 1987 in m club thanks to its driving rhythm and sweet vocal melodies which lead eventually to a chorus that is uplifting. The drums and bass beats are deep and infectious and are an instant magnet for the feet. This one always brings me back to the essentials of dance music which is always played out in the manner this song displays – slick and a work out to dance to.

I have taken the 12” version of “Save Me” and recreated a new arrangement and flow for this ReStructure Mix. The energy flows more consistently and there are a few sampled pieces of an 80’s dance hit to remind us of the moments that were great of the time.

• Maccaroni Radio - Glenn Rivera ReStructure Mix - Eddy Trauba & M.M. Greco

Eddy Trauba and M.M. Greco (Mario Mangiarano) is a pair of Italo-disco players united for a 1983 powerhouse synth-track titled “Macaroni Radio”. Produced by Riccardo Cioni and on the Italian dance label Master Dee Jay Records. This piece is of the early electronic dance projects in the Italo-disco progressive format which used heavy synthesizers for the driving energy in a mid-tempo outline. The song is a tribute to the dance sound of Italy of the time and plays out as a sing along anthem. A bit wacky and camp for the heavy edge sound yet this formula played out in a light hearted manner.

I have taken the 12” vocal and instrumental of “Macaroni Radio” and reworked a new ReStructure Mix to pay homage to the early Italo-disco sound. This remix places more emphasis on the driving synthesizers and heavy beats. A new percussion line is added for a sprinkle of energy.

• I Got Love - Glenn Rivera ReStructure Mix - Peggie Blu

Peggie Blue is a soul/r&b vocalist who released her first project in 1980 with a production by Jerry Ragovoy. “I Got Love” is the album title and the release that circulated the club scene on many disc jockey lists which leaned towards an r&b format. The piece is beautifully produced and has the riffs that make it a disco spotlight and the soulful edge of Ms. Blue’s vocals which make it an anthem of its own. This one is another one of the hidden treasures of the early 80’s and is fitting for any time on most dance floors.

I have taken the album version of “I Got Love” and recreated a new work for this ReStructure Mix. There is a down beat added to give it more energy and several breaks to bring the soaring chorus to a dance floor edit and dub like feel.

• Dim All The Lights - Glenn Rivera ReStructure Mix - Upfront

SUpfront is a dance project from Jeff Halverson and Steve Berman. They released a cover of Donna Summer’s 1979 hit “Dim All The Lights” with an electro-beat arrangement that sounds closely and impressively to Kraftwerk. This on works very well thanks to the soaring vocal provided by Adrienne who makes the new version her own message. It has plenty of the 80’s feel with pounding street beats and yet the sensual feel of Donna’s self-written hit maintains its romantic aura. One of the favorites of mine from 1991 where dance music began to take another shift into techno and rave.

I have taken the 12’ vocal and dub mix of “Dim All The Lights” and recreated a new ReStructure Mix with all new pieces of the original and Upfront’s sound. It makes the classic piece sound like home again and more of the fabulous new vocal is added.

• Keep Doin' It - Glenn Rivera ReStructure Mix - Showdown

Showdown is a disco project from Jay Ellis and Meco Monardo – known in the recording industry as The Disco Corporation of America. They have been responsible for many of the new paths dance music took in the early and mid-70’s. Responsible for the big Gloria Gaynor “Never Can Say Goodbye” project and the extended disco format that soon became the 12’ single. Showdown is Casey Spencer, Eugene Pitt, and Richard Harris and “Keep Doin’ It” is from the 1977 album. One of the tracks that resemble the Miami disco sound close to the K.C. and the Sunshine Band feel. This one is a gift to dance floors as it incorporates the excitement of the moment and then takes on an uplifting chorus that disco music was built on. It is truly a moment for dance music history when the music grew unto itself.

I have taken the 12” version of “Keep Doin’ It” and reworked a ReStructure Mix for a longer and more exercised trip. The elements that make the song a piece of dance magic are intact and only accentuated by new beats and percussion.

• Rain Forest - Glenn Rivera ReStructure Mix - Paul Hardcastle

Paul Hardcastle is a British producer and musician who helped to shape the 80’s dance music scene with his use of street beats, keyboards and imaginative riffs. His big dance floor track “Rain Forest” from 1984 is perhaps one of the most changing of styles and sounds in its time. The blending of hard street beats and smooth melodies was a new sensation – as Kraftwerk also exhibited in “Tour De France” in 1983. “Rain Forest” presents a landscape of rhythm and relaxing music box edge. The 80’s dance scene was a creative spot for artists as Paul Hardcastle and his creative mind. He continues to work in the music industry where his energy in still living.

I have taken the 12’ single of “Rain Forest” and reweaved a ReStructure Mix breaking the arrangement into pieces of beat box grooves and pieces of the melody. It gives more of the break in a dub-like manner as most of the 80’s influenced the 90’s with his outline.

• You Made Me Believe - Glenn Rivera ReStructure Mix - Collins & Collins

Collins and Collins are a group from 1980 which featured the track “You Made Me Believe” – produced by John Davis. The project followed the disco era and into the 80’s new rendition of what dance floors were looking for. It is laid out in a rhythm & blues fashion which presents a challenge for the arrangement from John Davis – although you can hear his trademark bongo rhythms below this one. The soulful vocal from the Collins duo is an uplifting part of this song which was lost unfortunately in the early 80’s where most dance releases were not being promoted as they should have. Still this dance number has some great qualities as well as the energy from the delivery.

I have taken the album version of “You Made Me Believe” and reworked a new ReStructure Mix to pay tribute to Mr. John Davis and his contributions to dance music. There is a new percussion riff added to express more of a disco element and the breaks are centered on the drop out effects.

• Medley: I Don't Mind / Take Everything -  Glenn Rivera ReStructure Mix - Eugene Record

Eugene Record is a soul artist and vocalist who as the lead singer of The Chi-lites took control of many hearts and souls of those who were longing for emotion and range. His career spanned a solo recording period from 1977 through 1981. His disco recording from 1979 is a single with two tracks united in a medley – “I Don't Mind” and “Take Everything”. This 12” single was a nice soulful vocal presented over a disco arrangement with the traditional breaks and lead in instrumental. One of the big disco/soul numbers of the big 1979 dance pool.

I have taken the 12’ version of “Medley: “I Don't Mind’ / “Take Everything” and blended the two pieces over a new arrangement for this ReStructure Mix. Pieces of the great percussion breaks are sprinkled throughout the mix top give it more of the feel that it deserves

• You Set My Heart On Fire -  Glenn Rivera ReStructure Mix - Evans and Fisher

Evans and Fisher are Danny Fisher and Tommy Evans - an Italo-disco production team who revamped the Tina Charles 1975 disco classic “You Set My Heart On Fire” (originally produced by Biddu) into a flowing electronic dance piece. This cover features vocals from Italian singer, Daphne. The arrangement is similar to the original and gives Evans and Fisher one of the most beautiful 80’s dance tracks. The heavy percussion is a nice foundation for the magic that ensues.

I have taken the 12” vocal and instrumental of Evans and Fishers cover of “You Set My Heart On Fire” and reworked a new ReStructure Mix for a new edge. It takes some of the riffs into a new arena where the theme makes it point all over again.

• Touch Me Baby -  Glenn Rivera ReStructure Mix - O'Hara

O’Hara is Leslie O'Hara – a disco performer produced by Charles Algarra, Youssif Achir Chemouny and Humbert Petrucci. The single “Touch Me Baby” is from 1984 and one of the underground gems of the mid-80’a. A synthetic feel with sensuality is explored over and over here with O’Hara’s moaning and avid purring. It is an early morning dream. The production is a light electronic pulsation of disco grooves and light funkiness. This one almost fits into the aura of classic club records like “Magnifique” with more of the syrup of disco to make it a touch campy and sexy.

I have taken the 12” of “Touch Me Baby:” and recreated the aura into a more flowing ReStructure Mix. A borrowed drum track from Elton Ahi is placed to bring it down further into a beat driven climax.

• Pretty Woman -  Glenn Rivera ReStructure Mix - Scott Allan

Scott Alan is a singer who is best known for his 1979 single “I Think We’re Alone Now/Will You Love Me Tomorrow” on T.K. Records – a fantastic medley of the 1967 song by Tommy James and The Shondells along with The Shirelles’ “Will You Love Me Tomorrow”. His second recording took a similar route with a cover once again of Roy Orbison’s “Pretty Woman” – produced by Bobby DeSantis and released in 1982 on Disconet Volume 5 – Program 2. A great outline for a disco version since the guitar riffs carry a heavy rhythm and Scott takes on Orbison with success. Another big number for this artist and a reminder of the hidden unreleased singles that Sugarscoop would lay out for the hungry jocks.

I have taken the Disconet version of Scott Allan’s “Pretty Woman” – which was mixed and mastered by Mike Arato and placed it along with pieces of the original with a blend of old and new for the care of this nice dance piece.

• Jackie -  Glenn Rivera ReStructure Mix - Blue Zone U.K.

Blue Zone U.K. is ANDY Morris, Ian Devaney and Lisa Stansfield. A trio whom released “Big Thing” in 1988 – a project which contained the single “Jackie” which took clubs by storm not only because the vocal from Lisa Stansfield was irresistible – but also the production and song itself were a wall of energy and perfect for the time period. This one was a huge success immedietly following the 12” single release and made another promise that was short lived for a fabulous singer like Stansfield. Her big sound with a soulful edge always worked a number and with “Jackie” it was ominous. One of my favorites of the time and many others, I am sure.

I have taken the US 12” vocal and dub version to recreate another opportunity for “Jackie” in this ReStructure Mix. All of the percussion and drum effects are from the original recording so the sound is still intact with only a new arrangement.

• Infactuation -  Glenn Rivera ReStructure Mix - Up Front

Up Front is An 80’s club ensemble featuring Winston Negron and Karen Diggs. Their electro sound brought a definition to 80’s dance music fused with soul and funk. “Infatuation” is their single from 1983 and is one of the New York Club records which took dance floors hostage the summer of its release. One of the pieces from the time period which reaches far beyond the existing grooves and may have been a spark that lit a need for a new definition of music. The vocals here are as New York Street as the early 80’s could deliver and work well over the lesson being told. It is truly one of the great stamps for the night life in theme and sound.

I have taken the 12” vocal and dub of “Infatuation: and recreated a new rippling sound for this ReStructure Mix. Adding some new drums and using the existing trip to take us a bit further.

This ReStructure Mix is dedicated to Marialisa Maiman– thank you for your friendship!

• Cannonball -  Glenn Rivera ReStructure Mix - Supertramp

Supertramp is a rock band whose recording career began in 1970 and brought them to a crossover to 80’s club dance music with their “Brother Where You Bound”. The single “Cannonball” is a jazz-edged number that pulled off many new faucets for this band. It is a continuum of rhythms and a groove that takes the energy into a movement that for Supertramp is monumental. The song reveals a one sided relationship that is hit hard and strikes back with a rhythmic revenge. One of my favorites for the 80’s club scene and a memorable sound that makes Supertramp a new angle in dance history.

I have taken the 12” vocal and instrumental and rewound the elements into a new ReStructure Mix. This time around many of the riffs are combined and reworked to give the free sound a new tag. There are more loop pieces to give this song a whole new face lift.

• Nobody Else -  Glenn Rivera ReStructure Mix - Karen Silver

Karen Silver is a Canadian artist who made the disco set in 1979 with her big single “Hold On I’m Coming” produced by John Driscoll and Gino Soccio. The heavy bass synths and electronic forces are one of the great offerings to the disco/techno world. Karen has always brought a unique sound to dance music as her delivery always was a reflection of soft rock of the 70’s. “Nobody Else” is another Soccio touch given with Silver’s talent as the funky new age feel with a shaky rhythm track. This one gives a funky moment for Karen to transform herself into the “soul-mama” and does so in her own manner. It is one of the 1981 releases that dominated the disco-edge into the electronic funk of the 80s

I have taken the 12” version of “Nobody Else” and transformed the unmistakable rhythm track into a new ReStructure Mix. This one pays again a tribute to both Silver and Soccio in their uniforms that made them so much a part of the early 80s and the shift in dance music.

• Destiny -  Glenn Rivera ReStructure Mix - Gwen Jonae

Gwen Jonae is vocalist best known for her recordings as Paul Sabu’s ensemble Sister Power (“Gimme Back My Love Affair”) from 1979. Gwen began her solo career along with Paul Sabu in 1982 starting with the single “Red Light Lover” which featured Sabu’s 80’s transition to heavy electronic productions in an early high energy formula. “Destiny” is from 1983 and is an anthem of hope and dedication to one’s own and has an empowerment feel. It has more of the rock edge with Sabu created very effectively with his own releases and also the fabulous vocals of Ms. Jonae. One the big celebrated releases from the San Francisco based label C&M Records and a big continuance of the dance music flair.

I have taken the 12” vocal and instrumental of “Destiny” and moved more of the powerful instrumental and drums parts into this ReStructure Mix. It also adds a techno piece from the 90’s into the ingredients to piece together two wonderful periods in dance music history.

• Frogs In Spain -  Glenn Rivera ReStructure Mix - Fake

Fake is Erik Stromblad, Janne Fagerberg, Stefan Bogstedt, Stefan Sverin, Tony Wilhelmsson and Ulrica Örn – a Swedish disco group who released their album “New Art” in 1984. The category here is Italo-disco which plays out in a whimsical manner on the single “Frogs In Spain”. A troubled relationship apparently is distracted by unusual and bothersome issues – like frogs in Spain. The song has a deep driving synth-bass that takes over and makes this one infectious. It was one of the odd releases of the time yet fit perfectly in the Italo-disco adventure theme.

I have taken the 12” version of “Frogs In Spain” and reworked in an underground manner using new beats and a wired new arrangement. It plays out in the same fashion without the oddness of the lyrics and some of the chants.

• Magnifique -  Glenn Rivera ReStructure Mix - Jersy Devil Social Club

Jersey Devil Social Club is Morgan Geist – a producer and musician who has taken the 1979 club classic “Magnifique” – originally produced by Anthony Monn and initially released under the group name Charisma and then changed to Magnifique. The tail end of the disco era was hit with a wall of synthesizers rolling along with a sexy female ensemble weaving a mysterious chant. This was the future of the 80’s high energy scene and became a cult classic immediately. Jersey Devil Social Club takes this classic into a stripped down into an impressive cover where even the thought of recapturing the song is worthy.

I have taken the 12” versions of Jersey Devil Social Club’s cover of “Magnifique” and reworked a new ReStructure Mix for homage to their efforts. This winding journey includes a few surprises and lifts the song back to where it belongs

• Edge Of The Razor - Glenn Rivera ReStructure Mix - Stephanie Mills

Stephanie Mills brought to dance music a soulful and soothing aura with intensity and emotion. Her 1979 hits “Put Your Body In It” and “You Can Get Over” were monumental tracks for the dance floor. Her Broadway experience in the show:”The Wiz” prior to her disco excursion made her entrance most welcome. “Edge Of The Razor” is from her 1984 album “I’ve Got The Cure” – produced by George Duke. This electronic funk-dance track is a darker side of the night as a meeting with taken partner becomes her stance to continue the danger and mystique. It is a track that does not use much of Stephanie’s range and power – but it is still a nice pop-synth number.

I have taken the 12” vocal and instrumental of “Edge Of The Razor” and reworked this night out in an extensive dub-like manner for this ReStructure Mix. More breaks are added and some play with loops and the existing synths are a big part of this remix.

• Dance Right Back Into Heaven - Glenn Rivera ReStructure Mix - Ernest Kohl

Ernes Kohl is a successful figure in the third generation of dance music artists. His music has always focused on the power of disco music and in his own way has created many classic covers and irresistible originals for the dance floor. His dedication to the dance community has always been directed at giving his best and working the energy in his own style. “Dance Right back Into Heaven” is his single from 1990 and is a track that he recorded along with co-high energy producer and artist Mr. David Diebold. This piece of fast moving electronic high energy is what dance floors kept moving to a sincere dance sound that always gave the lyrical feel of disco music. The pace here one of Ernest’s best and is one that I can remember using at peak hour for the secret weapon. A nice anthem that makes it easy to understand why so many years of dance music is still celebrated.

I have taken the 12” vocal and instrumental of “Dance Right Back into Heaven” and gave this one a ReStructure Mix to salute to Mr. Ernest Kohl’s long playing dedication to keeping the beat alive. There are some new percussion elements added and more of the sweet and driving crescendo intact.

• I'm Your Boogie Man - Glenn Rivera ReStructure Mix - K.C. & The Sunshine Band

K.C. & The Sunshine Band is the founders of the Miami disco-funk sound. Harry Wayne Casey (K.C.) and producer, Richard Finch are the driving forces behind the
Bands success from the 1974 release throughout current day – as the band continues to release projects to present day. “I’m Your Boogie Man” is a single from their 1976 project titled “Part 3”. This funky take on the dance generation of the time and transforming a love song with a soulful and rhythmic edge. This is probably one of the classics from K.C. and The Sunshine Band which brings back the magic all together.

I have taken the album version of “I’m Your Boogie Man” and also an independent instrumental version to recreate a deeper groove for this ReStructure Mix. The more dub-feel is a side of this number that was embedded in my head when I began to break the track into pieces.

• Try My Love On For Size - Glenn Rivera ReStructure Mix - Sharon Redd

Sharon Redd is a force in dance music that always makes her an iconic figure. Her inception onto dance floors was the big disco hit “Love Insurance” as she sang lead for a session group titled Front Page. From there on her solo career took off in many winning directions. Her first project was produced by Willie Lester and Rodney Brown (Gayle Adams, Bobby Thurston) and was a step in the New York funk arena with the big dance floor piece “Can You Handle It”. However, much of Sharon’s talent is hidden within each project as it is here with “Try My Love On For Size”. It is a sexy and driving soul-disco track that transforms itself into a vocal stage for Redd who always flows with the music to stay on track. An alternative song for many adventurous jocks and one of my favorites from Sharon Redd.

I have taken the album version of “Try My Love On For Size” and reworked the drum pieces into a new foundation to work this ReStructure Mix. There are a few new breaks and more of Sharon in cuts and loops.

• (They Call Me The) Queen Of Fools - Glenn Rivera ReStructure Mix - Jessica Williams

Jessica Williams is one of dance music’s prized divas. Her work has spanned a period of disco music with performances in groups Arpeggio, French Kiss, and Romance. The power of Jessica Williams is fitting on the dance floor with her energy and presence of taking each song and dominating the rhythm with her vocals. “(They Call Me The) Queen Of Fools” is her 1983 single and take of her big disco hit “Queen Of Fools” from 1979 – produced by Simon Soussan. This continuum makes magic again with Jessica’s heartbreak and the exciting energy of the production. It is truly one of dance music’s anthem that will always live in the hearts and feet of those who danced to it at one time or another.

I have taken the 12” vocal and instrumental of “(They Call Me The) Queen Of Fools” and recreated a ReStructure Mix pay homage to Jessica’s blockbuster. It realigns the song ion a whole new arrangement and gives an opportunity for the original to tell its own story.

• Say It Again - Glenn Rivera ReStructure Mix - Santana

Santana is a Latin-rock group assembled in the 60’s by Carlos Santana. The band began their recording career in 1969 and was highly acclaimed by fusing Latin rhythms with rock music which gave them a lasting career though present day. In 1985 the band released their project titled “Beyond Appearances” produced by Val Garay – the project featured a single, “Say It Again” which was a dance number bringing them into the pop-dance spotlight. The single did quite well in clubs and dance palaces as it builds up to a chorus with an uplifting message. This one did quite well for me in the many sets of high energy and synth-pop sets which worked on peak time.

I have taken the 12” vocal and instrumental versions of “Say It Again” and reworked the track into a new ReStructure Mix. The verses are extended into new crescendos and much of the percussion is utilized throughout the new mix. A classic Santana piece is also added for good measure.

• Dancing In The Dark - Glenn Rivera ReStructure Mix - Bruce Springsteen

Bruce Springsteen is an American icon in rock music. His song writing became a brand that made his music more poetic to fans. His 1984 album “Born In The U.S.A.” is an iconic return for Springsteen as it contained many tracks that stood out and also like “Dancing In The Dark” transformed this rocker into a synth-pop star. The track follows his hard delivery which fits into this play into a moment where stripping away the meaningless tasks of the day for his lover is expressed simply in their midst. The rawness of the love and the attitude are pure rock ‘n roll yet the energy play out well in the 80’s dance scene.

I have taken the 12” vocal and dub version of “Dancing In The Dark” and recreated a new synth driven ReStructure Mix to pay homage to the 80’s dance scene and Bruce’s part in adding his mark in dance music history.

• Young Men Drive Fast - Glenn Rivera ReStructure Mix - The Quick

The Quick is Colin Campsie and George McFarlane and began their dance floor reign in 1979 with their big dance floor hit “Sharks Are Cool Jets Are Hot”. Their electronic work is rolling and driven as high energy music in the mid-80s. “Young Men Drive Fast” is from their 1982 album titled “Fascinating Rhythm” which features another take on the early high energy sound. This follow up single was club favorite and followed closely the disco arrangement with breaks and plenty of builds and light echoes of work from Giorgio Moroder with Sparks.

I have taken the 12” version of “Young Men Drive Fast” and reworked the energy into a new ReStructure Mix with more of a breakdown. The rock edge I felt is tapered into another 80’s pop rock 'n roll tribute in the break.

• I Believe - Glenn Rivera ReStructure Mix - Mko Mission

Miko Mission is Pier Michele Bozzetti and created Miko Mission, an Italo-disco project which produced many dance singles in the uplifting style of this genre. “I Believe” is a single he released in 1988- arranged by Mario Natale and produced by Graziano Pegoraro. This number is an anthem that sounds like a unation of ones soul as it speaks generally among a self-awareness. The chorus may immolate a touch of the “We Are The World” yet it flows wonderfully over the full on electronic orchestration. One of the big early evening numbers in my club and also a great number for those theme tapes with the freedom and unity the world can be at times.

I have taken the 12” versions of “I Believe” and reworked this anthem into a new ReStructure Mix for another turn on the flowing sound. It filter in with a rippling bass and wanders out the same way. It is a nice song from Miko Mission and pays a great tribute to the Italo-disco sound.

• Exposed To Love - Glenn Rivera ReStructure Mix - Exposé

Exposé is a trio from producer Lewis A. Martineé - along with Ann Curless, Jeanette Jurado and Gioia Bruno as the most known of the chorus. The exception which applies here is the single “Exposed To Love” which features Alé Lorenzoon lead vocals. These ladies were a big part of the mid and late 80’s as their stage presence brought a sharp and sophisticated view of pop-dance music. “Exposed To Love” is a nice play on the group’s title and rings Miami freestyle rhythms to a new audience and dance floor wanting new experiences. The street sounds are emphasized in a sharp delivery in the clean cuts of kicks between heavy dub beats. It is one of the transfers from the disco beat to a full on street production. “Exposed To Love” also gives the ladies an opportunity to claim the femme-esque and sexy side of Miami freestyle.

UI have taken the 12: vocal and dub of “Exposed To Love” and recreated a new beat driven dub with triple beats pounding out the new sound. More of the Latin flair keyboards are emphasized throughout this ReStructure Mix.

• Shake What You Got - Glenn Rivera ReStructure Mix - Pulse

Pulse is a disco band from 1978 with members James Aaron Johnson and Jim Johnson. Their single “Shake What You Got” is a nice blend of soul and pumping disco with a great hook that makes the mood irresistible. It was one of the singles that fit perfect for that independent disco label sound. A breakout of many new dance companies backing the disco theme. This one is one of favorites of its style and makes the time period come right back into the feet.

I have taken the 12” version of “Shake What You Got” and reworked a new ReStructure Mix for a trip back to 1978. More percussion is beefing up those blaring horn sections and a surprise break from a disco classic is blended in as treat.

• Spend The Night - Glenn Rivera ReStructure Mix - Bob-A-Rela

Bob-A-Rela is a disco project from producers George Lagios and Pat Deserio – best known for their work with the group Bombers (“Everybody Get Dancin’) and Kebekelektrek (“Magic Fly”, “War Dance”). An innovative move here on disco music with a space age feel to the grooves with keyboards emulating space ships soaring through the galaxy and whooshing noises that echo through an eternal galaxy. The musicians here are from many Canadian disco projects and include Busta Jones on those funky guitars. “Spend The Night” is a touch of rock love with the female ensemble pulling an attraction into a carnal arena. It is one of my favorites tracks from the project although the entire session is worthy of accolades.

I have taken the album version of “Spend The Night” and recreated a new ReStructure Mix and in the outline of my work used portions in segments to recreate this aphrodisiac. There in a new intro and fade with utilize those space references that I adore.

• Heaven Knows - Glenn Rivera ReStructure Mix - Donna Summer

Donna Summer marked the height of her career and also in disco history in 1978 with her double record project “Live and More”. The 3 sided concert pressing is a display of Donna Summer’s fantastic vocals in a concert environment – even in play with her early recordings where she transformed the soft sexy tracks into her now emerging vocal abilities. “Heaven Knows” is one of the new songs from the project and features Brooklyn Dreams on backing vocals. It is one of Donna’s beautiful love songs and also marks a new phase of her career as the Queen of Disco. The production is another wonderful time when disco music was perfected with orchestrations and funky elements supporting the arrangement.

I have taken the 12” version of “Heaven Knows” and recreated a new outline for this ReStructure Mix. It has more of a dub feel and breaks the original into more breaks for a new edit and experience.

• Don't Challenge Me - Glenn Rivera ReStructure Mix - Makers

Makers is an electronic/funk and experimental project written and produced by disco pioneer. Boris Midney. His work from the late 70’s took on a whole new sound and identity during the big disco era. His work on projects USA European Connection, Beautiful Bend, Caress, Masquerade, Festival, Companion and Double Discovery have displayed his unique approach to taking the disco beat and stripping each layer of rhythm with European disco flavors accenting his arrangements. Makers are one of his earliest works and there is an early sign of his style with play on both the groove and moody and dreamlike feel. This work from 1972 is placed as Midney’s claim to a greater fame with disco music in 1978 where clubs became exposed to what would be known as “Art Disco”.

I have taken the 7” version of “Don’t Challenge Me” and focused on paying tribute to Midney’s work by dissecting this psychedelics mood into a disco fare. A new drum beat and pattern pound out the early morning sound of this track and some of Midney’s later magic is added to fulfil the dynasty of disco music he has created.

• Life's A Bitch - Glenn Rivera ReStructure Mix - Green Olives

Green Olives is David Sion, Fulvio Zafret and Sergio Portaluri – an Italian Euro-house band who released 3 singles in late 80’s and bridged the house period into the 90’s. This ensemble created a wonderful portrait of the nightlife in each of their tracks. Their smooth rolling house grooves are accented with the classic Chicago piano riffs and along with their falsetto vocals their style is very slick. “Life Is A Bitch” is their 1989 single and takes a look at the flip side of the world in a trial of obstacles and then the wake of appreciation when out on the town. This one screams the energy of the Italian singles of the late 80’s with the touch of dance music and the uplifting mood it resonates

I have taken the 12” vocal and dub beat tracks of “Life’s A Bitch” and reworked a ReStructure Mix as a new arrangement for this house classic. The percussion and key riffs are pieced into new elements to provide some new energy.

• Non-Stop - Glenn Rivera ReStructure Mix - Tina Fabrik

Tina Fabrik is a disco/funk singer who released 2 singles on the Prism Records label in the early 80’s. “Non-Stop” was produced by Mike Pabon who also gave us Geraldine Hunt and Pure Energy. The single was released in 1982 and was welcomed with open arms on dance floors as it blended a soulful vocal with an electronic arrangement and the energy of what disco music created. Prism Records was one of the dance labels which helped to maintain dance floors that were continuing to move and demand fast moving energy in their nightlife régime. “Non-Stop” brought a funky edge to the rolling energy that it builds up in to and Tina’s vocal gives off a sweetness that plays out well in the mix. One of the most played tracks for me during the mi-evening when dancers were being persuaded to take on the dance floor.

I have taken the 12” vocal and dub of “Non-Stop” and reworked a new definition of the song in this ReStructure Mix. Using parts of the energetic breaks and builds to introduce the track and then play out the excitement.

• Wanna Feel - Glenn Rivera ReStructure Mix - Vivian Vee

Vivian Vee is an Italian singer who at the age of 18 joined forces with producer Claudio Simonetti and Giancarlo Meo – the duo who also brought us Easy Going, Capricorn and Goblin. A power force in the early 80’s with dance music which filtered many areas of energy and theme. Vivian’s 1983 project titled “With Vivian Vee” is one of the effected productions from successful dance floor projects like Jacques Fred Petrus’ Change (“Glow Of Love”). This movement where electronic pieces worked in a more funk driven style It became the mother of US producers like Kashif who took the sound and made it a soulful experience. This movement from European disco to a funkier edge was a new sound for Vivian Vee and this project proved that she took it to heart. “Wanna Feel” is a sweet love song that follows closely the Change edge with a touch of Kashif – you can hear the sounds and influences. One of my favorite periods where dance music influenced its own.

I have taken the album version of “Wanna Feel” and stripped away the rhythm and grooves to reassemble them in this ReStructure Mix. A few new breaks and bridges are added using the original riffs. This is a salute to Meo and Simonetti who are the geniuses of Italo-disco in its early form.

• Disco Train - Glenn Rivera ReStructure Mix - Dance Reaction

Dance Reaction is a disco group from Belgium that brought a style close to a rejuvenation of disco music to the early 80’s. The track “Disco Train” from 1981 was produced Frank Sauter and simply outlines the disco classic “Vertigo” from Dan Hartman – which was the introduction to the big dance floor hit “Relight My Fire”. The group ad libs spoken and light harmonies of a simple chorus riff in this electronic dance piece. It is simply one which stands out since the melody is so familiar. It is a basic arrangement with a few moments of underground early morning style energy.

I have taken the 12” version of “Disco Train” and placed it into a new context in this ReStructure Mix. Pieces of Dan Hartman’s original are added to bring the flow into perspective and more of the adlibs are rearranged.

• Feel The Spin - Glenn Rivera ReStructure Mix - Debbie Harry

Debbie Harry takes on the 80’s with a dance sound that gives her an introduction into synth-pop. “Feel The Spin” is a track released in 1985 and featured in a dance flick soundtrack titled “Krush Groove”. Produced by John “Jellybean” Benitez and Doreen Dorian this one is a simple rhythmic number with a Calypso styled keyboard. It reflects the time period and the street beat sound which the bass keyboard elements a big part of the Stock Aitken and Waterman sound of the late 80s. The mood here is celebratory and Debbie once again recites an excursion into another world. And although the lyrics portray madness in mind it is still fun the way this diva recites and performs.

I have taken the 12” vocal and dub version of “Feel The Spin” and reworked a new ReStructure Mix using more of the bass line keyboards as the factor here. There is an ending taking the upbeat keyboard riff into the final phase of the excitement.

• Be My Lady - Glenn Rivera ReStructure Mix - Vanessa

Vanessa is an Italo-disco project from Giacomo Maiolini, Giuliano Crivellente and Mauro Farina. “Be My Lady” is the first single which features Clara Moroni on lead vocals. This one is a swirling piece of Italo-dance fest with allot of the girl-twirl elements which took over the late 80’s with a vengeance. It was the energy of the high energy scene with more sweeteners added. “Be My Lady” was a huge success in my club and may have been there for months. It was a recognizable track that was also a heck of a lot fun to dance to. There a few similarities to Sabrina’s “Boys” yet this one still hold its own sexy feel and energy.

I have taken the 12” version of “Be My Lady” and reworked the synths and drums into a new ReStructure Mix. The male rap is separated and played out in a new way throughout the mix.

• The Politics of Dancing - Glenn Rivera ReStructure Mix - Re-Flex

Re-Flex is an 80’s band featuring Baxter, Paul Fishman, Roland Vaughan Kerridge and Nigel Ross-Scott. In 1983 their track “The Politics Of Dancing” became one of the alternative dance numbers which fit into the 80’s with every sound in place. The production by John Punter was on spot with rhythms that down-beat and a filtered percussion accompaniment which added to the infectious vocal. The 80’s became the period where nu-wave, punk, alternative and rock were blended well with synth-pop and left a sound that again, was mastered out of the elements of disco for the time period. “The Politics Of Dancing” is a clever take on world leaders and heads and the control on which they decide for all. This number transforms the premise into a nice little “message” which seems to glorify and detest the many effects – either positive or negative.

I have taken the 12” version of “The Politics Of Dancing” and stomped out an alternative arrangement for this ReStructure Mix. There is more of the emphasis on the groove here rather than the warning. A few new breaks roll out the news and much of the existing percussion is reworked.

• Let's Make It - Glenn Rivera ReStructure Mix - Vallerie Allington

Valerie Allington is an Italo-disco artist from the early 80’s who was introduced with a track titles “Stop” released in 1982. This experimental and innovative time was perfect for Italian producer Sangy to work his 70’s influenced keyboards into the new Italian disco sound. “Let’s Make It” is her second release from 1984 also produced by Sangy and every bit as exciting and powerful. This is an uplifting message of love put into a reverberating love song that follows the edge of Kraftwerk with pieces of their hit “Numbers”. This pretty much has it all for the time period as it was always requested and I kept it alive throughout the year.

I have taken the 12” vocal and instrumental versions of “Let’s Make It” and focused on a percussive foundation to represent a carnival experience. The breaks are dragged out until the groove jumps right back at the floor. It is quite a great time for this song and feeling.

• I Wanna Groove - Glenn Rivera ReStructure Mix - Arlene Duncan

Arlene Duncan is a Canadian singer who also records under the name of Kairene. Her single “I Wanna Groove” from 1982 was produced by Ian Guenther and Willi Morrison who are better known as THP Orchestra. This duo also produced The Duncan Sisters (no relation to these ladies), Sticky Fingers, Southern Comfort and The Grand Tour. THP move into the 80’s was a daring time since music was morphing from a full scale disco production which these two men helped to create, into am 80’s synth-pop sound. This track has a heavy jamming beat which outlines the disco feel but the keyboards and arrangements we simple I assume to test the waters of the dance floors at the time. The track has a moving energy that maintains THP’s reputation and is brought here again to remind us of the 70’s to 8’s conversion of dance music.

I have taken the 12” vocal and instrumental of “I Wanna Groove” and reworked a new ReStructure Mix for a new experience. I have played with the existing keyboards and bass to add more breaks and segues to the groove.

• Pick Me Up - Glenn Rivera ReStructure Mix - Marz

Marz is an Italo-disco project from 1984 with Bill Pettaway, Dwayne Herndon, Gerard Mackell, Gregory Mackell, Keith Rowel, and Marvin Ennis. Their big track “Pick Me Up” is an unforgettable song that echoes out a touch of sophisticated funk along with the innovative feel of Italian disco which became its own brand of funk during the early 80s with bands like Change and Bronx, Brooklyn and Queens Band. “Pick Me Up” is a beautiful New York funk stylized piece and has many qualities and riffs that stand out to give a bravo at the closing.

I have taken the 12” on Italian label F1 Team label and reworked the electronic funk to a new ReStructure Mix. This arrangement allows for more of the pumping energy that comes along with the song and gives more of the piano interlude attention for a new intro and fades.

• Don't Stop The Train - Glenn Rivera ReStructure Mix - Kristeen (alias Viola Wills)

Kristeen is a cover name for disco legend, Viola Wills on a 1985 release of “Don’t Stop The Train” – a dance floor hit released by Phyllis Nelson in 1981 and produced by Yves Dessca – who also produced this Kristeen (Viola Wills) version. Earlier in 1979 he recorded Viola on a track titled “You Will Forget”. Another fantastic performance for Viola who seemed to top every performance with the next thanks to her beautiful voice and range – her big hit in 1980 with “If You Could Read My Mind” which started another row of hits for her. In “Don’t Stop The Train”, Viola performs this like a Shakespearean actor exuding the emotion and drama nonstop – it is quite a feat and understandably why she was brought in again as a session singer but then of course under the alias Kristeen (even a photo of another woman on the 12”), But all in all we know Viola and the tremendous talent we had pin the dance floor and this is another reason to celebrate her magic.

I have taken the 12” vocal and instrumental of “Don’t Stop The Train” and the beautiful arrangement by Yves Dessca to bring to life again the heartbreak and tale woven by Viola Wills here. There are some new percussion pieces added to give it a new rhythmic life and a few reedited pieces to make this one last longer than Ms. Will's anticipation for the ride.

This one is dedicated to the memory of Ms. Viola Wills – your music still moves us as is you were never gone.

• Looking Out - Glenn Rivera ReStructure Mix - Oh, Romeo

Oh Romeo is a studio group from high-energy/disco producer Bobby Orlando. The sessions produced several singles on Orlando’s Bobcat Records label including “Looking Out” from 1983. This one is a roundup of the elements that Orlando created in the early 80’s using heavy percussion and rolling synthesizers to pull off the task. It was this sound that helped the mid and late 80’s to continue the dancers to serenade all over again and again. It was definitely a fusion of what producers like Giorgio Moroder were bringing forth in the mid and late 70’s.

I have taken the 12” version of “Looking Out” and recreated a new energy for the outline of this ReStructure Mix. There is a play on the verses of this daring woman who spend her nights searching for that perfect love and also a bit of tribute to Moroder himself by using one of his finest riffs.

• Undercover Girl - Glenn Rivera ReStructure Mix - Sharon Redd

Sharon Redd is the diva of the funk with a disco groove following it. Her introduction onto the dance floor was beautifully timed with a studio group called Front Page and their huge single “Love Insurance” from 1979. Her solo recording career began in 1980 with her big Prelude Records single “Can You Handle It” – and following were big dance palace hits including “In The Name of Love” and “Beat The Street”. “Undercover Girl” is a single released in 1985 – produced by Michael Stokes. It was close to the 80’s pop-funk sound that groups like Apollonia 6 and Midnight Star were weaving. It is the Sharon Redd who plays it street like a lady. One of the funk-fests for Redd and in her own way she conquers this piece.

I have taken the 12’ vocal and instrumental of “Undercover Girl” and re-jammed a ReStructure Mix for this beat-crisp number. The beats are reworked into a new outline and Sharon’s confession is portrayed in a new way. This mix is dedicated to the lady herself, Sharon Redd and also, Lona Warden – who still teaches me how love is so strong and lasting.

• Slave To Love - Glenn Rivera ReStructure Mix - Sammy Allen

Sammy Allen is a German Euro-dance artist from the mid-80s who released 2 singles which helped to keep the electronic dance aura alive. “Slave To Love” is a single released in 1988 – produced by Alf Siol. This track follows the patterns of a rock anthem which may had relevance in the early 80s. A simple keyboard arrangement in the Asian-wave style of the late 80s dance floor. This German production was featured on the Night’n Day Records which has some major slick releases in the period. The sheer ecstasy in the vocal makes this one a bit camp and as always it worked on dance floors.

I have taken the 12” vocal and instrumental of “Slave To Love” and reworked a new ReStructure Mix for the excitement of the Euro-dance sound of dance music. The arrangement has been stretched out and laid over a phantom percussion to give more of an underground sound to the track.

• Unchained Melody/Need Your Love - Glenn Rivera ReStructure Mix - Clem Curtis

Clem Curtis is a singer from Trinidad, West Indies who was originally from a group called The Foundations from 1966 through 1968. The disco era was fortunate enough to have Clem record his cover version of The Righteous Brothers 1964 hit produced by Phil Spector, “Unchained Melody” with a disco arrangement produced by Tony Sadler. Clem’s single was released in 1979 on RCA Records and is one of the underground favorites among those DJ’s who did not miss it due to over saturation of this big disco year. This dance version allows Clem to deliver a wonderful vocal over a 70’s funky arrangement with guitars and the sweet strings sweeping across the groove. The titled “Unchained Melody” comes from the film that the song was featured in titled “Unchained” released in 1955.

I have taken Clem’s beautiful disco version and reworked a new ReStructure Mix which pays homage to The Righteous Brothers version and rearranges the original without the camp chorus girls. The vocal is extended as rightfully as it should for this new disco sparkler.

• Walking On The Floor - Glenn Rivera ReStructure Mix - Quartz

Quartz is Didier Plus, Laurent Taieb, and Patrick Langlade. A French disco band from 1978 originally founded by Chris Quartz (Saint-Preux) and leading the period with a big disco hit titled “Beyond The Clouds”. It was an innovative instrumental with a new age feel to it along with the pumping bass lines and breaks of disco energy. The style was one of the starters for artists like Gino Soccio and Patrick Cowley. “Walking On The Floor” is from their 1979 project “Camel In The City” – it is another part of the process of creative disco with beats and electronic pulses bringing energy to life.

I have taken the album version of “Walking On The Floor” and reworked some of the vital elements of the track into this ReStructure Mix. New bass beats and high end effects make a new foundation for this nuance for Quartz.

• Looking For Clues - Glenn Rivera ReStructure Mix - Robert Palmer

Robert Palmer is an interesting vocalist and musician. A British pop-rock singer he recorded his own style of music throughout 1974 to 1983 where he found a new stage for himself recording pop-funk songs in his own appeal. He released dance floor hits “You Are In My System”, “I Didn’t Mean To Turn You On”, “Early In The Morning” and “Tell Me I’m Not Dreaming” which were prior dance floor hits that he revived in his own sound. “Looking For Clues” is from his 1980 project titled “Clues” which bears the 80’s dance feel with an extreme and percussive arrangement and a few small breaks. It was a big DOR (Dance Oriented Rock) crossover and made its way on many dance floors.

I have taken the album version of “Looking For Clues” and reworked a ReStructure Mix to pay homage to this fast slamming piece. There is a new intro and a few new elements with drums and percussion to move along with it.

• This Must Be Heaven - Glenn Rivera ReStructure Mix - Jerry Carr

Jerry Carr is one of the funk and soul talents in the music industry who is a self-taught musician and brings the 80’s a new brand of funk. His 1981 album “This Must Be Heaven” produced by William Talbert (Shotgun) is a refreshing piece of work for a period where dance music shifted from disco to a soulful and funky groove. The title track is the big hit here and plays out in a romance turned to a dance. It as the foundation of a nice New York funk track with some catchy riffs throughout. Jerry does a very nice job covering this one with a soulful and dedicated performance which still plays out in its originality.

I have taken the 12” version of “This Must Be Heaven” and recreated a new dance experience for this ReStructure Mix. The original elements are accented lightly with a new drum track and the groove spread across the remix with a few new twists and turns.

This ReStructure Mix is dedicated to Mr. Jerry Carr.

• Electric Avenue - Glenn Rivera ReStructure Mix - Eddy Grant

Eddy Grant is a musician and producer who began his recording career in 1975 fusing a blend of reggae, funk and soul. Into the 80’s he became an iconic figure with many of his songs outlining current world events and status of the struggles among people. “Electric Avenue” comes from his 1982 album “Killer On The Rampage” and plays out as a shout out to the Brixton area which of the time was the first to be lit by electricity yet remained violent, racist and many tensions. The song itself is a landmark among the 80’s dance period thanks to its electronic groove which plays out almost like a robotic groove taking on an edgy sound. It moved many feet and also brought many minds to think about awareness to find solutions to some of the problems in society and the world.

I have taken the 12” version of “Electric Avenue” and reworked a new ReStructure Mix for an experience that may take on a new current political time which is among us now. I have added some new elements to bring the groove alive in a new way – the way a solution for today’s issues needs be addressed in a new way – not as they are in the current day administration.

• It's Alright - Glenn Rivera ReStructure Mix - Peter Brown

Peter Brown is one of disco music’s greatest gifts. His music has always been innovative and funky with a fusion of electronic grooves with soul. His introduction to disco music in 1977 with “Fantasy Love Affair” was a signal to the dance floor that a sound was emerging from soul and funk soon assemble itself in a new way from Brown. “It’s Alright:” is from his 1979 album “Stargazer” which big dance floor hit “Crank it Up”. There is a sound within each of Peter Brown’s creations which ring out in its own way and this piece is no exception. Even though this song seems to relay a misinterpreted relationship it plays out in an upbeat manner thanks to Brown’s masterful keyboards and arrangements.

I have taken the album version of “It’s Alright” and recreated a new groove for this ReStructure Mix. The electronics are enabled a bit more to bring this one back to life again and thanks to Peter’s vocals it always seems new and darn funky!

• (You Got Me) In The Mood - Glenn Rivera ReStructure Mix - Puff

Puff is a disco session from producers Will Crittendon (Mantus), Brad Baker, Don Oriolo and Neil Levenson. This is the ultimate underground sound with a touch of the chic edge of disco. Complete with sensual femme ensemble and swirling strings this one pulls out everything that the 70’s disco dance floor exuded. It is a journey into the sexy and pulsating beats that made hips move and shake. “(You Got Me) In The Mood” was one of the big 1979 surprises but came at a time where the music faded into a message of the dance backlash – however for me it still represents good energy and uplifting energy – that is what disco was all about.

I have taken the 12” version of “(You Got Me) In The Mood” along with the B-side instrumental titles “Moody:” and reworked the frenzy into a new ReStructure Mix. There are a couple of new surprises sampled in and a couple of new breakdowns.

•  Catch The Rhythm (Universal Mood) - Glenn Rivera ReStructure Mix - Caress

Caress is a Euro-disco project from Boris Midney – an innovative arranger, composer and producer. His projects from the start were an experimental edge in the late 70’s beginning with USA European Connection (“Come Into My Heart/Good Loving”) which initially was overlooked on dance floors but soon after became the new technical sound of disco music. He then followed with Beautiful Bend which was a masterpiece of disco elements with a swirling orchestra lifting the melodies and funky accompaniment. It was his style which created a cult following and this project called Caress where he began o shift his sound into a new audience and period of dance music.

I have taken the album version of “Catch The Rhythm” and re-edited a new ReStructure Mix to pay homage to Boris Midney’s genius and the lovely melodies he has given dance floors to sway and move to.

•  Love Fever - Glenn Rivera ReStructure Mix - Gayle Adams

Gayle Adams is a funk/disco vocalist who emerged in 1980 on the New York disco label Prelude Records. Produced by Rodney Brown and Willie Lester who also gave us Sharon Redd’s “Can You Handle it” and Bobby Thurston. This brand of New York funk helped the 80’s to move into a new direction and also kept the hardcore underground club feel intact. “Love Fever” was released in 1982 and is a great outline of the Gayle Adams delivery that made her a big dance floor favorite.

I have taken the 12” vocal and instrumental of “Love Fever” and reworked a new ReStructure Mix with more of the groove and sharp edges which made this one a top pick. It still moves along with Gayle’s funky edge and brings out more of the beat and breaks in a new way.

• Bad Connection - Glenn Rivera ReStructure Mix - Strange Affair

Strange Affair is an Italo-disco project from producer Giuliano Salerni – who also gave us Ultimate’s “Love Is The Ultimate”, Hi Gloss and Bonnie Boyer. His work was another European disco venture which played out with full orchestrations and funky rhythm and bass guitars. “Bad Connection” is from the first medley on the project where a gay man dials in error a lonely woman who is willing to have company during a lonely hour. It is quite camp and plays out with the vocals of Brenda Hill, Carolyn Mitchell, Joy Lober and Vaneese Thomas in a camp-like chorus. The ladies also created the vocals for Ritchie Rome’s African Suite project.

I have taken the album version of “Bad Connection” and reworked the strings and bass into a new ReStructure Mix. The longer into showcases the funky guitars and the fade uses those booming bass drums to exit this sexy scene.

• Fantasy - Glenn Rivera ReStructure Mix - The Ritchie Family

The Ritchie Family project titled “All Night All Right” from 1983 features Jacqui Smith-Lee, Linda James and Vera Brown on vocals and was produced by Gavin Christopher and Jimmy Douglas. “Fantasy” is a single that falls close to the work in a prior project by Jacques Fred Petrus with a trickling techno set as the girls lead a sexy and haunting refrain. It is one of the pieces that I would use for afterhours sets that lead to such an atmosphere. It is a different feel for The Ritchie Family and has a nice airy quality.

I have taken the album version of “Fantasy” and recreated a new ReStructure Mix that takes the soaring song into a new sensual galaxy. A familiar beat sample is added along with new percussion to help this mission be a successful one.

• Let Yourself Go - Glenn Rivera ReStructure Mix - The Supremes

The Supremes in 1977 featured Mary Wilson, Scherrie Payne and Susaye Greene as the trio. Their single “Let Yourself Go” produced by Holland, Dozier and Holland was one of the big records during the underground dance scene of Paradise Garage which immediately gives this soul number a standing all of its own. The girls serenade the atmosphere with a light and sweet message of being who you are is a necessity for the moment so it also becomes one of the early anthems of the dance floor. This one shines throughout time with the nice groove pumping out the energy for the trio to sing out and rejoice about the happiest times on the dance floor.

I have taken the 7” version of “Let Yourself Go” and reworked the classic with more percussion leading the way in this ReStructure Mix. There is a long intro for the lead into the excitement and a fade out for the cool down.

• Everything So Good About You - Glenn Rivera ReStructure Mix - Melba Moore

Melba Moore is one of the true voices of soul from the 70’s. She has always delivered a performance which gives off the innocence of a child who blossoms with emotion and knowledge. Her career in the late 70’s transformed her instantly into a dance floor favorite. With big hits like “You Stepped Into My Life” and “Pick Me up I’ll Dance” there was no keeping her talent away from those who were ready to express it in dance form. “Closer” is her 1980 project produced by Bruce Hawes, Victor Carstarphen and Melba. The initial track titled “Everything So Good About You” is a disco funk track that became an instant hit on my dance floor at the time and gave me another opportunity to program one of my favorite voices once again.

I have taken the album version of “Everything So Good About You” and reweaved the song into a new ReStructure Mix. New drums are added to pump the rhythm track up and also new loop edits to break and rearrange the original version apart.

• Let's Stay Together - Glenn Rivera ReStructure Mix - Richard Woods

Richard Woods is artist from 1983 who recorded a cover of Al Green’s soul classic “Let’s Stay Together” with an electronic arrangement full of sharp slivers of beat and handclaps. This version was released on Disconet Program Service Volume 6 Program 8 and was always an alternative for myself during early evening or after hour’s sets. It moves in a nice vibe and takes the songs into a new arena that pumps it into a synth-pop edge. It was never released following this issue so the version here is as close as it gets.

I have taken the Disconet version of “Let’s Stay Together” and rewired it for this ReStructure Mix adding some new percussion and a few snippets of the original instrumental. It plays out lengthier and has a few new breaks.

• Something About You - Glenn Rivera ReStructure Mix - Angela Bofill

Angela Bofill is a vocalist who began as a jazz influenced voice with many recordings that placed her in a unique start. Following the direction of ballads which outlined a love story of either new love or heartbreak her direction became more of an r&b and funk take with her beautiful voice. The 80’s brought her into a new arena of self-discovery and a new style put forth by her new label Arista Records and the direction of being a leading diva. “Something About You” is simply a take on the pop-dance market with Angela serenading with her voice in a new arena. She handles this love sonata with all of her sense of displaying her goods effectively. Produced by Narada Michael Walden in his prime of creating or rejuvenating talented voices this one is merely a sweet love song that plays out plainly. One of the factors which always caught my attention is the guest musician – Mr. Patrick Cowley brought on board for this one creates the sweeping hand claps.

I have taken the album version of “Something About You” and reworked the horns and funk beats into a new ReStructure Mix. A longer intro using snippets and pieces of breaks and intros make this a lengthier experience and more of Angela’s sweetness in her vocals more of a stage.

• Love Machine - Glenn Rivera ReStructure Mix - Thelma Houston

Thelma Houston is a disco icon since her big dance floor hit “Don’t Leave Me This Way” from 1976. Her 1979 album “Ride The Rainbow” featured a cover of The Miracles 1975 hit “Love Machine”. Thelma takes the song into a new direction where she directs her awe at her man who seems to know how to work her in the right way. Produced by Hal Davis and tailored with a few new riffs to give this soul classic a disco face lift.

I have taken the album version of Thelma’s “Love Machine” and reworked some of the elements for this ReStructure Mix. There are pieces of the original instrumental to give the mix a touch of the first experience – however, Thelma’s vocals are still the great part of this wonder.

This ReStructure Mix is dedicated to Nick Bunning – thanks for the request and the friendship.

• High Rise - Glenn Rivera ReStructure Mix - Ashford and Simpson

Ashford and Simpson are musicians, songwriters and performers who have made music history with songs like “Ain’t No Mountain High Enough” and “I’m Every Woman”. Their musical exploration has created a big impact in the industry which helped to reshape and create paths for musical substance and fusion of soul and disco music. “High Rise” is a single from their 1983 album by the same name and is a song that outlines a relationship where the breaks are evident when one leaves for opulence and a new life outside the mediocre. It was a big pick for DJs for club play and makes another mark in their songwriting and performance once again.

I have taken the 12” vocal and instrumental to recreate a new ReStructure Mix for “High Rise”. This time around there is a dub-like intro with the bass looping and a more instrumental path throughout the mix.

• Breakdance - Glenn Rivera ReStructure Mix - Irene Cara

Irene Cara is best known for her dance anthems “Fame” and “Flashdance...What A Felling” during the late 70’s and early 80’s. Her 1983 project with Giorgio Moroder featured several tracks that became more fan adored with the production of 80’s synth-pop more favored. “Breakdance” is a single that became one of the tracks that emerged and is one of the Moroder-esque sounds of the 80’s with his jittery sequencers jumping all over the beats. It is a short but mentionable track that celebrates the 80’s street dance that became one of the visuals for a new brand of music of the time. Mostly inspired by rap and street beats this electronic energy driven anthem plays out like a cascade of keyboards pouring out the mood. It is a Moroder project that echoes his work during the early 80’s where he found himself quite busy on many projects.

I have taken the 12” vocal and dub and reworked a new ReStructure Mix using loops and edits to revisit “Breakdance”. More of the verses and choruses are rearranged to give this remix more of a break-down for the instrumental.

• Children Of The Sky - Glenn Rivera ReStructure Mix - Giorgia Morandi

Giorgia Morandi is an Italo disco project from producer Toni Verona and features Renata Giorgi on vocals for this single, “Children Of The Sky”. This is a lovely piece of Italo-disco with a beautiful instrumental and vocal. The soft and gentle approach is one of the great sounds of early morning music where the dance becomes closer to the soul. This one was released in 1988 on the classic Flea Records label and is one of my all-time favorite Italian disco songs.

I have taken the 12” vocal and instrumental and reassembled a new version for this ReStructure Mix. There is a re-edit of the arrangement and a new percussion track added to bring it alive once again.

• Work Me - Glenn Rivera ReStructure Mix - Fever

 Fever is a band with Dale Reed, Dennis Wadlington, and Joseph "Joe" Bomback. Their big LP “Fever” from 1979 is one of the peaks of the disco era with its energy and segued medleys of nightlife on wax. This was one of the huge DJ plays of the time and both sides were equally played. Production is a full on electronic production with a few insets of the teams horn and percussion talents. Their first single from 1978 – a disco cover of “Standing In The Shadows of Love” is another mark in their music history as it was equally as successful and innovative. “Work Me” is the second track from the medley and always brought the appropriate energy to follow the first hit “Beat Of The Night”.

I have taken the album version of “Work Me” and created a new mix singularly spotlighting it on its own. A new percussion riff gives the song a new feel and some new breaks and extended vocals are added.

• Make Your Move - Glenn Rivera ReStructure Mix - Joe Thomas

Joe Thomas is a 70’s soul jazz and funk musician who began his recording career in 1964. His music was accented by his very well-known flute talents which were always the lure of each song as he always played with emotion and ease. Joe’s music was also following the crossover of soul music to funk which gave his flute performances a whole new stage. “Make Your Move” is from the 1979 album by the same name and features vocals by Gordon Grody (credited as Pleasure Palace) who may sound familiar with Gregg Diamond’s sessions. This release was also a 12” single which moved quite well as a follow up to Joe’s 1978 disco hit “Plato’s Retreat” (featured Diva Gray). The arrangements were laid out by Brad Baker who also worked on many successful disco projects in the late 70’s.

I have taken the 12” version of “Make Your Move” from T.K. Records and reworked a new intro and fade out for this ReStructure Mix. There are a few new elements added using the existing drums and fabulous hand claps track.

• Y.M.C.A. - Glenn Rivera ReStructure Mix - Glamorama

Glamorama is a project on Almighty Records from 1993 produced by Graham Wilcocks and Richard Cottie. This project featured a cover of the Village People classic “Y.M.C.A.” – done in complete camp featuring the vocals of high energy diva Ms. Earlene Bentley. It is a wonderful twist with a whole lot of essence on the disco diva stance and of course the disco era itself. The production is laid out in the 1993 fashion with the Euro-disco flair utilizing heavy bass (house) and plenty of interjected pieces of orchestrations. It is much more uplifting with Ms. Bentley at the helm and the play on words during this arrangement is simply magnificent. This one always reminds me of a great dear music friend (who left us) Mr. Marty Parriott who always referred to this version as the Kate Smith version – as if were here following the “Star Spangled Banner” salute.

I have taken the 12” version of Glamorama’s “Y.M.C.A.” and dressed it up for this ReStructure Mix. There are pieces of the Village People original scattered around this edit and more dub effects to give the length of the mix more opportunities to get lost in.

• What You Won't Do For Love - Glenn Rivera ReStructure Mix - Denie Corbett

Denie Corbett is a vocalist from the disco era whose first single from 1979 titled “Be What You Are” was produced by Joe Bataan. Her second 12” single released that same year is “What You Won’t Do For Love” which is one of the last driving disco tracks at the end of the era. This one has an ominous energy and drive and powerful disco-diva performance from Denie. It was always one of those big gay male discotheque anthems for me with its strong and powerful female vocal and the underground rhythm tracks along with soaring strings. This was return to the independent sound of pure disco –perhaps the first time Grace Jones’ “Do Or Die” affected the dance floor!

I have taken the 12” version of “What You Won’t Do For Love” and revisited this energy to create a new ReStructure Mix. There are more breaks and a play with the chorus inside the mix. It is a tribute to the finale days of pure disco.

This ReStructure Mix is dedicated to Nick Bunning – thank you for your friendship and inspiration!

• It's A Love Thing - Glenn Rivera ReStructure Mix - The Whispers

The Whispers are a soul group that was formed in 1964 and recorded up to 2000. Their harmonies and soulful vocal arrangements are the real advantage of the ensemble and although time has moved and given their music a new sound the essence are The Whispers themselves. “Imagination” is their album from 1980 produced by Dick Griffey and The Whispers. “It’s A Love Thing” is the funk touch of tight early 80’s dance grooves. It is the old school that stands out among the class as most of the music from Solar Records has. It is a love song that brings out the men in a wonderful serenade that reaches peak after peak and even throughout the verses gives them an opportunity to prove why their lasting is evident.

I have taken the 12” version of “It’s A Love Thing” and reworked an edit for this ReStructure Mix which moves the original vocal into a dub mix. Pieces of the electronic groove are dissected and rearranged to bring new life into this old school classic.

• Welcome Aboard - Glenn Rivera ReStructure Mix - Mother F

Mother F is Denis LePage from Lime and many dance projects including Diva, Kat Mandu, Voggue, Carol Jiani, Chris Mills and Blush. His work as an arranger and producer are the pinnacle pieces of the dance movement throughout the late 70’s through the late 90’s. Mother F is his project which initially compiled instrumental versions of his big dance floor hits of the early 80’s. “Welcome Aboard” is a single from this project and is a wonderful cover of The Love Unlimited Orchestra and Webster Lewis’ 1981 masterpiece. The electronic take and execution are wonderfully created here and give the track more of an underground feel. It is one of the great directions which inform us of where LePage’s inspirations are generated – and this is a wonderful place.

I have taken the 12” version of “Welcome Aboard” from Mother F and recreated a new ReStructure Mix for prosperity of the movement itself and Mr. Lepage. The expression here is to spotlight the rhythmic pieces of the song and give it more of a fantasy club feel.

• Dancin' In The Key Of Life - Glenn Rivera ReStructure Mix - Steve Arrington

Steve Arrington is a soul/gospel artist who began his recording career in 1978 with the band Slave – known for his vocal on the track “Just A Touch Of Love”. His solo career gave us an inspirational dance track from 1985 titled “Dancing in The Key Of Life” which became a club favorite immediately. Produced by Keg Johnson and Wilmer Raglin brought to the surface the garage sound of soul crossing into the 80’s dance circuit. This drum and percussion sound lead by house-like bass sounds was an innovative style and helped to pave the wave for a new edge of music for the dance floor. Arrington gives an incredible vocal on “Dancing In The Key of Life” and has always made this one sound like a standard.

I have taken the 12” vocal and instrumental of “Dancing In The Key Of Life” and reworked a new ReStructure Mix with a deeper dub feel. There are several new breaks and also some play with Steve’s vocal track.

This ReStructure Mix is dedicated to Ray Duran Jr. from Facebook – thanks for always being so uplifting and reminding me that the best people are the united in club music!

• Oxygen - Glenn Rivera ReStructure Mix - The Blue August Project

The Blue August Project is dance project from producer Phil Harding – who also gave us tracks from The Technos, Norma Lewis, Jackson Moore and Nitzer Ebb. This 1987 release is a club classic in the anthem form. It brought a period in the late 80’s where the high energy sound was once again brought onto the spotlight with beauty and the true essence of disco/dance. It was a breath of fresh air for the time and still resonates nicely with its crescendos and peaks.

I have taken the 12” vocal and dub version of “Oxygen” and reworked a spectacle of an anthem in this ReStructure Mix. There are more of those echo-claps that bring magic to the beats and a few more peaks to bring this love song a new life.

• Morning Music - Glenn Rivera ReStructure Mix - St. Tropez

St. Tropez is a disco ensemble produced by W. Michael Lewis and Laurin Rinder which began as an outline for a disco concept that was sensual and bold. And although the music relayed a soft and sexy delivery the production from W. Michael Lewis and Laurin Rinder played like an orchestral boom full of the ingredients that disco would become in the late 70’s. “Morning Music” is a cover of a track releases in 1978 by a cover band from John Davis titled Siren. This new recording takes the disco energy of the original and plays it out in a slow driving beat that would later become a genre of dance music called sleaze. The ensemble here consists of Mona Lisa Young, Phyllis Rhoades and Lyndie White is a disco display of sensual drama – a bit over the top but isn’t that disco music?

I have taken the 12’ vocal and instrumental of “Morning Music” and reworked a new ‘morning” mix for this ReStructure Mix. There is more of the orchestral lead in and a play with some of the elements that give it that intimate love making sound.

• Big Fun - Glenn Rivera ReStructure Mix - Inner City

Inner City is Kevin Saunderson and Paris Grey (Shana Jackson) – an innovative dance group which began a new fused sound of techno/electronic dance the heavy bass beats of house music. The mid-80s were an experimental time for dance music and the crossover of DJ remixes influenced by their styles became a sound which utilized looping piano and bass over heavy bass beats. “Pump Up The Volume” by M.A.R.R.S. being one of the big radio and club tracks to make a mark in this genre in 1987. The house sound began as an alternative remix on pop/dance singles which yielded the underground sound. “Big Fun” was released in 1988 and although it had an extreme impact on the club shift to house and techno the years prior were definitely a testy of this formula. The track is simple and dedicated to the Chicago house vibration with a touch of techno and later to add acid elements to the mix.

I have taken the 12’ remix version of “Bog Fun” and reworked the song for homage to the 80’s and early 90’s dance scene. There are new breaks and parts that move on to new directions but my focus clearly is to outline that ominous house sound.

• Body Party - Glenn Rivera ReStructure Mix - Brenda Mitchell

Brenda Mitchell is a project from French disco producer Pierre Jaubert (Michelle, Chantal Curtis, Ice) whose music played a vital part in the evolution of disco music. His work became the link between soul and disco with his 1977 work under the name Michele and the project which would be picked up by West End Records and remixed by legendary Tom Moulton. The cross became the disco that would catapult itself as the outline for the dance floors of the mid and late 70s. “Body Party” is not just another link in this direction but also a track that was remixed by another player in disco history – Patrick Cowley. His remixed version from 1978 displayed his electronic touches with his keyboards and synthesizers to add energy and a new innovation as he did with Sylvester’s “Dance (Disco Heat)” and “You Make Me Feel Mighty Real”. “Body Party” is the early sound of his later production with Michele titled “Disco Dance”.

I have taken the album version of “Body Party” and used the Cowley connection to heavily recreate this ReStructure Mix. The piece is populated with Patrick’s work that is well know as he moved into the dance arena and became one of dance music’s most influential talents.

• This Happy Feeling - Glenn Rivera ReStructure Mix - GQ

GQ is a disco/funk band - Emanuel "Rahiem" LeBlanc, Herb Lane, Keith Crier, Paul Service and Steve Adorno. Their huge disco hit “Disco Nights (Rock Freak)” from 1979 gave them the golden opportunity to become one of the recognizable faces of a time period of dance music. Disco was always defined with a variation of funk and soul combined with a heavy bass drum and accentuated strings. GQ is a great demonstration of the disco sound fused with funk and soul. “This Happy Feeling” is a single from their 1979 album “Disco Nights” and holds all of the magic the band created with their talents.

I have taken the album version of “This Happy Feeling” and focused on the heavy bass guitar groove as the standar5d for this ReStructure Mix. A classic riff from Mass Production is sampled to bring old-school and disco together.

• Love Is Magic - Glenn Rivera ReStructure Mix - Midnight Gang

Midnight Gang is an Italo-disco ensemble produced by Jacques Fred Petrus and Mauro Malavasi both responsible for disco classics by Macho, Peter Jacques Band, Rudy, Change, B.B. & Q. Band and The Ritchie Family. The formula which this pair created in the mid and late 70’s paved a way for a disco music to achieve a peak and succeed. “Love Is Magic” is from the Midnight Gang project which features players from various sessions compiled by Petrus and Malavasi and once again focuses on the celebratory feel of dance music where lyrics are placed for sound rather than meaning. The concept is another disco orchestration from Petrus’ Good Music Production group and includes his signature style and dedication.

I have taken the album version of “Love Is Magic” and realigned the song into a new ReStructure Mix for homage to both Petrus and Malavasi. A new intro features a Peter Jacques Band classic as a teaser and eventually extends this uplifting song into a new remix.

• Tunnel Of Love - Glenn Rivera ReStructure Mix - Carol Cooper

Carol Cooper is a vocalist who released an 80’s high energy piece in 1985 titled “Tunnel Of Love” – produced by Guy Ruvolo. This number was a club favorite thanks to its everlasting riff where a vulnerable heart is ready to give into strangers attempts. This was rolls out a percussion riff that is the club sound of the 80’s all in one. Carol’s vocals paint a wonderfully sweet “Alice In Wonderland” character in club land being tempted and eventually falling deep.

I have taken the 12” vocal and instrumental of “Tunnel Of Love” and recreated a new ReStructure Mix. This reedit places more of that hard hitting percussion track into the story and also the dub elements of the instrumental are utilizes more thoroughly.

• Where Is My Man - Glenn Rivera ReStructure Mix - Eartha Kitt

Eartha Kitt is a legend in music history. Her unique vocal and sound is one that helped to create a mystique on her aura. Many of her years are spent in an arena of being ‘Eartha Kitt” in her own sense. In 1984 she joined forces with disco producers Jacques Morali and Henri Belolo – better known as Cant Stop Productions – responsible for projects from The Ritchie Family, Village People, The Lovers and Phylicia Allen. This once again camp take on disco music’s lasting edge takes on Eartha in her own formula where the essence is in her sound and reputation. “Where Is My Man” was one of the 80’s club favorites for many reasons and one of them is that is a perfect fit for Ms. Kitt. It is taking “How To Marry A Millionaire” into a new stage. This one will always mark the 80’s disco revival successfully and in its underground self.

I have taken the 12” vocal and instrumental of “Where Is My Man” and reworked a new arrangement for this ReStructure Mix. Playing on the teasing aspect of Eartha’s presence in a new ay with more percussion and loops to create a new groove.

• 101 - Glenn Rivera ReStructure Mix - Sheena Easton

Sheena Easton became one of the 80’s dance floor buttons to move. Her track “101” from 1988 is a piece written and produced by Prince. The song is one of the transformations from pop-dance to an underground flavor thanks to remixes by Def House and their use of house bass and kick drums. This one was a big hit in my club and carried through for months as it blended well with the Italo-house and Chicago bass house numbers of the time. Sheena delivers one of her lusty performances which give her the darkness and sensuality of what the dance floor in a disco realm is all about.

I have taken the 12” Def House remixes of “101” and recreated a darker yet disco-fied ReStructure Mix to bring this one back. All of the elements that make this one tick are still loaded and thumping out the rhythm and desire.

• Fire Fly - Glenn Rivera ReStructure Mix - Azoto

Azoto is an Italo-disco project from producer/arranger Celso Valli. The disco band was originally called Lucrethia And The Azoto 14,008 on their first project from 1978 titled “Dance Skinsation” and brought Italo-disco into the limelight with the uplifting tracks and electronic fused arrangements. “Fire Fly” is a symbolic love song of a relationship that only takes place at night – most likely at the club – and the excitement brings the guidance of a light in dark. The flowing and bass looping sound is the perfect edge for the oddness of the Azoto chorus which always has a childlike sound.

I have taken the album version of “Fire Fly” and used the rolling bass a new foundation for this ReStructure Mix. It plays out with some new breaks and segues created with parts and pieces of the songs riffs.

• Sweet San Francisco - Glenn Rivera ReStructure Mix - Queen Samantha

Queen Samantha is a disco project from France along with producers Harry Chalkitis and Charles Ibgui. The group vocalist Gloria Brooks is the falsetto diva with a haunting delivery which always gave this band a somewhat mystical realm. Their big hit “Take A Chance” from their album “Queen Samantha II” from 1978 gave them the dance floor as it became one of the big DJ favorites and dancers release numbers. “Sweet San Francisco” is from the same project and gives the same edge as this band promises. It is a flowing piece with a moving wind which brings it into play as a journey of sorts on the dance floor. Chalkitis plays a big part of this band as he contributes many instruments and also arranges.

I have taken the 12” version of “Sweet San Francisco” and reweaved a new path for this ReStructure Mix. Pieces of Mike Oldfield’s “Tubular Bells” are placed to present that harmonic feel for the trip and some new breaks are added and extended. This one is a tribute to the band and this disco classic.

• Love To The Limit - Glenn Rivera ReStructure Mix - Bridgett Grace

Bridgett Grace is a vocalist from the late 80’s house singer with a voice that set a fashion for the genre itself. Leading the way for 90’s house like vocalists Dina Carroll – whose delivery was a lounge standard feel: sophisticated and beautiful. “Love To The Limit” is one of the pinnacle moments for Bridgett as this song encompasses the 90’s techno-house sound and energy with elegance. Produced by Jeff Mills, Mike Banks and Underground Resistance, which commonly encompassed the Detroit house sound with other elements. The 1992 release was always one of my favs and till this day brings back the lovely days of a disco diva swooning over beats and energy.

I have taken the 12” on Network Records and reworked the “True Faith Mix”, “accapella”, and “piano mix” to recreate a new house order ReStructure Mix. The flow of the underground house still remains with some new twists and turns. This tribute to the ongoing dance scene is a landmark for me as it brings to mind a sweetness that the hard hitting bass and beats can contribute.

• Love Take Me High - Glenn Rivera ReStructure Mix - Loverde

Loverde is Frank Loverde, Linda Imperial and Peggy Gibson – one of the first disco groups to enter 1980. Following the loss of interest that major record labels and the “disco fever” that the trend seekers who were only involved due to the hype and over marketing of the word “disco”. Disco was always an underground concept. The wave from 1977 – 1979 created an audience that were only along for the ride and until the next trend they could find. In my opinion the return to underground roots during the early 80’s was the best for the music as it kept those who truly believed in the meaning and creativity behind the art of disco. Loverde is one of the San Francisco community disco groups that included Patrick Cowley and Don Miley. This trio has a bit club hit in 1982 titled “Die Hard Lover” which remained true to the disco environment but in a new electronic arrangement which was more pleasing for a new era and audience. Those who always loved disco music, unlike the followers were all drawn to projects like Loverde.

I have taken the 1987 Loverde release “Love Take Me High” – produced by Leo Frappier and David Diebold (The “High Energy Igniters”) – and reworked the staple elements of the new dance floors into a ReStructure Mix. More of the powerful touches are accentuated to bring this uplifting song into ear candy.

• Spotlight - Glenn Rivera ReStructure Mix - Elton John

Elton John takes a turn onto the dance floor in 1979 along with disco producer, Pete Bellotte (Donna Summer, Trax, Roberta Kelly, Marsha Hunt, Munich Machine). His project “Victim Of Love” has Elton’s touch on material including a disco cover of “Johnny B. Goode” – and also includes some of the Munich disco session minds like Thor Baldurson as arranger. The cuts are segued as a disco long play mix and utilize the beat with the hard pounding mechanism which brings the means for a disco

I have taken the album version of “Spotlight” and re-aligned the energy for a new pumpin’ ReStructure Mix. New eq-effects are added to re-fliter the song all together for a new time of workin’ it to this track.

• Casino - Glenn Rivera ReStructure Mix - Passengers

Passengers is an Italian disco group who began their big spin on dance floors in 1979 with their album “Girls Cost Money” produced by Angelo and Felix Piccarreda – and more notably arranger and conductor Celso Valli (Tantra, Azoto, Nuggets). “Casino” is from their 1981 project with the disco flair of the new electronic dance period of the early 80’s and disco’s reputable chic edge. The fast moving number is a gamblers arena where one spin or dram may change your life. This production again gives Valli an opportunity for a simple disco pump and the vocalists Chuck Rolando, Elwanda Contreras, Gesualdo Arena and Mary Shaw to deliver a chorus for the excitement and thrills of their world.

I have taken the album version of “Casino” and recreated a twist and regathering of the vibes and fast bass plucks in this ReStructure Mix. I have added new percussion and redirected the action in parts to give this one an experience in a new space.

• Who Do You Love - Glenn Rivera ReStructure Mix - THP

THP is producers Willi Morrison and Ian Guenther, writer Bruce Ley along with conducting by Pete Pederson. The session group began as a project in 1976 titled “Early Riser” featuring a disco version of the Theme from the television show “S.W.A.T.” – covered by Rhythm Heritage more successfully that same year. The second and third projects from THP (Three Hats Productions) were more notable with the disco-pulsed “Two Hot For Love” and the four piece 40’s big band infused “Tender Is The Night”. The finale project from THP is “Good To Me” from 1979 which is a disco-popish dance extravaganza in the live band fusion meets disco engineering. “Who Do You Love” is the last track on the album which features vocalist Joyce Cobb. A wonderful closing to numbers which all bears a recognizable feature and the bluesy and soulful vocal by Cobb. THP pours all they have into this project and for one of the last full-on disco orchestrations and arrangements make this a memorable listening and dance experience.

I have taken the album version of “Who Do You Love” and reworked the keyboards and funk-driven bass guitars into a new ReStructure Mix. I admire the original arrangements of all Three Hats Productions (THP) and only focused on creating a new blend of edits to give the music a new feel.

• Nasty Disposition - Glenn Rivera ReStructure Mix - Aurra

Aurra is one of the early 80’s funk bands which consisted of members of the band titled Slave. This session band began its recording career in 1980 with lead vocals from Starlena Young whose voice is most recognizable in the Slave track “Just A Touch Of Love” from 1979. “Nasty Disposition” is from their 1981 album titled “Send Your Love” produced by Steve Washington which gives the funk and disco arrangement its proper blend. The crossover between the disco era of the late 70’s and the funk edge injected to save dance music is a big part of this period. Many productions using the dance formula were lowering BPM’s and giving more resonance to the 80’s new funk sound and its disco influence.

I have taken the 12” version of Aurra’s “Nasty Disposition” and reworked a new ReStructure Mix with some segments added to create some different effects. A new percussion track is added and used throughout to give this track a new edge.

• Bad Love - Glenn Rivera ReStructure Mix - Donna Allen

Donna Allen is an incredible vocalist. Her career began as backing vocals for Miami Sound Machine and eventually leads to her solo recording career in 1986 and her project “Perfect Timing” produced by Lou Pace (Timmy Thomas, Nicole). Her single “Bad Love” from this album was always my choice for an early evening warm-up following the success of “Serious” which caused a big impact both in radio play and club dance floors. “Bad Love” is one of those funk-fests that are powered by Donna’s soulful and powerful vocal. The electronic street production play along with the tailored sass and smooth rhythms. One of my favorite vocal performances in this genre.

I have taken the 12” version of “Bad Love” and recreated a ReStructure Mix using the beats as a new emphasis on extending the power of this track. It is longer and more satisfying to hear Donna serenade this funk trial over and over.

• On The Beat - Glenn Rivera ReStructure Mix - D.F. & Pam

D.F. and Pam are Daniele Francescon and Mauro Pilato. Their 1983 single “On The Beat” is one of the Italo-disco tracks which helped me to identify the importance of this genre in the history of dance music. This one has the feel of energy yet a mild and smooth delivery of keyboards and synthesizers which give the continuance of disco music in electronic form its reason. The cover artwork always reminded me of the early venture from Jacques Fred Petrus and his production of Change (“The Glow Of Love”) and the lent title of his B.B. & Q Band track. It would have been robbery had it been duplicated, but not since the production takes on a whole new light. This one was always a tug of war on whether to pay the “a” side vocal or give the dance floor a new experience with the ”b” side dub/instrumental. It is solved here by myself for me by combining them both.

I have taken the 12” vocal and dub/instrumental of “On The Beat” and reworked it for this ReStructure Mix. The rolling bass and funky rhythm guitars are edited to give this reedit a new shine and direction.

• No Way Out - Glenn Rivera ReStructure Mix - Doris Jones

Doris Jones is a vocalist who Ian Levine brought to the U.K.K. in the mid-70’s to record his sound which became a powerful vocal over his lush and orchestrated disco productions. This sound became a unique and identifiable edge for Levine as his vocalist always played to the hilt as the Broadway infused arrangements were always a sensation on dance floors. “No Way Out:” is the disco era of divas champion theme where love takes hold and never let’s goes and the song displays the emotion with a resonating emotion. It is released in 1977 and is one of the Levine and Fiachra Trench steps to their eventual mastering of the disco sound.

I have taken the 12” version of “No Way Out” and re-dramatized the piece in a new ReStructure Mix for a tribute to Levine and Trench. There is a longer intro and a few new breaks to piece out the song in a new way.

• Pump Up The Jam - Glenn Rivera ReStructure Mix - Technotronic

Technotronic is a Belgium group produced by Jo Bogaert and the big club hit “Pump Up The Jam” became the sensation of 1989. Following house music of the mid-and late 80’s came an experimental period of beats and eclectic keyboards in many variations which brought the rave and techno edge to life. Technotronic merged the obscure sound of rap and acid house into a sound which brought the elements to a maximum. “Pump Up The Jam” is the starter kit for techno music and worked in the underground energy into a whole new edge of music for the 90’s.

I have taken the original 12” version of “Pump Up The Jam” and reworked a new dance pattern using a few samples from a classic Earth, Wind & Fire piece and some disco pieces. This new “pump” works with parts of the song and recreate then with a new groove and experience.

• Handsome Man - Glenn Rivera ReStructure Mix - Sparkle Tuhran

Sparkle Tuhran is a vocalist from an ensemble titled Friends who in 1979 recorded the project titled “Trans Am Dancing” – produced by Jean-Pierre Massiera, John Brown III and Mike Felder. The track “Handsome Man” is the dance piece which has become a story on its own when Larry Levan of Paradise Garage made it a classic by identifying its raw soulful vocal and unique striped instrumental. A genre which would later become “garage music” and then later “house” music following synth-pop. The song was immediately a big hit among those who following the disco wave returned to the underground club sound and created a style of music for the early 80s which is now a part of music history.

I have taken the 12” version of “Handsome Man” and reworked a new ReStructure Mix which lends another ear to the progression dance music of the early 80s. It will always impact pop and dance music of the future since songs like this were spinning its own unknown legacy.

• Just Gotta Tell Her - Glenn Rivera ReStructure Mix - Hot & Cold

Hot & Cold is an Italian disco project from Gianfranco Bortolotti and Pieradis Rossini from the mid-80’s and following in the footsteps of session groups like Fun Fun. Their outline is similar in a synth-pop direction and common sweetness shared. “Just Gotta Tell Her” is their single from 1987 which sweeps high and low with a bombarding edge of percussion and synthetic orchestral movements. The feel of this one is a memorable and melodic journey which made it a favorite among those Italo-disco followers. The studio ensemble consists of Angela Parisi, Antonella Pepe and Ivana Spagna in the chorus giving Italian disco music another charge of energy and sweetness.

I have taken the 12” vocal and instrumental versions of “Just Gotta Tell Her” and revamped the swirling love song in this ReStructure Mix. The heavy drums and percussion are used again for the base line energy and some edits and loops work to bring in a new segment of fade.

• Righteous Rhythm - Glenn Rivera ReStructure Mix - Rose Royce

Rose Royce is a band formulated by legendary producer Norman Whitfield for the soundtrack of the motion picture “Car Wash”. The band existed prior to the soundtrack as Total Concept Unlimited and then during the soundtrack work a new member – the only female member, Ms. Gwen Dickey became the completion of Rose Royce. The instrumental pieces of Whitfield’s control of the sessions are truly the cross between soul and funk of the mid-70s and also a lead into the disco realm of music bigger than a radio box exploding in variations.

I have taken the album version of “Righteous Rhythm” and re-funked a ReStructure Mix to play tribute to both Rose Royce and Mr. Norman Whitfield. This one focuses on Whitefield’s psychedelic merge into funk music and gives way to several new breaks and stages for this dynamite track.

• Central Park - Glenn Rivera ReStructure Mix - Martina

Martina is a disco artist from La Drogueria Di Drugolo also known as Kat Mandu Productions and the production team responsible for Tantra (“Hills Of Kat Mandu”, “A Place Called Tarot”) and Lama “Love On The Rocks”, This project titled “Disco Round The World” was released in 1980 and featured several disco tracks with the electronic pulse which became the 80’s merge of Italo-disco and synth-pop. “Central Park” was a single from the album which sounds more like a move on the high energy tracks with a touch of funky guitars and some nice groove breaks. It is an obvious salute to New York’s day and night playground and brings a mysterious feel to life in this track from Martina.

I have taken the 12” version of “Central Park” and recreated a new version for this ReStructure Mix and rearranged the entire son into a new suite. There are a few new breaks using the keyboards and funky guitar work for breakdown and more emphasis on the darker edge of the park.

• Chinese Ways - Glenn Rivera ReStructure Mix - Secrets Of China

Secrets Of China is a Belgium Beat project from Herman Gillis, Jo Casters, Roland and Beelen. Their track “Chinese Ways” from 1988 was a part of the new beat movement of the late 80s. A style that was by legend, created by slowing down 45 disco electronic tracks to lower BPMs and exploring the edge of the electronic groove. In many of the selections from this genre you are only given segments of rhythms and tracks that are heavily stamped with riffs and samples. Some samples a bit racy and instigated a cult following. “Chinese Ways” has a fantastic groove which always caught my ear and the smooth looping keyboards always were a house-like experience that was hypnotic.

I have taken the 12” version of “Chinese Ways” and have given it a new ReStructure Mix adding a few new samples of Lao Schifrin's “Enter The Dragon” soundtrack. The piece plays out on its own with the new edit which plays on that infectious groove.

• I Need A Man In My Life - Glenn Rivera ReStructure Mix - Katie Kissoon

Katie Kissoon is a vocalist who has appeared on many projects with artists Love and Kisses, Barbara Pennington, James Wells, Love Twins, WHAM! and Billy Ocean. Her voice is the quintessential sound of high energy disco in that she encompasses a sweetness and range which captures the heart, soul and feet. “I Need A Man In Life” is her single from 1984 – written and produced by Ken Gold. This high energy gem is one of the favorites among many clubs with a fabulous hook which echoes the 80’s dance floor. This one is the development of disco music in the full force 80’s form.

I have taken the 12” vocal, accapella and dub versions of “I Need A Man In My Life” and recreated a new ReStructure Mix to pay tribute to Ms. Kissoon and her fantastic work. This one gives a street beat an opportunity to take a play at the mood of this uplifting song.

• Evolution - Glenn Rivera ReStructure Mix - Giorgio Moroder

Giorgio Moroder is the man who brought disco music into the light. His talent was a unique presence in the mid-70’s when most of his success came naturally as he experimented with electronic sound and transformed rhythmic sessions into intriguing dance music. His work with moog synthesizers and various keyboard arrangements gave his music a futuristic aura which was innovative and adventurous to dance along with. “Evolution” is a piece from his disco-fied soundtrack to the television show “Battlestar Galactica” released in 1978. The track stretches across one full side of B into a 15 minute passage of laid back rhythms with his electronic touches. It is truly one of difference to his work where sequencers are the foundation for the groove.

I have taken Moroder’s “Evolution” from the album and transformed parts of the movement into a true “evolution” of his music genius. Taking pieces of some of his classic solo work and Donna Summer masterpieces into the mix. More of the flavor plays into the blend of track which works to create the Moroder tribute he deserves.

• Sex Appeal - Glenn Rivera ReStructure Mix - Sophie St. Laurent

Sophie St. Laurent is a Canadian dance project from producers Anand Maharajh and Paul Klein. This electronic track is from 1983 and its title “Sex Appeal” gives us just that. It is a sexy piece with a beat street feel and an alluring chorus that exudes a sexy rhythm. One of the big pieces for me of the time I would have to extend this one over and over to keep the crowd happy. This one fits perfectly into the 80s crossover with its erotic style and the beats bumping all over the place.

I have taken the 12” version of “Sex Appeal” and reworked a ReStructure Mix and refocused on a downbeat to shift this remix. It plays out longer with more of the elements that make it work so well.

• Brazil - Glenn Rivera ReStructure Mix - The Ritchie Family

The Ritchie Family is Gwen Oliver, Cassandra Wooten and Cheryl Mason Jacks and their first album “Brazil” from 1975 became the outline for the disco movement of the mid-70s. This orchestrated and melodic lounge-esque feel of dance music became the start of a crossover for club music. They are known for their big disco classic “The Best Disco In Town” from their standard and even grabbed riffs from their first project. The sound of big disco orchestra hit the night clubs at an appropriate time when the music was outlining the themes and soundtracks for television shows and motion picture soundtracks. This gave disco music is swirling strings and definitive horn sections. “Brazil” is a celebratory number with the ensemble giving it their all for the crowd and it most likely one of the pieces that make The Ritchie Family a classic.

I have taken the album version of “Brazil” and reworked a ReStructure Mix with a few riffs headlining a new beat driven sound. There are a few new breaks and some effects to make this one a celebration once again.

• Won't You Let Me Be The One - Glenn Rivera ReStructure Mix - Michael McGloiry

Michael McGloiry is a guitarist and songwriter who was a member of the bands Switch and Finished Touch. His solo career began in 1979 with his first single “Love Every Inch Of Me” which he wrote, performed and produced. It was his second single from 1980 titled “Won’t You Let Me Be The One” which generated quite a bit of club play and circulation. This track is a love song with the soul/disco touch that resonates the New York Disco feel. It is slick and very melodic and within the first few minutes the rhythm pulls in your soul and feet.

I have taken the 12” version of “Won’t You Let Me Be The One” and recreated a new ReStructure Mix to pay homage to McGloiry and this nice single. More of the bass synth elements come into play here and some looping are added for new breaks.

• Nasty - Glenn Rivera ReStructure Mix - Janet Jackson

Janet Jackson, Jimmy Jam and Terry Lewis created a move on the dance floor which is a memorable one for the mid-80s. The project titled “Control” was a boost for Janet to stage a new persona and also a number of dance floor hits. “Nasty” is the track that blends a street beat fare along with Janet’s new domination. This one bangs over and over with Jam and Lewis’ play with beats and a street-sound which not only borrowed from the early 80’s rap scene but also perfected it. The beats play t like an orchestra of bass drums and a few percussion riffs. A nice take for the mid-80s and another path for the dance scene.

I have taken the 12” vocal, instrumental and accapella to recreate a new venture for this ReStructure Mix. I break down pieces of the original and then outline it with a whole new edge. The chorus is a new experience and gives this one a rebirth.

• Voices In The Dark - Glenn Rivera ReStructure Mix - Mike Cannon

Mike Cannon is Giorgio Spagna – an Italian producer in the Italo-disco genre. “Voices In The Dark” is his 1983 single which is one of the memorable pieces released on the Italian disco label Memory Records. It contains some great keyboard riffs that are reminiscent of Bobby Orlando work and also some nice hooks. The lead on this one is the eerie subject matter which most likely is the confidence speaking within our storyteller giving him the power to succeed, It is laid out quite well and the electro-feel gives it the unique dance sound the 80’s was clamoring for.

I have taken the 12” vocal and instrumental of “Voices In The Dark” and reworked a new ReStructure Mix. I broke some of the pumping bass into pieces and uses parts of the breakdown as a new foundation for the remix.

• Dirty Talk - Glenn Rivera ReStructure Mix - Klein & MBO

Klein & MBO is an Italian disco project from Tony Carrasco and Mario Boncaldo during the early 80’s. This electronic piece was an innovative style for the time since it used many elements of early house music and a repetitive rhythm which sets the course for a simple set of verses for the recipe. “Dirty Talk” was a big hit in the US as well as overseas in many clubs which were lured into the underground feel of the track. This became one of the champion sounds of the mid-80s and inspired many productions and arrangements similar to its sound. This one was a club crossover as well as an Italo-disco statement once again.

I have taken the 12” vocal and instrumental versions of “Dirty Talk” and recreated a new rhythm section for this ReStructure Mix. It kicks back with the new drum beats and plays out again as a rolling piece of rhythmic magic.

• No Credit Cards - Glenn Rivera ReStructure Mix - Amanda Lear

Amanda Lear is one of the unique disco acts from the mid-70’s whose contributions include a journey into the disco-opera of Faust In 1984 her single “No Credit Cards” was released and fit into the club high energy scene and was an outline again for Amanda’s vocal phrasing and style. The production by Roberto Gasparini (Alba, Valerie Dore) is a fast moving tale of a woman who was raised in the jungle finds herself in civilization with “no credit card” to purchase the diamonds she absconded. A bit of light hearted laughter in Amanda’s own delivery. The piece reminds me of a Bobby Orlando track with the percussion and rolling bass lines.

I have taken the 12” vocal and instrumental of “No Credit Card” and replaced the very awkward situation in a new ReStructure Mix. A new percussion riff guides the adventure into a new form.

• Some People - Glenn Rivera ReStructure Mix - Cliff Richard

Cliff Richard is a vocalist and talent who have been recording since 1959 with a plethora of styles and songs. He is one of Britain’s foremost music vocalists and has always brought a romance and emotion to his music which brings us to 1989 and his project titled “Some People” – produced by Alan Tarney. The title track has always been one of my favorites from this 80s’s pop arena. It encompasses an emotional look at view of a love that is true and existent. One of the great 80’s tracks that did not quite reach the pop crossover it deserved and with its lasting heart and soul is a track that I get lost in even today.

I have taken the 12” version of “Some People” and recreated a more energy driven ReStructure Mix for a new visit to this anthem. The vocals are given a longer stage to spread love and care.

• Burn It Up, Mr. D.J. - Glenn Rivera ReStructure Mix - Risqué

Risqué is an electronic dance band from The Netherlands - Denise van der Hek), Donna Baron, Ingrid de Goede, Irene van der Hoeven. Their 1983 single titled “:Burn It Up (Mr. D.J.)” was an awaited release from the group who scored a place on dance floors a year earlier with “Girls Are Back In Town” – both produced by Coen Bais (Sensation, Snowflake) and John Tilly (Telekin, Forrest, Future). This group is one of the stylized girl groups of the 80’s – very much like Bananarama. “Burn It Up, Mr. D.J.” Is a frenetic piece that delivers the wonderful energy this ensemble has contributed to the dance music scene in the early 80’s? The masterful electronic arrangement from John Tilly plays out marvelously and gives this number the right amount of pulse it needs.

I have taken the 12” club and instrumental versions of “Burn It Up, Mr. D.J.” and reedited a ReStructure Mix to blend more of this magic in a new way. There is more percussion which stands out over those silky voices.

• Love Attack - Glenn Rivera ReStructure Mix - Amber

Amber is a disco band from 1978 who recorded with The Deep South Dance Band on three 12” singles. “Love Attack” is from 1979 and outline disco music at its peak. The bass sequencers pumping the energy and the chorus girls leading the dance into an uplifting and melodic experience. It is the style that made disco music the adoring for many of the time. This one powers up with the concept of being taken over by and incontrollable urge on the dance floor and builds over and over and our chorus ignites. This one was an underground hit and follows the disco era to its finale. The production is by Carson Whittsett and M. Mullen and gives us that early high energy feel that rolls on and on.

I have taken the 12” version of “Love Attack” and re-edited the track into a new ReStructure Mix. I used the bass synths as a new foundation and added some percussion to give it more hi-end as well as energy. He chorus has been broken down into a new arrangement also.

• On The Road To Mandalay - Glenn Rivera ReStructure Mix - Harlow

Harlow is a Canadian disco project from producers Mike Alyanak, Steve Alexander and Bertch Alyanak – vocals are provided by Joanne Perica, Johanna Vanderkley and Linda Hanchar. Their big club hit “Take Off” from 1981 was a high energy baby for dance floors and where club music was headed in the early 80’s. It was a touch of the disco fantasy with the chorus girls leading the way. :”On The Road To Mandalay” is their 1983elease from their “At Midnight” album. This one as a much an adventure for Harlow once again taking us on a spiritual adventure into a place of calm and serene. It is another piece that accentuates the vibe of true disco in a crossover mode.

I have taken the 12” version of “On The Road To Mandalay” and reworked the path for this ReStructure Mix. The track is extended on the breaks and instrumental parts to give it me of that escape on the dance floor feel.

• You Know I Like It - Glenn Rivera ReStructure Mix - Nick Straker Band

Nick Straker Band is one of the groups that helped to move dance music into the 80’s with their diverse delivery of dance music. Their 1980 dance track “Leaving On The Midnight Train” is a venture into the disco/high energy sound and following were a few jazz-infused tracks which gave them their signature sound. “A Little Bit Of Jazz” and “A Walk In The Park” from 1979 were both club favorites and helped to move the dance sound into a new era of 80’s disco music. “You Know I Like It” is a single from 1983 which gained allot of attention from the jocks who were playing more of the British jazz sound that allowed a lower BPM funk style. This one has that shinny effervescent sound which disco music was known for and made Nick Straker another fond choice for club music lovers.

I have taken the 12” vocal and instrumental of ”You Know I Like It” and moved to create a new element for the chants and rhythm. There is a longer intro with some new looping effects to give this one more magnetism.

• Perfect Fit - Glenn Rivera ReStructure Mix - Jerry Knight

Jerry Knight is a funk artist from the band Raydio (of Ray Parker Jr. ensemble) and eventually worked with the duo Ollie and Jerry – creating the title themes for the “Breakin’” movies (“Ain’t No Stoppin’ Us”). Jerry’s solo recording career gave us three projects where the second titled “Perfect Fit” from 1982 is the single released in clubs which did quite well. His approach contained the old-school flavor of the early 80’s and in a make shift of rhythms transitioning without taking away production. “Perfect Fit” plays out in the electronic funk arena like a Bootsy Collins piece with a pop-edge.

I have taken the 12” version of “Perfect Fit” and worked a new ReStructure Mix for homage to the electronic old school flavor. A new intro of beats and layers of bass and drum kicks are added to bring this hot number to another hilt.

• Fuego - Glenn Rivera ReStructure Mix - Mali Carvalho

Mali Carvalho is an Italo-house project from producers Marco Bresciani and Roberto Zanetti. This curve in 1989 was a surge in house music created by bands like Black Box and many remixes aimed at the heavy bass patterns of the Chicago house sound. Italian producers followed closely from the echoes of Technotronic – a studio ensemble that utilized heavy bass and looping piano tracks to forge a rhythmic sound. This track titled Fuego” is one of the similar pieces which use sampled speech and vocals to create the pattern of street sound vs house music. Another big influence was the dance floor hit “Pump Up The Volume” which helped to pave this structure as an immediate art form for both creativity and cleaver mixing.

I have taken the 12” version along with the dub from “Fuego” to recreate a new ReStructure Mix to pay homage to Italo-house music. More of the bass elements from the dub and chopped and spliced into a new rhythmic form.

• I'm In Too Deep - Glenn Rivera ReStructure Mix - James Bradley

 James Bradley is a soul/disco artist who was a part of Henry Stone’s disco label Malaco Records. His self-titled album released in 1979 was produced by Frederick Knight – who also gave us Anita Ward’s “Ring My Bell”. The single “I’m In Too Deep” is one of the 12” releases from the project and received some play early on and then vanished out of sight due to the many releases during this peak year for disco music. This track had some wonderful elements like many of the tracks on this album. The sequencer shooting energy into this love song work well with the energy. This one is a T.K. Records 12” classic and should bring to mind a touch of soul with the hardcore disco punch.

I have taken the 12” version of “I’m In Too Deep” and reworked a new ReStructure Mix to pay homage to both Mr. Henry Stone and T.K. Records. A new base beat it added to bump it up and also rearranged to bring out the early morning feel of the mood

• The Love I Lost - Glenn Rivera ReStructure Mix - Seventh Avenue

Seventh Avenue is a disco project from producers Ian Levine and Fiachra Trench which transformed into a high energy sensation in the 80’s. As dance music became less orchestrated and more electronic the already infamous duo s worked to create some of the 80’s most memorable pieces of work for the dance floor. The changing ensemble found itself one of the first high energy “boy groups” as the members were more appealing for covers as time grew. “The Love I Lost” a cover if the Philly classic recorded by Harold Melvin and The Blue Notes in 1973 with Teddy Pendergrass on lead. It is no wonder why this one struck a chord in soul, the Philly Sound and the emerging disco sound. The emotions being emulated in the high energy version are a blue-eyed soul rendition – and done quite well.

I have taken the 12” version of “The Love I Lost” and recreated a new outline for this ReStructure Mix. The percussion and drums are emulated in a new edit to give the track a new energy and also a looping to give it a lasting feel.

• Shine A Little Love - Glenn Rivera ReStructure Mix - Les Blues Belles

Les Blues Bells is a Euro-beat cover of Electric Light Orchestra’s. Vocals provided by Clara Moroni and Elena Ferretti and production by Giacomo Maiolini – who helped to keep high energy music alive and transforming it into a lighter sound called Euro-beat. It was the darling sound of disco returning in electronic form. The winding keyboards and rolling bass are the recipe for this style which was titled appropriately, “girl-twirl” by my wonderful friend; Dean Ferguson is the 90’s answer to disco and high energy. This 1992 addition was fast and furious and many clubs that favored this edge. It is a great uplifting track from Jeff Lyne and ELO and one of the tributes to the happiness and excitement they brought to the 70s.

I have taken the 12” vocal, accapella and dub of Les Blues Belles “Shine A Little Love” and worked a bit more energy in this ReStructure Mix. The layout is more on the ricochet loop edits and rolling bass. A house piano break is added for a taste of ano9ther style of successful music of the time.

• Another Life - Glenn Rivera ReStructure Mix - Kano

Kano is an Italo-disco project from producers Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto whose innovative dance hit “I’m Ready” from 1980 paved a new path for Italo-disco and new variations of disco. Their 1983 album titled “Another Life” is their move onto a whole new outline for the project. This deep electronic “wall of sound” encompassed a whole new drama for dance music. Although the first Kano project featured vocals from out creative trio of producers and musicians it was soon that a lead vocal would take over each track – which became Glen White on the 1981 “New York Cake” album. In “Another Life” these lead vocals create a wonderful and tragic emotion which haunts the lyrics of a romance gone astray. It is one of the classics of Italo-disco and marks a great time for its ventures.

I have taken the 12” vocal and instrumental of “Another Life” and worked to create a new ReStructure Mix luring in on the mystery of the song and also a bit more piecing of its elements. It is intended to salute this monumental band and also the Italo-disco revolution in dance music during the early 80’s.

• Laser Light - Glenn Rivera ReStructure Mix - Latin Lover

Latin Lover is David Rienau and producers Mark Kramer and Theo Werdin. One of the 80’s memorable electronic high energy projects that two of the tracks that made dance for move over and over – “Casanova Action” (1985) and “Laser Light” (1986). The synthesized rolling bass was the immediate draw to these energetic numbers and also the riffs caught the imagination of DJs and dancers. “Laser Light” is one of the pounding songs which helped to keep high energy music alive throughout the mid-80s and create a style that was imitated through the early 90’s.

I have taken the 12” version of “Laser Light” and reworked a new ReStructure Mix for a high energy take on the 80’s again. It works on some fast looping and a new familiar percussion track from a few years earlier. This one stays alive longer than expected.

Dedicated to my good friend and fellow-dancer Tony Fukushima who helped me to keep my ears open for the best!

• Can The Rhythm - Glenn Rivera ReStructure Mix - Girl Talk

Girl Talk is a duo featuring Julie Wright and Karen Wright in a high energy mode produced by Stock Aitken and Waterman in 1984. Their club hit “Can The Rhythm” is a fast moving electronic dance track that was quite popular in hardcore dance clubs. It features a touch of street riffs and high energy sequencers competing for the uplifting vocal chorus. One of the big tracks for my sets featuring hi-NRG and a lasting effect once you get into the pulsating sound of this adorable piece.

I have taken the 12” vocal and instrumental versions of “Can The Rhythm” and reworked a new ReStructure Mix to pay tribute to the duo and also Stock Aitken and Waterman as they worked prior to Kylie Minogue and Rick Astley and their many big tracks during the late 80’s. This one features more of the riffs that power the song and more of the uplifting energy.

• Motown Review - Glenn Rivera ReStructure Mix - Philly Cream

Philly Cream is a studio group composed of players from another group titled Fat Larry’s Band – also recording under the Fantasy/WMOT Records label. Their 1979 single “Motown Review” is one of the exciting tributes (disco style) to the Motown Records era and the wonderful music it created. The funky guitar riffs, bongos and drum riffs are the similar sounds of another project titled Slick (“Space Bass”). The single has a retro feel that honors the time period and most of all the Motown sound. It is one of the big radio tracks which also received lots of club play.

I have taken the 12” version of “Motown Review” and transformed the sound into a new ReStructure Mix. The drums are used throughout this new version as a new weight for the rhythm and pieces of Motown are scattered to bring the real deal together.

• Everlasting Love - Glenn Rivera ReStructure Mix - Vicki Sue Robinson

Vicki Sue Robinson “turned the disco beat around” in 1976 with her huge pop-disco hit “Turn The Beat Around”. From this moment on dance music became identifiable and full of excitement and an uplifting Vicki is one of the beloved voices of disco music and has delivered some of the great dance hits including “Hold Tight” and “Nighttime Fantasy”. During the 80’s she returned with her loyal producer Warren Schatz with two incredible cover songs – “To Sir With Love” and “Everlasting Love”. The Robert Knight hit from 1967 is one of Vicki wonderful vocal challenges with success. It plays out as lyrical and fluent as the song desires. Schatz’s also performs well during the 80’s as he strips down the production to electronic play with a touch of strings.

I have taken the12” vocal and instrumental of “Everlasting Love” by Vicki and transformed it into a new ReStructure Mix using the segments that lay out the songs sweetest pieces. More of the electronic sequencers and keyboards are used to bring out the hard edge foundation as the lyrical love song moves us once again.

• Burning Spear - Glenn Rivera ReStructure Mix - The Salsoul Orchestra

The Salsoul Orchestra released their ninth project titled “Street Sense” in 1979 amidst the peak of disco music. This album was produced and mixed by Mr. Tom Moulton who was a main factor in the success of disco music and its iconic long sided vinyl mixes. The band made up of studio musicians who helped to shape the sound of soul, Philly and eventually disco music were some of the innovators of talent during the 70’s.“Burning Spear” is an instrumental piece from the tracks which follows closely the growth and outline of The Salsoul Orchestra’s sound. A funky rendition of jazz-like melodies that are transposed to a 4/4 disco beat. The build and breakdown of musical compositions as this were always featured as the bloodline to disco music.

I have taken the album version of “Burning Spear” and focused on elements that were the rhythmic base of the piece and reassembled them into a new ReStructure Mix. There are some new breaks and segues to bring back that feeling of dancing to an adventure all over again.

• Law Of The Land - Glenn Rivera ReStructure Mix - The Professionals

“Law Of The Land” is a track recorded by The Temptations and The Undisputed Truth in 1973 and produced by Norman Whitfield (Rose Royce, Stargard, Gladys Knight and The Pips, Edwin Starr). The song crossed into the realm of disco with it rhythmic edge and rolling bass parts. It became one of the underground gems of the dance community and is covered here by a studio group from Belgium called The Professionals. This cover comes close to original with an electronic production lifting it into the 80’s synth-pop arena. It is close to what may have influenced Fancy’s “Come Inside” from 1984 as it shares similar bass and rhythm attributes. The Professionals version also gives a female vocal that brings the sg into more of a disco feel. Their version was released in 1985 and was produced by J.P. Bulté.

I have taken the 12” vocal and “The Land” versions of “Law Of The Land” by The Professionals and reedited a ReStructure Mix to pay tribute to this psychedelic and soulful rendition. It is played out with more of the percolating sequencers rearranged and pieces of another Motown classic from The Temptations injected.

• Loveride - Glenn Rivera ReStructure Mix - Nuance featuring Vikki Love

Nuance featuring Vikki Love is one of the freestyle headliners in clubs during the mid-80s. Their 1984 freestyle classis “Loveride” is one of the most unforgettable beat driven dance tracks of its time. Vocals here are provided by Vikki Love and set the beats on fire all over again as she tells of her deepest fantasy over and over. It is a soulful rendition which gives an open gate to the divas of the time for a challenge. It has always been one of my top plays of the period and still today when I hear that chorus riff I cannot get it out of my head

I have taken the 12” vocal and dub of “Loveride” and pay tribute to the freestyle sound of the 80’s in this ReStructure Mix. It is guided a bit more by the melodic and sexy vocal by Vikki Love and some of the hard beats are softened.

• Take Me To The Top - Glenn Rivera ReStructure Mix - Advance

Advance is an Italo-disco funk project from Italian producers Alvaro Ugolini and Dario Raimondi – who also gave us Fun Fun and Monkey Business. This piece is one of the New York funk crossover productions closely immolating the edge that Jacques Fred Petrus brought with Mauro Malavasi with the band Change. The extraordinary and melodic feel of the song is captured by vocalist Tracy Ackerman of studio high energy groups Astaire, Mirage and Massivo. The keyboards are a longing for the crisp and emotional effect where dance becomes more of a ritual. “Take Me To The Top” is one of the hidden gems of Italo-disco in a shift from the traditional 80’s high energy into an arena of emotions and funk.

I have taken the 12” vocal and instrumental of “Take Me To The Top” and reworked a new ReStructure Mix from the favorite pieces of this great recording. I have rearranged the wonderful vocal into a new layout where the love song becomes the anthem.

• Life At The Outpost - Glenn Rivera ReStructure Mix -Skatt Bros.

Skatt Bros. are Craig Krampf, David Andez, Pieter Sweval, Richard Martin-Ross, Richie Fontana and Sean Delaney. This band was formulated by Sean Delaney and Ritchie Fontana at the tail end of the 70’s and their first album titles “Strange Spirits” was a production from the THP team Willi Morrison and Ian Guenther (THP Orchestra, Grand Tour, The Duncan Sisters, Sticky Fingers, Southern Exposure). The project included two dance floor hits – “Walk The Night” and “Life At The Outpost”. The band had a rock edge with a few remix ventures for the two tracks which caught on to clubs. “Life At The Outpost” is a slight western flair piece that has a catchy riff that will stick in your head with a roaring guitar twang bridge. It was one of the big dance floor numbers in many of the gay clubs and another shift for dance/disco music during the late 70s.

I have taken the album version of “Life At The Outpost” and refocused on the thumping bass chords as a foundation for this ReStructure Mix. It is not only extended but also given more of a fade on the exit and a break with a touch of Glenn Campbell.

• Tempt Me - Glenn Rivera ReStructure Mix - Lisa

Lisa (Lisa R. Fredenthal-Lee) is a singer/artist and high energy 80’s diva. Her big club hit “Jump Shout” from 1982 helped to revive the dance community into a new era of movement and unity. Her music was always uplifting and abstract as her persona teased and delivered. “Tempt Me” is an electronic high energy track produced by Ian Anthony Stephens and Paul Parker and was released in 1985. A fast reverberating dance number that explodes (literally) with excitement and a touch of tease from Lisa’s at times sexy.

I have taken the 12” vocal and instrumental of “Tempt Me” and reworked a ReStructure Mix with more advantage to the percussion riffs and layout. It plays out with more breaks and looping of the existing parts and some new drum tracks.

• Touch by Touch - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross released her 1984 album “Swept Away” in 1984 and proved that this legend goes on and on. This album helped to continue her iconic career as a pop-icon in the dance arena of the 80’s – a much diversified time and place for dance music. The track "Touch By Touch” has always been one of my favorites from the project since it outlines and uplifting love anthem with a Calypso feel. It was one that I would play directly from the album cut during the early build of the evening. The track gives Diana an opportunity to device her sexy vocals over a rolling dance rhythm and plays out very well for both.

I have taken the 12” version of “Touch By Touch” and reworked a new ReStructure Mix for this Ross synth-pop favorite. I have added a downbeat rhythm track to kick up the song to a new level.

• The Force - Glenn Rivera ReStructure Mix - Nancy Nova

Nancy Nova is a unique dance artist whose big club hit “The Force” from 1981 was a refreshing taste of experimental electronic music with a wonderful strange edge. It was another return to the innovation of disco music since the mid-70’s when Meco and Rhythm Heritage were disco-fying popular film and television soundtracks. In “The Force” Nancy brings here vocals into the memorizing sound of a 50’s sci-fi flick with a host of thumping rhythm guitars and a chorus of galactic aliens. One of the big “forces” of the club underground club scene of the early 80’s. I personally preferred this one as an after-hours introduction to a new set of dance music for the imagination however it works in many areas.

I have taken the 12” version of “The Force” and realigned it with the 50’s sci-fi/horror film genre in this ReStructure Mix. I have added a dramatic intro from a soundtrack by Vic Mizzy and the adventure takes off from there. Nancy phrases the strange incantations of her new world of “The Force” once again and more mystery and excitement are evoked by orchestral drums. Hold on!

• You Keep Me Hangin' On - Glenn Rivera ReStructure Mix - Tata Vega

Tata Vega is a Motown artist who began her solo career in 1976 on Tamla Records. Her voice is recognizable with the soulful and funk edge she creates with adlibs and delivery. Best known for her vocals in the film “The Color Purple” where she sang under the character Shug Avery – produced by Quincy Jones. Tata’s album “Try My Love” from 1978 featured a classic disco hit “I Just Keep Thinking About You Baby” and kept dance floors waiting for her presence once again. “You Keep Me Hangin’ On” is her cover of The Supremes Motown classic and is produced by Winston Monesque in 1980. The production is an electronic production with a light touch of funk which supplies a wonderful foundation for Tata to play out her style in this recording. More of her soulful talents are drawn out and spotlighted throughout the arrangement.

I have taken the 12” version of “You Keep Me Hangin’ On” and reworked the keyboards and Vega’s unforgettable vocals in this ReStructure Mix. New drum tracks pound out more of the rhythm and a lengthier intro leads here.

• Guilty - Glenn Rivera ReStructure Mix - Hotline

Hotline is a studio project from producer Bobby Orlando and outlines the synth-pop 80’s in a high energy light. Fast moving and erratic sequencers percolate over heavy percussion and bongo tracks are the production which brought this formula to its greatest effect in the mid-80’s. Orlando’ Hotline began as a take on his productions by The Flirts and his big hit with “Passion” – and his own parody on his music created the formula which many dancers will remember as infectious and hard to resist. “Guilty” is another simple melody piece that has the confessions of a cheating lover who turns themselves in with more resentment and in this light “rhythm”. It was one of the big identifiers for Orlando during the time and still a favorite among his followers and me.

I have taken the vocal and dub on the original Memo Records release of “Guilty” and re focused the pieces into a new ReStructure Mix. The story is a bit rearranged and reused for a loop-to-loop transition and a dub-energy.

• Give It Up - Glenn Rivera ReStructure Mix - K.C. and the Sunshine Band

K.C. and the Sunshine Band are the cream in a cup of disco. Their music changed the sound of dance music during the mid-70 and created what was known as the Miami Sound and then disco music. Their classic songs “That’s The Way (I Like It)” and “(Shake, Shake, Shake) Shake Your Booty” helped to pave the market for a disco boom during the mid and late 70’s. “Give It Up” is a track from 1982 and works within the 80’s shift in dance music for K.C. since his iconic sound was a force within itself. His signature rhythm guitars are the pulse of the music.

I have taken the 12” vocal and instrumental of “Give It Up” and worked a new ReStructure Mix to give this one a facelift with more breaks and those fantastic guitar riffs. It is a chance to feel that magic sound of this band and their classic sound.

• Vibes - Glenn Rivera ReStructure Mix - African Suite

African Suite is a disco project from producer Ritchie Rome – who also brought us The Ritchie Family, Westside Strutters and Flower. His movement here is a theme in a mystical disco ream in a fantasy in Africa. The title of the project speaks to itself. “Vibes” is a piece from a medley where whispery femme narrators outline strange phrases and mystical chants. One of the nice elements here are the drums and percussion which were the building blocks of the late 70’s disco period. Although Rome created a very strange production it plays out very well in the disco realm of adventure and mystery. One of those early morning sounds that I always admired.

I have taken the album version of “Vibes” and recreated a new ReStructure Mix to pay tribute to Ritchie Rome and this project. More deep pounding drums are added to give the new version a facelift as well as a new arrangement.

• Give Me Back My Heart - Glenn Rivera ReStructure Mix - Robin Wright

Robin Wright is one of the 80’s voices from the high energy genre which marked a nice growth in dance music history. Along with producers Ian Gant and Ian Anthony Stephens they created a blend of deep house music and high energy which brought some of the transition into the light. Under the title Midnight Shift several singles in the high energy vein were released and began their legacy on dance floors. “Give Me Back My Heart” is their single from 1988 and is a song following heartbreak and realization. It is an emotional piece that plays out with a production featuring all of the elements of the high energy genre. The beauty of this song is the production and the resonating keyboard riffs.

I have taken the 12” vocal and instrumental of “Give Me Back My Heart” and played out a new ReStructure Mix to pay homage to the 80’s high energy era. A few new elements added using the original production are outlined and placed to give the song a new feel.

• Hookey - Glenn Rivera ReStructure Mix - Sylvi Foster

 Sylvi Foster is Domenico Ricchini and is also known as Joe Yellow (“Lover To Lover”) during the early 80’s when Italo-disco began to take over dance floors. “Hookey” is his second single released in 1982 on Discomagic Records and one of the well-known progressive tracks of the time utilizing heavy synth keyboards and a unique vocal style. It was an expression of electronic bands like Yaz a few years earlier from Vince Clarke where his experimental work began a new era of dance music. The song as Sylvi plays out a strange love sonnet for a romance with a “cat call” for her affection. One of the big Italo-disco pieces that many progressive DJs were able to program and make use of it’s originally.

I have taken the 12” vocal and instrumental of “Hookey” and reworked the keyboards over and over to create this ReStructure Mix. There are a few samples from Yaz and a techno hit from the 90’s titled “Dildo” to savor the keyboards.

• I Can Feel Your Heartbeat - Glenn Rivera ReStructure Mix - Chris Rea

Chris Rea is a singer/guitarist from the UK who took a venture onto the dance floor sound in the early 80’s with his project titled “Water Sign” – produced by Dave Richards and himself. The track “I Can Hear Your Heartbeat” is one of the 1983 releases that enlightened my dance floor for months. It is a love song with a nice funky twist which plays out wonderfully;;y with its upbeat feel and celebratory sound. It is one of my favorites from the 80’s from the many nights watching crowds move to it were so positive and uplifting.

I have taken the 12” version of “I Can Hear Your Heartbeat” and recreated a new ReStructure Mix using the rhythm guitars as more of an outline. There are also sdme new added breaks to give it more of a spotlight for the dance floors.

• Gloria - Glenn Rivera ReStructure Mix - Santa Esmeralda

Santa Esmeralda is one of disco music’s most incredible ensembles during the late 70’s. This band formulated and produced by Jean-Manuel de Scarano and Nicolas Skorsky began its rein by covering the 1964 song “Don’t Let Me Be Misunderstood” (a cover of Nina Simone’s original) where it became a notable hit. Santa Esmeralda’s version in 1977 is a finale mark for the song where the injection of disco music’s elements creates a smooth transition for the already very popular track. I can remember working in record shops during the late 70’s and having hardcore rock fans asking for the disco album recording and telling me that they favored it over the original. The studio recording of Santa Esmeralda’s also features disco produced/artist Don Ray (“Got To Have Loving”) on string and horn arrangements. The production here is the outstanding and throughout a 16 minute sonata only peaks which is the ultimate disco formula. “Gloria” is another cover for Santa Esmeralda on the same album and takes from the Van Morrison composition and originally recorded by his band titled Them. Again, Santa Esmeralda plays out this cover with the same flair and disco personality with damaging the song.

I have taken the album version of “Gloria” and excitably recreated a ReStructure Mix to take this piece apart and reassemble it into a new feat. I have added a drum track to settle the flamenco guitars onto and also added a breakdown from another wonderful recoding by Santa Esmeralda in their style and themed recordings.

• Chemical Romance - Glenn Rivera ReStructure Mix - X-Factor

X-Factor is an 80’s electronic disco project from producer/artist Steve Swindells with their single “Chemical Romance” released in 1982. The vocals are provided by
Carol Kenyon – an English singer whose voice may also be heard on Heaven 17’s “Temptation”. This track was released during the new cycle of synth-pop which incorporated a twist of nu-wave and a light rock edge to provide the feel of the alternative dance sound coming from new U.K. dance bands. The track feels like a disco era space track without the lush strings and heavy percussion.

I have taken the 12” vocal and instrumental of “Chemical Romance” and have given it a ReStructure Mix with a longer intro to the fantastic vocal by Carol. The arrangement utilizes more of the instrumental and fades out with the rhythm guitar playing out.

• Nineteen Ninety Three - Glenn Rivera ReStructure Mix - Lama

Lama is an Italo-disco project from producers La Drogueria Di Drugolo and Quelli Del Castello – and arranged by Celso Valli (Nuggets, Tantra, Passengers, V.I.S.A.,
Adal-Scandy Super Band, and Azoto. “Nineteen Ninety Three” is a single released under the title Lama – a pseudo name for the ensemble with more of the mystery and intrigue that Tantra created with “Hills Of Kat Mandu” in 1979. This one works on a mystifying vocal which seems to predict that better times await the planet from 1983 – when this 12” was released. A bit eerie and captures that feeling of soaring out over the realm of reality. Another Celso Valli masterpiece in his talent at arranging and brings a new edge to Italo-disco.

I have taken the 12” version of “Nineteen Ninety Three” and reworked a new ReStructure Mix with a more phasing and swirling feel. Focusing on the intro as a lead in to the mystery of what this songs really means.

• In The Middle - Glenn Rivera ReStructure Mix - Unlimited Touch

Unlimited Touch is one of the New York Funk bands during the early 80’s from the Prelude Records label. Produced by Raymond Reid and William Anderson formerly of the group Crown Heights Affair. This ensemble is a big hit on the dance floors during the formulation and peak of this genre of dance music which focused on a soulful edge with more electro-funk elements. “In The Middle” is a single that was actually side-b of their big hit “I Hear Music In The Streets” from 1980. The lead vocal by Audrey Wheeler is the force behind this number and plays out with passion and funk. One of my favorites of the period and a lasting impression of New York Funk.

I have taken the 12” version of “In The Middle” and created a new ReStructure Mix taking the vocals into a deep dive of a dub-like environment. I have added a deep bass beat and more of the existing percussion to give this monster more juice.

• Hold On To This Moment - Glenn Rivera ReStructure Mix - Mystery

Mystery is a dance production from Denis Lepage who is the driving force behind the finale touch on disco at the end of the 70s and the high energy phase of the early 80’s. His arrangements and productions were a new sound taking over dance floors beginning with his own studio group, Lime. Mystery is a project from 1981 along with vocalist Jonathan B. Wright and together they create “Hold On To This Moment” which is one of the underground dance club anthems of all time. Capturing the essence of the 80’s electronic disco sound and incorporating Lepage’s string and horn arrangements to a crescendo. A memorable piece that will bring to mind those nights peering out over the crowded dance floor watching the lights dance above.

I have taken the 12” vocal and instrumental and recreated an anthem-esque ReStructure Mix for this wonderful number. It brings more emotions out with the added percussion and echoes of vocals tracks.

• Doctor's Orders - Glenn Rivera ReStructure Mix - Maegan

Maegan Ward is a vocalist who covers a disco classic from Carol Douglas titled “Doctor’s Orders” – originally released in 1974 and produced by Ed O’Loughlin. This electronic arrangement does a wonderful job capturing the lyrical dance remedy in both vocals and the syn-drums striking throughout the love story. It is an 80’s classic that has gone above and beyond brings the 70’s back to the 80’s. The production is led by Marcus Barone who also gave up The Ring (“Savage Lover”), another disco classic.

I have taken the 12” vocal and instrumental intro a ReStructure Mix to give “Doctor’s Orders” another play on our minds. I have taken the drums into pieces and added them over various pieces of reworked keyboards and sequencers.

• Freaky Behavior - Glenn Rivera ReStructure Mix - Bar-Kays

Bar-Kays are a soul/funk band from the late 60’s who recorded the 1966 hit “Soul Finger” and carried their careers throughout2007. One of their best known electro-funk pieces is “Funky Behavior” from their 1981 album “Nightcrusiing” – produced by Allen A. Jones. A nice cross between the nu-wave edge with funk and heading a new stream of dance music into the 80’s. The track is a bit similar to Rick James’ “Super Freak” and may have followed the success and lure – but it still contains its own magic and hard hitting funk appeal.

I have taken the 12” version of “Freaky Behavior” and have worked on a ReStructure Mix to pay homage to the 80’s synth-pop and electro—funk period. It has some new drums and street beats to bring out the freak a few layers ahead.

• The Big Hurt - Glenn Rivera ReStructure Mix - BearEssense

BearEssence is a project from Bob Gludie, Chris Njirich, Michael Lewis and Richi Ray. One of the big club records of 1983 with a winding electronic arrangement as the story from Toni Fisher’s “The Big Hurt” from 1959. The drama of this production is wonderfully captured by vocalist, Marianna in a sleek and effective manner. The eerie sounding keyboards below the percolating rhythms are haunting and make out what a great dance palace record is all about. It was also released on San Francisco’s disco label – Moby Dick Records.

I have taken the 12” vocal and dub of “The Big Hurt” and retold this tale of heartbreak in this ReStructure Mix. Adding pieces of the original so that the drama can find the path to when dance music uncovered these classics to bestow on a new audience.

• Tonight - Glenn Rivera ReStructure Mix - Nightlife Unlimited

Nightlife Unlimited is a disco ensemble from Canada whose members include many musicians who are in some or another associated with club hit production - Tony Bentivegna, Johnny D'Orazio, Louis Toteda, Peter Sciascia, Peter DiMilo and George Cucuzzella. Their second album titled “Just Be Yourself” was released in 1980 on Canadian disco label Unidisc Records and was a move from the hardcore disco edge of their earlier tracks “Disco Choo Choo” and “Dance, Freak and Boogie” which followed a playful and non-stop break arrangement (featuring The Sweethearts of Sigma on vocals) and their anthem track “Love Is In You” which feels like disco music’s arrival. “Tonight” is a stripped down funk-disco number that gives the band a new sound and feel for the 80’s and the group as it moved throughout the 80’s. Lots of great hooks and electronic sweeps throughout are the magnetism of this one.

I have taken the album version of “Tonight” and created a ReStructure Mix with a new identity using the moving parts of the dance track. It has a borrowed percussion track from a disco classic by Karen Young and also breaks down several times with more that you would remember.

• Reincarnation (Coming Back For Love) - Glenn Rivera ReStructure Mix - People Like Us

People Like Us is Paul Crossley, Terry Owen and Cindy Dickinson on vocals. Their classic high energy number, “Reincarnation (Coming Back For Love)” is the focus of this ReStructure Mix and a tribute to the band and this anthem. The piece works in and out of several nice keyboard elements and some beat-box energy. Overall it is an anthem for high energy dance floors and moves like a soaring wind with its beautiful sweeping choruses and drop out breaks.

I have taken the 12” vocal and instrumental of “Reincarnation (Coming Back For Love)” on the classic Passion Records label and transformed this monument into a new extension. This ReStructure Mix adds more of the existing percussion in many new ways to give it some new energy!

• Red Hot Stuff - Glenn Rivera ReStructure Mix - Magic Lady

Magic Lady is a funk dance ensemble from producer Michael Stokes – who brought us Creative Source, Enchantment and the garage classic by Keith Barrow “Turn Me Up”. Their second project titled “Hot 'n' Sassy” from 1982 features Jackie Ball, Kimberly Ball, and Linda Stokes on vocals and Greg Phillinganes on synthesizers. “Red Hot Stuff” was released as the single in 1982 and was a nice funk dance track which featured an introduction to Magic Lady and what they are presenting. This one was on my top 10 list during its release for quite some time and always had the floor in its groove.

I have taken the 12” vocal and dub mix and reworked the “hot stuff” into a new ReStructure Mix. More drums, bongos and percussion are added to give way to more of the energy that this numbers transmits.

• Yours And Yours Alone - Glenn Rivera ReStructure Mix - Esther Williams

Esther Williams is a disco/soul vocalist from the late 70’s. Her 1978 album “Bustin’ Out” – produced by Joe Bana contained the singe “Yours And Yours Alone”. One of the lyrical and beautiful love songs with a Calypso drum beat that is atmospheric. This one plays out like one of the beautiful disco classics from Dr. Buzzard’s Original Savannah Band with a dream like quality that fills the dance floor with love. It has always been one of my favorite early morning or early evening choices to create that freestyle feeling in the air on the dance floor.

I have taken the 12” version of “Yours And Yours Alone” and reworked new ReStructure Mix to pay homage to this lovely track. Adding a few new drum effects and looping some of the masterful piano parts for a longer swaying effect.

• Body Talkin' - Glenn Rivera ReStructure Mix - Kathy Barnes

Kathy Barnes is a singer whose recording career began in 1976 recording rock/folk and ballads. In 1978 she released her second album titled “Body Talkin’” which was aimed at the climbing disco craze of the late 70’s. The title track was one of the big underground surprises that DJs whom were paying attention would grab and program into peak sets. This track was produced by Dave Burgess and pumps like a high energy number way before its energy was ready for. A big vocal part for Kathy as she teases the chorus over and over in a seductive manner. One of the nice hidden surprises of 1978 and one of my favorite independent label tracks.

I have taken the 12” version of “Body Talkin’” and payed homage to this mover by giving it a ReStructure Mix facelift. I have added some new bass beats and played with the percussion tracks to give it a new arrangement.

• Love Is The Groove - Glenn Rivera ReStructure Mix - Betsy Cook

Betsy Cook is a British artist who released her album “The Girl Who Ate Herself” in 1992 – co-produced by Bruce Woolley. The single “Love Is The Groove” is a hypnotic and transcending song that outlines the lyrics which enlighten us on love in our lives and how it creates a peace of mind among our worlds. This one was an after-hours feast for me as I always desired programming for the atheistic edge of a program. This dance adventure into the soul is close to a lighter flight into “The Hills Of Kat Mandu” by Tantra. Betsy Cook renames the world here with hope, rhythm and energy.

I have taken the 12” vocal and instrumental versions of “Love Is The Groove” and reweaved a ReStructure Mix creating a new flow from beginning to end. More of the tambura and percussion are used to guide us through the message and the mystical feel.

• My Obsession - Glenn Rivera ReStructure Mix - Meri D. Marshall

Meri D. Marshall is vocalist who joined the synth-pop dance scene in the mid-80’s with her track “My Obsession” – produced by Bob Parr. This single is one of the dance palace greats with a nice chorus riff and some nice vocal work from Meri in a desperate story of her underground fantasies. This one follows closely with the 80’s high energy scene and plays out well with Parr’s electronic production and play with beats and drums.

I have taken the 12” vocal and instrumental into a new ReStructure Mix and rewired the excitement here for a lengthier and deeper look at

• I Can Do It (Anyway You Want) - Glenn Rivera ReStructure Mix - Final Edition

Final Edition is a New York band with members who were formerly called New York Port Authority from 1977. Members included Stafford Floyd, Jonathan Floyd, Jeff Lee, Stan Miller, Michael and T. Venlo Odom. Their first single from 1979 titled “I Can Do It (Anyway You Want It)” is one of the early garage records of its time. A blend of soul, funk and disco this style was the early sign of the funk-disco period of the 80’s. This one has some great riffs including the keyboard piece that is a funky force behind the track.

I have taken the 12” version of “I Can Do It (Anyway You Want It)” and recreated new ReStructure Mix with a percussion track added to build on the disco edge. The funkiness of these instruments are preserved and lengthened to give way to a new experience.

• Shockwave - Glenn Rivera ReStructure Mix - David Knopfler

David Knopfler is a guitarist from Glasgow who was formerly a founder and member of the band Dire Straits in the 70’s. His solo career beginning in 1983 gave him projects up to current days and his music ranged from rock to pop style ballads and folk songs. “Shockwave” is from his 1984 album "Behind The Lines” that he self-produced and falls into the high energy sound that dance floors clamored for. It is one of the winding sequencer tracks that reave up into a crescendo of energy. One of my favorites from the time period when rock-pop and dance was woven together in several creative processes during the time.

I have taken the 12” version of “Shockwave” and reworked a ReStructure Mix that takes the percussion parts of this monster onto a new arrangement. The focus is the same where the rockin’ vocal leads to a hard edged desire and more breaks give it the dance floor stability.

• Be Yourself - Glenn Rivera ReStructure Mix - Air Power

Air Power is a disco project from Donald Burnside and Willie Nance. This track is the underground/independent label disco sound of 1979. A soulful arrangement of bass, guitars and percussion zooming along to disco strings and a funky ensemble. One of my favorites from the time period and one which always set the dance floor on fire. An AVI Records spectacular with a fabulous Rick Gianatos mix down.

I have taken the 12” version of “Be Yourself” and reworked a new ReStructure Mix taking the best guitar riffs and breaks into a new arrangement. It is funky with more of what makes this one cook over-and-over!

• Do You Know The Way To San José? - Glenn Rivera ReStructure Mix - Croisette

Croisette is disco group created by Ian Levine and Fiachra Trench and began their dance floor fantasy in 1979 with their album “Keep It On Ice”. This project is one of the full orchestrated disco events from this pair and made this concept group last throughout the late 80’s. During the high energy boom of the early and mid-80’s this is one of the majestic sounds which formulated a wall of electric bass, strings and beats. “Do You Know The Way To San Jose?” is a cover of the 1968 Dionne Warwick hit – written by Burt Bacharach and Hal David) and transforms this shattering of dreams into a nice pounding energy with lush disco elements. The song itself is a lyrical masterpiece and is captured nicely in this Levine/Trench arrangement.

I have taken the 12”: version of Croisette’s cover of “Do You Know The Way To San Jose?” and created a new ReStructure Mix for a tribute to the Record Shack/Nightmare Records high energy classic sound. Parts of the original are blended in for a bit of play.

• Burnin' Alive - Glenn Rivera ReStructure Mix - Tony Rallo & The Midnite Band

Tony Rallo (Tony Antoine Desire Rallo) is a musician who has been performing throughout the 70’s with various sounds from rock to disco. His group, Tony Rallo and The Midnite Band were assisted by disco producer Alec R. Costandinos on their project, “Burnin’ Alive” – released on Casablanca Records in 1979. This project was another win for Costandinos who seemed to give his touch a magic shine to many artists he collaborated on. The title track “Burnin’ Alive” is one of the disco-funk pieces which remain an underground gem for those who catch on to the riffs which rings out along with the arrangements and wonderful ensemble Costandinos brings to The Midnite Band for this project. You can hear Costandinos’ flair even though Rallo shines in his own stage.

I have taken the album version of “Burnin’ Alive” and reworked a new ReStructure Mix to give this one a new facelift. A harder downbeat emphasizes the power of the heat here and some new percussion guides the funk edge into a new disco realm.

This ReStructure Mix is de3dicated to Jim Bass – Jim, thank you for bringing this great track back into my mind and finally onto the ReStructure finale. It’s for you my friend.

• Heobah (Hey-O-Bah)  - Glenn Rivera ReStructure Mix - Fonda Rae

Fonda Rae is a voice that dance floors are familiar with. Her work includes several lead vocals in disco hits including Don Armando and The Seventh Avenue Rhumba Band’s “Deputy Of Love” and Fantasy’s “You’re Too Late”. Fonda’s solo recordings are a continuance of her sound which fills in a needed corner of the disco floor. “Heobah (Hey-O-Bah)” is a single released in 1983 and produced by Danny Weiss, Freddie Perez and Fonda. The track is a spiritual song that is transformed into a rhythmic chant for this infectious disco number. Fonda lends her style with some nice adlibs and feeling to the production. It is one of the songs that gave her the notoriety and celebration to her more of her talent.

I have taken the vocal and instrumental versions of “Heobah” into a ReStructure Mix using the percussion and bass stomping rhythm for a new arrangement. There are a few riffs from Michael Zager’s “Life’s A Party” album added to make the breaks and fade more of an event.

• All The People In The World - Glenn Rivera ReStructure Mix - Carol Jiani

Carol Jiani is the voice of the early 80’s which renounced a new era of dance music. Her music continuing the energy of the disco period in a new form which eventually became high energy during the mid and late 80’s. Her dance floor success with “Hit and Run Lover” from 1981 summoned a whole new fan base and respect for this new sensation. “All The People Of The World” is ballad-like anthem which I always held to heart due to its message and melodic feel. Produced by Joe La Greca (Hydro, Kat Mandu, M.T.L. Express) and arranged by Denis LePage (Lime). This one plays out as an early evening or after hours piece and is a beautiful number to look for when hope is needed in a world waiting for peace and unity.

I have taken the album version of “All The People Of The World” and created a new ReStructure Mix for keeping this great piece alive. Some new breaks are created using the original drum tracks and are spaced into this new mix for a drop into more swaying to its message.

• Let Go, Let Go (Let Love Be The Driver) - Glenn Rivera ReStructure Mix - Kellee Patterson

Kellee Patterson is a disco singer from Gary, Indiana who became the first woman of color to win Miss Indiana in 1971. Her vocal talents eventually lead into the disco era where she recorded several memorable tracks including “If It Don’t Fit, Don’t Force It” from 1971. Her big disco hit “Let Go, Let Go (Let Love Be The Driver)” from 1979 is one of the grand pieces of disco memorabilia since it contains all of the elements of a fast paced disco track of the time. It was produced by L. Russell Brown and flows beautifully with its lyrical and sensual vocal delivery from Ms. Patterson.

I have taken the 12” version of “Let Go, Let Go (Let Love Be The Driver)” and reworked a ReStructure Mix using the bass guitars as the foundation of the mix. It is more of a dub outline with new beats added to beef up the energy.

• Let It Flow - Glenn Rivera ReStructure Mix - Tamiko Jones

Tamiko Jones is a vocalist who began her solo recording career in 1967 featured alongside percussionist Herbie Mann. Tamiko always delivered a sultry vocal that poured on the sensual edge and became her soulful delivery. Her 1976 album “Cloudy” featured the track “Let It Flow” which became one of her dance floor classics throughout the years. This funky and groovy piece gives Tamiko the lead in moving over the rolling instrumental and backing vocals like a snake charmer. It is one of her most sensual and leads up to her big 1979 disco hit “Can’t Live Without Your Love” produced by Randy Mueller (Skyy, Brass Construction, Funk Deluxe).

I have taken the 12” version of “Let It Flow” and created a new ReStructure Mix with more of the percussion to guide this one into a deeper realm. It extends the intro for a groove leading up to Tamiko’s outline and plays out with more breaks and percussion throughout.

• Waiting For A Train - Glenn Rivera ReStructure Mix - Moonbase

Moonbase is an Italo-disco project from Tony Carrasco who during the early 80’s shifted our ears and feet into a new sound utilizing the electronics of the time. His work with Mario Boncaldo with Klein and M.B.O. brought a new edge to the dance sector of Italo-disco and New York Street beat. Carrasco takes the track “Waiting For A Train” from Flash & The Pan from 1982 and transferred the innovative rhythms into a pulse of percolating sequencers and haunting keyboard riffs. The 80’s alternative sound that became an odd sense of reality of the time was united with the dance floors more apt to favor the disco edge pouring out of Italian dance producers as Carrasco.

I have taken the 12” vocal and dub into a ReStructure Mix and worked more on the rolling sequencers which roll modestly on the original mix. This reworking utilizes more of the effects for rhythm and a crescendo with the simple rap and rhythm of the song.

• Every Breath You Take - Glenn Rivera ReStructure Mix - Otis Liggett

Otis Liggett (Evan Rogers) is the artists responsible for electrifying The Police’s 1983 rock-ballad, “Every Breath You Take” – produced by Tom Coyne. This cover remained one of the powerhouse street dance tracks of the early 80’s with an identity close to the Shannon-sound (“Let The Music Play”) created earlier in the year. This heavy beats version takes the melody into a beatbox environment and plays it out in parts along with Evan Rogers’ wonderful reggae like vocal. This one stands alone as a true to the original with the bells and whistles of the dance floor of the period.

I have taken the 12” vocal and dub version to recreate a ReStructure Mix of “Every Breath You Take” and laid it out in a new arrangement. The intro breaks up the chords in a new flow and along the new mix as a mosaic sound project.

• Satisfy - Glenn Rivera ReStructure Mix - Soif De La Vie featuring Lyma Russel

Soif De La Vie is an interesting band featuring Christian Krusch, Helmut Wittler, Leo Walter and Oliver Hardt. Their venture into electronic dance music began in 1980 and in a four year timeline released 4 singles which best known is the high energy song, “Goddess Of Love” from 1984. Each of their singles features a guest vocalist where Rosay Wortham on “Goddess Of Love” was the instant success of the ensemble on dance floors due to its fast paced sequencers and drums pounding out the energy. “Satisfy” is the groups release from 1985 and features Lyma Russel on vocals which again emphasize the strength of the band when placed with a great vocalist. This mini-anthem plays out as our heroine yearning for a love connection roams the night. It is group’s powerful productions with the percussion and dance elements conquering below the fabulous vocal.

I have taken the 12” vocal and dub version of “Satisfy” and recreated a new arrangement for this ReStructure Mix. The intro is a fade on as an anthem desires and the percussion is used throughout the new mix with more layering.

• Your Love Left It's Mark On Me - Glenn Rivera ReStructure Mix - Sarah Dash

Sarah Dash is a soul-disco singer whose career is best known with the trio Labelle from the early seventies along with Pattie Labelle and Nona Hendryx. Sarah’s solo recording career began in 1978 with her big disco hit “Sinner Man” – produced by Gary Knight, Gene Allan, Jay Siegal and Wally Gold – under the direction of Don Kirshner. The reaction to this single was a welcoming site for many whose affection for artist with a soulful gift to bring a new edge to the forefront. “You Love Left Its Mark On Me” is one of the tracks from Sarah’s second solo album titled “Oo-La-La” and is a funky dance track with the bassline to work under a funk-tastic performance. She takes this heartache into a showcase of her vocal teasing and play.

I have taken the album version of “Your Love Left Its Mark On Me” and reworked a ReStructure Mix adding a new intro and breaks. I have worked on laying out more of the rhythm guitars into the spotlight and using some new percussion to give it more of a “dub” feel.

• Jerky Rhythm - Glenn Rivera ReStructure Mix - Erotic Drum Band

Erotic Drum Band is one of the early paths into hardcore projects of the early disco explosion. A conceptual group using heavy drums and percussion to outline dance floor tracks which at the time were proud to push all of the emphasis of the disco beat and percussion used to pump it up. Peter Di Milo brought a reality to this concept with Erotic Drum Band and made dancing a ritual like experience. The deeper focus on the rhythm itself and modeling drums and bongos for each track was a 60’s psychedelic experience. “Jerky Rhythm” is the finale number on the album, “Plug Me To Death” which plays out in this manner with the power of a Coachella Festival dance space. The projects include co-production from other Canadian music talent, George (Jerry) Cucuzzella and Sam Conte.

I have taken the album version of “Jerky Rhythm” and worked to create a new layer of raw dance for this ReStructure Mix. I have added a few classic rock touches from Santana to bring to life the experience of working an underground feel.

This ReStructure Mix is dedicated to Peter Di Milo! Thank you Peter for making disco music explode right below our feet!

• In The Night - Glenn Rivera ReStructure Mix - Cheryl Lynn

Cheryl Lynn is a voice that made the disco era complete. Her big hits “Got To Be Real” and “Star Love” from 1978 were the mortar which secured the disco wall. Her 1981 album titled “In The Night” was an electronic funk excursion produced by Ray Parker Jr. and was one of the most awaited with its big single “Shake It Up Tonight”. The title track is a mild trip which brings the early call of love onto the dance floor. It has the vocals where Cheryl delivers a sweet and analyzing performance.

I have taken the album version of “In The Night” and created a new ReStructure Mix with more of the mid-evening energy added. A Bohannon riff gives the verses a new spike and more breaks create the hardcore feel of the nightlife.

• Have Fun (Again) - Glenn Rivera ReStructure Mix - Diana Ross

Diana Ross is one of the iconic artists in music history. The success she created in the Motown era of the 60’s set a stage for a transition into the 70’s for another rein of original recordings for the soul and eventually disco music. In 1980 her album “Diana” was released and was one of the finishing touches for the end of the disco era – a project produced by Nile Rogers and Bernard Edwards of Chic, one of disco music’s headliners and very talented duo. Their sound along with Ross brought a new vehicle for continued success for both. “Have Fun (Again)” is another piece from the project which echoes the sound of the heavy bass guitars of Chic and the smooth disco strings and arrangements included. It is one of the numbers that received attention both on dance floors and fans.

I have taken the 12” version of “Have Fun (Again)” and reworked a new ReStructure Mix with a new focus on the energy of the chorus and the excitement of this pairing. More percussion and beats are added to bring it higher and more evident that the party has begun.

• In The Year 2525 - Glenn Rivera ReStructure Mix - The Act featuring Clinton III

The Act is an Italo-disco project from Claudio Mangione, Svan Taurus, and Walter Edlington. Their only release is a cover of the Zager and Evans song from 1968 which transfers the folk edge of the original into the 90’s house period following the success of the Euro-house band Double You and their cover of K.C. and The Sunshine Band’s “Please Don’t Go”. This was one of the most saturated dance markets of all dance history and does bring back the period as another light and happy era for dancing. The Act follows the same formula which always began with the pumping organ outline which was influenced in the early 80’s by Jimmy ‘Bo’ Horne’s “Spank”.

I have taken the 12” versions of “In The Year 2525” and recreated a more fluent version which focuses on breaks to give our minds and hearts and opportunity to image the lyrical content and its message. A touch of the original is added only to bring back the feeling of the 60s where folk music was a powerhouse of itself.

• Gone With The Music - Glenn Rivera ReStructure Mix - Voyage

Voyage is the centerpiece of disco music from the late 70s. European disco had matured into a new experience which combined a dramatic and at times orchestral touch over percussion, rhythm guitars and heavy bass. It was one of the 70’s iconic sounds from television shows and of course disco-fied soundtracks. It was a pairing of a 60s rock experience with more pop-like elements, Voyage is Marc Chantereau, Pierre-Alain Dahan, Sauveur Mallia, Slim Pezin and Sylvia Mason-James. “Gone With The Music” is from their 1978 album “Let’s Fly” – produced by Pierre-Alain Dahan, Claudette Tokarz, and Roger Tokarz. This one of the majestic celebratory tracks that Voyage gave dance floors with a map of the world set to a disco beat.

I have taken the album version of “Gone With The Music” and reworked a ReStructure Mix taking the elements that made the rock ‘n roll edged piece a new adventure. There are several new beaks and edits that give the best of what this band always gave.

• Magic - Glenn Rivera ReStructure Mix - Bella & Blue

“Magic” by Bella & Blue is one of the releases of its time which brought me back to the essence of disco music. The ideal beauty flowing through the air in an energetic form is one of the greatest since rock ‘n roll. The disco era filled dance floors with many variations of the style of the music that brought the concept alive and made people around the world take part in the fantasy. 70’s disco was beautiful and sweet with many soulful grooves pumped up. Hearing this release in 1991 and being strongly recommended by my good friend and high energy enthusiast, Dean Ferguson the whole essence of this Italo-disco track brought back that swirling above the disco dance floors which was beautiful music to bring the world together…with a beat.

Bella & Blue are Alessandra Mirka Gatti, Claudio Magnani and Emanuela Gubinelli.

I have taken the 12” vocal and instrumental to bring this ReStructure Mix alive again with the sound of a touch more percussion to guide it along the way. A new arrangement and breaks are new turns and roads.

• Shake Me Up - Glenn Rivera ReStructure Mix - Cheryl Dilcher

Cheryl Dilcher is a 70’s rock singer who began her recording career in 1970 singing psychedelic rock and folk music. Her career lead into the disco era where she was picked up by the dance label Butterfly Records – headed by A.J. Cervantes. During the disco boom many artist were attempting a comeback or break out by recording a disco track was customary and some were successful. “Shake Me Up” is a production from Jim Taylor who is known for his disco album from 1979 titled “ Bernadette” and also his affiliation with THP Orchestra and Blackwell. The love song sounds like early disco music with the swirling violins and heavy percussion elements. This may have been a safe play for a track that DJs would warm up to but during the release it was lost amidst many disco albums and singles pouring out onto dance floors and disc jockeys hands. It is one that holds a few irresistible hooks from Cheryl’s vocal delivery and the work on strong bongo fills.

I have taken the 12” version of “Shake Me Up” and reworked a new ReStructure Mix with more of those bongos beating in and out of a new layer of percussion. The song has a new fade as well as more of the chorus that definitely feels like a disco riff more than it sounds.

• Robot Is Systematic - Glenn Rivera ReStructure Mix - 'Lectric Worker

‘Lectric Workers are Franco Rago, Gigi Farina and X. Monneret – an Italo-disco project on Discomagic Records who released their first single, “Robot Is Systematic” in 1982. The single is one of the early Italo-disco tracks which became instrumental in both innovation and energy. It was picked up by San Francisco’s premiere DJ Subscription service and featured a remix by Steve Algozino (of Zino “Walk Away Satisfied”). The song uses a strange array of keyboard riffs and short interludes – very reminiscent of Trans-X’s “Living On Video”. An Italo-disco classic which one who desires the weaving of rolling bass sequencers and 50’s sci-fi scores a must.

I have taken the 12” version of “Robot Is Systematic” and reworked a new programming for this ReStructure Mix. I have added a familiar 80’s riff to the foundation to lend a bit more excitement and also approached the arrangement in a whole new way.

• Fools Are Friendly - Glenn Rivera ReStructure Mix - Xclusiv

Xclusiv is a UK disco project from British producer Jeremy Paul who also produced Nick Straker Band’s “A Walk In The Park”. “Fools Are Friendly” is a track that follows a mode of 80’s electronic songs that fit into a segment and sound of either early evening playlist or after hours. It moves slowly yet envelopes the ears and mind with its percolating sequencers and story which plays out as a mislead romance falls into tragedy. Almost a disco counterpart to soul music’s “What Becomes Of The Broken Hearted”. The rolling feel of the song make it a bit hypnotic and mysterious and fits into a category I always admired.

I have taken the 12” vocal and instrumental and recreated a new ReStructure Mix for a new act on this underground classic. More rhythms are added to bring the track and it’s EQ up to a slight more energy.

• You Fooled Me - Glenn Rivera ReStructure Mix - Grey and Hanks

Grey and Hanks are Len Ron Hanks and Zane Grey. This duo was most known for songs written for L..D., Jerry Butler and Jean Terrell to name a few. In 1978 they ventured into recording their music and adding to the disco realm and soulful blend of disco tracks. “Dancin’” was their big hit from 1978 and gave them a standing which lead to “You Fooled Me” which is from the album with the same title. This one is the disco blend of funk and soul which brings the 70’s to a head for the completeness of the dance floor. A nice production that lingers on with plenty of guitars and percussion to make the disco rhythms complete.

I have taken the 12” vocal and instrumental to recreate a new ReStructure Mix to outline this classic sound. More downbeats are added to give the new edit more drive and energy.

• Non Stop - Glenn Rivera ReStructure Mix - Patrick Hernandez

Patrick Hernandez became a household name is discotheques following his big 1979 disco anthem “Born To Be Alive”. Patrick performed his hot track in his unique and gentlemanly deliverance for audiences around the world bringing attention to his artistic approach to disco music. “Non Stop” is a single released in 1982 – produced by Jean Vanloo and parodies life as a pinball machine in a rhythmic sense. The impact is a bit less than his “home is where the heart is” message in “Born To Be Alive” but for the 70’s pinball craze it is a disco philosophy for dancing only.

I have taken the 12” version of “Non Stop” and created a new ReStructure Mix using many of the riffs I found attractive. It pumps longer in the areas where the groove can work the song and gives way to a fade with new drums and effects.

• Kiss Me Again - Glenn Rivera ReStructure Mix - Dinosaur

Dinosaur isArthur Russell and Nicky Siano – a duo creating an alternative disco track titled “Kiss Me Again” from 1978. Vocals are provided by Myriam Valle who was a member of the band Desmond Child and Rouge (“Our Love Is Insane”). This one always reminded me of the 60’s Janis Joplin styled track that utilizes Russell’s cello solos and a guitar accompaniment from David Byrne. A heavy dose of dreamy and induced love where the desperation becomes the essence of a moody rock track or an early morning dance song. It plays out in a memorable fashion and has always been one of my favorites from the period which helped to create a new direction for alternative funk and disco.

I have taken the 12” version of “Kiss Me Again” and created a new ReStructure Mix with a new intro and some pumped up bass lines. The dreaminess of the track is intact so that the original flow can work on its own again.

• Thank You Baby - Glenn Rivera ReStructure Mix - Rudy

Rudy is Rudy Trevisi and is the focus of this Jacques Fred Petrus (Peter Jacques Band) production along with Mauro Malavasi. This powerhouse Italo-disco package is the exceptional growth of their projects like Macho, Change, B.B. & Q Band and various independent artists in the disco realm. “Thank You Baby” is one of the fast paced tracks with the roaring synthesizers and horns guiding the energy in the right directions. Included on backing vocals are Christine Wiltshire and Krystal Davis.

I have taken the album version of “Thank You Baby” and recreated a new ReStructure Mix for this fabulous piece. I have focused more on the rhythm and breaks to provide an ample remix. Added drums and breaks are more of the challenge here.

• I Love Everythng You Do - Glenn Rivera ReStructure Mix - Susan Stevens

Susan Stevens is a Canadian dance music vocalist who was produced and created by Johnny Dorazio, Robert Brewster and Tony Bentivegna – who also worked on the Nightlife Unlimited project on Casablanca Records. This phase in the early 80’s was a retrospect of late 70’s disco with a full electronic production. The endearing melodies and strong female vocalist were still upfront as productions as this proved that dance floors were still clamoring for beautiful feel music to move to. “I Love Everything You Do” is a single released in1983 and uses whirling synths and light keyboard riffs to bring the love song to a crescendo.

I have taken the 12” version of “I Love Everything You Do” and created new ReStructure Mix adding some new beats and breaks to give the song more of a dance floor edge. The works are still intact with a few new surprises.

• Weekend - Glenn Rivera ReStructure Mix - Mick Jackson

Mick Jackson (Michael George Jackson-Clark) is British artist, songwriter and singer who are best known for his composing “Blame It On The Boogie” – a song he recorded and also recorded by The Jacksons 1978 album “Destiny”. During the high point of disco music’s peak in 1978 marketing and releases were at their most celebrated and was a must for new, old and continuing singers and bands to release a single that was dance formulated for discotheques. “Weekend” is an anthem that shadows closely the funky sound of “Blame It On The Boogie” with a pop-effervescence that is truly the “disco single” of the time.

I have taken the 12” vocal and instrumental of “Weekend” and reworked a new ReStructure Mix with a new outline on breaks and also a fade in. There is some new percussion to assist the groove and a longer exit.

• Heat You Up (Melt You Down) - Glenn Rivera ReStructure Mix - Shirley Lites

Shirley Lites is a West End Records artist who’s 1983 release “Heat You Up (Melt You Down)” made her a remedy for aching dance floors. The track was produced by Frank Fioravanti, Joe Parente and Lou Parente – and was one of the great tracks which helped to give clubs like Paradise Garage their iconic sound. The bass drums on a reverberating echo chamber are the deep hidden groove and help to bring out the sound of New York street music of the mid 80’s. The creation of a soulful diva waving her notes in and out of this melodic groove became one of this period of dance music its flair – similar to what Sharon Redd’s “Beat The Street” formulated in 1982. Shirley Lites plays out this night of exuberance like a pro with her wonderful accompaniment and soulful style. This is one of those dance floor moments that can only be explained when experienced however the lure is all about the mystique.

I have taken the 12” vocal and “melt down mix” into a new ReStructure Mix experience and reworked this fire into another play. It uses those thumping beats and smooth keyboards to capture the sound which got away much too soon.

• Save Yourself For Me - Glenn Rivera ReStructure Mix - Dee Dee Martin

Dee Dee Martin is Jill Saward – a high energy project from producers Fred Bolero and Jeff Rivell. This is one of the early breakout projects from Passion Records in the early 80’s when their dedication to keeping the disco sound from the late 70’s alive. The edge of these productions followed closely a sound created by The Simon Orchestra – plenty strings (synthetic strings), a heavy bass synthesizer and pounding orchestral drums. This sound became the dance explosion once again during this period and soon became the driving force of high energy music. “Save Yourself For Me” is a lyrical love song with the Passion Records sound that echoes their big releases “Catch Me (I’m Falling In Love)” by Marsha Raven and “Got To Get To You” by Charade. The vocal from Jill Saward is one of the sweetest parts of the track and gives it the right edge for a love song.

I have taken the 12” version of “Save Yourself For Me” and recreated a ReStructure Mix which takes the beat and rhythm tracks to a new foundation. It moves the verses around and gives way to some new breakdowns.

• Love Is - Glenn Rivera ReStructure Mix - Thoty

Thoty is Salvatore Vitale – an Italian vocalist who released the 1985 single “Love Is” produced by Paul and Peter Micioni (Gary Low, Klaudia, Bo Boss, Gazebo). This piece is an early morning gem that shines like a dance palace standard. It rings out the 80’s pop-rock sound with more of the Italo-disco elements guiding it along. Often mistaken as a number that may have been an 80’s band ala Cock Robin or of the sorts. “Love Is” is a flowing song that gives Thoty a nice arena to belt out in desperation just how much a romance means to his own. It is an effective number and wonderfully arranged by Micioni’s with the flair they have always given their projects.

I have taken the 12” and club version of “Love Is” and reworked a new ReStructure Mix with a new edit and some new elements to assist in this new light. A few samples of another big 80’s icon take side stage to remind us of how a love song can make the floor shutter with delight.

• Cold Turkey - Glenn Rivera ReStructure Mix - Chris Mills

Chris Mills is a Canadian disco singer whose album from 1981 echoes the high energy sound that was created by Joe La Greca and Denis Lepage. This electronic production is similar to the big sound that was changing the face of dance music in the early 80s by artists like Vera, Carol Jiani and Lime. “Cold Turkey” is from the self-titled album and was written by Denis and Denyse Lepage and gives Chris an opportunity to display his soulful edge to heartbreak and his moments following the demise of a relationship. This one pumps out like an electronic street- track with a keyboard arrangement that gives way to the drama. A nice piece of synth-pop with the 80’s energy sound fused in.

I have taken the 12” vocal and instrumental of “Cold Turkey” and reworked the beats, bongos and vocals into a ReStructure Mix. This re-edit adds a new bass beat to pound below the motorized percussion with more of the tracks instrumental used as breaks and to the songs layout.

• What's She Got - Glenn Rivera ReStructure Mix - Liquid Gold

Liquid Gold is a disco band from United Kingdom and includes Ellie Hope, Franco Morruzzi, Ray Knott, Syd Twynham and Wally Rothe. The production from Adrian Baker is one of the big sounds of the late 70’s disco era which united the pop-edge of dance music. Lead vocalist Ellie Hope is one of the definitive parts of the band and it’s magic. “What’s She Got” is a single released in 1983 and is produced by Rob Davis and Tony Taverner – this following the new era of disco/dance music where more of a down beat was being emphasized. The track was a popular one among many clubs that were still invigorating the disco sound as well as the new Italo-disco wave.

I have taken the 12” vocal and instrumental of “What’s She Got” and re-pieced together the rhythm and percussion sections for this ReStructure Mix. It has been reedited with more of the drive and energy in mind.

• Summernight City - Glenn Rivera ReStructure Mix - Astaire

Astaire is one of the early high energy projects from Passion Records and producers John Davies, Nigel Stock and Robin Sellars. During an important period for dance music in the early 80’s this trio along with vocalist Tracy Ackerman created the sound of Passion Records with the symphonic high energy edge. Dance floors were still moving to the heavy disco beat but now in a new way. A hardcore blend of striking keyboards and heavy drum fills was the pace for dance music and soon became the recipe for high energy disco music. “Summer Night City” is a cover of the 1978 ABBA track and takes the pop-song into a heavy rolling house-feel. It plays out well as Tracy Ackerman’s familiar vocal is a touch of soulful beauty with the disco edge. It is a reminder of just how exciting the 70’s night was and how it affected our worlds.

I have taken the 12” version of “Summer Night City” and reworked a bit of the rolling bass synths along with some new beats for this ReStructure Mix. There is more of a movement here more towards the dub sound although the verses remain intact.

• Don't Let Your Chance Go Bye - Glenn Rivera ReStructure Mix - Watson Beasley

Watson Beasley is Alfred Beasley and Gina Watson – a duo that fit into the early 80’s like new glove. Their soulful voices were pumped into a sound that crossed lightly into an 80’s nu-wave edge. Produced by Peter Alves (Witch Queen, Lafleur, and Soiree), Alfred Beasley and Gina Watson and recorded in Montreal this masterpiece is one of the projects which helped to keep the 80’s alive with the matured sound of disco music which many producers and artists from Canada had created and fed. “Don’t Let Your Chance Go By” is a nice pop-edged number that always reminded me of “What A Fool Believes” by The Doobie Brothers with a whole lot more of soulfulness and drive. It is one of the hidden gems of the period and always brought an early dance floor to me when included in my early evening sets.

I have taken the album version of “Don’t Let Your Chance Go Bye” and reworked a new ReStructure Mix with more emphasis on rhythm and a new outline. More of the verses are set in motion with new percussion and a few samples from a Motown classic.

This ReStructure Mix is dedicated to Alfred Endure Beasley – in thanks for his contribution to music history on the dance floor.

• Peaks and Valleys - Glenn Rivera ReStructure Mix - Hott City!

Hott City! Is a disco studio group from Jeffrey Steinberg and Jeffrey Parsons and features several vocalists on different tracks on the project “Ain’t Love Grand”. Released in 1979 this five track album was another one of the Butterfly Records gifts to the disco community with all of the trimmings that had evolved from the disco works of the late 70’s. “Peaks and Valleys” is the last number on the ride and is second track featuring vocalists Mildred Vaney and Ortheia Barnes – ho later became Cut Glass and recorded under the same producers the disco classic “Without Your Love” from 1980. “Peaks and Valleys” tells the story that the disco era simply was – a breath of fresh air for tired eyes and minds. It builds like an anthem which seemed the norm for these two wonderful ladies behind the vocals.

I have taken the album version of “Peaks and Valleys” and recreated a new depth in this ReStructure Mix. There is longer intro and more breaks to remind us of what a lifesaver the dance floor was in the late 70’s.

• Never Say Goodbye - Glenn Rivera ReStructure Mix - Chip Chip

Chip Chip is an Italo-disco project from producer Michael Gordon and features
Elena Ferretti and Caren Monique – who later were known as another studio group titled Two Girls (“Another Boy In Town”). The power of Italo-disco had built itself into a completed experimental phase and was now a full out “high energy”. This production is definitely influenced by the group Fun Fun a few years earlier when their track “Colour My Love” became a crossover for Italian disco in clubs as the title follows the familiar pattern. “Never Say Goodbye” was one of my personal favorites during its release and even now always brings back a magical time of 80’s dance music in my heart and mind. The smooth rolling bass and whimsical keyboards have always been a special place of the dance floor and the fantasy that disco music provided for feet.

I have taken the 12” vocal and instrumental of “Never Say Goodbye” and recreated a new ReStructure Mix using the drums and percussion in a new display. More of the rolling keyboard loops and sequencers break the verses into new energy.

• Make It Love - Glenn Rivera ReStructure Mix - Debbie Jacobs

Debbie Jacobs is one of disco music’s powerful artists. Her voice is a force of energy and beauty among the bass and roaring disco arrangements. Her second album “High On Your Love” from 1980 is another production from Paul Sabu and plays out as the perfect follow up to her “Undercover Lover” from 1979. “Make It Love” is one of the tracks which always stood out to me since it promotes the arrangement of a light rock edge keyboards and guitars in a funky disco arrangement. The riff is an opportunity to feel Debbie’s contagious delivery which always made her music a part of disco dance floors.

I have taken the album version of “Make It Love” and recreated a new ReStructure Mix to give these one another turn. More swing beats are added to brings it more of the pulse of the street beat sound

• Sessomatto - Glenn Rivera ReStructure Mix - Sesso Matto

Sesso Matto is Armando Trovaioli – an Italian film composer whose 1976 track titled “Sessomatto” is one of the classic disco pieces for West End Records. The song was a part of the soundtrack for “How Funny Sex Can Be”. The jazzy and sexy song also gives credit to early disco pioneers Barry Lederer and David Mancuso (The Loft). As one of the early releases as a disco singles and the European flavor and att8itude of chic disco music. It was this unation of funky elements which made disco music as sexy as it was. “Sessomatto” is a formula which brings together a funky groove and a few riffs that echo over and over. As this one plays out you can feel the early 70’s funk influencing a new genre of dance music that would become disco.

I have taken the 12” version of “Sassomatto” and reworked the sensual elements into a new ReStructure Mix. There is more foreplay with drums and percussion along with a few classic samples of what really made disco feel sexy.

• Germany Calling - Glenn Rivera ReStructure Mix - Tone Band

Tone Band is Adrian Askew, Linda Anson and Mike Starrs. This trio followed electronic bands that became the sound of synth-pop and a mixture of nu-wave in the early 80’s. Very influenced and similar to projects like Telex and Kraftwerk. “Germany Calling” is their 1981 album with the title single being one of the rare finds for those jocks who were heading towards an alternative or early morning sound in their programs. It is the earliest sign of what emerged in the mid and late 80’s with groups like Silicon Dream, Departure, Mozart and RAF – later to capture the attention of music subscription services like Razormaid. The rolling synthesizer and sequencers are reminders of the disco influence that later became the high energy sound.

I have taken the 12” version of “Germany Calling” and transferred the broadcast in a new way for this ReStructure Mix. The original displays a mixture of a tune from the musical “West Side Story” and a movement from Beethoven – this blend brings more of each into the fantasy.

• Never Let A Day Go By - Glenn Rivera ReStructure Mix - Cerrone

Cerrone is the man who developed disco into a European flavor that took he dance floor and music into a new realm. His work has always been respected from dance floors to connoisseurs of yesterday and even more so today. “Never Let A Day Go By” is a single from his 1989 album “Way In” and features Jeff Posseto on lead vocals. This lovely song has echoes of the Stock, Aitken and Waterman feel that was topping the lists of this period (ala Donna Summer’s “This Time I Know its For Real”). There is an irresistible flair to this one and does play out as a beautiful Cerrone piece and reminds us that talented artists survive in many arenas.

I have taken the 12” vocal and instrumental of “Never Let A Day Go By” and created a new weaving ReStructure Mix using some of Cerrone’s well known past markers. A loop in and loop out edit are the chances I took on recreating a new experience.

• Gimme Love - Glenn Rivera ReStructure Mix - Cellophane

Cellophane is Alessandro Novaga and Giorgio Paganini. This Italo-disco project is from 1983 and 1984 and relays another progressive move in dance music. The synthetic sound of dance music during the early 80’s was an emulation of the disco was hearing in the late 70’s. As groups like Cellophane tweaked and reworked the electronics of Italo-disco their new edge was this abstract delivery in pieces and edits using vocoders and ecstatic riffs to color there canvas. It was much like what Art Of Noise did for the “beat street” sound of the 80’s. “Gimme Love” is their initial single from 1983 which evoked a hardcore delivery of their work. This one sounds like a Moroder piece from his experimental board on steroids and a dot of acid. A nice 80’s Italo-disco piece which marks a period where new hands rework the formula with glorious results.

I have taken the 12” version of “Gimme Love” and transformed the original parts into a new ReStructure Mix. This homage to the Italo-disco of the 80’s plays out in a way that is familiar to Cellophane’s tradition. It is given a few new breaks and twists and tweaks.

• She's A Groovy Freak - Glenn Rivera ReStructure Mix - Real Thing

Real Thing is Chris Amoo, Dave Smith, Eddie Amoo, Kenny Davis and Ray Lake. This soul/funk/disco ensemble brought many tracks to the dance floor before, during and after the disco phase. Best known for their hits “Can You Feel The Force” from 1978 this band controlled their sound with a nice harmonic soulful sound. “She’s A Groovy Freak” is a single from 1980 which became one of the shifts in disco beats to funk – produced by James Mtume and Reggie Lucas who gave us disco classics by Phyllis Hyman, Stephanie Mills and their own group Mtume.

I have taken the 12” version of “She’s A Groovy Freak” and reworked a new ReStructure Mix to give this one a longer life. It is one of the funk dance tracks that has some great riffs and always brings to mind that beat silence that took place in the early 80s.

• Here Comes The Rain Again - Glenn Rivera ReStructure Mix - Eurythmics

Annie Lennox and Dave Stewart are Eurhythmics. This 80’s band is one of the creative forces of their time with obscure vison and takes on love and heartbreak. Initially fused as a synth-pop sound from their big hit 1982 “Sweet Dreams” their sound merged a light rock edge with the dance arena of the 80’s. “Here Comes The Rain Again” is a single from 1983 which features The British Philharmonic Orchestra on symphonic strings. The track was another surprise from the duo as it retained their eerie play with heartbreak, exquisite writing as well as Annie Lennox’s masterful vocal.

As a salute to the 80’s and the continuance of dance history I have created a new ReStructure Mix for “Here Comes The Rain Again” using the 12” extended version and instrumental. A more sweeping intro with the lush strings and a play with the synth-drums and passion of the song.

• For Your Sweet Information - Glenn Rivera ReStructure Mix - P.J. Marcus

P.J. Marcus is An Italo-disco artist who recorded on the Cruisin’ Records label from Ennio Tricomi. “For Your Sweet Information” is a 1985 single which is memorable for a beautiful period of melodic Italo-disco and the fusion of electronic dance music becoming high energy. This one uses synthetic horns to call on the energy and a fast moving percussion as well as a love note for a romance being resurrected. P.J.’s vocals ring out that 80’s synth-pop feel that we were familiar with in many Stock, Aitken and Waterman productions. It rings a nice sound for this rolling dance track and is another tribute to that Italo-disco period which kept feet moving throughout the 80’s.

I have taken the 12” vocal and instrumental of “For Your Sweet Information” and created a new ReStructure Mix adding more intro and build to the opening and extending those wonderful chorus loops. This plays with the percussion and some of the vocals to give the song a break from the crescendo of the original.

• L.O.V.E. Got A Hold Of Me - Glenn Rivera ReStructure Mix - Demis Roussos

Demis Roussos is a Greek singer who began his recording career in 1971 which carried him through his lifetime when he passed in 2015. His distinctive vocals and style are the memory of this man’s incredible music journey. During the disco era his project with producer Freddie Perren brought his self-titled project which featured the single “L.O.V.E. Got A Hold On Me”. The track was popular among his fans and many disco audiophiles who were aware of the fondness of the blend of history of this talent along with the supreme touch from Perren. The song plays out with a touch of disco underground feel where the groove plays on as the arrangement takes its own control.

I have taken the 12” version of “L.O.V.E. Got A Hold Of Me” and reworked a new ReStructure Mix of this hidden gem. It focuses more on the dub aspect of a new song utilizing the synth pieces as a foundation. More of the passionate feel of this one is placed into a new perspective.

• Deliverance - Glenn Rivera ReStructure Mix - Space

Space is French disco ensemble created by Didier Marouani and Roland Romanelli and helped to pave a new sound for not only disco but also reviving a new age and electronic arrangements. Their contributions to music in the disco realm are a force to themselves and when more of their talents are exposed there is more of a symphonic feel. “Deliverance” is from their 1977 album by the same name and features a powerful vocal by Madeline Bell. This one is an anthem in its own right. Powerful chorus backing and a haunting aura make this one a nice production. One of the great numbers from Space and a layout of their phenomenal sound.

I have taken the album version of “Deliverance” and reworked a new ReStructure Mix for a tribute to this time in music and Space. There are more drums and percussion added to pull the original arrangement into a new world.

• King Of Clubs - Glenn Rivera ReStructure Mix - Chocolat's

Chocolat’s is a disco ensemble produced and founded by Marcel De Keukeleire. Their music was a celebration of dance and always moved to bring satisfaction to feet. “The King Of Clubs” is from their 1976 album and was one of the hidden treasures of the disco scene when it blasted throughout clubs igniting the complete sound of what the dance floor was all about at the time. It contains some of the funkiest rhythm guitar work and also a wonderful flowing chorus. This one is a classic in many senses and only reminds us of the unity and satisfaction of the disco dance floor.

I have taken the album version of “The King Of Clubs” and created a new celebration in this ReStructure Mix. I have added a new beat track and some percussion to make this trip worthwhile.

• I May Not Be There When You Want Me (But I'm Right On Time) - Glenn Rivera ReStructure Mix - Loleatta Holloway

Loleatta Holloway is one of disco music’s golden moments. Her vocals are a powerful tool used along with the storming disco energy that reined in the late 70s. “I May Not Be There When You Want Me (But I'm Right On Time)” is from her 1978 album “Queen Of The Night” – produced by Norman Harris and written by Bunny Sigler. This mainliner is a true disco classic with its diva attitude and full throttle production. Everything that is "disco" is here from the rolling bass to the blaring horns. One of Loleatta’s great vocal performances again and with the flawless production this one deserves to keep moving on and on.

I have taken the 12” version of “I May Not Be There When You Want Me (But I'm Right On Time)” and reworked the arrangement for this ReStructure Mix. A new layer of percussion guides this one along.

• Open Mind - Glenn Rivera ReStructure Mix - Jean Luc Ponty

Jean Luc Ponty is one of artists whose longevity in music beginning in 1964 led his talent to be shared on dance floors in 1984. His project titled “Open Mind” contained the title track which brings to mind an essence of new age and a connection to a dance fusion. His violin performance follows closely what tracks like “Bolero” did in the 70’s in a new way. There is an 80’s exuberance to the sound of this track which pieces together the jazz edge of Luc Ponty and the world as it was for the time.

I have taken the album version of “Open Mind” and refused a new sound for this ReStructure Mix. I have added some familiar percussion tracks from Kat Mandu’s “The Break” and also some of the excitement of a great dance floor instrumental. It plays out again in a new way.